To Kill a Mockingbird is a well thought out, very deep and well executed book. Although it contains some very strong language, I'd say this is a must read for any teenager. Set during the time of the depression, this book deals with many political issues such as racism while also managing to teach very important lessons along the way. The complicated sentence structure in the book, as well as the vocabulary serve to make it a very fun and chalenging read. In my opinion this book is truly one of the best written in history.

Maus 1 is a fascinating graphic history of the Holocaust and what Jewish people went through. Artist Art Spiegelman uses a variety of metaphors to depict his fathers experience as a Polish Jew during the Holocaust. I found this book incredible because it uses an animal metaphor like Animal Farm to give a deeper insight into the story. This graphic history, much like a graphic novel, uses lights and darks, white and black, and special images to draw the reader in and help them understand the hardships Vladek Spiegelman faced. I loved this book and think it is a must read book for everyone.

This book is an examination of racial tensions and living as someone who defies the social norms to do greater good. It follows a small family that consists of a father and his two children. The father, a lawyer, becomes the first white man in his time and area to defend a black man in court, alienating himself and his family from the rest of their society (because he did what was practically unspeakable in the town's eyes). A fascinating series of events ensue, in which the children grow up learning what it feels like to feel prejudice and can thus empathize with the struggle that colored people around them face. The father must sacrifice his social standing and endure hatred and threats because he chooses to defend the truth, rather than the race. All in all, I would recommend this book not only for its complex and very interesting plot, but also for its analysis of racism and human nature in regards to the greater good and a sense of humanity. Themes of empathy and sacrifice then escalate the plot to its famous and unexpected finale. It is worth the read even only for the father's speech in court towards the end of the book, where he makes his case in favor of a colored man. I would give this book five out of five stars.

To Kill A Mockingbird is a book set in the early 1930s that describes the story of a family in the quiet town of Maycomb in Alabama. Currently suffering in the Great Depression, Scout Finch and her brother, Jem, live with Atticus, their widowed father. During the summer, Finch, Jem and their neighbor Dill explore their street to find an eerie house owned by a man named Mr. Nathan Radley. They learn that he has been living their for years with a brother, Arthur, and has never ventured outside.

The book took a simple setting and turned it into an exciting and intriguing plot line. It was unpredictable for the courses of events that took place, where it was never boring and was continuously captivating.

Personally, I enjoyed most about the creative plot line and course of events that happened in the book. It is an extremely unique book that is in an uncommon time setting, which creates a more enjoyable experience. This is one of the best books I have read.

Nathan Price moves his wife and four daughters out into the Congo in 1959. He's a prolific and die-hard evangelical Baptist pastor, with his mind set on converting the majority of the Congo population to Christianity. His wife, Orleanna, is submissive and silent, obeying him and allowing him to hit their children. Rachel, the eldest Price daughter, arrogant, self-centered, and sorely missing her comfortable 16 year-old life back in the States. Next come the twins, Adah and Leah. Adah is shriveled up and crippled, but her mind runs like a confusing, rampaging fire. Leah has cut her hair short and vows to shoot her bow and arrow as well as any village boys. And Ruth May, the baby of the family at 5 years old, with her warped and imaginative outlooks on their jungle surroundings. The Price family is trying to hold it together as the Congo fights for independence from Belgium, as they watch children starve to death on their doorstep, and the colorful like of the jungle swirl around their broken household. -Jordan T, 8th grade

A word of warning: This book contains discriminatory and vulgar language, including the N-word and other severe cusses. Midnight in the Garden of Good and Evil follows a quirky, discombobulated town. The residents are an amalgam of a depressed inventor who's secret poison could kill the entire city, a drag queen who dances exotically and drops bombs of dirtiness, a wealthy and closeted gay antiques dealer who loves to corrupt social norms, and a voodoo priestess who sneaks into graveyards at midnight, among other deranged, hilarious, and nonconforming people. This town is so dysfunctional and dark that it functions. The first half of the book was devoted to charting and describing the mysterious lives of the residents of Savannah, Georgia. The second half followed the conviction and multiple trials of one particular resident after he 'murdered' someone else. However, I would encourage you to read the Author's Note at the end, but only after you finish the book. It left me dazed for days at the major plot twist snuck at the very end.

