Much like short story anthologies by a single author (see Neil Gaiman’s Smoke and Mirrors and Ray Bradbury’s The Golden Apples of the Sun ), Welcome to the Monkey House is both quintessentially a collection of Kurt Vonnegut’s biting wit and satire as well as an exploration of other genres not often associated with Vonnegut’s style. Fans of Vonnegut will likely have already read some of these short stories (like “EPICAC” and “Tomorrow and Tomorrow and Tomorrow”), but some of the other stories might have been missed and for a good reason.
Overall, Welcome to the Monkey House is a fantastic set of stories, but a few of them fail to have the impact to make them memorable. Granted, these stories are few and far between, and help to break up the well-written social commentaries presented in “Harrison Bergeron” and the titular “Welcome to the Monkey House.” Vonnegut’s ability to show the slippery slope of such ideas as “everyone is equal” and “sex is bad,” respectively, is just as poignant in short form as it is in his novels. The fusion of technology in these stories might seem dated by today’s standards, but they do reveal that Vonnegut was, inherently, a science-fiction writer.
What this collection does well is show that Vonnegut understood the importance of the characters in a story. One of the most entertaining in this collection was “Who Am I This Time?” which contained characters at such extremes of human expression as to be completely unrealistic but somehow relatable and entertaining. Stories like this, which don’t necessarily follow the political or societal commentary that the other stories provide, are nice breathers that give the reader a smile instead of drilling thought-provoking ideas into their skulls. It’s this balance that truly makes Welcome to the Monkey House a must-read.
Vonnegut, true to form as well as outside his element, I give Welcome to the Monkey House 4.0 stars out of 5.
As I read The Maze Runner , I couldn’t help but shake the feeling that the story was meant for a video game instead of a novel. The Scorch Trials merely confirms my suspicions. I mean, who in their right mind would acronym their organization with WICKED? While the first book in this series had a pretty straightforward goal (escape the maze), the sequel made no sense whatsoever.
OK, these kids escaped the maze, but then what? The idea of traveling to the “safe haven” seemed to come so late in the plot that it almost felt like an afterthought.
Concerning the characters, the main ones are still there, but so many of the ancillary minor characters are so forgettable as to be practically useless.
Brenda was added into the mix merely to elicit a “love triangle” between the two love interests of the first book, but it just felt forced . . . like everything else in The Scorch Trials. Survival doesn’t make for a great motivation unless there’s something to hope for in the long run. I never got much of a sense of any of the characters’ motivations since around every turn the world they found themselves in was trying to kill them in ridiculous and unbelievable ways.
I think what turns me off about this series the most is that the “hand of the author” is obviously visible throughout. Nothing feels natural, and the exposition is spotty and done in huge chunks based off of a lull in the action instead of as a result of it. Each time the characters face a new challenge, there seems to be no weight behind it, since most of the “challenges” are basically to generate a conflict between the characters and the unseen organization while providing no new information as to what any of it means.
A book that should have been a video game, I give The Scorch Trials 2.0 stars out of 5.
In the near future, if Queen Victoria’s reign and the general principles of the time had been perpetuated, crown princess Victoria-Margaret is travelling to Toronto to masquerade as a commoner so that she can have a proper debut season. Regardless of who she meets, however, she will be required to marry a strong genetic match to ensure the strength of Queen Victoria I’s line. At the same time, non-socialite Helena and her beau August are heading to Toronto for Helena’s debut, and introduction into high society. The three will meet, and the events of the summer will change their lives forever.
