All Book Reviews
In this inventive South Korean novel (based on an earlier short story by the author), a woman decides to become a vegetarian after a disturbing, blood-soaked dream leaves her convinced that she needs to purify herself. Yeong-hye remains largely a mystery to us throughout the novel -- we hear about the situation mainly from her husband, brother-in-law, and sister, and they're often more interested in what they want from her (passivity, "normal" behavior, sexual gratification) than in understanding what's happening inside her mind. It's interesting to watch the escalation of behavior that's considered inappropriate; even the most mild changes to her routine provoke violent reactions and eventually lead her family members to cross lines of their own. At first, not eating meat alone is shocking and indicative of disrespect for her husband, then a refusal to wear a bra, then a discomfort with speaking -- and the gap widens more and more between Yeong-hye and the people around her as she withdraws from the world in her obsession with becoming more plant than animal.
Still, despite the oddity of the premise, it reads more like horror than comedy, and there was some real emotional weight to Yeong-hye's problems and to the exploration of the internal lives of her family as they react to her rebellion in increasingly bizarre ways. I liked the first section (dealing with the destruction of Yeong-hye's marriage) more than others, but they were all fascinating, and the sister's perspective helped bring things to a satisfying conclusion. Some parts were a bit too on the nose for my taste, but it was an engrossing read overall. There was a lot of reflection on the position and treatment of women in modern-day South Korea, which may interest some readers, as well as a more general look at the everyday violence around us, people's inner desires, and the pressure to conform. (I'd give this 3.5 stars if I could, but I rounded up because the writing deserved it.)
Review: This is the one of best historical fiction books I've ever read. Most historical fictions get their facts wrong, but this book had accurate details and the writer manages to get a good story into it. I absolutely loved the plot and the different kind of character's. The only problem with it is after all that detail throughout the book, at the end it kind of just drops off a cliff. It had a unique ending, I just wish it had more explanation to it.
Popular school mascot Brittany Montague jumps off a bridge in her mascot costume. The only two members of the private school's "Mystery Club" are determined to find out why.
This book took me forever to read, mostly because it was kind of awful. I picked it up because I love a good murder mystery and this was billed as Twin Peaks meets Pretty Little Liars. While I'm not super familiar with either property, I figured that this meant it would be a dark and weird murder mystery with a touch of scandal and gossip, which, YES PLEASE. I was also pretty drawn in by that AMAZING cover. Kudos to whoever designed that. But the book itself was not so great. I've actually got so many reasons that I didn't like it that I'm going to present them in an enumerated list:
1. The "mystery" such that it is, is actually solved in the first 100 pages, and the book was seriously uninteresting after that.
2. BOTH main characters were freaking terrible, small, boring people.
3. Aside from the MCs, there were five "bad" characters in the book, four of which were people of color (three are Asians - does the author have something against Asians?). There's also a weird sort of anti-Semitic statement. So.
4. Adults are presented as being totally worthless. Something to this effect is actually said multiple times.
5. There is a weird unresolved child porn sex-ring subplot that will seemingly go somewhere in the next book? Somehow this is a series?
6. Our lovely main girl character refers to other lady characters as sluts, because, as mentioned earlier, she is freaking terrible. There is other fun sexist messaging as well. At one point, a coach basically calls women crazy because they get periods. Awesome.
7. Oh yeah, and there is rape. Because of course there is. Our main characters know about it, but do they do anything? No! Because they are terrible. The whole thing is basically shrugged off.
Sigh. This was clearly meant to be satire or a parody or funny or something, but whatever the author was doing, it was not working. Not for me, anyway. 1 star - I did NOT like it.
This series is really a must-read for fans of modern fantasy, mythology and pop culture. The Wicked + the Divine takes place in a world where a phenomenon called the Recurrence occurs every 90 years, causing a Pantheon of twelve deities from across human cultures to awaken within the bodies of young adults, granting them tremendous superhuman abilities. They will be loved, they will be hated, but two years after awakening, they will all be dead. The year is 2014 and the Recurrence has come again, and this new crop of gods blurs the line between the way deities were worshipped in ancient times and the way humankind worships its popular icons in the modern day. Though they are reincarnations of figures from antiquity- Lucifer, Woden, and Minerva, for example- their personas and appearances invoke modern musical icons like Daft Punk, David Bowie and Prince, and their worshippers stalk their instagram feeds and attend sold-out concert-like performances of their miracles.
