Science Fiction

One of the best original sci-fi movies to come out in the last decade, in my opinion, was Snowpiercer (2013). The story originated as a 1982 French graphic novel under the name of Le Transperceneige. While I haven't read the original source material, I decided that a prequel graphic novel was probably pretty safe to read. I figured the events leading up to the world ending and a perpetual train being launched wouldn't spoil anything for me (I also haven't seen the TV show either).

While it's only a scant 90 pages, part 1 of this prequel trilogy, Extinction, had nothing I didn't already know in it. Most of the plotlines in this book were fairly generic end-of-the-world-type stories. Each one obviously would lead to the last of humanity boarding this infinitely running train, which was no surprise. It probably didn't help that there weren't that many distinct characters to latch onto in this book to make it more relatable. I understand that it's laying the groundwork for the next two books, but it almost felt that this part of the prequel series was unnecessary.

Perhaps I'm more inclined to cleaner art in graphic novels I like to read. This book had a rough, almost sketch-like style I found to be unpolished. Maybe that was the feeling the illustrator was going for, but some scenes were hard to parse visually because of how dark and thick the lines were. Granted, I still want to go back and read the original graphic novel to see if the style fits better for the actual post-apocalyptic story. However, for this "real world" setting, the art style feels too heavy even for a pre-apocalypse story.

A somewhat unnecessary story with a heavy visual style, I give Snowpiercer - The Prequel Part 1: Extinction 3.0 stars out of 5.

Ready Player One is an amazing Sci-Fi book with the protagonist being Wade Watts. The Year is 2045 and us humans have used almost all of our fossil fuel and are keeping worse care of our planet. Thankfully technology has further developed and there is a Virtual reality called the OASIS (Ontologically Anthropocentric Sensory Immersive Simulation) created by James Halliday. The OASIS is accessible to anyone in the world, aside from the wondrous video game aspect from it there is an entire school system embedded in the code. Although Halliday died in 2040 his legacy lived on. Halliday created a challenge for any OASIS users, before he died he proposed a contest. Halliday hid secrets within the code and if you could figure them out you could inherit his fortune (half of a trillion dollars) along with control of the OASIS itself. Even after 5 years though no one had come even close to solving his riddle,
“The Copper Key awaits explorers
In a tomb filled with horrors
But you have much to learn
If you hope to earn
A place among the high scorers” (Ernest Cline, Ready Player One)
But one day, Wade was attending school and it hit him like a monster truck he knew how to solve the riddle.

Ready Player One is a truly fascinating novel. I would recommend it to anyone 14+. If you have an interest in highly developed characters, a futuristic dystopian world, 1980’s pop culture, and video games this will be a book that’s hard to put down. Wade Watts is of course the most advanced character since he is the main protagonist. Ernest does a wonderful job at explaining Wade’s backstory and how it is affecting him in the present. And the way that the world is now so messed up in the book and how Ernest depicted how it would be is amazing. Wade lives in a place called the stacks, an old field that has multiple RVs stacked on top of each other. Also people who were born in the late 1960’s or early 1970’s will get a kick as they remember their teen years in the 1980’s and understand the references. And of course if you love video games you will hear yourself cheering on Wade as he has to defeat bosses and figure out the riddles. Overall, I think that Ready Player One should be a book that most teens and young adults should read because I genuinely think that you will love this book as much as I did.

If you have read the Hunger Games series, then you know that President Snow is the main villain and set a iron grip on the Districts of Panem. I you haven't read the trilogy, then might I highly suggest you do.
This book takes place decades before the trilogy starts and we read through Coriolanus Snow's eyes before he becomes the president and monster of Panem. Coriolanus has already set himself up to be in a position of power even as a young adult, and after his city was besieged, and his parents died, the Snow name and fortune left in ruins. Coriolanus Snow has decided that he will never be the weaker side again. The Hunger Games were not a new event for Panem during the time yet they were never popular, now though Coriolanus and his class are each assigned a tribute to make the Games finally noticed. Coriolanus has been assigned the girl of District 12, perhaps the worst choice available, or so he thinks.

