Louisa is on the run. Leaving the private boarding school she attended, and with no family to speak of, she plans to masquerade as a fortune teller in order to obtain enough money to leave Britain for America. After one fortune telling session goes awry, she finds herself at the mercy of an old crone who offers her a position as a scullery maid at a nearby mansion, Coldthistle. Louisa is excited to have employment, but after seeing strange, solid apparitions in the night, she learns that Coldthistle Manor is a house that attracts the most horrid of visitors, and that their punishment (death) is meted out by the employees of the house. She has to decide whether or not to stay and try protect new visitor and possible romantic interest Lee, or to resuscitate plan A and flee to the Americas.
I enjoyed this entertaining, gothic style horror story. Louisa, our protagonist, is fairly interesting, especially as you learn more about her upbringing and experiences with abuse at her boarding school. She doesn't lack a backbone, which is something I appreciate in a protagonist, especially in a Victorian setting. However, for this reader, Coldthistle and Mr. Morningside are the interesting parts, and as this book is the first in the series, we only scratched the surface of discovering more about them. The mythology of the peoples living in the house is revealed by short vignettes at the beginnings of some chapters, and those creature's appearances were illustrated by someone quite talented. The occasional chapter was also preceded by artwork - pictures have meaning in the book, and some chapters featured a creepy looking wall featuring random, old school looking pictures of things that were usually relevant to the next few chapters.
Some readers have complained that the pacing of the book is a bit slow at the start, but I did not find this to be the case as I was pretty instantly swept up in the mystery of Coldthistle. I will say that I didn't find the book to be especially scary, even after a few extremely gruesome murders, but it was definitely a bit creepy. The lack of scariness, for me anyway, was because despite the pictures and fabulous illustrations, I never really bought into the creepy, gothic atmosphere. The lack of chills notwithstanding, I enjoyed the characters, setting and new-to-me mythology enough to ultimately enjoy the book. I think that teens that read horror novels will find a lot to like here, and I'll be booktalking this one (in high schools, it really is quite gory) in the fall. 3 stars.
Back in the zombie heyday of 2009, the idea of combining one of the most feminine pieces of literature with the oft masculine-marketed gory violence seemed like an interesting idea. I, for one, didn’t particularly care to read Jane Austen’s Pride and Prejudice , but this take on the romantic classic certainly piqued my interest. Because of the addition of zombies to this plot, I was impelled to read this story to see how these drastically different archetypes were combined. I certainly wonder if the book would have been more enjoyable if I had read Pride and Prejudice beforehand, or if I would have remained far abreast of it altogether.
Partly due to the severe dichotomy of the original story and the zombie additions, there were certainly moments where I could tell what segments of Jane Austen’s plot were modified to fit the new, apocalyptic sensibilities.
The two concepts worked together somewhat, occasionally adding action to a scene that would have likely been boring in its predecessor, but in maintaining the story and outcomes of the original, the whole experiment didn’t quite “gel” as it could have. Perhaps the addition of the prequel and sequel to this book helps to round out these distinct edges, but I have yet to read those books yet.
When it comes right down to it, I struggled to get through this book. With the language and verbiage retaining is feel from the original, the archaic nature of the dialogue was not as easy to read as I would have hoped. In the end, I was practically just reading Pride and Prejudice, but occasionally “changing the channel” to a zombie film whenever anything became boring.
I applaud Seth Grahame-Smith for following through on this ambitious idea, but it almost seems like anyone could easily merge zombies to a romantic classic if they maintain the majority of the source material.
An intriguing idea that never quite fully “connects,” I give Pride and Prejudice and Zombies 3.0 stars out of 5.
Once again, I find that the source material on which a famous movie is based is equally as good and equally as famous. What strikes me as interesting is that the quick turn on some of these literary masterpieces from page to screen has largely remained unchanged. Gone with the Wind only took three years before its film debut, The Martian took four years, and Psycho only took one. Clearly, these stories are practically screaming to be made into movies, and most have done quite well as the cultural icons of their age.