I’m a huge sucker for books set in Victorian and Edwardian England, so I was eagerly anticipating this read. Unfortunately, it didn’t work for me. Part of the problem is that the charm of reading about Victorian England is that it is in the past. We certainly don’t accept a lot of those social sexist, racist and classist norms now (or at least, we pretend not to, but that’s a whole different discussion) and I think that’s for the best. It was weird to read a book about the future that’s not meant to be a dystopia where many of those awful norms are still acceptable. The author does acknowledge this in a note at the end, which is why I’m giving this two stars instead of one. There were also quite a few worldbuilding holes, if you will. For example, at one point, Margaret has a question about sexual identity. Bear in mind that this is a near future book in which the characters have access to computers and some form of the internet. So, instead of doing whatever the equivalent of googling the question would be, she e-mails her uncle, the archbishop, which no teen ever would actually do. Little inconsistent things like that popped up relatively often, and I found that it pulled me out of the story.
Speaking of the story, there’s not much in the way of plot here. That’s perfectly fine, if plot is being sacrificed for character development, but the characters here were not particularly compelling. The POV switches between the three main characters, and while all of the characters were nice and likable, they were also fairly bland. I didn’t care about anyone but Margaret until a big reveal about halfway through the story, at which point I started to find Helena interesting as well. I never could make myself care about August. All of that being said, I definitely think that romance readers will respond positively to this novel. I just kept getting bogged down in the worldbuilding or lack thereof, and never could connect with the characters. It wasn’t for me. Thanks to Dutton Books for Young Readers and Netgalley for the eARC. 2 stars.
The Ask and the Answer is the second book of Patrick Ness's Chaos Walking series. In this continuation, we see the original characters Todd and Viola venture farther from home as they try to outrun the lies of their previous lives. This book is a wonderful mix of brilliant, sad, courageous, and painful. As soon as I finished this book, all I wanted to do was pick up the next one. Ness's writing style is unique, and the characters are relatable and real. The events that transpire throughout The Ask and the Answer provoke a wide range of emotions, which makes it engaging. I strongly recommend this book to anyone who has read the first Chaos Walking book, which is called The Knife of Never Letting Go.
Reviewer Grade: 11
Partly due to the success of The Hunger Games , the Young Adult genre swerved into the survival/sci-fi/dystopian genres that also allowed The Maze Runner to have a ready and willing audience. With this being the case, I’d almost say The Maze Runner has more utopian sensibilities since the narrative encourages teamwork for survival, instead of a “winner take all” emphasis presented in The Hunger Games that valued selfish ambitions over communistic altruism. Plus, if you put 50 teenage boys in a box with no adult supervision, I think the logical conclusion would be more along the lines of Lord of the Flies instead of solving a deadly maze.
While the premise was interesting and allowed for a constant and steady pacing of inciting events, I felt there was not enough explanation in this first part of the trilogy, with very few questions being answered by the end and a lot of hand-waving to push the characters forward to a conclusion. In fact, having seen the movie adaptation, I was hoping the book was better suited to explain the ending, but it was equally as confusing. That being said, there were key elements in the book (like the telepathy) that didn’t make it into the movie.
Overall, the few main characters in The Maze Runner were interesting and unique, even if it took some of them two years to even figure out the simplest parts of the maze. Still, fear can be a huge hindrance toward progress, so I guess I understand their predicament. Additionally, despite using a euphemistic system of swears as part of the characters’ unique jargon, I couldn’t help but think that this book would have been a lot more inappropriate for a young adult audience if the actual swear words were used instead.
An interesting premise with engaging characters, I give The Maze Runner 3.5 stars out of 5.
Maximum Ride: The Angel Experiment" by James Patterson is about a group of kids (called the Flock for their avian abilities) who were experimented on, but escaped. When one of their own is kidnapped, they go on a mission to get her back. I found the concept of this book interesting, and the characters had a lot of potential, but I feel there was an element missing from the story. Max, the protagonist, didn't seem to develop throughout the book. Nor did her love interest Fang. There were parts of this story that didn't make sense plot-wise either. But, I don't regret reading it
-- it's a fun adventurous story with lots of humor. I'd still recommend it regardless.
Carve the Mark" is by Veronica Roth, author of the Divergent series.
