I love how heather can really bring her books to life, it is also nice how she writes them so that we can share the same emotions, and understand the same things with the characters. I especially love this one because she leaves it so that you can ponder what the girls futures will be like. This book was funny, sad, AWESOME, and more!! I highly advise this to any girls 11+

This book is full of love, excitement, and hardship.

Harry Potter made a return to the forefront of pop culture at the end of July with the release of Harry Potter and the Cursed Child, a screenplay of the new stage play that takes us back to the magical wizarding world. It’s a bold new direction for the story, taking place nineteen years after the events of Harry Potter and the Deathly Hallows (please note that this review will assume that you have read or, at the very least, watched the final entry in the series), and the world is a very different place for Harry and his friends.

Almost two decades have passed since the Battle of Hogwarts. Since Voldemort’s defeat, our original heroes have attempted to move on with their lives. Harry is a Ministry of Magic official now, head of the Office of Magical Law Enforcement. He’s happily married to Ginny, and father of three children. Hermione is Minister of Magic, and married to Ron, who has taken over operation of Weasley’s Wizard Wheezes. At the outset of the play, Harry and Ginny’s second child, Albus, is bound for his first year at Hogwarts. While on the train, he meets his fellow first year, Scorpius Malfoy, and despite their fathers’ history, they become fast friends. In short order, the boys arrive at school and are both sorted into Slytherin, much to Albus’s surprise.

The following years pass quickly (we are only shown hints of events during the first three years that Albus and Scorpius are in school), showing the lack of real communication between Albus and his father. Being the son of The Boy Who Lived, it turns out, is not easy. Albus has Scorpius as a friend, but neither of them seem to be the children their fathers hoped they would be. You see, a rumor has been flying about the wizarding world that Draco Malfoy isn’t actually Scorpius’s dad. Gossip is that Malfoy wasn’t able to have a child, and so he illegally used a Time Turner in order for his wife to conceive a son with Lord Voldemort. This rumor is given more credence when the Ministry of Magic confiscates what is believed to be the last Time Turner in existence, one that doesn’t appear to have the one-hour-back limit of previous ones. But if someone could go back more than one hour in time, what would they seek to do with that power?

In their fourth year, Albus and Scorpius learn about the existence of the Time Turner and ask themselves that question. When Amos Diggory arrives at the Ministry to implore Harry to go back and save his son, Cedric from Voldemort, Harry refuses, for fear of what disrupting the past might do. When given the opportunity, though, Albus and Scorpius leap at a chance to change the world in the hopes of finding their place within it. However, the threat of Lord Voldemort doesn’t only linger in the past.

Harry Potter and the Cursed Child isn’t a Harry Potter novel. It’s a play based on a story by J.K. Rowling, but the heavy lifting of the writing was done by Jack Thorne and John Tiffany. It’s a vastly different sort of read because of that, and we don’t get anywhere near the level of insight into each character. It doesn’t move in quite the same way, but it is no less magical. Cursed Child is to the Harry Potter series what The Force Awakens was to Star Wars: a return to a beloved world that retreads some familiar moments while still laying the groundwork for a younger generation. New perspectives on classic moments left me feeling more connected to the characters than I had since first finishing Deathly Hallows.

Having read through the entirety of the screenplay, I only want one more thing from Harry Potter and the Cursed Child. I want to see it on stage.

(Note: This review orignally appeared here: https://swordsoftheancients.com/2016/08/10/harry-potter-and-the-cursed-… )

It seems like a typical day on her small, icy planet when Kady breaks up with her boyfriend Ezra. Little does she know, hours later she'll save Ezra's life when a megacorporation attacks their planet. The survivors of the attack are picked up by a passing fleet and Ezra and Kady are separated. As the two teens are trained to fill the staffing gaps on the military fleet, Kady begins to notice that the commanders are hiding a virus on one of the transport vessels which puts the safety of the whole fleet at risk. Soon, Kady finds herself reaching out to Ezra in an attempt to gain more information on the effects of the virus.

Illuminae tells a great story with the right mix of humor, code speak, and action. A unique premise and the authors’ attention to detail lead to a well-developed sci-fi world. The excellent story is enhanced by the inventive format – the novel reads like an investigative report made up of IM conversations, journal entries, and scientific reports.

The interesting format allows for the authors to provide a variety of relatable perspectives. Even though they’re living in a galactic warzone, Ezra and Kady provide a realistic and often humorous picture of a complicated relationship. The authors manage to make their interactions feel realistic despite the fact that Ezra and Kady never inhabit the same physical space at any time in the book. While Ezra and Kady are excellent characters, Kaufman and Kristoff have developed a varied cast of secondary characters which provide humor and empathy to the story.