Of course, having already seen the film on which this book was based, I was well aware of the twist ending. Nevertheless, reading through this book was almost enhanced by this a priori knowledge as one would probably not have guessed the twist if they were reading it for the very first time. There are just little hints here and there that something is off, but it’s not until close to the end that we find out that everything is not as it initially seemed. Even the visuals provided in the film version helped to aid my imagination in establishing the setting and characters.
And yet, as there always is, there are some differences in the book that did not make it into the movie. I wonder if Norman Bates was made a lot slimmer in the film partly due to Hitchcock’s portly frame. In the book, his overweight body adds a layer to the character (both literally and metaphorically) which helps flesh out (Har har. OK, I’ll stop) more of the explanations as to why Bates ended up this way. Much like One Flew Over the Cuckoo’s Nest, being able to get into the mind of Norman Bates was a fascinating examination of someone with a severe mental illness.
A fantastic read equally on par with the Hitchcock classic, I give Psycho 5.0 stars out of 5.
As someone who has to read many short story submissions for the anthology my writing group puts together each year, I can appreciate a well-written short story. I have not read much of Neil Gaiman, but in his collection of anthology short stories, Smoke and Mirrors, I was able to see what kinds of stories a professional writer writes for an anthology. While quite a few stories were interesting, not all of them were necessarily in genres I typically read. Then again, I consider erotica and stories submitted to Hustler as pornography, which is why I do not read these kinds of short stories.
Furthermore, it is a little more uncomfortable listening to erotica, as was the case with this audiobook. Fortunately, Gilbert Gottfried did not read it, but it still is uncomfortable to hear it nonetheless. Sure, the concepts in these short stories were somewhat interesting, but the sex ruined it for me. At least there were enough other stories that I found fascinating to make it worth my while to get all the way through it. The simplicity and genius of these ideas merely verify Gaiman’s writing talent, even if a few were hard to follow. At least a few of them followed the title of the book, which helped tie these separate stories together.
Perhaps my biggest qualm with this book was its structure. Moreover, maybe it was a limitation of a direct transferal to the audiobook format, but it is almost impossible to go back to the first section of the book and listen to the intro for each story before reading that story. Instead, it dispensed pertinent information on every short story before I even had a chance to get to them. If I were to appreciate each story fully, it would have been better to introduce each one with background information, so the context is fresh in the listener’s memory.
A collection of well-written short stories, I give Smoke and Mirrors 3.5 stars out of 5.
For more reviews of books and movies like this, please visit www.benjamin-m-weilert.com
Volume one of the Grand Guignol Orchestra was a wild ride. Set in a world where people have begun to be transformed into monstrously possessed doll creature called Guignols, the Unofficial Royal Orchestra travels to allegedly only bring relief to the remaining civilians by performing for them, but they do so much more. The story begins when the Orchestra comes to a town where there are no children besides the crippled young earl, the son of the man who hired the musicians.
I loved this manga because it was a taste of an idea renowned into something new. The character development was so slight, and yet I felt as if I'd known the Orchestra for years. There was an excellent balance of adventure, fear, and comedy implemented into the story, and the only reason I do not rate Grand Guignol Orchestra a 5/5 is because I've only gotten to experience one novel so far. This is an incredible manga for those wanting something frightening and tense, but desiring strong characters as well as a great story.
"Swamp Thing: Volume One, Raise Them Bones" is the beginning of Scott Snyder (author) and Yanick Paquette (illustrator)’s visceral, mythic run on the comic, which I recommend heartily to fans of horror/grotesque gothic stories.
Detailing the eternal conflict between the Green (plant life), the Red (animal life) and the Rot that would consume and twist everything, Snyder’s interpretation of Swamp Thing is full of haunting imagery and interesting worldbuilding. Later on, the comic run is taken over by Charles Soule, who does a lovely (albeit very different) job carrying on the story.
For now, though – renowned botanist Alec Holland has been chosen by the Green to shed his humanity and become their knight. Will he go willingly? And what will become of him now that he’s been claimed, whatever he chooses to do?
