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History

This guide provides print, online, and local resources for historical research.

Frequently Asked Question

What are the differences between websites and library databases?

1.  Generally, websites and library databases both can contain:

  • scholarly information (such as facts, scholarly essays, research results, and research reports), and
     
  • non-scholarly information (such as popular opinion and guesswork).

NOTE: Researchers should take the time to verify research results by checking several other reliable sources before using it or acting on it. (See more about how to determine what types of sources are credible at PPLD's LibGuide on Information and Media Literacy here.)

2.  Library databases do not generally use natural language to search, but use specialized wording and symbols. One of the benefits of using library databases is that they give more precise results than websites or web searches, which may include duplicate or irrelevant results.

3.  In addition, library databases contain content that is sometimes only available by paying for it. The library pays for access to that information on behalf of the community it serves.

4.  Online web searches often do use natural language, but the results may not be exactly what a researcher is looking for.

5.  The order of an online result list is also often based on the priorities of the companies who offer the search (usually at no out-of-pocket cost), rather than the priorities of the researcher.  

For a more detailed discussion of researching best practices, see PPLD's LibGuide on Information and Media Literacy here.

U.S. History Featured in PPLD's Collection

Death in a Promised Land: The Tulsa Race Riot of 1921

Available as an eAudiobook for checkout through Hoopla and (as featured here) as an eAudiobook for checkout through Libby/OverDrive

Widely believed to be the most extreme incidence of white racial violence against African Americans in modern United States history, the 1921 Tulsa Race Massacre resulted in the destruction of over one thousand black-owned businesses and homes as well as the murder of between fifty and three hundred black residents. Exhaustively researched and critically acclaimed, Death in a Promised Land is the definitive account of the Tulsa race riot and its aftermath, in which much of the history of the destruction and violence was covered up. It is the compelling story of racial ideologies, southwestern politics, incendiary journalism, and an embattled black community's struggle to hold onto its land and freedom. More than just the chronicle of one of the nation's most devastating racial pogroms, this critically acclaimed study of American race relations is, above all, a gripping story of terror and lawlessness and of courage, heroism, and human perseverance.

Historic Photos of the Manhattan Project

Available as an eBook for checkout through Hoopla

The atomic age began at 5:30 a.m. on July 16, 1945, with the explosion of "the Gadget" at Trinity near Alamogordo, New Mexico. Prelude to the bombing of Hiroshima and Nagasaki, which forced the capitulation of Japan and ended World War II, the Trinity test was the culmination of herculean efforts by scientists, civilians, and the military of the United States to tap the potential of the atom for a wartime emergency. If Nazi Germany could engineer the bomb first, an Allied victory against Hitler was all but lost.

Historic Photos of the Manhattan Project is a look back at the epic struggle to build the world's first atomic bomb. Nearly 200 images in vivid black-and-white reveal the project as it unfolded, from its secretive origins at Oak Ridge, Hanford, and Los Alamos, to the day Americans celebrated triumph over the Axis powers with victory over Japan. A pinnacle moment in the history of the United States, the Manhattan Project's application of Einstein's famous equation E = MC2 shows, perhaps better than any other single endeavor, what can be achieved by human ingenuity when the citizens of a great nation are united in freedom against a fearsome and despotic foe.

The Grimkes: The Legacy of Slavery in an American Family

Available an eAudiobook for checkout through Hoopla, as an eBook for checkout through Libby/OverDrive, and (as featured here) as a print book for checkout

Sarah and Angelina Grimke--the Grimke sisters--are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality.

That the Grimke sisters had Black relatives in the first place was a consequence of slavery's most horrific reality. Sarah and Angelina's older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers' trials and exploits in the North, where Archibald and Francis became prominent members of the post-Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis's wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald's daughter, Angelina Weld Grimke, who channeled the family's past into pathbreaking modernist literature during the Harlem Renaissance.

In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental--an emblem of the limits of progressive white racial politics.

A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy--both traumatic and generative--of those myths, which reverberate to this day.

Lee and Liza's Family Tree

Available as a DVD videorecording for checkout

Many descendants of enslaved people have little record of their family's ancestry. Follow one family's quest to discover their lost history and see how science and genealogy can help rebuild a family tree broken by slavery. Join filmmaker Byron Hurt at his extended family reunion as they celebrate the joy of family in the African diaspora and discover new details of their history that they thought were lost forever.

The Great Courses: Skeptic's Guide to American History

Available as a streaming video through Kanopy

Sorting through misconceptions, myths, and half-truths about America's past is a chance to revisit some of the country's greatest episodes, figures, and themes from a fresh perspective and an opportunity to hone the way you think about and interpret the past, the present, and even the future. This course examines many commonly held myths and half-truths about American history.

Picturing Migrants: The Grapes of Wrath and New Deal Documentary Photography

Available as a print book for checkout

As time passes, personal memories of the Great Depression die with those who lived through the desperate 1930s. In the absence of firsthand knowledge, John Steinbeck's The Grapes of Wrath and the photographs produced for the New Deal's Farm Security Administration (FSA) now provide most of the images that come to mind when we think of the 1930s. That novel and those photographs, as this book shows, share a history. Fully exploring this complex connection for the first time, Picturing Migrants offers new insight into Steinbeck's novel and the FSA's photography--and into the circumstances that have made them enduring icons of the Depression.

