Siddhartha is a tale of a young man who lives many different lives, from a Brahmin's son to an ascetic to a wealthy merchant. He does this all to find inner peace, or nirvana. I liked this book because of its style of narration. I have learned about Buddhism before from textbooks, but this style of information is so much more interesting. Siddhartha has many character flaws, but he eventually manages to wash them away in the cycle of time. Reading this book is a very introspective experience that everyone should have.

I read this book because I had heard a lot about the show, but I wanted to read the book rather than watch it. I was a little disappointed. It was a quick read, but it seemed to lack strong characterization. I especially did not like the narrator, Clay Jensen, just because he does not have much depth of character. The writing style is intriguing and mysterious, but it did not make up for the two-dimensional characters. This book was not bad, and it presented many meaningful issues, but the way it was written made it drab and even repetitive. However, I would still recommend this book to those who are interested in the show.

This is one of the best books that I have read all year, it was awesome! As Bella, Alice, and Edward leave Italy on the promise the they will change Bella, Victoria grows ever more vigilant. Edward now knows better than to leave Bella anymore, so he stays. Something has begun in Seattle, mass murder that the police have no way of explaining. Bella and the Cullen's come up with idea after idea, and they finely find out who is behind it and why, newly changed vampires are raiding the city, stalking the citizens, and mass murdering. Only one person wants to kill Bella and the Cullen's that much, Victoria. As the fight begins what will it take to stay alive? how far will Victoria get?

The Great Gatsby is a classic set in the Roaring Twenties. It exposes the flaws in the very ideals that built America--wealth, beauty, and the American Dream. The tone of this book is despondent, and every character is tragic in one way or another. Indeed, this is a book of many emotions, some even gut-wrenching. My favorite aspect of this book is how Fitzgerald uses fiction to talk about very real issues. I strongly recommend this book.

I enjoyed listening to this book. The narrator was fantastic. I found I had to look up plot summaries to really get what was going on (thank you, wikipedia). The nicknames alone were confusing. I suppose that's to be expected with a novel this complicated. It seemed like every character in the book save Alyosha were selfish, immoral, and in a few instances downright depraved. This made it somewhat of a chore to listen to in some parts of the book as I couldn't root for anyone. But I enjoyed the epilogue, which ended on a positive note.

Interpreter of Maladies is a collection of short stories that reveal the immense cultural differences between America and India. Jhumpa Lahiri writes with such elegance that each individual story evokes a wide variety of emotions. My favorite part of this book is that all the stories come together to form a well-developed image of life in India compared to life in America. I also like that it does not portray one lifestyle as better than the other; rather, it just highlights the differences. Even in short stories, Jhumpa Lahiri has the ability of putting the reader in another person's shoes and immersing them in different cultures. Because of the beautiful writing, I would recommend this book to anyone interested in different cultures.

You know you have come across an extraordinary book when you find yourself thinking about its beautiful story and characters several months after you have first read it. I first read this beautiful novel back in February when I received an ARC of it from the publisher, and today I still think of the book and its beautiful characters of Nour and her family as they flee their homeland, Syria in 2011, and become refugees venturing across several middle eastern countries as the situation becomes more and more unstable and the violence ever more brutal. Shifting between past and present, in a second duel story-line that takes places more than 800 years earlier in Medieval Syria, Jennifer Zeynab also tells a harrowing tale of a girl named Rawiya, her desire to see the world, her very real clash with supernatural myth, and her adventures with a famous cartographer.

Jennifer Joukhadar through the fictional characters of Nour and her family, discusses a relevant and timely topic of the experience of many refugees that flee persecution and violence. She also does it in a way, that is, for the most part, unbiased choosing to focus instead on the everyday human experience of a family, instead of political ideology, which is very refreshing in today’s global climate.

The atmospheric and beautiful prose are a delight to read as we get to experience the world the way Nour and Rawiya saw it through beauty, sorrow, color and light. The character development of Nour, as her personal identity and her idea of what home is shifts as her journey progresses through time and years, is especially strong as she reflects on all she has lost and gained. Though the character development of Rawiya, shows a progression and change as her journeys around the world challenges and changes her perspective on life, I do not think it was as strong as the story of Nour and her family. And though Rawiya’s story-line was beautiful and entertaining, I felt it sometimes took away, from what I think of, as the central story-line of Nour and her family’s refugee experience.

That issue aside, this novel which is rich with historical and mythical detail, was in my opinion, several steps above the rest as it tackled a relevant, continuous, and difficult issue with beauty, grace and a truly memorable story. This novel, it has been said, does for Syrian Refugees what the Kite Runner did for Afghan refugees and in my opinion, it is a fair and correct comparison.

