Thrillers/Suspense

The Westing Game is a very eventful book with lots of twists and turns. It starts out as a novel about an old rich man who ‘died’, Sam Westing. All of his heirs live in Sunset Towers and are competing in a game he made. In his will, Westing claims that one of the people that resides in the tower killed him. All of his relatives get assigned another family member they have to work with as a partner. The groups start finding and solving clues, one leading to another and making each family suspect each other throughout the whole game. His heirs are hoping to gain control of his business and win millions of dollars through the game, which they will split with their partner. I really liked this book because of all the mystery and obscure details that lead you to the answer. Who set the bombs? Who REALLY killed Westing? Why did Turtle cover up for Angela? Did he even die? Are Sam Westing, Sandy McSouthers, Julian Eastman, and Barney Northrup hiding something? The suspense draws you in, and leaves you wanting more and questioning everything. I would highly recommend this book for any young and curious reader.
(Grade 7)

This Body's Not Big Enough for Both of Us is a wonderfully witty Jekyll-and-Hyde-esque tale of crime, passion, and sibling squabbles. Adrian and Zooey Kimrean are twins forced to share the same body: the same brain, the same limbs, the same life. After establishing a Private Eye business to utilize Adrian's deductive analysis and Zooey's creative skills, the two are thrown into the path of a mob war. Can they learn to work together, or will their self-destructive self-sabotage spell the end for the both of them?
This book is insane. It's absolutely insane. It's a rollercoaster of emotions, plot points, and story trajectory, and I loved every minute of it. The mastery of the book comes in large part from Cantero himself, and his mastery of humor and pacing and personality. Every character, especially the two main leads, seem to explode from the page. The book acknowledges the tropes of the detective story, and a lot of it plays into it, but there are also some wonderful subversions in the simple act of giving two-dimensional characters a lot more depth than they usually warrant. Very few characters are taken for granted. Beyond that, there's a beautiful vibrancy to the dialogue, and it highlights the unique character dynamics that emerge from the story. The story takes full advantage of its goofy premise, using it for all the drama and humor and plot fodder that it can. Both the hilarity and the absolute tragedy that is the main character's situation is wonderfully balanced. The jokes about it have some of the best slapstick and back-and-forth I've seen in a book. The sorrow of it was genuinely moving, and wasn't undercut or dragged out. Finally, even the writing was wonderful. The imagery was gorgeous, the prose was moving, and the general comic air of the book make the serious parts hit that much harder.
There are some problems with the book. Yes, the wildness of the plot can detract from the mystery. Sure, the humor can be crude and the ending was pretty conflicting. But I don't care. I read this book in a straight 48-hours and I wish it could've lasted for hundreds of hours more. It's a masterclass in characterization, dialogue, humor, and out-of-the-box writing. All in all, I'd recommend this for anyone who wants detective stories, mob wars, unlikely friendships, fantastic action, and one of the most interesting sibling dynamics you'll ever see!
Reviewer Grade: 12

Have you ever read a book that’s so bad it’s good? Maybe even great? Even if you haven’t, there is room for one of these books in everyone’s lives. This book for me is Horror Hotel. Cringey, “Gen Z” dialogue? Horror Hotel has it. Badly written plot with an obvious twist? You can find that in Horror Hotel. One dimensional characters? You guessed it, Horror Hotel. Though, I will give this book credit where it’s due. I had found myself laughing harder than I’ve ever had at a book. It has the exact same energy of something you’d write with your friends at 3 AM. If you are looking for grade-A trash, you’ll definitely find it in Horror Hotel.

League of Liars is an excellent read for fans of anything from fairytales to Ace Attorney. I enjoyed its heart-racing mind games and plans. The prison’s ever-changing playing field always made sure the characters didn’t have things too easy. I also loved the interesting magic system, (and the legal consequences that come with it). However, I think that the plot could have been instantly resolved if magic was used, which makes the characters, who took the hard way, feel idiotic at times. Other than that, if you like well-crafted fantasy worlds, page-turning mysteries, more twists than a bag of pretzels and twice as many likable characters, read League of Liars! (8th Grade)

We Were Liars is a mysterious young adult novel about a wealthy family who spends every summer on their private island. The story focuses on the main character, Cadence. After Cadence suffers a head injury during one of the summers, she cannot remember almost anything from that trip to the island. The next summer things are very different and Cadence has to try and remember why.
This book is quite a page-turner. As Cadence slowly remembers more and more details of the mysterious summer when she suffered her head injury, it is nearly impossible to put the book down. However, not all page-turners are necessarily great books. The story of We Were Liars may have been intriguing, but the content was not very substantial. There didn’t really seem to be any morals, and if there were, they weren’t very clear. Things just happened throughout the story, and although it was a mystery, nothing was truly deep or thought-provoking