However, all is not divine within the ranks of the Pantheon. Skeptics dismiss their claims of "godhood" and "miracles" as delusions, hallucinations or special effects, and point to the last Recurrence - which took place during the 1920s - as the product of the same sort of hoax as those performed under the umbrella of Spiritualism during that era. And, these new gods have all the hormones, the petty selfishness and the capriciousness of the teenagers and young adults they used to be, only now they have superhuman powers at their fingertips, and the weight of the knowledge that for all their strength they will all die before two years have passed. The mysterious goddess Ananke, who exists outside the cycle of the Pantheon, is the only being who seems to understand the forces at work behind the Recurrence, and she acts as something of a guiding light for the gods, though a cryptic and guarded one, at best. Into this tumultuous mix enters Laura, our narrator, a god-obsessed superfan who idolizes the Pantheon to the point of distraction. Though Laura wants nothing more in this life than to be a god herself, she settles for attending their tours, buying their merchandise and following them obsessively on social media, getting as close to them as she possibly can. That is, until she unexpectedly befriends the young Lucifer at a concert and finds herself suddenly drawn into the beautiful, deadly and miraculous world of intrigue that surrounds the members of the Pantheon.
This comic is incredible, both in terms of its writing and worldbuilding, and its art, which is both stunning and incredibly consistent. It is also a wonderful example of diversity and inclusiveness in what is, essentially, a superhero comic - Laura is part of a loving biracial family, Lucifer is a polyamorous, genderfluid woman who is a dead ringer for Bowie, and representation of queer characters, women and people of color abound. I collect this comic religiously (hah!) in both its individual issues and its trades, and I really cannot recommend it enough. However, when our rating says M/Mature, we MEAN it. While there isn't much in the way of graphic sexual content, there is some gore, frequent adult language, and a whole lot of adult situations.
Rainbow Rowell's "Carry On" had me laughing and tearing up and cheering along the protagonists like a crazy person, which -- as I listened to the audiobook in my car -- I'm hoping didn't concern my fellow drivers. This book is not only a clever love letter to the Harry Potter universe/the concept of a "chosen one" narrative, it's one of the cutest teen fiction romances I've read in a long time. I'm going to try not to spoil anything, which is why this review is so very, very short, but... Awww. What a simultaneously goofy and emotional book.
As you may or may not know, "Carry On" takes place in the universe Cath is fangirl-ing over in Rowell's other novel, "Fangirl," but I'd say it works very well as its own independent story. You could read it as a set with "Fangirl," or just read it for its own sake, I imagine both ways are fun and interesting for different reasons.
Categories: Teen Fantasy, Just Plain (?) Fantasy (if you love the Harry Potter books, this is kind of intended for you, I think, regardless of age), GLBTQ Fiction, Humor (?), Romance, Satire/Reinterpretation
"Swamp Thing: Volume One, Raise Them Bones" is the beginning of Scott Snyder (author) and Yanick Paquette (illustrator)’s visceral, mythic run on the comic, which I recommend heartily to fans of horror/grotesque gothic stories.
Detailing the eternal conflict between the Green (plant life), the Red (animal life) and the Rot that would consume and twist everything, Snyder’s interpretation of Swamp Thing is full of haunting imagery and interesting worldbuilding. Later on, the comic run is taken over by Charles Soule, who does a lovely (albeit very different) job carrying on the story.
For now, though – renowned botanist Alec Holland has been chosen by the Green to shed his humanity and become their knight. Will he go willingly? And what will become of him now that he’s been claimed, whatever he chooses to do?
-- This book is suited for older audiences, in my opinion, and definitely not children. The illustrations are often what one might call “graphic.” Be warned. It is something of a horror comic.
-- If you like this first volume and keep on with the series, just know that during the Rotworld arc, "Swamp Thing" crosses over with Jeff Lemire’s "Animal Man." It may behoove readers to pick up "Animal Man: Volume Three, Rotworld," at least, in order to get a complete look at the story. :)
Real Rating: 4.5, rounded up. 6 stars for the Olympians!! Not so many stars for Orion and some of the other creative choices here regarding Diana's origins (that's personal, though -- you may disagree with me.) BUT THE OLYMPIANS, THOUGH.
