One of the nice things about listening to audiobooks from my library (via the
Overdrive app), is that I can pick up a book and listen to it without really
knowing what it’s about other than a title and a cover. In this way, I
often have no preconceived notions about the book other than first
impressions. At this point, all I’m giving up to “read” the book is the
time it takes me to listen to it, and I have plenty of that driving to and
from work every day.

Since I had no idea what this book was really about, I was surprised at how
humorous it was. If I were to combine a few, better-known series together,
I’d say this is X-Men mixed with James Bond, with just a dash of Jason
Bourne all blended together in Monty Python’s Flying Circus. An odd
combination, I know. But somehow, it works here. The humor is markedly
British, but the characters and their powers are supernatural, to say the
least. Since this was merely the first in a developing series, I can’t wait
to get to book #2: Stiletto.

All this being said, there were a few structural choices to this book that I
often found confusing, which may just be part of listening to it in audiobook
form instead of reading it. First off, the decision to have the main
character afflicted with amnesia was an interesting way to essentially give
the audience what the character already would have known but had conveniently
forgotten. Secondly, because the letters from her former self were used as
backstory, these “flashbacks” were often confusing because it was easy to
lose track of which Mfwany Thomas (glad I had the audiobook for the
pronunciation of this name) was “speaking” at the moment.

An interesting premise with plenty of potential in future iterations, I give
The Rook 4.0 stars out of 5.

Unlike Practical Applications for Multiverse Theory, The Infinity of You & Me
really nails the complex and unique challenges of dealing with multiple
universes. Far more serious than its comedic counterpart, Infinity takes the
reader on a journey through the multiple lives of a teenage girl. The
descriptive writing used for this task was quite adept at conveying the
transition between worlds, as well as the numerous dystopian scenarios
present within them. Clearly, the Sylvia Plath poems the main character holds
dear also influenced the author’s writing style.

As I’ve said before, I’m not a fan of the young adult genre, especially
when it devolves to cliches. This book managed to reside in that young adult
genre, but successfully told a story that didn’t make me roll my eyes in
annoyance. Sure, the elements were there, but they were handled much more
subtly, almost in the vein of how The Hunger Games did it years ago. The
complexity of the internal struggle of the main character really made her
come alive. Her growth by the end of the book was significant and made me
enjoy reading this book.

While it’s almost perfect, there are still a few weaknesses in this book.
Early on, it was difficult for me to figure out that the other multiverse
worlds were taking place in the same timeframe, and not in the past.
Furthermore, there were some sections that didn’t make as much sense as I
would have liked, but I suspect that’s also a limitation of dealing with
the multiverse as your main topic. Despite all these things, the story is
solid and the characters are complex and understandable.

Perhaps the best fictional account of the multiverse I’ve ever read, I give
The Infinity of You & Me 4.5 stars out of 5.

In another “lapse” of my reading habits, I didn’t manage to read
Ender’s Game until the movie of the same name came out in 2013. At the
time, all the sci-fi fans were eagerly anticipating a film that had taken
over 25 years to finally become a reality. While I thought the movie was
quite well done and engaging, after I read the book, I can understand why
some of the diehard fans of the series were disappointed. As is usually the
case with book-to-movie transitions, sub-plots often find themselves on the
cutting room floor. Of course, I don’t blame them for cutting what they
did; after all, it is called Ender’s Game.

Even though watching the movie first spoiled the exciting twist of the ending
when I read the book, I almost read the book differently knowing how it would
turn out. I could see the signs leading up to the shocking reveal, almost as
if I had read it before. I did appreciate the sub-plot with Ender’s
siblings and their efforts back on Earth as their brother was winning the war
in space. If anything, it helped to break up the intense action surrounding
the eponymous main character so that the reader could fully absorb what was
happening in the universe on a political level as well as a military one.

It is disappointing that there will likely be no more movies in this series
since the source material is full of interesting ideas that I’d like to see
on the big screen. Perhaps the series would be better suited for a television
show (a la Game of Thrones) to fully include all the different elements that
made it a classic of sci-fi back in 1985. Either way, I look forward to
exploring more of Orson Scott Card’s universe in the next book of the
series: Speaker for the Dead.

A fantastic sci-fi story with an incredible twist ending, I give Ender’s
Game 5.0 stars out of 5.

