Pulitzer Prize Winner/Nominee

Nathan Price moves his wife and four daughters out into the Congo in 1959. He's a prolific and die-hard evangelical Baptist pastor, with his mind set on converting the majority of the Congo population to Christianity. His wife, Orleanna, is submissive and silent, obeying him and allowing him to hit their children. Rachel, the eldest Price daughter, arrogant, self-centered, and sorely missing her comfortable 16 year-old life back in the States. Next come the twins, Adah and Leah. Adah is shriveled up and crippled, but her mind runs like a confusing, rampaging fire. Leah has cut her hair short and vows to shoot her bow and arrow as well as any village boys. And Ruth May, the baby of the family at 5 years old, with her warped and imaginative outlooks on their jungle surroundings. The Price family is trying to hold it together as the Congo fights for independence from Belgium, as they watch children starve to death on their doorstep, and the colorful like of the jungle swirl around their broken household. -Jordan T, 8th grade

A word of warning: This book contains discriminatory and vulgar language, including the N-word and other severe cusses. Midnight in the Garden of Good and Evil follows a quirky, discombobulated town. The residents are an amalgam of a depressed inventor who's secret poison could kill the entire city, a drag queen who dances exotically and drops bombs of dirtiness, a wealthy and closeted gay antiques dealer who loves to corrupt social norms, and a voodoo priestess who sneaks into graveyards at midnight, among other deranged, hilarious, and nonconforming people. This town is so dysfunctional and dark that it functions. The first half of the book was devoted to charting and describing the mysterious lives of the residents of Savannah, Georgia. The second half followed the conviction and multiple trials of one particular resident after he 'murdered' someone else. However, I would encourage you to read the Author's Note at the end, but only after you finish the book. It left me dazed for days at the major plot twist snuck at the very end.

This book was beautiful in the variety of characters portrayed in the short stories. All had a common thread of India and Indian culture, but each story was in a class of its own. It's hard for an author to really dig deep in short stories, but there is depth in these. There were a few that ended abruptly, but I loved each and every one of them and I learned a lot about Indian culture.

Interpreter of Maladies is a collection of short stories that reveal the immense cultural differences between America and India. Jhumpa Lahiri writes with such elegance that each individual story evokes a wide variety of emotions. My favorite part of this book is that all the stories come together to form a well-developed image of life in India compared to life in America. I also like that it does not portray one lifestyle as better than the other; rather, it just highlights the differences. Even in short stories, Jhumpa Lahiri has the ability of putting the reader in another person's shoes and immersing them in different cultures. Because of the beautiful writing, I would recommend this book to anyone interested in different cultures.

I feel the same way about this book as I do certain of my favorite foods: I absolutely love it but I can understand why someone else wouldn't. The very distinctness of this book is what makes it so lovely. If you're looking for an action-packed page-turner, keep looking. This is a book to be savored.

On the pages of Gilead, I was confronted with the transcendence, the miracle that is everyday life. The author beckoned me to see the smallest detail of existence as a thing to be cherished. I found myself deeply moved by the quiet steadiness of a man who had lived in one small, inconsequential town his whole life. He wrote no great books, and made no national waves, but he was faithful and content. What a concept! Yet he fought real battles! They were the struggles he waged in his own heart. For instance, he fought hard to love the wayward son of his best friend who had caused the family so much grief for decades, and had now returned. But in the end, he rose as a victor, and gave a blessing so moving it could change the course of a life. He had struggled for decades with loneliness. While his best friend had a household of eight kids, he had remained wifeless and childless for years after his first wife had died in childbirth. But this eventually served only as a platform to make him a stronger and more sensitive man--a man able to love more deeply because of all his heartache. All of this is described so skillfully, so carefully, that the reader cannot help but love all that the author loves. And what else is a good story for if not to capture the affections?

How can the deepest loss be quantified? What happens in the heart of a little girl when her mother drives off a cliff after leaving her and her sister alone at Grandma’s? How does such a girl become a woman? Who does she grow to be?

In the achingly beautiful prose that only Robinson can craft, the reader comes to taste a small portion of the fear, the ache, the loneliness that is the human heart. All these emotions find their representation in the haunting landscape that surrounds the forsaken town of Fingerbone. The defining feature of this town, next to its remoteness, is a great, icy lake. A train full of many passengers, including the young girls’ grandfather, once plunged off the bridge into that lake. Her mother also drove her car into it.
By staring into it, Ruthie sees everything lovely swallowed up. As she grows older, she finds herself bound to the same hopelessness that drove her mother into there. She begins to feel the pull.