Brian Azzarello’s work isn’t always my cup of tea, but I have to say I really appreciate a lot about his recent run on Wonder Woman, beginning with “Wonder Woman Volume One: Blood.” A lot of my appreciation for this comic stems from its creative portrayals of the Greek gods – Dionysus can twist the world as a proper god of madness, Apollo is made out of sizzling magma-ish sun stuff, with an obsidian skin hardened over his fiery insides, and Artemis is literally shaped out of fluid moonlight. It’s gorgeous, and a ton of fun. If you love Greek folklore but have always wanted to see Poseidon represented as a barnacle-crusted sea monster, this may be the perfect series for you. Cliff Chiang's art is also very modern and playful, which fits the optimistic tone of the book perfectly. Diana is fierce and loyal, here, a heroine truly worthy of the name “Wonder Woman.” Some of the characters didn't mesh with me so well (>:( I'm looking at you, Orion!!! Augh!!) but despite that I eagerly awaited every volume of this series as I was reading it, so… Consider it hereby recommended for the fun-factor alone. Watch Hera try ice cream for the first time! Watch Artemis run rampant through a tube station! ALL IN DC COMICS CANON! Yes!
"Grayson Volume One: Agents of Spyral" (by Tom King and Tim Seeley, illustrated by Mikel Janin), gifts readers with a remarkable glimpse into Richard Grayson's head. Formerly Robin, formerly Nightwing but CURRENTLY (as of this comic :P) infiltrating a super-secret web of spies at Batman's behest, Grayson of the acrobatics and charming banter has been tossed into an unfamiliar world of misdirection and the coldest of cold scheming. Here, the agency's morally twisted Hypnos implants allow spies to sneak memories and emotions into unsuspecting human minds, as well as alter their own appearances at will. Here, the former Boy Wonder plays at a dangerous balancing act, pretending to be a loyal to his new director -- a man who always technologically blurs out his own face -- even while living by the codes and ideals he learned from Batman on the rooftops of Gotham. At least in Gotham, the rot and criminal horror of things is plastered right there on the surface, and Richard has a decent enough idea who he can trust... And who he, himself, actually is.
I cannot recommend King and Seeley's Grayson run highly enough, to be honest. It's playful and funny one minute, and then genuinely heart-wrenching the next. It might be in part my affection for dear Mr. Grayson as a character, but... Coming from someone who doesn't usually enjoy spy stories, this series is EXCELLENT. I know it won't be everybody's cup of tea, but if you're interested at all in Robin/Nightwing/the guy who can be both sometimes, when it's needed, you might really get into this series.
I don't recommend this book to anyone completely stressed out. Amy Poehler is crazy busy and manic in her daily life. That's fine for her, but I was reading it during a stressful/manic period of my life and it wigged me out. Although it's a bit scatterbrained, it is a good book about her life with some very famous improv groups and tv shows.
“Through the Woods” by Emily Carroll is a comic book collection of whimsically morbid fairy-tales, each mostly self-contained but serving what I would call an important, human theme: the uncanny waits, and surrounds, especially where you wouldn’t expect it. I love the stark yet evocative art throughout this book, and some of the stories did manage to surprise me. I personally love testaments to the monsters under our beds, particularly those intended for adults, and if you do, too, you may carry something interesting away from this collection. At any rate, the art is gorgeous, feeling “classic” even as it’s so unique.
Review: A friend of mine recommended this book to me and she is a big reader so I thought it would be good. Boy was I wrong. Right from the start this book was very slow. It went into immense detail and showed the main character's every thought. Some people may like this, but I though it made the book boring. About halfway through the story started to pick up a little.
I was actually interested in finding out where the best friend had gone, with was the only reason I kept reading it. The whole book revolved around finding the main character's(Emily) best friend. Emily went on a spectacular goose chase looking for her friend and I was expecting just as a spectacular ending to it. But alas, the best friends return was as boring as it gets. I would have given this book a higher rating if it had a better ending. Overall I did not love this book and I wouldn't recommend it.