Warnings:
-- This book is suited for older audiences, in my opinion, and definitely not children. The illustrations are often what one might call “graphic.” Be warned. It is something of a horror comic.
-- If you like this first volume and keep on with the series, just know that during the Rotworld arc, "Swamp Thing" crosses over with Jeff Lemire’s "Animal Man." It may behoove readers to pick up "Animal Man: Volume Three, Rotworld," at least, in order to get a complete look at the story. :)
“Through the Woods” by Emily Carroll is a comic book collection of whimsically morbid fairy-tales, each mostly self-contained but serving what I would call an important, human theme: the uncanny waits, and surrounds, especially where you wouldn’t expect it. I love the stark yet evocative art throughout this book, and some of the stories did manage to surprise me. I personally love testaments to the monsters under our beds, particularly those intended for adults, and if you do, too, you may carry something interesting away from this collection. At any rate, the art is gorgeous, feeling “classic” even as it’s so unique.
A Monster Calls is an award winning, simple, easy to read book about a very complicated, emotional issue. A young boy, Conor, faces the stark reality of his mother’s terminal illness. He has been suffering from a recurring nightmare and suddenly a new dream-like monster comes to him to see him through this upheaval. It is a short book that will have you emotionally tied up in knots written for young adults, but applicable to all people that are dealing with loss, closure and guilt. Conor’s internal struggle vividly comes to life in the form of the monster in this book. If you’re looking for a quick read that will pull you in and hold you, this is the book for you.
For my Review I read the second book in the Benzenghast by Alice LeGrow. This book was just as good as the first one, maybe even better. In this on Dinah and Vincent are still trying to free all the ghosts with the help of Edaniel the tower god. During this time Vincent falls ill. What I liked most about this book was that it shows you what it is like when someone keeps blaming themselves for something that is not their fault.
Reviewer Grade:8
Broken Monsters is a thriller set in Detroit in which a detective investigates a serial killer who murders people with a nail gun and then attempts to meld their bodies with those of animals -- or at least, that's how it starts out. The chapters rotate between the perspectives of Gabriella Versado, the detective investigating the case; Layla, her teenage daughter (currently embroiled in a plot to lure out and expose pedophiles); Jonno, a journalist who quit his job and moved to Detroit to reinvent himself by reporting on their art scene; TK, a homeless man working to protect his friends and community; and our serial killer, who finds himself infected by a dream that seems to have the power to rewrite reality itself. While it initially seems like a pretty standard thriller, the murders quickly veer off into the realm of the supernatural. The book is a bit uneven as a result, ending up as a mix of magical undertones plus serial killer crime investigation plus family drama that never quite came together for me. The writing wasn't amazing by any means, but it got the job done, and the plot managed to keep me turning pages. Despite having heard some rave reviews from others, I wasn't wowed by it, but if you're a fan of horror/thrillers this is definitely unique.
White Is for Witching is a difficult book to describe. I suppose you could say that it's the story of a young woman, Miranda Silver, who suffers from pica, a condition which compels sufferers to crave and eat inedible foods: chalk, plastic, metal, rubber. The story follows her life -- loosely -- from her mother's death when she was a little girl up until her mysterious disappearance in her late teens/early 20s. The story is told from the perspectives of Miranda, her twin brother, her college girlfriend, and the (possibly evil) house/bed & breakfast she lives in, along with a few brief POV sections from side characters. They're nominally piecing together the events that led up to Miranda's disappearance, but that thread often gets lost in the meandering chapters. Fair warning: the plot is difficult to follow and it wasn't until I reread the opening that the story started to click into place. There's a strange, dream-like atmosphere, none of the narrators are anything close to reliable, and it wasn't always clear to me (read: it was almost never clear to me) what was going on. To give a sample of just a few of the plot threads: There are a string of assaults/murders of refugees happening in Dover, England, where Miranda and her family live. Is she connected to them somehow? Some passages seem to suggest so, but we certainly never find out. The house she lives in seems to hate immigrants and may or may not have eaten her female ancestors to keep them from leaving, but don't expect either of these points to be brought to any sort of conclusion. The closest thing to a central thread was the obsession with the possibility that Miranda was or was controlled by a soucouyant, a sort of vampire/shape-shifter in Caribbean traditions. So race, identity, and immigration are obviously big themes, but it's less clear where Oyeyemi is going with everything.