Looking at the work of Dorothea Lange, Horace Bristol, Arthur Rothstein, and Russell Lee, it is easy to imagine that these images came straight out of the pages of The Grapes of Wrath. This should be no surprise, James R. Swensen tells us, because Steinbeck explicitly turned to photographs of the period to create his visceral narrative of hope and loss among Okie migrants in search of a better life in California. When the novel became an instant best seller upon its release in April 1939, some dismissed its imagery as pure fantasy. Lee knew better and traveled to Oklahoma for proof. The documentary pictures he produced are nothing short of a photographic illustration of the hard lives and desperate reality that Steinbeck so vividly portrayed. In Picturing Migrants, Swensen sets these lesser-known images alongside the more familiar work of Lange and others, giving us a clearer understanding of the FSA's work to publicize the plight of the migrant in the wake of the novel and John Ford's award-winning film adaptation.

A new perspective on an era whose hardships and lessons resonate to this day, Picturing Migrants lets us see as never before how a novel and a series of documentary photographs have kept the Great Depression unforgettably real for generation after generation.

History and Memory: For Akiko and Takashige

Available as streaming video through Kanopy

Groundbreaking and haunting, this film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri's family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri's family wrapped their memories of that experience in a shroud of silence and forgetting.. Ruminating on the difficult nature of representing the past - especially a past that exists outside traditional historic accounts - Tajiri blends interviews, memorabilia, a pilgrimage to the camp where her mother was interned, and the story of her father, who had been drafted pre-Pearl Harbor and returned to find his family's house removed from its site. Throughout, she surveys the impact of images (real images, desired images made real, and unrealized dream images). The film draws from a variety of sources: Hollywood spectacle, government propaganda, newsreels, memories of the living, and sprits of the dead, as well as Tajiri's own intuitions of a place she has never visited, but of which she has a memory. More than simply calling attention to the gaps in the story of the Japanese American internment, this important film raises questions about collective history - questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.

The Heartbeat of Wounded Knee: Native America from 1890 to the Present

Available as an eBook and eAudiobook for checkout through Libby/OverDrive and (as featured here) as a print book for checkout

The received idea of Native American history has been that it essentially ended with the 1890 Massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear--and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence--the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention.

The Guns of August: The Outbreak of World War I

Available as a print book for checkout, as a CD recording for checkout, and (as featured here) as an eBook and an eAudiobook for checkout through Libby/OverDrive

In this landmark account, renowned historian Barbara W. Tuchman re-creates the first month of World War I: thirty days in the summer of 1914 that determined the course of the conflict, the century, and ultimately our present world. Beginning with the funeral of Edward VII, Tuchman traces each step that led to the inevitable clash. And inevitable it was, with all sides plotting their war for a generation. Dizzyingly comprehensive and spectacularly portrayed with her famous talent for evoking the characters of the war's key players, Tuchman's magnum opus is a classic for the ages.

The Divorce Colony

Available as an eBook and an eAudiobook for checkout through Libby/OverDrive, and (as featured here) as a print book for checkout

From a historian and senior editor at Atlas Obscura, a fascinating account of the daring nineteenth-century women who moved to South Dakota to divorce their husbands and start living on their own terms.

For a woman traveling without her husband in the late nineteenth century, there was only one reason to take the train all the way to Sioux Falls, South Dakota, one sure to garner disapproval from fellow passengers. On the American frontier, the new state offered a tempting freedom often difficult to obtain elsewhere: divorce.

With the laxest divorce laws in the country, five railroad lines, and the finest hotel for hundreds of miles, the small city became the unexpected headquarters for unhappy spouses--infamous around the world as The Divorce Colony. These society divorcees put Sioux Falls at the center of a heated national debate over the future of American marriage. As clashes mounted in the country's gossip columns, church halls, courtrooms and even the White House, the women caught in the crosshairs in Sioux Falls geared up for a fight they didn't go looking for, a fight that was the only path to their freedom.

In The Divorce Colony, writer and historian April White unveils the incredible social, political, and personal dramas that unfolded in Sioux Falls and reverberated around the country through the stories of four very different women: Maggie De Stuers, a descendent of the influential New York Astors whose divorce captivated the world; Mary Nevins Blaine, a daughter-in-law to a presidential hopeful with a vendetta against her meddling mother-in-law; Blanche Molineux, an aspiring actress escaping a husband she believed to be a murderer; and Flora Bigelow Dodge, a vivacious woman determined, against all odds, to obtain a "dignified" divorce.

Entertaining, enlightening, and utterly feminist, The Divorce Colony is a rich, deeply researched tapestry of social history and human drama that reads like a novel. Amidst salacious newspaper headlines, juicy court documents, and high-profile cameos from the era's most well-known players, this story lays bare the journey of the turn-of-the-century socialites who took their lives into their own hands and reshaped the country's attitudes about marriage and divorce.

U.S. History Databases & Recommended Websites

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