Writer Scott Snyder and artist Greg Capullo are each AMAZING in DC's just-ended Batman run, starting with "Batman Volume One: The Court of Owls." Seriously, amazing. These books are morbid and playful, working with Batman's psyche and the twisted fairy-tale that is Gotham in a way I think works really, really well. Bruce Wayne feels fully-realized and complicated, as a character, and a great many of the Bat Family get a chance to shine. I personally love Snyder's take on Batman's ensemble of villains, from the Joker (don't worry, he'll show up soon) to the infamous Crazy Quilt (yes, I'm serious.) The "Court of Owls" introduced in this first volume adds yet another layer of rot to this already twisted city, wonderfully developing both the Wayne family history and Gotham as a symbol. I'll leave you with a nursery rhyme repeated throughout the Court of Owls arc, to give you a feel for what sort of story is waiting for you here: "Beware the Court of Owls, that watches all the time, Ruling Gotham from a shadowed perch, behind granite and lime. They watch you at your hearth, they watch you in your bed. Speak not a whispered word of them, or they'll send the Talon for your head." Come on! If that isn't a recipe for fun Batman shenanigans, I don't know what is. :)
Writer Tom King and illustrator Gabriel Hernandez Walta come together to make something really unique and thought-provoking in "The Vision Volume One: Little Worse than a Man." Here, Vision of the Avengers is trying to make a human family for himself, tucked into an unsuspecting suburb in Virginia. He used Wanda Maximoff's brainwaves to build himself a wife (because THAT can't possibly go badly, right?) and has combined their code to form two children, Vin and Viv, who will be learning what it is to be an artificial life even while having to attend public school. Despite this potentially sitcom-esque set up, the Vision family presents readers with a very dark, pensive future indeed, full of melancholic narration that borders on poetry. This series is about identity, and good intentions gone horribly awry, and what it is to be human... More, what it is to crave humanity from the outside, crave it so desperately that you will do monstrous things for its sake. (I know that theme might feel a tad overdone, given how often it appears in stories about robots, but I think this comic handles it in a refreshing way. :D)
Anyhow, some of my friends who don't even like comic books waited eagerly for the monthlies on this series as it was coming out... It's definitely atmospheric, and stirring, and sad, though it also features a cheerful robotic puppy and some tongue in cheek dark humor. It's not a HAPPY comic, but it's a valuable one.
I've yet to read something by Catherynne M. Valente that isn't absolutely gorgeous -- admittedly I may be a little bit biased, as I definitely think folkloric stories are the best, and folkloric stories with lovely playful twists are the BEST best... But when it comes to evocative and clever prose, as far as I'm concerned Valente is on a level all her own. At the moment, I happen to be reading her "Fairyland" series, and so... Behold, the first book -- "The Girl who Circumnavigated Fairyland in a Ship of her Own Making!" It's just as whimsical as it sounds.
So there's this little girl named September, living in a lonely house and washing a bunch of lonely teacups all the time and feeling very trapped. A quirky and talkative Green Wind -- apparently a defiant and spirited sort of wind -- riding a leopard shows up to spirit her away to Fairyland if she likes. This book is very much like "Alice's Adventures in Wonderland" for the modern age: September has loads more authority over herself and her destiny, for one, and she grows dramatically as a human being over the course of the series. Fairyland helps that along of course, despite being a wild and alien place, complete with folkloric and/or mythological figures both eternal and re-imagined, petulant tyrants with very impressive hats, and interesting twists and turns aplenty that I can say I definitely didn't see coming. Valente's world is simultaneously familiar and wonderfully fresh, like she's composed words to go along to the tune of a well-beloved song, shifting its meaning in unexpected ways while still keeping true to the soul of something timeless.
Oh my goodness, Apollo, you strange and beautiful basket case. I was laughing all through this book, marking pages to shove at my friends... You know the drill. The Greek-mythology-centric Percy Jackson series as a whole helped me through some dark times when I was younger, and this first book of Rick Riordan's new "Trials of Apollo" series is delightful, just as I remember "The Lightning Thief" to have been back when I really, really needed it. (It's only missing Mr. D -- I've always especially liked Mr. D. Maybe he'll show up in the next one?)
Anyway. You know how in Greek folklore, Apollo gets stripped of his powers sometimes when he gets his king/dad, Zeus, angry? That's happened again in this series, only now it's all happening in modern day New York... Where the rules to everything are way different than what Apollo's used to... Annnnd he's not used to acne or helplessness, either, both of which he has to deal with as an awkward teen apparently named "Lester." It's the sparkly god of the sun/music/so many things's turn to go on actual quests again instead of waving demigods off on them... And he's very, very sad about it.