For me, the actual story-line wasn't very satisfying, but the writing style and atmosphere made it worth it. I've read almost everything Oyeyemi has written, and a lot of her stories fall apart at the end; she's great at creating interesting characters/evoking an eerie, ominous mood, but in my opinion resolving a plot is not her strong point. This might be frustrating for some readers, but if you're interested in something a little more experimental and don't mind that it's a bit rough around the edges, you might like this book. I would recommend Oyeyemi's first book, The Icarus Girl, for anyone interested in reading something a little more accessible by her. If this had been the first thing I read by her I might not have picked anything else up, but I enjoyed it for what it was.
Such a great story, and only 238 pages! I bought this book in an airport since I forgot to bring anything to occupy my time on a long flight. Boy am I glad I did! I could not put the book down until I finished it! Interesting tale, set over many decades, with notable references to eras that made it easy to get lost in the story. If only there were more of the story to read!
The book I read for my review was the book Bizenghast by M. Alice LeGrow. This book is about a young girl and boy who stumble across a mysterious graveyard. The girl accidentally signed a contract that made it so she sold her soul to the graveyard. The only way to free her soul from the contract is to free all the ghosts stuck on earth. This book is amazing and one of the best manga I have read so far.
Reviewer Grade:8
iDrakula by Bekka Black is an interesting book for me because I found it to be both creative and unimaginative at the same time. I found it unimaginative because of the fact that it is the same plot line as Bram Stoker's classic Dracula. On the other hand, it is a creative retelling in the fact that it is set in modern times and is almost entirely made up of texts and emails, sort of like a written version of those movies that are POV and created by giving the actors the camera so it looks like an amateur did it. So I found the content to be a copy but the way it was presented to be highly entertaining and imaginative. I would say that this is very much for teens who find Bram Stoker's Dracula too hard a read. If you can, read the original over this. However this is a good alternative if you cannot.
Reviewer Grade: 12
Hideous Love is a verse novel about the life of Mary Shelley, the woman who wrote the iconic Frankenstein. Mary Shelley ran away with her lover, Percy Shelley and traveled around Europe, getting inspiration from the scenic surroundings for her writing.
Mary Shelley had led a very interesting life full of tragedy and drama and with award-winning Stephanie Hemphill writing it, it'll be great, right?
Ha... no. All I got was disappointment and dissatisfaction.
Reading Hideous Love was a chore. I kept on thinking it would get better, but it didn't happen.
The poems were choppy and I feel like Stephanie Hemphill just tried to make her sentences as short as possible, put them in a pile, and called it poetry.
Horrible Love didn't even scratch the surface of the emotions Mary Shelley must have felt, I couldn't relate to her at all; it was hard not to skim through the poems. I can't help but think that Hemphill didn't even try putting any structure or effort in her novel. A few poems in Hideous Love were written fairly well, but that meager amount can't make up for all of the rest of those tedious and boring poems.The verse novel was mostly about Mary Shelley worrying about the faithfulness of her husband and her actual writing was just tacked on there like an afterthought.
I don't recommend this to anyone, and Hideous Love is possibly the worst book I have ever had the misfortune of reading. The Wikipedia article on Mary Shelley was more interesting and gave more information.
Reviewer's Grade: 8
Steve's baby brother is sick. Like, probably going to die soon sick. So, when Steve is visited in his dreams by the wasps living in the nest over his house, and they offer to fix the baby, Steve feels like all of his problems are being solved...until he realizes the solution is perhaps not as perfect as it originally seemed.