Illuminae will appeal to a variety of sci-fi fans. It includes elements of intergalactic warfare and intrigue similar to Star Wars, apocalyptic elements along the lines of The Fifth Wave, strong kids and teens as savior figures like Enders Game, and survival instincts and humor along the lines of The Martian. Pick up Illuminae for a funny, fascinating read!

Amory Ames has left her philandering husband for a vacation by the sea with her erstwhile fiance on the pretense of talking his younger sister out of marrying her dastardly fiance. After a day of vacation, the dastardly fiance is murdered and the erstwhile fiance is suspect #1. Amory is convinced her old fiance is innocent, and works to clear his name.

At first, I was not at all sold on this book. The beginning is very slow and weighed down by constant descriptions of the sartorial choices of the many characters. The main character also initially comes off as a bit of a prickly doormat. Fortunately, about halfway through the book, the pacing picks up, the story gets really interesting, and our main character gets much less annoying. Her relationship with her husband, however, never ceases to be annoying because...did people not talk to each other in 1930s England? It was an unapologetically unhealthy relationship that was ultimately frustrating to read and was left (purposefully) unresolved at the end.

I don't read a ton of mysteries, but this one ended up being a lot of fun! Its kind of like an old school mystery where there is a cast of characters/suspects in one setting and you KNOW one of them did it...but which one? Based on what other readers have said, it's Agatha Christie-esque. I was able to guess the "who" but not the "why", and the book ended up being entertaining enough that I immediately checked out the sequel, Death Wears a Mask. I'd recommend it to mystery lovers who like their mysteries with a historical setting and a touch of fashion. 3 stars.

I’ve been following Sam Sykes on twitter for a while, and given my affinity for both well-crafted fantasy worlds and action-adventure stories, it was only a matter of time before I picked up a copy of The City Stained Red, the first book in Sam’s Bring Down Heaven series.

At almost 650 pages, The City Stained Red is a doorstopper of a book, but a fast, fun, vicious read. The book follows Lenk, an adventurer that some readers may recognize from Sykes’ previous series, The Aeon’s Gate Trilogy (though reading that series first is by no means a prerequisite for Bring Down Heaven). Lenk has finally decided that he’s done with killing, and wants to put aside his sword and pick up what he believes will be a normal life in the trade hub city of Cier’Djall. He and his friends, Denaos the thief, young wizard Dreadaeleon, khoshicht (Sykes’ clever take on elves) archer Kataria, healer/priestess Asper, and dragonman Gariath have killed scores of people and monsters. With the money owed to them for their services, they could happily retire from their violent lives. However, the man who owes them is not so easily found.

Cier’Djall is a massive, sprawling city, and the wealthy who rule over it have made their gold by selling silk produced by enormous spiders. However, the beautiful silk-draped spire that towers over the city leaves long shadows. In darker corners of the city, some of the poor are disappearing, and the ruling fashas may be to blame. Two rival churches seek to position their armies within the city, and tensions are running high as negotiations between them loom. Then, there’s the small matter of the local thieves guild and their ongoing conflict with a new but powerful cult that claims to have demons backing them. This is reality in the city where Lenk hopes to find Miron Evenhands, the priest at whose behest they have been doing what they do best. Cier’Djall is a bonfire piled high, drenched in oil, and awaiting a spark, and Lenk and his friends are unwittingly bringing lit torches through the gates.

The City Stained Red takes a page from A Song of Ice and Fire by presenting chapters from the perspectives of each member of Lenk’s band of adventurers. After arriving in Cier’Djall, they split up to try to located Miron, each using their unique skills and connections to make their way through the city. Denaos has connections from his previous life in the thieves guild, the Jackals. Dreadaeleon seeks the assistance of the Venarium, the wizard’s alliance. Asper, a follower of the same church as Miron, travels to the various temples in the city. Kataria finds herself in Shichttown, a slum where the non-humans try to live out of the way of the fiercely racist upper class. Gariath attempts to gather information from another dragonman who works as a bodyguard for one of the fashsas. Lenk is trying to cope with the fact that his pursuit of retirement may lose him the closest thing he’s ever known to a family. None of them are remotely ready for what they find.

After a footwar between the Jackals and the Khovura cult spills from the back alleys into the streets, every faction with an interest in controlling the silk trade comes out of their corners swinging, and Lenk and company can do little more than hope to survive.