What a world we live in! It’s exciting to see a self-published book receive
such attention, eventually becoming a New York Times bestseller! Truly, if a
writer is talented enough with a good enough story, they can make it in this
over-saturated market. And while some of my love for this book comes from my
hopes of eventually being “discovered” as a self-published author, most
of it comes from my love of scientific realism in fiction. Truly, this is
more of a challenge than world-building in a fantasy genre, because in order
for it to be believable, it must obey the laws of physics.

But let’s get down to brass tacks here. There is no doubt that Andy Weir
did his homework on this book. In fact, some sections almost read like the
output section of a very complicated spreadsheet (which I certainly
appreciate, on a personal level). Even with the technical detail to keep the
story grounded in science, the successive cause-and-effect events that
eventually lead to the climax of the story give the reader equal amounts of
elation and heartbreak right along with the protagonist, Mark Watney. Still,
the problem solving accomplished in this novel merely proves how smart we are
as a species today, and how the vast knowledge of the universe has catapulted
us into the very realistic scenario portrayed in the pages. In fact, Weir’s
methodical approach really gives the reader a scale of how big an operation a
trip to (or from) Mars would be.

Even though the science is front and center, the whole reason we read these
almost intimate logs of a Martian astronaut is because the characters are so
well written. With a humor and spunky attitude that help alleviate his dire
situation, Watney almost comes across as a genius “everyman” in that most
of his solutions could be arrived at with a little bit of thought and
ingenuity. And while the majority of the book centers around Watney’s logs,
every minor character has a depth and expertise that helps to propel the
story forward.

A fast and fun read full of excitement and ingenious science solutions, I
give The Martian 5.0 stars out of 5.

For more reviews of books and movies like this, please visit
www.benjamin-m-weilert.com

From the title of this book, I would have expected it to be about the
aftermath of an apocalypse-inducing event. If anything Echo of the Boom is a
misnomer and the book should be titled Prelude of the Boom. The cover also
doesn’t give much into what it’s about, other than the four different
points of view which are followed throughout the narrative.

While I did eventually like the book, it took too long to get there (some of
the occasional typos didn’t help me get into it either). With the
characters’ motivations unclear from the start, it becomes obvious about
150 pages in that nothing is really going to happen in this book. Instead of
having any driving force propelling the characters forward, it’s more
accurate to describe this book as a nearly 500 page rap battle. Each
character has their own track, living their lives the way many teenagers
today might (which in itself is a scary thought), but occasionally the tracks
mix together albeit briefly and with little perturbation to the individual
characters. At least the words the author uses are artistic and articulate,
making it fun to read.

Honestly, the very last sentences of this book made me want to read what
happens next much more than what had already been written, since it sounded
like it was going to be much more interesting than the origin stories of
these characters. If the author’s opinions and worldviews weren’t so
blatantly obvious through this book, it might have been interesting as a
“slice of life” novel, but at least he has something to say (even if
it’s regularly redundant). If anything, this book should give parents the
motivation to be more actively involved in their teenagers’ lives, lest
they end up with the motivation to destroy all systems of authority if for no
other reason than pure anarchy.

A rewarding read that takes some getting used to; I give Echo of the Boom 4.0
stars out of 5.

For more reviews of books and movies like this, please visit
www.benjamin-m-weilert.com

Nerve is about a coward named Vee who decides to try this game online called NERVE. In this mysterious game, you can either be a player or a watcher.

Watchers must pay money to watch, and players get paid to do dares. Vee thinks this is a stupid idea, but then begins to wonder if it actually a fun thing to do. She decides to try it out. One challenge leads to another, and the dares begin to become deadly. Should Vee risk her life for a good prize, or will she lose NERVE?

This is a great book for anyone obsessed with online games, or thrills in general. I definitely recommend this book for any thrill seekers.

As someone who enjoys learning about the many interesting unknowns in our universe, the mere title of Practical Applications for Multiverse Theory (2016) caught my attention from the get-go. The ideas of parallel universes coexisting in an invisible space next to our own is something I eventually want to cover in my own writing (tentatively titled The Slumberealm Saga). And while this book somewhat delivered on the premise of its title, it unfortunately did so through an incredible plethora of clichés. Due to the authors’ background in improv comedy, it’s clear that they merely wrote this book to capitalize on the style’s random nature.