This is one weird, creepy little novel. I listened to it (and apparently it's illustrated, so I missed the illustrations), and narrator was a little blah at first, but later on in the story I realized that that was probably somewhat intentional. The first disk was a little slow for me, but by the final disk, I was sitting in my driveway listening because I just had to know what was going to happen. Wow. I've never read anything quite like this, and while I won't say that I loved it, I did ultimately enjoy it.
The world is burning, one person at a time. A new sort of plague, a spore known colloquially as Dragonscale, is infecting hundreds of thousands around the globe. It begins with something small. It gets into your head. It grows. You feel fine until you see it on your skin-a small stripe, like a gold-flecked stain. You might even mistake it for a bruise at first. But then you know you have it. You know that you’re going to burn, and it’s only a question of when. No one knows exactly how it spreads, and there’s no sign of a cure short of being killed before you ignite. You’ll smoke a bit first, and then you’ll combust, unless someone decides to end your life before then.
In the midst of the chaos is Harper Willowes, a Portsmouth nurse who sincerely wishes for nothing more than to be able to help others through the crisis. She volunteers her services caring for the infected while her husband Jakob works for the Public Works Department, helping to clean up the devestation left behind by the burning infected. It’s at work that Harper first meets the Fireman. He brings a child in for treatment, not for the Dragonscale covering him, but for a ruptured appendix. After the boy, Nick, is taken in for surgery, the Fireman vanishes. A few days later, Nick is gone as well, leaving only questions in his wake. Then, disaster strikes and the Portsmouth Hospital burns to the ground. Harper escapes, but soon makes two discoveries. She’s pregnant and she has the ‘scale. Believing himself to be infected as well, Jakob snaps and Harper is forced to flee for her life and that of her unborn child.
When all seems lost, the Fireman intervenes. He rescues Harper from Jakob’s pursuit and secrets her away to a small camp where over a hundred and fifty infected are living in hiding, including Nick. Living and thriving, to Harper’s great surprise. While there’s no cure for the spore, the people of the camp have found a way to live in harmony with the Dragonscale, under the leadership of Nick’s grandfather. Harper’s medical skills quickly make her indispensable. The camp, however, is no paradise. As panic grips the nation, marauders seek to eliminate any infected. Harper only wants to survive long enough to deliver her baby, but internal power struggles in the camp threaten to expose them all to the roving Cremation Crews. The Fireman may be the only one who can save them all, but he hides a dark secret of his own.
Joe Hill takes on an apocalypse of his own, one that rivals The Stand in scope and violence (not to mention pop culture references). As the world around them burns, his characters must face the fact that other humans may be a greater threat to them than the Dragonscale ever was. The Fireman is a hell of a ride from beginning to end, and is every bit as intense as the flames it evokes. Go check it out.
This book definitely isn't like the movies, but it is still really interesting to read. The main character, Victor Frankenstein, goes through a lot of crazy times. He creates a so called monster by many and everything that comes after keeps you wanting to read more. There is a lot of melancholy feelings and struggles that many go throughout the book. It uses a lot of diction and has foreshadowing throughout giving you hints here and there of what might come. I highly recommend this book because it's a very cool story.
Reviewer Grade: 12
Frankenstein begins with Robert Walton, an explorer, writing letters to his sister about his journey to the North Pole. Along the way, he rescues a man named Victor Frankenstein from an ice drift. The story follows Frankenstein down memory lane as he tells Walton about his pursuit for knowledge and the deadly consequences that followed.
I really enjoyed this book. I've always been meaning to read it, so I'm glad that I finally did. I loved how it was written; the characters were highly intelligent, and the word choice did an excellent job of showing it. The only thing that I wasn't so huge on was the end. It felt a bit too abrupt to me. Regardless, I found this to be an excellent book.
Reviewer Grade: 12
Anna was sixteen and on her way to a school dance when she was killed. Someone cut her throat...someone nearly cut her head clean off! They say she was wearing a white party dress, and when they found her the whole thing was stained red. Anna Dressed in Blood is Scary, but you won't have to sleep with the lights on. Ghost hunter, Cas Lowood provides a witty perspective on ghosts, but the story keeps you wondering what happened to the end.