I absolutely loved this book. Sykes blends dark humor and trope deconstruction beautifully. I’m already reading the sequel, The Mortal Tally, because I couldn’t wait to see what happens to these folks next. Reading about these characters is like watching my college Dungeons and Dragons group in action. There’s violence and bloodshed, but also fervent emotion. It’s a wonderful thing.

Kady and Ezra are citizens of the Kerenza colony - an illegal mining colony in a remote corner of the universe. One day, the colony comes under attack from rival mining company Beitech. Kady and Ezra manage to escape on two of the three spaceships that survive the attack. Unfortunately, in the process of escaping Kerenza and battling Beitech's ships, the Kerenza ships are massively damaged and unable access their jump drives to escape to the nearest jump station. The remaining Beitech ship is chasing the Kerenza ships through space in order to eliminate ALL survivors from the Kerenza colony.

Illuminae is a collection of the electronic communications between Kady and Ezra juxtaposed with a variety of different things: ship diagrams, dialog between the different ships' commanders, Wikipedia type pages, video
transcripts, thoughts from the AI controlling one of the ships, pictures of victims, etc.

I have really mixed feelings about this one. First, I really enjoyed the layout of the book. I'm not sure that I've read anything quite like it; I guess I would maybe label this as a more modern take on the epistolary
format. Some of the pages (usually when they were in space) were prose set to artwork, which was really cool to see. However, the layout was not easy to read on a kindle - luckily I had the book checked out as both a physical book and an eBook which I would recommend as the book itself is basically an anvil.

I really liked the plot of the first 54% (thanks, eBook!) of the book, and then it went a little off the rails for me. At this point, the book kind of changes from a mystery/exploration of the use of AI to an episode of the
Walking Dead set in space, which is decidedly not my thing. The last half of the book is actionactionaction, which never gives the characters or the readers a chance to breathe. The characters themselves are pretty generic sarcastic teens - I thought they were both pretty funny, but their personalities weren't really developed much beyond the snark. Oh, and the romance. I know I'm not the intended audience, but the romance felt forced, melodramatic, and icky. I skimmed those parts...because gross.

I don't think I'll check out the next book as I was not a fan of the last half of Illuminae, but I did really enjoy the reading experience. I would recommend this to anyone looking for a really unique sci fi read with a
healthy helping of romance. 3 stars. I (mostly) liked it.

Many people in the Witchlands are witches - folks born with magic. Most have some sort of elemental magic (water, wind, fire, earth), although some have powers based in the "aether" or the "void". Our two protagonists are a Truthwitch - she can tell if someone is telling the truth or not, and this is super rare/desired in this mythology - and a Threadwitch, which is someone who can see connections between people. At the start of the book, they upset a very powerful and rare Bloodwitch, these witches can control other peoples' blood, and spend the rest of the book on the run from him and other nefarious foes out to exploit the Truthwitch's rare powers.

This is a perfectly good fantasy series opener. It's got a very conventional system of magic (elemental magics aren't exactly a new concept), and while one of the main characters was one of those magical beings that men just die over, which, ick, I did enjoy the two main characters. Their strong female friendship was at the heart of the story, and I think that's great modelling for young women. The magic wasn't inventive, but there were a few fun new critters (sea foxes!) that I really enjoyed reading about. Fairly standard fantasy fare, but a solid first outing. I'd check out the sequel, and would expect the series to improve going forward. For the most part, I liked it.

I don't always like the first volume of a graphic novel series as the world-building can be confusing - but I really enjoyed this one! Volume 1 tells a nice story with a beginning, middle and end, and it's a great intro to the Captain Marvel story. Captain Marvel's origin story was rather hilariously told by Kit, a child, in 4 panels at the end of the first issue, and it just sounds nuts. But even with almost no previous exposure to the character, I was immediately hooked and was able to fall in line with Carol Danvers and and her crew with minimum confusion. Also, Danvers has a cat (or possible ferkin). Named Chewie. Be still my heart.

Mare Bellow's blood is red, which marks her for a life in poverty at best, and a brutal death on the front lines of a war she didn't ask for, at worst. She lives under the harsh rule of the Silvers, folks with special powers (mostly elemental, though some are X-men like). Later, surprise surprise, she finds out that she has special powers too and her life is upended.

Confession: I tried to read this book like 5 times. I finally got through it. I should've stopped trying. This book is one big, cliched, full of plot holes mess, there's a seriously stupid, unlikable, mean (and not even in a fun way) main character. In addition to an unoriginal plot and vapid characters, the writing is not stellar. I can see a certain type of reader enjoying it, but it certainly wasn't for me.