Those who are familiar with George R.R. Martin's Song of Ice and Fire fantasy series may be lamenting the end of the semi-faithful Game of Thrones television show. In the time we’ll all have to wait until the next Song of Ice and Fire book comes out, there are other little stories from this author to satiate our appetite. Nightflyers is a short novella by Martin that also seems to be hinging itself on the success of Game of Thrones, albeit in the science fiction genre instead of high fantasy.

Considering how verbose Martin can get with his works, it was almost refreshing to read a story that was so focused and short. Granted, even though Nightflyers is science fiction, all of the notable George R.R. Martin elements were present: mainly, sex and violence. Depending on your tolerance of these elements, I can say that they’re at least naturally integrated with this novella. Martin certainly seemed to have an adequate grasp of sci-fi to give this story a satisfying twist that drove the plot into the denouement.

Without giving too much away, I did appreciate the science (and pseudo-science) that was used to create an interesting story. Or, at least, the story was written in such a way—with a dash of horror sprinkled in to engage the reader—that prevented me from being bored with it. If it had been expanded out into a full-size book, I’m sure I could see where plenty of fluff could have been added in to reach the required word count. In the end, I’m glad that Martin kept this short, which works primarily to the story’s benefit.

A quintessential George R.R. Martin sci-fi novella, I give Nightflyers 4.0 stars out of 5.

I liked Michael Crichton's writing. And what I mean by this is that I liked Jurassic Park (and to a lesser extent, The Lost World). Recently, I’ve been delving into a few of his other works, like Timeline and Micro. I understand that authors like Crichton excel in their genre—in this case, the technological thriller—but at what point does it just become the same old song and dance? Sure, I know a different author completed Micro and released posthumously. However, it mostly just felt like another re-hash of Jurassic Park mixed with Honey, I Shrunk the Kids (1989).

To Crichton’s credit, I feel his exploration of complex scientific principles in his writing are easy to understand and mostly accurate. For Micro, each bit of information that drove the plot seemed to make sense from a scientific standpoint. This was a plus considering how often the “shrink ray” sci-fi trope is done incorrectly. Of course, most places were pretty obvious where the science was being inserted since they didn’t necessarily flow as well as the other parts of the book.

My main qualm with Micro, aside from it containing all the standard Crichton tropes (e.g., “evil corporations”), is how the characters were practically indistinguishable from each other. The fact that they all primarily came from the same scientific laboratory and were thrust into the dangerous world of the microscopic didn’t help to keep track of who died and who lived. It was almost as if the author needed a large group of faceless characters to feed into the “drama” of trying to survive and return to standard size. None of their demises stuck with me other than being particularly grotesque and cringe-worthy.

A semi-unoriginal mashup of Jurassic Park and Honey, I Shrunk the Kids, I give Micro 3.0 stars out of 5.

Of the original Star Wars trilogy, Return of the Jedi has been my favorite for as long as I can remember. I enjoyed how there was some finality to the stories started back in A New Hope, and Empire Strikes Back. Plus, there were a ton of neat creatures (like the Rancor and Sarlacc) and machines (like the Speeder bikes and AT-STs) that grabbed my attention from a young age. Sure, I can understand the depth of Empire Strikes Back now that I’m an adult, but Return of the Jedi always holds that element of nostalgia for me.

So, how does the Shakespearean version of my favorite Star Wars story stack up? If anything, Shakespeare’s The Jedi Doth Return is consistent with its predecessors, Verily, a New Hope and The Empire Striketh Back . I enjoyed the voice acting and the little changes that made the audiobook more than just a Shakespearean reading of the screenplay. Of course, having listened to three books of this fantastic mashup, it has almost overstayed its welcome. Almost. I still think it’s a genius fusion of two pop culture masterpieces, but at what point does it lose its originality?

