Tess Dombegh is ruined. When she was quite young, she met an ambitious young scholar who took advantage of her and left her in the family way. Since then, her main goal has been to find her twin sister, Jeanne, a husband that will save their family from their dire financial straits. Tess successfully finds Jeanne a husband, and after getting extremely drunk at their wedding and embarrassing herself and their entire family, she decides to run away.
Notice that I got through this description with nary a mention of dragons? There are dragons in this world. But only barely, hence the reason I didn't need to mention them in my synopsis. This is actually, I think, the weakest point of the book, but I'll come back to that later.
I am more conflicted about this book than I've been about any other book in recent memory. Tess, our main character, is insanely unlikable and unsympathetic, especially at the beginning. However, she's intentionally unlikable and its entirely because of the circumstances of her world are similar to that of Edwardian England in terms of how the ladies are treated. As Tess travels further down the road - often painstakingly slowly, the unnecessary and at times boring digressions in this book are legion - she learns more about who she is, who she wants to be, and how she can make her way in a world that sees her as less than a person because of her gender.
Those parts, the introspective philosophical parts, I liked. Unfortunately, they were few and far between and were including in those aforementioned digressions that had nothing to do with the plot at large. My interest in the book would wax and wane in huge swings. I did finish it, and I even liked the ending, but wow, this was often a slog.
The thing that bothered me the most about the book was almost the complete waste of the worldbuilding. There were dragons and quigutl (sic), which are like the small, less ferocious cousins of dragons, and while a quigutl was a main character, that character could have easily been a jaded staff member, or really anything else. The fantasy world didn't add to the story, and sometimes, it distracted from Tess' character development, which, at the end of the day was the point of the entire novel. I think making this book pure historical fiction (and I loved the worldbuilding and fantasy setting in Seraphina, the companion series) would've made it a more impactful, better book.
Anyway, complaints aside, at times, I found myself really loving this book, mostly on the strength of Hartman's writing and the very important messaging regarding women's rights. Overall, though, the execution left something to be desired, at least for this reader. I won't be coming back for the sequel if there is one (everything was tied up nicely, but there definitely is room for another book), but I would definitely read another book by this author. 2 stars - it was ok.
Thanks to Random House Children's and Netgalley for the eARC that I received for review consideration. Tess of the Road is released on 27 February, but you can put your copy on hold today!