The "Hunger Games" by Suzanne Collins is a suspenseful novel about 16-year-old Katniss in the dystopian land of Panem. In this world, the 13 districts protested against the government. In punishment, they must provide two tributes (one boy and one girl) from each district. When Katniss's sister was chosen as tribute Katniss stepped up to protect her. Now she must fight to the death with the other 23 tributes for a chance to continue with her life.

Sylvain Neuvel's "Sleeping Giants" is the first book in a series of three fantastic novels about alien technology and what it means to be human. This book was lent to me by my father, so I knew it had to be amazing. I was not wrong in that assumption. My favorite part about this book is likely the most divisive part: the format. This book is explained in an interview format, between each character and a mysterious interviewer that is developed further in the later installments of this series. At first, I wasn't sure if I would like how jarringly different this format is; sometimes it is noticeable when the author wanted to convey some important information, but the constant interview made the information difficult to show. It wasn't exclusively interviews; occasionally a mission log was used for variety's sake. My least favorite part of the book is actually what wasn't included in the book. It sounds picky, but I think that this book had room for more. The cliffhanger, while masterfully executed, came too soon. Not enough happened before the book ended, so I was left immediately scrambling to acquire the other 2 books in the series. The book, and especially the series as a whole, is absolutely surprising at nearly every step. Characters assumed narratively immortal die, and enemies turn into friends that save the world in the third book. Each character had interesting flaws and contrasting personalities, so each character introduced to us through the mysterious interviewer felt like someone you could meet walking down the street. All in all, this book is definitely one of the best books I have read this year.

Reviewer Grade: 10

The book "Tress of the Emerald Sea" was a brilliant standalone book set in Brandon Sanderson's "cosmere" (his unique term referring to the general world where most of his books take place). I didn't actually choose to read this book; my uncle lent me this book because I love nearly all of Brandon Sanderson's books. After reading this magnificent book, I am very thankful for his generosity. I enjoyed the development of the protagonist, Tress, over the book the most. Tress stays kind throughout the entire book, but her bravery develops as she grows from a timid cup collector to something I don't want to spoil, but she gains a massive amount of bravery in the pursuit of kindness. I didn't enjoy the ease at which the final boss was dealt with, but the conclusion was relatively tidy and neat. This is the type of book where I constantly need to ask myself, "How did the author think of this"? Spore oceans that kill you but still float ships? Cup collectors creating chaos? Nothing was offensively predictable, and the little twist right at the end reminded my instantly of Studio Ghibli's Spirited Away's little twist at the end regarding the protagonist's parents. I won't say this has been the best book that I've read this year, but that is only because the year is still young and Brandon Sanderson's kickstarter had 3 other books in it.

Reviewer Grade: 10

Nona the Ninth is the third book in the Locked Tomb series. It was an unprecedented addition, as the series was originally meant to be a trilogy that would end with Alecto the Ninth. And after reading this book, I couldn't imagine the series any other way. This book takes a step away from our principle protagonists and inter-planetary conflict to zoom in on Nona, a young woman who has technically only been alive for six months. She is a great teacher's aid, a fantastic dog watcher, and a caring friend. As her city crumbles around her and the secrets of her origin begin to come to light, Nona must keep trust in herself and the people she loves if she hopes to make it to her birthday.
I've seen a lot of reviews comparing this book to the first two in the series. In my opinion, there is no comparison to be made between any of them. The first is a thriller mystery in a nightmare castle with newfound friends. The second is a psychological horror story that occasionally becomes a soap opera. The third is slice of life, and the most heartbreaking of all three. I agree fully with the choice to make this a separate book, instead of trying to cram this into a climactic series ending. The series needed time to breathe from the revelations and consequences of the first two books, and to develop many of the wonderful side characters. On this note, the side characters in this book ruined me. They are constantly hilarious. They are perpetually heartbreaking. They have so much love for each other and it tears me apart. They are also fantastically developed, to the point where the thought of losing any of them almost stopped me from finishing the book. A large part of what made them special was seeing them through Nona's eyes, which was a fantastic combination of naively loving and strangely perceptive. Speaking of which, Nona's perspective was a special treat. Throughout the series, the author usually increases tension and intrigue by seriously limiting someone’s perspective. Previously this had been by outside parties hiding information or the unreliability of the narrator, but Nona being a mental six-month-old was a special treat. She attempts to relay everything with accuracy, but with limited experience and vocabulary the audience is forced to experience everything with fresh eyes to try to see it for what it is. Beyond all this, the story shined in all the usual departments for this series. The humor was exceptional, probably the funniest the series has been since the beginning of Gideon the Ninth. I particularly enjoyed the dream sequence narrations, as they were beautiful, insightful, and insanely funny. Sometimes I feel like Muir makes nearly every one of her characters funny so they can rip your heart out later with a little extra oomph. The worldbuilding continues to be a harrowing endeavor in the best way, as you have to take the time to figure it out for yourself with what little glimpses the book gives you. The only complaint I feel like someone could make about this book is that the pacing was pretty slow in the beginning to establish the ensemble cast, but I loved every minute of it so I can’t complain.
In conclusion, this book is another triumph for the Locked Tomb trilogy, and I can’t wait to see what comes next! I’d recommend this book to anyone who loves found family, slice of life stories, lots of explosions, zombie princes, and dogs with too many legs!
Reviewer Grade: 12

