As I’ve been working my way through Ian Doescher’s Shakespearean adaptations of pop culture movies, I think I’ve hit the point where the novelty has worn off. For whatever reason, I didn’t feel like The Force Doth Awaken had the same charm as other entries in this quirky mash-up series. I have a sneaking suspicion that this may be due to one of two factors: 1. The newer movies have more “modern” dialogue that seemed as if it was directly plopped into the Shakespearean format, or 2. The original trilogy had more time to be ingrained in my psyche, and the translation to Shakespearean felt appropriate.
I don’t want to downplay the novelty of this adaptation, though. The voice acting is still superb, and the sound effects add a little something extra that immersed me as I listened to this audiobook. Plus, it’s not like these books are that lengthy anyway. If anything, I’m out a little over an hour of my time to listen to it (since I listen at 2x speed). I did appreciate that Chewie finally received the internal monologue that R2-D2 originally had since these un-translatable individuals still have something to add. I was, however, disappointed that BB-8 didn’t have the same treatment.
One of the other factors with this “translation” that I wasn’t too keen on was the meta aspect that kept winking at the reader and saying, “See? Do you get that reference?” I understand that everything exists in the Star Wars universe, but I think most people who will pick up this book will already know those references anyway and don’t need the coy allusions to other parts of the series. Of course, I’ll still end up listening to the rest of these when I can get them from my library, but The Force Doth Awaken felt like a low point (at least until I get into the prequels).
An almost too modern and meta Shakespearean adaptation, I give The Force Doth Awaken 3.5 stars out of 5.