Unwind has a fresh, fascinating, and frankly genius premise: after a war is fought on abortion, the U.S. government passes legislature allowing parents to sign an order to "unwind" their teenagers. The teen is then taken apart, and each body part is used for transplants. Like any good dystopia, the concept poses a number of thought-provoking questions that the book tries to address, like "do we have souls?" or "what makes a person themself?" or "how scary is it to be unwound, really?", and it answers them with varying degrees of success. Unwind is an excellent conversation starter; it is riddled with nuanced philosophical ideas which are, at times, uniquely terrifying. However, that's where the problems with Unwind lie: the intrigue doesn't stretch much farther than the initial concepts. Shusterman is talented at worldbuilding, and every new detail of Unwind's dystopia is interesting, inspired, absurd, and simultaneously realistic. Unfortunately, the story fails to make use of this inherent intrigue. Much of the reader's time is spent spectating characters as they shuttle from one location to another. They have minimal development, or, when they do have development, it is sudden and drastic. Shusterman builds a vivid universe only to guide readers through the dullest corners. Unwind is worth a read for the conversation, not the story. If a reader expects the average teenage dystopia, they should pick another book; but if they want fresh perspectives, creative horror, and possibly a hint of existential dread, Unwind is the perfect read.