Some familiar faces from the Percy Jackson series have appeared so far in "The Hidden Oracle," but I would say it's definitely its own series with unique sources of pathos. Something I always loved about the Percy Jackson books is their empathy, the way people can redeem themselves, the way characters can still be heroic despite/because of their flaws... And that is STILL HERE, operating now through the protagonist, given the centuries worth of mistakes a now-human Apollo has to grapple with. I definitely liked "Magnus Chase and the Gods of Asgard: The Sword of Summer" -- the Riordan book that came out a bit before this one -- but it didn't click with me in nearly the same way as Apollo's shenanigans. "The Hidden Oracle" felt like a fresh and self-aware remix of old ideas and settings from Percy Jackson, all told through a recently fallen god's wonderful, WONDERFUL narration. Yes, if you want something completely different than Percy Jackson this might not be the best place to look. But if you want to see the Percy Jackson universe through refreshingly new and oh-so-Olympus-y eyes, this may be perfect for you!
To sort of sum things up: I think this is a great kids' book, engaging and fast-paced and written with a light and goofy sense of humor, just like those original Percy Jackson books. (Sometimes the humor does get VERY goofy, so go in warned, but other times it's clever and tongue-in-cheek. Funny guy, that Apollo. Versatile.) Beyond that, though, I...a grown adult...am 100% buying the next book for myself just as soon as it comes out. I know that doesn't necessarily mean EVERY mythology-loving adult equipped with a suitably goofy sense of humor would also enjoy this book, but I know for a fact plenty of others have the same plan.
**Spoiler Alert** Let me just say this, don't read this book out loud to your young child. It took forever to get through it and I was so sick and tired of it by the end that it turned into a chore. I didn't really get into it, it just seemed silly to me, but my daughter liked it. A major sticking point for me was the author's failure to explain why the antagonists of the book were actually on the side of the Whangdoodle in the end. Meh.
I was hesitant to read this book because of previous reviews I had read about it and I didn't think it was as bad as everyone said it was. It is a great book and very well written, but if you do plan on reading it then don't read the last 50 pages (They contribute next to nothing with the overall story and just cause lots of tears). The story itself is very, very good. Tris and Tobias have to escape the city and go past the fence. Only once they are out there they find that their whole city was just an experiment to try and fix a mistake made hundreds of years ago by people who didn't know any better.
Tris, and the group she came with, have to save the outside world before they can save their previous home. There is a lot of fighting and struggles because the world beyond the fence is vicious and cruel. Tobias is at odds with himself as he finds out secrets in his DNA, secrets he wasn't entirely ready to know.
Reviewer Grade: 8
This book is about Tris and Tobias trying to stop Erudite. There's a lot of tension between friends and family as the dauntless splits in half. Traitors side with Erudite and the rest take refuge at Candor headquarters. Jeanine Mathews results to murder as she starts to kill dauntless every two days that go by without a divergent turning themselves in. There is definitely a lot of internal struggles with Tris as she tries to overcome her grief with the death of her parents and Will. Her and Tobias have some conflict too as they try to come to an agreement with how to handle the Erudite situation.
Reviewer Grade: 8
I loved this book! It is way better than the movie. It is about Beatrice Prior, a 16 year old girl. In her world there are 5 factions in which most everyone belongs. She is apart of abnegation, the selfless faction, but doesn't feel that she is selfless enough so she decides to switch to dauntless, the brave faction. The book is about how she has to over come her inner cowardice and pass initiation. If she does not pass then she becomes factionless and will spend the rest of her life homeless and begging for food. The only thing that is holding her back is that Tris is divergent and if your divergent in this society then you are basically as good as dead. She has to keep her secret a secret while also managing to remain in a safe place in initiation. It also has some romance as her instructor, Four, tries to help her become better at fighting. The book has a lot of action and keeps you on the edge of your seat through the whole thing.
Reviewer Grade: 8
Clary Fray is a completely normal girl, except that she saw three people brutally kill someone. Not only did she witness a vicious killing, but somehow no one else can see it but her. Then suddenly her mother is kidnapped and she is attacked by a demon. Clary gets sucked into a world full of monsters and shadowhunters, an elite group of people tasked with protecting humans. In order to save her mother from Valentine, the man who wants to murder downworlders and innocent children, she must team up with Jace Wayland, a very talented and young shadowhunter. I could absolutely not put this book down!!There was so much action and just enough romance that this book will probably always be one of my favorite books ever! I definitely recommend it to anyone who enjoys fiction.
Reviewer Grade: 8