Alessandra wants to channel her murderous rage into something more productive than, well, murder. So she aims to become the Queen (of course, she'll have to murder the King once she's married him, but that'll be the last one). As the second daughter of a minor royal, this doesn't seem like a super realistic goal, but...you haven't met Alessandra.

I'm a huge sucker for the love-him-then-kill-him trope, and it is awesomely used here. I was expecting this book to be more of a fantasy, but it's really a romance with fantastical trappings. And it is so sex positive! I have been describing it as Wuthering-Heights-only-it's-actually-fun-to-read, but the author describes it as a romance between two Slytherins, which is better. Even though the characters are objectively horrible, you'll find yourself rooting for them. It was a tad ridiculous in terms of how the characters talked and interacted with each other, but in the same kind of way as Daughter of the Pirate King, the author's other book that I've read, which I also enjoyed.

If you are looking for a fun, purely escapist romance, I would highly recommend this book. I read it in one sitting. 4 stars - I really liked it!

Thanks to Netgalley and Feiwel & Friends for the eARC which I received in exchange for an unbiased review. The Shadows Between Us is available now!

This book is about five friends who find a secret box. They put in objects of importance in this box and make three rules never return to the box at night, never visit it alone, and never take back your sacrifice. When someone breaks the rules how will these friends find their way back and what will they learn about each other? As the box tries to destroy them and the sacrifices come to life can Arkle, Lamb, Hadley, Sep, and Mack race against the clock to save the day? This is a book full of excitement and emotion. This thriller has hints of humor and lots of meaning. Many unexpected twists and nail-biting events will make this book impossible to put down. I sure
couldn't. This is by far my favorite book and I suggest it to every teen everywhere.

Alice Bell thought her father was crazy, at least until she saw the monsters herself. On her way home from her little sisters dance recital her life is turned upside down when she awakes on the side of the road barely conscious. They were in a car accident, and before she blacks out she vaguely sees a monster eating her father. "There is no way, zombies don’t exist" Alice thinks, but then she remembers the stories her dad used to tell her about them. She wakes up in the hospital with her grandparents standing next to her with sad looks on their face. She knew before they told her, her parents and sister were gone. She starts to see visions or images of zombies she can’t get them out of her head, so when she meets a bad boy named Cole at her new school she can’t help but think he knows more than he lets on about the monsters she sees. When it comes time to fight Alice and Cole must trust each other, but this fight is for Alice it's time to avenge her family. This was a book I couldn’t put down, I had to immediately pick up the next book in the series.

Maximum Ride is probably one of the most interesting and exciting books I have ever read. The novel starts with a group of children living in a house on their own, the one who watches out for the younger children is sixteen year old, Maximum Ride (Max). The children are not like other normal kids though; they can all fly. When the kids were younger they were all kidnapped by scientists and were experimented on. While they were experimented on they were given genetically attached wings. The children all escaped with the strength they all had together but now the scientists want them back. They can fly and they are stronger than most humans and they each have
individual powers unique to only them and they are not easy to find. The scientist also created what Max and the other children call “Erasers”, which are genetically mutated humans half wolf, half human with the sole purpose of finding the missing flying children. The novel follows Max and the children on their journey to freedom. I honestly think that there is something for everyone to enjoy in this book: romance, science fiction, action and adventure. I love this book and would highly recommend reading it.

As a fan of the three-act structure that trilogies can provide, I’ve found
over the years that the fourth book in a series generally determines what the
style of future books will be. Plenty of series have strong plotlines and
character arcs that span multiple volumes, but some series settle into a
tried-and-true formula that works for them. For The Opal Deception, the
fourth book in the Artemis Fowl series, it’s the latter. Granted, the
series is meant for grade-school readers, so it’s not entirely surprising
that the series has become formulaic.

There was an amount of status quo (and returning to it) that had to happen
after the events in The Eternity Code, which is where The Opal Deception came
in. It honestly feels a little like a half-step backward for the series, or
at least a realignment to get the characters all back together to continue on
future adventures. By now, these adventures all seem to have the same
checklist of events that need to happen. Artemis needs to be clever and
smart. Mulch needs to be gross and flatulent. Holly needs to come in and save
the day in her magical way.

About the only thing that was different from previous books in the Artemis
Fowl universe was the titular villain: Opal Kobol. Of course, this antagonist
gave more of a Bond villain vibe than any of the previous ones. This makes me
think the series will be progressing with this kind of James Bond formula,
which contained singular villains, fancy spy technology, and almost
ridiculous action sequences. In fact, I’d almost peg the Artemis Fowl
series as a teenage version of James Bond with a heavy dollop of fantasy
thrown in to keep kids entertained.

A formulaic stabilization of the Artemis Fowl series, I give The Opal
Deception 3.5 stars out of 5.

