Science Fiction

Gone, by Michael Grant is a fast paced dystopian sci-fi story about a small town in California by the name of Perdido Beach . The plot quickly pulls you in, leaving you emotionally invested in the characters. Personally, the second I was finished, I was onto the next book! The main character is a young boy named Sam Temple. After all of the people aged 15+ vanish, the remaining teens and children look up to him as their leader, even though he constantly tries to deny the huge responsibility. After a gang of bullies start to take over the town and kill and mutilate the people who won't bow down to them, he takes a stand to protect the rest of the innocents. Gone is the first in a series of five books. I would recommend this book, and by extension series, to anyone that enjoys superpowers, violence, and heartbreaking sacrifices.

Continuing from the previous book in the Alvin Maker series, Red Prophet flashes back and shows certain events from a different point of view before driving forward into some fascinating alternate history. I continue to enjoy the fantastical elements brought into American history, even to the point of explaining how certain famous historical figures were the way they were. Although, if you know enough history, you’ll realize the fates of some of the characters presented in Red Prophet (William Henry Harrison, for instance) might not need the foreshadowing missing from this text.

While Seventh Son managed to set up this alternate history and establish some of its rules, Red Prophet delves into the action and excitement that comes from some of the more “kinetic” talents of these characters. Once the plot catches up with where Seventh Son left off, I was hooked. The interactions between Alvin and the Native Americans were quite interesting, and I found everything up until the climactic battle to be top-notch storytelling. Sure, it took a little while to get there, having to first set up the eponymous “Red Prophet” and his powers of observation, but it was worth it in the end.

My one qualm with this book lies in some of its more peculiar metaphor, allegory, and allusion. Near the end of the book, several scenes and sections feel entirely disjointed from the narrative. Perhaps they were to serve some “higher purpose” to lay out the moral of the story—or even the series as a whole. These scenes had characters who suddenly were ripped out of their normal behavior and put into a completely different context. And for what? To show that the history of the Native Americans is rich and varied while also infused with war and darkness? There had to be some other way to convey this than the way it was done here.

An action-packed follow-on to Seventh Son that gets a little too “heady” at times, I give Red Prophet 4.0 stars out of 5.

Having loved Orson Scott Card's Ender Saga, I decided to start into another of his series, Tales of Alvin Maker. I was used to his science fiction writing, so I thought it would be interesting to see how he handled semi-historical fiction. For the first book in a series, Seventh Son certainly has its strengths and weaknesses. It’s clear this book came on the heels of the Ender Saga, as there are a lot of parallels between characters and motifs that I just couldn’t ignore. Not that that’s necessarily a bad thing by any means.

While the history of colonial America is the setting of Seventh Son, the fantasy elements added to it made for an interesting read. I did appreciate the distinctive “good vs. evil” conflict between the Makers and the Unmaker, even if it’s a little too tried and true. At the very least, while the religious characters had some amount of strawman characterization set against them, they were well rounded enough not to make the whole story seem too anti-Christian. They weren’t necessarily the enemies, but their ignorance factored into the enemy’s tactics.

Perhaps the little snippets of American history sprinkled throughout this book were what intrigued me the most. Sure, the superstition and “magic” involved in creating an alternate timeline of history made quite a bit of sense. However, without at least a cursory knowledge of these events and historical figures, then readers could potentially miss a lot of substance. As with the Ender Saga, Card uses his writing to dive into different theologies and philosophies that do more than merely entertain. The fact that books like this can be thought-provoking through solid characters is a testament to his talent as a writer.

An adequate start to a series with plenty of potential, I give Seventh Son 4.0 stars out of 5.

Katniss, a teen girl who's dad died in a mining accident, left her to fend or her mother and little sister Primrose. She hunts and trades for her family with her friend Gale she met soon after the mining accident happened. The annual "Reaping" was a turn of events in the story and essentially what it is, is a night once a year where one girl and one boy aging from 12-18 from every 12 districts are chosen by chance to participate in "The Hunger Games." The Hunger Games is where all 24 children are forced to fight to the death in an arena and there is only one winner.

Andrew Bean is a normal kid on the outside but on the inside he is the Sensationalist, a sidekick with super senses. Andrew joins a superhero organization called H.E.R.O this affiliation trains people with superpowers so they can be sidekicks for superheros and someday supers themselves. His hero, The Titan used to be the best (and coolest) superhero but after an unfortunate accident while fighting a notorious criminal called The Dealer he disappeared. This left the sensationalist with no hero to help him when he needs it most especially when the Dealer returns seeking revenge on The Titan. In the middle of this all he still has to be careful not to blow his cover, even to his parents.

This book is truly amazing! It leaves you wondering what will happen next, to where you cannot put the book down! This is the first book of a trilogy by Ally Condie, all of which are fantastic. I usually don't like reading but I checked this out, and could not put it down! I read it in a week or so because it was so enthralling. I would recommend this book to anyone! It's futuristic, comical, dramatic, and romantic all at the same time.