I’m not sure who the target audience for this book might be, since the main characters are high school students who use an awful lot of foul language. I would think it’s aimed at being a Young Adult (YA) comedy, but most of the laughs seem forced and trite. Told from two different perspectives, Scott and Davey, both characters aren’t really that likeable, and neither of them change that much (if at all) by the end of the book. In fact, it’s almost obnoxious how Davey is essentially a jerk to everyone, especially Scott, even though it becomes incredibly clear she should be more accepting of him earlier on in the plot.

Speaking of plot, it seems to drag in quite a few places, especially in the beginning as both characters start noticing the multiverse collapsing in on their school. Unfortunately, due to the aforementioned clichés, the entire rest of the plot was pretty predictable, even if the different universes were quite random (and even that randomness was cliché). Nosebleeds indicating a fracture in spacetime, narcissistic cheerleaders, nerdy loners. Everything fits nice and squarely into the formula for a YA book (despite the obscenities). The problem with this is that the authors clearly saw they were writing clichés, because there were a few points that could have been cliché (like the two main characters falling in love), but just weren’t there at the end, thus leaving the reader somewhat unfulfilled. If you’re going to follow a formula, it needs to be followed in its entirety.

An easy and fast read with nothing much to offer, I give Practical Applications for Multiverse Theory 2.0 stars out of 5.

I managed to find this book on a table full of free books at a convention some time ago and tucked it away in my “to read” pile. Now that I’ve finished most of the Goodreads giveaways I have received, I decided to give it a read. With nothing other than the title (which doesn’t tell me much) and the cover (which gives a little more information), I honestly didn’t know what to expect from this book. Since it was on a table of free books, I didn’t have much expectation for it, but boy did it ever deliver!

With a fantastically engaging idea and a blisteringly fast execution, 7th Son: Descent pulled me in from the get-go and wouldn’t let go. Action! Espionage! Science! Without ever becoming too mired in the details (but providing enough to have the plot make sense), this book successfully made a story about cloning that wasn’t trite or cliché. The ideas and characters contained within were unquestionably too big for this book since it introduced many subplots but never concluded them. Still, there was enough of a conclusion to this book to leave me satisfied without it being too much of a cliffhanger.

My one qualm with 7th Son: Descent, other than the brief, horrifying moment of implied violence involving a pneumatic socket wrench, was that there were almost too many characters. I understand that there needed to be a well-rounded group of clones, but I honestly couldn’t tell you anything significant or memorable about at least two of them. I mean, you have the free-spirited musician, the conspiracy-nut hacker, the gay marine, the priest, and the egomaniac criminal psychologist, but I guess the U.N. employee and the other guy (I can’t even remember what he did) didn’t stand out to me. Maybe they play a bigger role in the later books, but they seemed undeveloped in this one.

An excellent, action-packed science fiction book that left me wanting more, I give 7th Son: Descent 4.5 stars out of 5.

When I first heard about Ready Player One (2011) years ago, I was excited an author would even try to capture the spirit of the hardcore pop culture lover. After I received a hardcover copy of that book for Christmas, I devoured every word and loved every moment of it. This was why, when I saw Ernest Cline had written another book appearing to be in the same vein of Ready Player One, I had to buy it and give it a read. This book was Armada.

Unfortunately, I was not nearly as impressed with Armada as I was with Ready Player One. In Armada, the pop culture references were there, but almost to the point of oversaturation. There were plenty of references I didn’t understand because I haven’t encountered the source material, which was somewhat frustrating. Furthermore, what made the references entertaining and fun in Ready Player One was that they were tied to unravelling the mystery and linking each clue to the next one; in Armada, they were merely the mating call of the nerd.

And while Armada has a few scenes of immersive action that are incredibly well written, the plot is quite lacking. The first “reveal” (if you can call it that) was predictable and the motivations of the antagonists were weak at best, almost as if he had written himself into a corner and didn’t know how to resolve the story in a satisfying way. In fact, the huge numbers of pop culture references actually made the story seem less original, as it pretty much came across as Ender’s Game (1985), and the narrator told you as much.

A story with a potential it never quite lived up to and a shadow of the author’s previous book it could never come out from underneath, I give Armada 3.0 stars out of 5.

For more reviews of books and movies like this, please visit www.benjamin-m-weilert.com.

Very exciting!