I’m all for interesting ways to write books, but using a game of “Twitter
telephone” is a new one for me. In fact, can we even call this book written
by Gaiman at all? Sure, he’s great at these types of modern fairy tales
(like Stardust , for instance), but he only got the ball rolling on this
story and let the internet write the rest of it. Granted, he was the one who
chose which segments to include next, to help guide it into some limited form
of coherence, so maybe he “wrote” it after all?

It’s not that Hearts, Keys, and Puppetry isn’t an utterly incoherent
story; it’s that it lacks focus at times. Plenty of interesting subplots
could have been explored but were quickly abandoned as the story switched
over to a different writer. I’m almost glad this book was as short as it
was because otherwise, I don’t know how much more of the plotline whiplash
I could take. Perhaps it’s a good thing for readers everywhere that stories
aren’t normally created 140 characters at a time. Not that it can’t be
done, but that the longer scope of the project is lost in the changing points
of view.

If anything, this book reminds me a bit of Forum Role-Playing stories. Each
individual controls a character, and everyone writes a segment at a time to
advance the plot. The problem with this approach (other than people not
committing to contributing) is that each individual has an idea in their mind
of where the story should go. Rarely do those ideas match with the rest of
the group. If this story were edited down to a few base ideas that Neil
Gaiman would then use to create a longer-form and coherent story, then maybe
this experiment would have merit. As it is right now, Hearts, Keys, and
Puppetry displays the true randomness of the internet.

A crowd-sourced story that has all the problems of a crowd-sourced story, I
give Hearts, Keys, and Puppetry 3.0 stars out of 5.

When I started reading Wizard and Glass, it became abundantly clear why The Waste Lands ended with a cliffhanger. While it would have been nice to have a short conclusion at the end of The Waste Lands, Wizard and Glass needed a small amount of framing. That way, it didn’t become a book entirely devoted to a flashback. Granted, the large majority of this book is a flashback, even to the point that I’d consider it to be a prequel. Fortunately, Roland’s backstory was something that desperately needed to be expounded upon in this series.

I know most writers are discouraged from using flashbacks, but in the context of a more extensive series, Wizard and Glass is an integral part of understanding how the Dark Tower universe works. Plus, Stephen King can get away with a lot since he’s so well established. In the end, this book works well because it is relational. Understanding Roland’s past and how he had loved and lost helped to make him not only more relatable but more human as well. Up until now, he was this stark, emotionless gunslinger whose only drive in life was to get to the Dark Tower.

While Wizard and Glass is undoubtedly one of the stronger books in the series, I felt there were a few elements that I didn’t like as much when compared to say, The Drawing of the Three (my current favorite in the series). There was plenty of sex in this book that, while somewhat necessary to the plot, was a bit over the top at times. Additionally, for a book that was as long as it was, I would think that more would have happened in it. As it is, there was a lot of talk about stuff happening, but no real action about it until near the end of the book. Still, I look forward to what will happen next.

A much-needed flashback/prequel for the Dark Tower series, I give Wizard and Glass 4.0 stars out of 5.

My knowledge of Norse mythology is passable at best. Granted, much of it I “learned” from movies like Thor (2011), so I understand that there’s an amount of fictionalization to my knowledge. That being said, Mist seemed to take this pop-culture understanding of Norse mythology and transplant it into modern-day San Francisco. While solidly in the New Adult genre (there is plenty of sex and allusions to it here), I can’t say that anything is interesting here in terms of story. Sure, there are a few things that happen, but they all seem to be alluding to much more exciting developments that won’t happen until later in the series.

One of my biggest qualms with this book was that I didn’t connect with the main character. Mist felt very “Mary Sue” to me. I found the more common elements of her existence (e.g., her employment, grocery shopping, laundry, etc.) were mentioned in passing but never given much weight to ground her in the reality of San Francisco. Additionally, there were plenty of illogical or unexplained actions that she took that I only assumed were to progress the story in the way that it was supposed to happen.

As for the action in this book, it is certainly hectic. At times, it’s also confusing as to what is precisely going on, even to the point of being action for action’s sake. Sure, it’s paced pretty well throughout, and it helps show the growth of the titular character, but I started skimming over these sequences after a while. In the end, maybe Norse mythology isn’t for me. Or at least I am not really into the modern-setting Norse mythology presented in books like this. It’s an interesting concept, but it feels too constrained to the urban and doesn’t allow more of the fantasy to shine through.

A passable New Adult Norse urban fantasy, I give Mist 2.5 stars out of 5.

This is a series for children/teens. but I loved it. It really does combine the best of Harry Potter, Percy Jackson, and every fantasy story that you know and love into one amazing series with characters that you just can't help but love. Highly recommend.

Pretty darn good! Light urban fantasy/paranormal with some romance, good pacing & character development, good grammar & proofreading (unlike this review), good action scenes. Really liked the reader for the audiobook. Not the depth of story of Briggs, Butcher, or Huff, but not just fluff waiting for the next romantic scene either. So glad our library is awesome and constantly offering new and interesting things.