Guy Montag, a fireman who lives in the future where all books are banned, is required to burn them all. Guy then meets a strange girl who explains how books aren't so bad. He begins to spend more time with her and as more fire calls end up worse and worse, his point of view on books is eventually changed. Guy becomes a rebel to the fire company, as he tries to stand up to what is right. He later meets with an ex-professor who helps him generate a plan. Will he succeed? Read this book to find out. I would recommend this to anyone who wants to read about an alternate point of view on the future and readers who like technology as well as robots.

Those who are familiar with George R.R. Martin's Song of Ice and Fire fantasy series may be lamenting the end of the semi-faithful Game of Thrones television show. In the time we’ll all have to wait until the next Song of Ice and Fire book comes out, there are other little stories from this author to satiate our appetite. Nightflyers is a short novella by Martin that also seems to be hinging itself on the success of Game of Thrones, albeit in the science fiction genre instead of high fantasy.

Considering how verbose Martin can get with his works, it was almost refreshing to read a story that was so focused and short. Granted, even though Nightflyers is science fiction, all of the notable George R.R. Martin elements were present: mainly, sex and violence. Depending on your tolerance of these elements, I can say that they’re at least naturally integrated with this novella. Martin certainly seemed to have an adequate grasp of sci-fi to give this story a satisfying twist that drove the plot into the denouement.

Without giving too much away, I did appreciate the science (and pseudo-science) that was used to create an interesting story. Or, at least, the story was written in such a way—with a dash of horror sprinkled in to engage the reader—that prevented me from being bored with it. If it had been expanded out into a full-size book, I’m sure I could see where plenty of fluff could have been added in to reach the required word count. In the end, I’m glad that Martin kept this short, which works primarily to the story’s benefit.

A quintessential George R.R. Martin sci-fi novella, I give Nightflyers 4.0 stars out of 5.

I liked Michael Crichton's writing. And what I mean by this is that I liked Jurassic Park (and to a lesser extent, The Lost World). Recently, I’ve been delving into a few of his other works, like Timeline and Micro. I understand that authors like Crichton excel in their genre—in this case, the technological thriller—but at what point does it just become the same old song and dance? Sure, I know a different author completed Micro and released posthumously. However, it mostly just felt like another re-hash of Jurassic Park mixed with Honey, I Shrunk the Kids (1989).

To Crichton’s credit, I feel his exploration of complex scientific principles in his writing are easy to understand and mostly accurate. For Micro, each bit of information that drove the plot seemed to make sense from a scientific standpoint. This was a plus considering how often the “shrink ray” sci-fi trope is done incorrectly. Of course, most places were pretty obvious where the science was being inserted since they didn’t necessarily flow as well as the other parts of the book.

My main qualm with Micro, aside from it containing all the standard Crichton tropes (e.g., “evil corporations”), is how the characters were practically indistinguishable from each other. The fact that they all primarily came from the same scientific laboratory and were thrust into the dangerous world of the microscopic didn’t help to keep track of who died and who lived. It was almost as if the author needed a large group of faceless characters to feed into the “drama” of trying to survive and return to standard size. None of their demises stuck with me other than being particularly grotesque and cringe-worthy.

A semi-unoriginal mashup of Jurassic Park and Honey, I Shrunk the Kids, I give Micro 3.0 stars out of 5.

Of the original Star Wars trilogy, Return of the Jedi has been my favorite for as long as I can remember. I enjoyed how there was some finality to the stories started back in A New Hope, and Empire Strikes Back. Plus, there were a ton of neat creatures (like the Rancor and Sarlacc) and machines (like the Speeder bikes and AT-STs) that grabbed my attention from a young age. Sure, I can understand the depth of Empire Strikes Back now that I’m an adult, but Return of the Jedi always holds that element of nostalgia for me.

So, how does the Shakespearean version of my favorite Star Wars story stack up? If anything, Shakespeare’s The Jedi Doth Return is consistent with its predecessors, Verily, a New Hope and The Empire Striketh Back . I enjoyed the voice acting and the little changes that made the audiobook more than just a Shakespearean reading of the screenplay. Of course, having listened to three books of this fantastic mashup, it has almost overstayed its welcome. Almost. I still think it’s a genius fusion of two pop culture masterpieces, but at what point does it lose its originality?

Sure, The Jedi Doth Return adds some new bits like songs (which land just about as well as the “added” songs in the 1997 Special Edition re-release). Overall, though, I was a little taken aback at how little dialogue there was in it. Most of the action was described either in chorus or soliloquy, which merely highlighted how much action was present in the original movie. This is great for an action-packed conclusion on the big screen, but it doesn’t land quite as well on the printed page (or audiobook). Despite this, I still think fans of either Star Wars or Shakespeare (or both) should give it a read.

Another consistently funny mash-up of archaic speech and futuristic sci-fi, I give Shakespeare’s The Jedi Doth Return 4.5 stars out of 5.