I really liked the Divergent books, but I felt this book wasn't quite as gripping as her previous work. The plot was slow-moving, especially in the beginning. I also found the world confusing, it was difficult to keep track of it all. The characters, I felt, were also a little one-dimensional. It had potential, but I felt it didn't live up to it. I'd recommend reading the Divergent books instead. Grade: 11
The concept is simple: a machine takes your blood and spits out a card with the means of your demise printed on it. In this collection of short stories, a variety of authors explore what this truly means for individuals, as well as society as a whole. Based off an idea by Ryan North (author of “Dinosaur Comics”), this anthology has plenty of different approaches to the concept that a machine could predict how a person will die. However, many of these ideas hit upon the same concepts and social implications, making the whole thought exercise seem redundant by the end of the book.
Part of me felt the idea itself was a little derivative of Death Note, but with a more ambiguous set of constraints. Each of the short stories included in this anthology had some unique twist on the idea, ranging from humor to romance to horror. Still, every author tended to agree: a machine of death would bring about a dystopian future in some form or other. From governments requiring a “death reading” to mitigate any national disasters to a school needing to know how their prospective students will die so they can save face, the real enemies of this idea tended to be the bureaucracies of humanity.
While I honestly enjoyed the stories included in this anthology, they all seemed to suffer from the “a priori problem.” With each story titled with some way to die, you half-expect the story’s main character to end via that method. The intrigue is more in the how and when; thus providing interest to the story despite practically knowing the ending before it even starts. Granted, that’s part of the appeal of the machine: the ambiguity is as freeing as it is constraining.
A morbid set of interesting short stories, I give Machine of Death 4.0 stars out of 5.
As time marches on, predictions of the future made in the past are tested against reality. In 1984, we didn't have George Orwell's dystopian government. In 2001, we didn't have Arthur C. Clarke's interplanetary travel. Sure, these authors did have a few interesting ideas that did come true, eventually. Still, they were writing well before the events in their books would come to pass. Robert J. Sawyer's Flashforward did not have that luxury. Written in 1999, Sawyer only imagines a future set a decade in the future. For those keeping track at home, Flashforward takes place in 2009, with a vision of a future 21 years ahead of that. Since 2009 has come and gone, there were a few things Sawyer got right, but many he could not have predicted.
The crux of this story is similar to that explored by Machine of Death: everyone in the world gets a glimpse of their future in 2030, thus causing everyone to react based on what they saw. Some were encouraged by what they saw, others despondent and suicidal. The people who had negative visions hoped the future could change, especially if their lives were on the line. Many of the "effects" of the look into the future were logical conclusions, which added an amount of interest to the story but with a cheap cop-out to keep from killing off all the characters. With all the different characters and POVs, it was somewhat difficult to follow along each time the
focus changed, since there was nothing to indicate a change of view.
I also appreciated the conversation this book had in regards to science and the many existing theories about the future. While this exploration of science also included the discovery of the Higgs Boson (which didn't happen until 2012), I was continually distracted by the narrator's pronunciation of "CERN," which sounded more like "sairn" instead of how I thought it was pronounced ("sirn"). I did appreciate the narrator's ability to mimic multiple accents, but that one pronunciation threw me.
A recent book about the "future" that gets a few things correct, I give Flashforward 3.5 stars out of 5.
The 5th Wave by Rick Yancy is a dystopian novel set in modern day. It follows the main character Cassie as she survives alone during the alien invasion of planet earth. I read this book in 8th grade and to this day it continues to be one of my favorite takes on the dystopian “genre.” I think what makes this book interesting to read in the fact that the author does not shy away from showing how awful Cassie believes her life is. Instead of focusing on hope and the characters figuring out how they are going to single handedly save the entire human race, Yancy instead makes his characters sarcastic, selfish, angry at the world and just overall very “human”. It makes the book feel less cliche and as realistic as the alien invasion of earth can I guess. For anyone who wants to read a dystopian novel (minus *most* of the cheesy romance and heroics) and I definitely recommend.