Thank you to the publisher Touchstone Books for an ARC of this beautiful novel for review! If you have not yet, please put this book on your holds list, it is so beautiful!

I distinctly remember my parents reading this book to me when I was a child. Decades later, I decided to re-visit it and read it for myself. I don’t know if it was an abridged version or a simplified re-telling appropriate for kids, but this was not the book I remember from my childhood. Sure, the action bits were still there, like the fight with Apollyon, the Slough of Despair, and the suicide discussion in Vanity Fair, but there was way more dialogue than what I recalled of the story. Not to mention the verbiage/wording seemed more along the lines of a King James Bible than of a fantasy setting.

Sure, I’ll concede that, for 1678, this was a groundbreaking piece of fiction, and perhaps the first piece of successful fantasy ever written, but it hasn’t aged entirely as well over the years when compared to its source material. There are undoubtedly little lessons and morals present here, but they are often buried between and among diatribes from the primary and supporting characters. Furthermore, I was only loosely aware that there was a “Part 2” to the main story of Christian’s journey. After reading the journey of Christiana and her children following in Christian’s footsteps, I can see why I never heard that part when my parents read it to me: there wasn’t much new material in it.

When I picked up this book to read for myself, I was trying to confirm that I could use it as a framework for my Slumberealm trilogy. After reading through it, I realized the apparent references to concepts, ideas, and people is more indicative of the style I used for The Fluxion Trilogy . There’s not a lot of subtlety in the character names or destinations present in The Pilgrim’s Progress. I suppose that’s part of the charm of such an allegory, though.

A groundbreaking piece of fantasy that hasn’t aged well over time, I give The Pilgrim’s Progress 2.5 stars out of 5.

I had never heard of this author before picking up this audiobook to read—I just thought the title and cover looked neat—but apparently he’s been writing science fiction for a few decades now. It shows. While I’m not entirely certain that this 20th part in the “Grand Tour” series connects to any other parts written before it, Farside does stand by itself as a story. Unfortunately, the story’s not that good. It almost seems as though the “old rules” of golden-age sci-fi live on through this author, which allowed for this misogynistic piece of fiction to be written in the new millennium.

Much like Fire with Fire , there seems to be some sort of checklist that authors trying to imitate the pulpy origins of sci-fi are using to create their modern works. These tired tropes need to stop. Especially the tropes that have to do with the blatant sexism. None of the sex in this book had any grounding in reality or common sense: it all seemed to happen merely to check an item off a list. If these stories are allegedly set in the future, then why aren’t the characters acting “more woke” than the people who exist today?

While I did appreciate the interesting scientific ideas presented in this book, the “mystery” that evolved out of it was confusing at best. It didn’t seem clear why the antagonist—who seemed to almost appear out of nowhere—did what they did, thus leading to the peril of the people on the moon. I also found the repetition in this book to be slightly annoying. When I kept listening to the audiobook and wondered if it had somehow skipped back to a previous section when a fundamental concept was repeated, almost verbatim, then there’s obviously a problem with the exposition in the writing.

An artifact of the antiquated and sexist “rules” of golden-age sci-fi, I give Farside 2.0 stars out of 5.

One of the challenges of the Christian author is being able to craft stories and characters that share their beliefs, but without being too heavy-handed about it. In Frank Peretti’s Monster, the author mostly succeeds, providing characters that can easily be identified as Christian, but also exhibiting the traits of normal humans instead of straight-up caricatures. The main plot of this book was only tangentially related to an argument against evolution, so that was also a plus. Still, the way the book was put together, it was clear where the author’s bias was.

While some people might not appreciate the Christian undertones in this thriller, my qualms with it are more structural. Following a few different characters after a woman is abducted by an unnatural beast, the mystery of the disappearances and killings unravels to reveal a semi-plausible explanation. Unfortunately, the man and wife pair that are introduced at the start of the book are more annoying than likable. Ergo, when I followed the woman’s ordeal in captivity, I could not sympathize with her plight because her actions and reactions were so off-putting at first.

In the end, Monster is still a passable—if perhaps boilerplate—thriller. I did appreciate the realistic explanation for the fantastical elements of the story. I also found it somewhat refreshing to show a character who opposed the common scientific view of evolution just because everyone else thought it was true. For an audiobook, the author’s narration was filled with just the right amount of emphasis, which is to be expected. However, with so many short scenes and quick cuts between them, his reading could have stood to have a little bit longer pauses between sections in order to give the listener a better sense that the scene was changing from one character to another.

A passable thriller with semi-subtle Christian undertones, I give Monster 3.0 stars out of 5.