The Giver by Lois Lowry explores themes of individuality, memory, and conformity in a dystopian society. Set in a world where pain and suffering have been eliminated, the story follows Jonas, a young boy who is chosen to become the Receiver of Memory, a role that involves experiencing the past and holding the collective memories of his society. Jonas is a sympathetic and relatable protagonist, with his experiences and struggles serving as a lens through which the reader can explore the world of the novel. The plot of The Giver is very compelling- Lowry’s exploration of memory and its role in shaping identity is particularly well-done, with her depiction of the ways in which the absence of memory can lead to conformity and complacency providing a powerful critique of authoritarian societies. The climax of the novel is both suspenseful and poignant, with Jonas’ actions serving as a powerful statement about the importance of individuality and freedom. Additionally, Lowry’s writing style is both elegant and understated, perfectly capturing the voice of a young boy struggling to make sense of the world around him. To me, The Giver was a fantastic book because of how much it made me think and consider the world around me, and because of how intriguing the contrast between Jonas's dystopian society and the view into the past was. I would highly recommend this book to any and all dystopian lovers.
Reviewer Grade: 11.

The moment you open the book your going to be immediately thrown into the story. A deadly plague has overtaken the world and the few thousand humans left reside in what used to be Manhattan; now called New America. From Drayden (the main characters) perspective we get to see that New America has a tight hierarchy. All citizens of New America get one chance to elevate above the area they were born, and the stories spread around this "chance" make most pass it up. Drayden though, he has decided to play New Americas deadly game.

The Hunger Games: The Ballad of Songbirds and Snakes by Suzanne Collins is a masterful prequel to the wildly popular Hunger Games trilogy. Set 64 years before the events of the first book, The Ballad of Songbirds and Snakes explores the origins of the Hunger Games and the rise of the villainous President Snow. The main character, Coriolanus Snow, is a fascinating and nuanced character, with his motives and actions constantly shifting throughout the novel. His relationship with his fellow tribute, District 12's Lucy Gray Baird, is particularly compelling, with Collins exploring themes of loyalty, trust, and love in a way that is both nuanced and emotionally resonant. The plot of The Ballad of Songbirds and Snakes is both gripping and thought-provoking. Collins deftly weaves together political intrigue, personal drama, and action-packed set pieces to create a narrative that is both thrilling and emotionally engaging. The Hunger Games themselves are particularly well-done, with Collins using them as a vehicle to explore the darker side of human nature and the impact of power and privilege on individuals and society. Collins's descriptions of the Capitol and the districts are vivid and immersive, offering a richly detailed portrait of the world of Panem. Her use of foreshadowing and symbolism, such as the mockingjay, adds depth and meaning to the story, inviting readers to reflect on the deeper themes of the novel. This book was a stellar prequel to the Hunger Games trilogy that adds a lot of perspective and background to the original story. I would highly recommend this book to anyone who enjoyed the original novels and wishes to explore more of the Hunger Games world. Reviewer Grade: 11.