Reviewer: Grade 11
I decided to choose the book because it looked like it would tell a great story and it did. I liked the book due to its great lessons inside about the imperfections of our minds, but the greatness of them too. The part I enjoyed most was the journey f the main characters and how they didn't change their personalities and stayed focused on the topic. The part I didn't really enjoy was that the story went kinda slow. The book was pretty predictable, but the lessons and thoughts behind you need to think more about to get, so it was still entertaining to read. It was an amazing book to read and I definitely recommend it.
Reviewer Grade: 10
I’m not sure which is more boring in a book: a plot that doesn’t go anywhere, or a main character who is perfect. Unfortunately, Fire with Fire has both. I’ll first start with my qualms about the plot. This story started way too late, as it didn’t get interesting until halfway through.
Even when it did finally get interesting, it suddenly became bogged down in committee. Seriously? Didn’t we learn anything from the Star Wars prequels?
Adding politics to a story about traveling across space merely makes it tedious. This is also not to mention how heavy and clunky the exposition is, with almost every chapter being filled with information that isn’t important, and the jumps between chapters needing way more explanation.
Secondly, let’s take a look at “Mr. Perfect,” Caine Riordan. Aside from the egregious fact that the POV switched between 1st person and 3rd person within most of the paragraphs of his section (with no italics or indication that we were suddenly in Caine’s head), I felt this character was just the author’s way to show how smart he is. With the expansive repertoire of high-value vocabulary words and a character that always knows what to do all the time and has all the correct answers, I ended up not caring about any of it by the end. And I haven’t even mentioned the blatant and pervasive misogyny either.
Even the rest of the supporting cast was so flat and one-dimensional that I probably couldn’t tell you who they were or what their defining characteristics were (aside from that one mysterious guy who LOVED olives and feta cheese). Most of the time I was reading this book, I kept wondering, “Wait . . . what?” as what seemed to be major plot points were introduced then almost immediately forgotten until hundreds of pages later. I’m not sure how this book managed to get a series tacked on to it, or how it was even nominated for a Nebula Award, but it gives me encouragement that I could write something way better than this.
Antiquated sci-fi tropes in a recently written book, I give Fire with Fire 2.0 stars out of 5.
Certainly well ahead of his time, Robert A. Heinlein remains one of the definitive writers of the science fiction genre, even today. In The Moon is a Harsh Mistress, Heinlein covers such topics as artificial intelligence, extraterrestrial colonization, and interplanetary warfare. Even today, most of these subjects are accurately depicted in the narrative, even if some of the technology has advanced past where it was thought to be in 1965. Part of me is almost jealous at Heinlein’s ingenious use of Earth’s gravity well, and I know any attempt I might make to replicate the idea will merely seem derivative in comparison.
As is the case with some of his other works, Heinlein makes many socio-political statements via his writing. His stance on taxes, revolutions, and independent governing bodies is a critical section of the plot in The Moon is a Harsh Mistress, and I can certainly see the theoretical benefits he puts forth in this context. That being said, his views on polygamy and polyamorous relationships are certainly on display again, with his previous work, Stranger in a Strange Land exploring these themes in greater detail. I can only assume the "free love" culture of the 1960's shaped these opinions.
Overall, the book wasn’t quite what I expected. The initial chapters made me hope the plot would center on the relationships between man and artificial intelligence (AI). If anything, AI is shown to be a powerful tool that can influence society in ways we can’t even begin to comprehend. At the very least, the main character was quite entertaining, if not hard to understand at times with his “accent.” If we do eventually colonize the moon, I can hope we do so peacefully and in a way that doesn’t lead to an uprising of its native inhabitants. After all, I do like living in a Colorado Springs devoid of meteoric bombardment.
A well-thought out sci-fi story decades ahead of its time, I give The Moon is a Harsh Mistress 4.0 stars out of 5.