Ruthie’s aunt Sylvie, now her guardian, represents the living dead.
Although she has never tried to drown herself in the lake, Ruthie begins to realize more and more that the cold lake is where Sylvie’s heart lies. She begins to see Sylvie as a representation of what her mother would be like if she had never driven off, but wished everyday that she could. What Ruthie needs as she comes of age is someone to bring her into the light. She needs someone to be the mother she never had: to delight in her and think that everything she does is adorable. But true to real life, the longing that Ruthie has is never realized and she resorts more and more to the cover of darkness.
This is a book that stares loss in the face for what it truly is. When one gives one’s life over to darkness, the ripple effects are so devastating, so tragic, so destructive, that a little girl can be forever derailed. And what can be more heart-rending than that?

If All the Light We Cannot See were a movie, I would consider it “Oscar bait.” Set during the most romantic of World Wars: check. Main character with disability: check. Drama, tragedy, and suspense: check, check, and check. It’s then no wonder that All the Light We Cannot See ended up winning a Pulitzer. Sure, it’s filled with plenty of the “award” tropes that we tend to see repeated over and over again—but it works. What helps this book stand out from the rest of the books and movies that try too hard to earn awards is twofold: its characters and its plot.

Before I get too far into my praise for this book, I have to mention that the narrator for the audiobook version seemed to mispronounce a few words early on, which threw me for a loop and made me wonder if I’ve been mispronouncing them myself. Similarly, it was a little challenging to track the timeframes for some of the subplots, but the impact of the book was still the same. The author was able to paint a vivid set of lives set on opposite sides of a global conflict. From the blind French girl forced to survive on her own to the prodigious German boy with a penchant for radios and STEM, their internal and external conflicts were prime examples of gripping and engaging storytelling.

While there didn’t seem to be one primary driving plot in this book, the addition of the handful of subplots worked in concert to create a gem of a story (har har). These subplots were natural to the characters that embodied them, which helped to produce an amount of realism that held everything together. Everything just made sense, and even the semi-tragic ending was a satisfying end that left no subplot or loose end untied.

A beautiful piece of prose worthy of its Pulitzer, I give All the Light We Cannot See 5.0 stars out of 5.

I did not enjoy reading The Old Man and the Sea mostly due to the format it was written in. The Old Man and the Sea is a book that focuses on one of an old man’s most memorable fishing trips where he attempts to kill massive a fish larger than his very ship. One of the main reasons why I did not enjoy reading this book is because of the fact that all of the main characters have names that are revealed throughout the story, but they are never used by the narrator figure. For example, throughout the entire book, Santiago is only referred to as “the old man” by the narrator, even though his real name is known early on in the novel. I also found the book to have a dull plot, focusing on descriptive writing rather than events that occur within the story. Even though I did not particularly enjoy reading this book, there is a lot of symbolism and descriptive writing throughout the novel, which some people may enjoy.
Reviwer Grade= 9

To Kill a Mockingbird by Harper Lee is an amazing story with important underlying themes. I really enjoyed this book. I read To Kill a Mockingbird on my own and then in class, which only made me appreciate the book more. The book explores controversial issues such as prejudice, racism, what it means to be a woman/lady, and growing up, which are all still relevant in today’s society. However, this is not a book for people who enjoy eventful/plot driven stories. To Kill a Mockingbird is more of a character-driven story (in my opinion). Harper Lee’s usage of symbolism, language and setting add to the enjoyment of the book. I could not recommend this book enough. To Kill a Mockingbird is a thought-provoking and classic book that everyone should read before they die.

I listened to this book on audio, so I'm sure I missed bits and pieces. Cora's life as a slave in Georgia and through her journey on the underground railroad was fascinating. The depiction of the underground railroad as actually being an underground railroad was odd to me, but I'm sure there's some symbolism or other literary device that escapes me. Probably the most interesting part of this book was the section that took place in North Carolina. It was so indicative of the Third Reich that it was chilling. I found the ending to be abrupt, but still overall an interesting read.