This book was beautiful in the variety of characters portrayed in the short stories. All had a common thread of India and Indian culture, but each story was in a class of its own. It's hard for an author to really dig deep in short stories, but there is depth in these. There were a few that ended abruptly, but I loved each and every one of them and I learned a lot about Indian culture.

Interpreter of Maladies is a collection of short stories that reveal the immense cultural differences between America and India. Jhumpa Lahiri writes with such elegance that each individual story evokes a wide variety of emotions. My favorite part of this book is that all the stories come together to form a well-developed image of life in India compared to life in America. I also like that it does not portray one lifestyle as better than the other; rather, it just highlights the differences. Even in short stories, Jhumpa Lahiri has the ability of putting the reader in another person's shoes and immersing them in different cultures. Because of the beautiful writing, I would recommend this book to anyone interested in different cultures.

I feel the same way about this book as I do certain of my favorite foods: I absolutely love it but I can understand why someone else wouldn't. The very distinctness of this book is what makes it so lovely. If you're looking for an action-packed page-turner, keep looking. This is a book to be savored.

On the pages of Gilead, I was confronted with the transcendence, the miracle that is everyday life. The author beckoned me to see the smallest detail of existence as a thing to be cherished. I found myself deeply moved by the quiet steadiness of a man who had lived in one small, inconsequential town his whole life. He wrote no great books, and made no national waves, but he was faithful and content. What a concept! Yet he fought real battles! They were the struggles he waged in his own heart. For instance, he fought hard to love the wayward son of his best friend who had caused the family so much grief for decades, and had now returned. But in the end, he rose as a victor, and gave a blessing so moving it could change the course of a life. He had struggled for decades with loneliness. While his best friend had a household of eight kids, he had remained wifeless and childless for years after his first wife had died in childbirth. But this eventually served only as a platform to make him a stronger and more sensitive man--a man able to love more deeply because of all his heartache. All of this is described so skillfully, so carefully, that the reader cannot help but love all that the author loves. And what else is a good story for if not to capture the affections?

How can the deepest loss be quantified? What happens in the heart of a little girl when her mother drives off a cliff after leaving her and her sister alone at Grandma’s? How does such a girl become a woman? Who does she grow to be?

In the achingly beautiful prose that only Robinson can craft, the reader comes to taste a small portion of the fear, the ache, the loneliness that is the human heart. All these emotions find their representation in the haunting landscape that surrounds the forsaken town of Fingerbone. The defining feature of this town, next to its remoteness, is a great, icy lake. A train full of many passengers, including the young girls’ grandfather, once plunged off the bridge into that lake. Her mother also drove her car into it.
By staring into it, Ruthie sees everything lovely swallowed up. As she grows older, she finds herself bound to the same hopelessness that drove her mother into there. She begins to feel the pull.

Ruthie’s aunt Sylvie, now her guardian, represents the living dead.
Although she has never tried to drown herself in the lake, Ruthie begins to realize more and more that the cold lake is where Sylvie’s heart lies. She begins to see Sylvie as a representation of what her mother would be like if she had never driven off, but wished everyday that she could. What Ruthie needs as she comes of age is someone to bring her into the light. She needs someone to be the mother she never had: to delight in her and think that everything she does is adorable. But true to real life, the longing that Ruthie has is never realized and she resorts more and more to the cover of darkness.
This is a book that stares loss in the face for what it truly is. When one gives one’s life over to darkness, the ripple effects are so devastating, so tragic, so destructive, that a little girl can be forever derailed. And what can be more heart-rending than that?