In recent years, the "Post-Apocalyptic" book genre has taken the world by
storm- filling book shelves and enthralling readers all around the globe. But with the rising popularity of this market, an influx of new books have followed, and as such, it has become harder and harder for readers to find good post-apocalyptic novels. For the case of "The Maze Runner", one of the most popular novels in the genre, James Dashner has managed to exceed the status quo and produce a tremendous read.
The story is set in a distant future, where a group of teens are mysteriously teleported into a giant, stone maze. Not only has their memory been cleared, but they also have no indication as to why they have ended up in this position and what means they must take to escape.
Their situation complicates even further, given that the maze doors close every evening. During the night, vicious monsters roam free and devour any humans in their way. The teens, who have declared themselves “Grovers”, attempt to map the maze, but doing so poses obvious threats to their safety.
Enter Thomas, a new “Grover” arriving in the maze. As he learns his way about this new reality, the story follows his point of view in first person perspective. Thomas eventually comes to terms with living as a Grover, but one night, as he crosses into the outer layer of the maze, his world is turned inside out.
Over time, Thomas must confront these imminent struggles, while also attempting to solve the grand puzzle of the maze. Readers are kept on edge through the entire novel, with hidden twists and turns on every turn of the chapter.
I would certainly recommend this read for teens and adults alike. While it’s true that the novel is aimed at a young demographic, its plot is engaging for even some of the most mature readers. The ending simply cannot be predicted, leaving readers to make their own speculations about the mysterious origins of the maze.
One complaint I might file is that there is somewhat of a lack of character development. The plot is so action-packed that it would see Dashner decided to leave out some of the more subtle nuances of a good novel.
If you decide to not read this novel, I would suggest as an alternative “The Lord of the Flies” by William Golding. The plot bears some parallels to that of the Maze Runner, but makes up for a majority of its imperfections.
Overall, “The Maze Runner” stands to be a top-quality post-apocalyptic teen-novel, making for an engaging read. The story sheds light on the natural instincts of teens under true isolation. In doing so, it echoes a number of themes which leave readers to draw meaningful questions about life, nature, and the purpose of humanity.
Reviewers Grade: 10
Frankenstein was a disappointment to me. As per the Romantic period, this novel used lots of scenes in nature to explain the characters’ emotional states. I do not mind a few good cries in a storm, but this novel borders on incessant outdoor melodrama. I decided to disregard both the plot and the setting in a vain attempt to enjoy the novel. I would only focus on the characters. As this was written by a female author, I looked forward to the female characters, which were awful. One, Justine, is a servant and seems only to exist in order to die. Elizabeth, who also seems to share this quality, is regarded as an object to be owned in a creepy incestuous manner by her cousin; she is apparently superior and virtuous only because of her noble birth. So, I dismissed the female characters to focus on the males, none of which were believable. Victor, his friend Henry, and his monster all were overly emotional, and they inspired no sympathy from me. With no likable characters and emotions running everywhere, I would only read Frankenstein if required.
Reviewer Grade: 9
The third book of “The Selection” will keep you on your toes. This book may be the third book in a five book series however, it is the last book about Prince Maxon’s “Selection”. The entire book (until the end, of
course) you will be asking what happens next. If you enjoy romance books READ THIS BOOK!!! Since this book is apart of a series if you read the books in order it will make a lot more sense. This is a completely unpredictable book, you will never know what will happen on the next page. It was definitely one of the best books I have read EVER!
Reviewer Grade: 8
It seems to me that the multiverse is a popular topic in fiction today. Sure, there have been plenty of stories about parallel universes and the fractal branching of our decisions, but for some reason, there’s been an uptick in the number of these stories lately. Perhaps these stories are trying to find a better universe in which to live, or perhaps they’re trying to show us that the world we have could be much worse. Either way, Blake Crouch’s Dark Matter nails the multiverse plot by exploring all the different connotations of the ability to travel between parallel universes.