Murder on the Orient Express is a compelling Christie mystery. The book is steady and methodical: after the initial inciting incident, each of the passengers are questioned in order. Then, the evidence is reviewed and the conclusion comes easily to the detective. This novel was a straightforward, easy read, but I found it was better enjoyed by just sitting back and reading. Formulating theories, from the perspective of the reader, is relatively difficult due to key details being under developed when first introduced in the book. Therefore, the detective is better informed than the reader throughout the mystery, which took away some of the intrigue for me. Ultimately, however, the ending was satisfying, and Murder on the Orient Express is a well-written, captivating read.

Any fan of mysteries should read And Then There Were None because it is such a wonderfully refreshing book. It is understandable why the book continues to have an impact decades after its release. Following And Then There Were None is not that difficult. Yes, it's a mystery, so pay attention (or at least keep track of who's passing and when), but the book doesn't aim to mislead its readers with unusual text. Guilt and justice are two of And Then There Were None's themes. Every visitor taken to the island is charged with an unfounded murder. As the death toll climbs, visitors struggle in various ways with their own personal emotions of guilt. Justice Wargrave's confession clarifies the notion of justice. Those who loved And There Were None like me should read more of Agatha Christie's work or if you want to read a book similar to And Then There Were None I recommend The Guest List by Lucy Foley. Overall, I loved Agatha Christie's novel And Then There Were None because of how it always kept readers on the edge.
Grade: 8th

Initially, the premise of this book caught my attention: a psychotherapist sees a patient who murdered her husband years ago (as revealed in the opening line) and has not spoken since. Without spoilers, the story is told in a fascinating way, and Michaelides makes the most of his creative freedom in the medium of novels. Right after I finished reading, I thought the book perfect for what it sought out to do; however, upon further reflection, I feel it missed the spark that makes a good book. Yes, the story was interesting and the flow of events was steady, but by the last third I felt there wasn't enough struggle or buildup to make the progress with Alicia impressive. The novel told two stories simultaneously (the one of Theo's wife and the one of his patient), which was a great artistic choice, but I think that left each individual plotline underdeveloped in the 300 page novel. The Silent Patient is well-written, organized, and unsettling. Although I struggle to grasp the greater message behind the nuanced story Michaelides told, I definitely enjoyed reading it.

Unwind has a fresh, fascinating, and frankly genius premise: after a war is fought on abortion, the U.S. government passes legislature allowing parents to sign an order to "unwind" their teenagers. The teen is then taken apart, and each body part is used for transplants. Like any good dystopia, the concept poses a number of thought-provoking questions that the book tries to address, like "do we have souls?" or "what makes a person themself?" or "how scary is it to be unwound, really?", and it answers them with varying degrees of success. Unwind is an excellent conversation starter; it is riddled with nuanced philosophical ideas which are, at times, uniquely terrifying. However, that's where the problems with Unwind lie: the intrigue doesn't stretch much farther than the initial concepts. Shusterman is talented at worldbuilding, and every new detail of Unwind's dystopia is interesting, inspired, absurd, and simultaneously realistic. Unfortunately, the story fails to make use of this inherent intrigue. Much of the reader's time is spent spectating characters as they shuttle from one location to another. They have minimal development, or, when they do have development, it is sudden and drastic. Shusterman builds a vivid universe only to guide readers through the dullest corners. Unwind is worth a read for the conversation, not the story. If a reader expects the average teenage dystopia, they should pick another book; but if they want fresh perspectives, creative horror, and possibly a hint of existential dread, Unwind is the perfect read.

You'll Be the Death of Me was disappointing to say the least. McManus' other book, One of Us is Lying, had fascinating characters and a clever plot. This book felt like a knock-off. Ivy, Mateo, and Cal are three high school students who skip school one day and get swept up in a shocking murder mystery. The actual plot and eventual killer was kind of interesting, but not enough of a shock to be fully entertained. This is one of those mysteries that you can absolutely guess midway through the book. The three main characters are pretty bland and don't have good chemistry. Why do they just remember this one "Best Day Ever" in middle school and decide to randomly skip school? Were they actually long-term friends or just acquaintances? It seems like the author couldn't decide. Plus, every romantic interaction felt forced and uncomfortable. Not my favorite.
Grade 12