Presented in a traditional, three-act narrative, Dark Matter thrusts its protagonist into another version of his reality, ripping him away from his idyllic life. Using quantum physics as a form of magical hand-waving, the narrative then turns to the main character’s relentless search for his original universe. While the result of this exploration fits nicely into the book’s natural third act, I almost would have liked to see something a little different and less predictable. Still, all three acts are entertaining as a breathless thriller driven by the emotions and resolve of the main character.
The best part about Dark Matter is how it fleshes out all the consequences of being able to travel between parallel dimensions. It’s not nearly as simple as an It’s a Wonderful Life (1946) “you-never-existed” storyline. That being said, I do question why the “original” main character had the perfect life, especially if many of the other parallel universes seemed to have relatively close representations of the life he was trying to return to.
But, in the end, the narrative is driven by the characters, and these characters are well-developed and exciting to follow.
A multi-dimensional thrill ride, I give Dark Matter 4.5 stars out of 5.
Daniel H. Wilson knows how to write about robots. From How to Survive a Robot Uprising to Robopocalypse, he has taken the same material and re-packaged it in different forms. The tongue-in-cheek “guide” of How to Survive a Robot Uprising was more entertaining than the journal-entry styled Robopocalypse, but mostly because of its humor. In A Boy and His Bot, Wilson takes his knowledge of robots and wraps it in a children’s fantasy book. Somehow, this method worked better than the two books I’ve already mentioned, leaving me entertained and educated, but with a sincerity of story that was heartwarming.
Taking cues from works like The Wizard of Oz, The Chronicles of Narnia, and Alice in Wonderland, A Boy and His Bot immerses the reader in a world entirely comprised of robots. Via the stranger-in-a-strange-land approach, this book explores the many characteristics and traits that make robots different from humans. Often, these quirky characters have a lesson about robotics embedded within them. For example, through the “atomic slaughterbot,” we learn a bit about 3-D printing. There are also lessons about “linked” robots, biomechanical augmentation, and programming, even if they might not be apparent to the target audience.
While the fantasy aspect of this book was well done, I had to roll my eyes at the naming conventions of many of the characters and settings. I honestly don’t know any parents, no matter how nerdy they are, who would name their boy “Code.” Similarly, Mekhos (pronounced “Mech-ohs”) is an apt description of the world, but locations like the “Beam Stalk” are obviously pulling from more medieval fantasy tales. Despite all this, A Boy and His Bot is a fun story that will leave you entertained and could spark the interest of a young child to pursue robotics as a career choice.
A surreptitiously educational fantasy set in a world of robots, I give A Boy and His Bot 4.0 stars out of 5.
This book blew my mind. A Game of Thrones is the first book in the series A Song of Ice and Fire. These books are fantasy, and they follow the wars, events, kingdoms, and lives of the people of Westeros. This book is extremely dense, but that only means that it is full to the brink of background information and interesting tidbits about the world. The most amazing thing about this book is how developed the world is. Martin must have put an unimaginable amount of time into world-building, and this effort certainly shows. The plot is so complex, and almost all of the characters are wonderfully 3-dimensional.
Reviewer Grade: 11
The Scorch Trials, the second book in The Maze Runner series, was very good. I enjoyed the book because it was very interesting, and the book had lots that surprised me. This book is about when Thomas and his friends, or the "gladers," finally find a way to escape the maze, and are led to a place they can sleep in, eat, and relax. The gladers are shocked when, just a while later, they are locked in and can not get out. A strange man arrives a couple days later when they are confused, hungry and have no idea what is going on. The man tells the gladers that they need to go through phase two of something called the Trials. This part of the Trials is when they are forced to walk across a scorching hot desert, with people called "cranks" who are people who have an illness that makes them go crazy. The gladers were all threatened that they have the virus, and they would get the cure when they finish. All of the gladers decided to go, because if they didn't, someone would execute them. The story is told by Thomas's point of view, and what happens to him while he is completing phase two of the Trials. This book wasn't predictable to me, and it definitely surprised me with some things happening in it.
Reviewer grade: 8