Sure, The Jedi Doth Return adds some new bits like songs (which land just about as well as the “added” songs in the 1997 Special Edition re-release). Overall, though, I was a little taken aback at how little dialogue there was in it. Most of the action was described either in chorus or soliloquy, which merely highlighted how much action was present in the original movie. This is great for an action-packed conclusion on the big screen, but it doesn’t land quite as well on the printed page (or audiobook). Despite this, I still think fans of either Star Wars or Shakespeare (or both) should give it a read.

Another consistently funny mash-up of archaic speech and futuristic sci-fi, I give Shakespeare’s The Jedi Doth Return 4.5 stars out of 5.

Carve the Mark, by Veronica Roth, author of the Divergent series, is told in a fantasy/sci-fi world, where the nations of Shotet and Thuvhe co-inhabit one planet, but not without a whole lot of conflict. One of our two main protaganists, Akos Kereseth, is the son of of Thuvhe's oracles, and he has a dark fate: "The third child of the family Kereseth will die in service to the family Noavek." Our other protaganist, Cyra Noavek, is the little sister of Ryzek Noavek, the cruel and sadistic ruler of the Shotet nation, and her currentgift (a kind of superpower) is to cause instant pain to anyone who touches her and be in constant pain due to this currentgift. When the Assembly (the equivalent of an intergalactic government) reveals the fates of all fated Thuvhesit citizens, Akos' family is attacked and his father is killed, and Akos and his brother Eijeh, fated to become the next Thuvhesit oracle after his mother, are kidnapped by Shotet soldiers and transported across the Divide (a field that seperates Thuvhe and Shotet). Ryzek Noavek, using his current gift, tries to obtain Eijeh's gift of prophecy by destroying Eijeh's mind, and Akos is hopelessly unable to rescue him. Meanwhile, Akos is put into the service of Cyra Noavek after Ryzek discovers that his current gift can help relieve Cyra's constant agony. In this complicated situation, Akos begins to fall in love with Cyra, although it is difficult to get past his resentment towards her and her people, and when they are both put in danger of Ryzek's crazy schemes, their relationship is truly put to
the test.

I really, really, really enjoyed this book. The characters are compelling as well as the story, which was a plot unlike anything I had ever read or seen before. The writing was good, although some humor was definitely lacking. The author did a good job of introducing many characters without taking the focus away from the main characters or making the story too confusing. The world-building was thorough, although at some points, it became a bit tangled, causing me to have to go back and reread some previously mentioned details. If I could, I would rate this book 4.5 out of 5 stars.

Here's the official summary (I think it's better than what I wrote): "In a galaxy powered by the current, everyone has a gift. "Cyra is the sister of the brutal tyrant who rules the Shotet people. Cyra's currentgift gives her pain and power--something her brother exploits, using her to torture his enemies. But Cyra is much more than just a blade in her brother's hand: she is resilient, quick on her feet, and smarter than he knows. "Akos is the son of a farmer and an oracle from the frozen nation-planet of Thuvhe. Protected by his unusual current-gift, Akos is generous in spirit, and his loyalty to his family is limitless. Once Akos and his brother are captured by enemy Shotet soldiers, Akos is desperate to get his brother out alive--no matter what the cost. "Then Akos is thrust into Cyra's world, and the enmity between their countries and families seems insurmountable. Will they help each other to survive, or will they destroy each other?

"Carve the Mark is Veronica Roth's stunning portrayal of the power of friendship--and love--in a galaxy filled with unexpected gifts."

The City of Ember is a fictional book in which the author explains a dystopian society. In this society young people are given their jobs that they must do for the rest of their lives. The city is also falling apart because they are running out of supplies like food and are running out of an energy source. Their "government" system is corrupt making it impossible for change to easily happen. The main characters, Lina and Doon, are determined to find life outside of their enclosed city so they embark on a journey. On this journey they face many struggles but eventually make it out with hopes of a better life.

I would recommend this book. "The City of Ember" is a fun, easy book to read. I read it the first time because I was in battle of the books. I couldn't relate to the characters. It wasn't predictable and it was a good book.

The final battle is upon the Loric. They have prepared for this their entire lives and the time has finally come. However, will all that they have done be enough to defeat Setrakus Ra. Pittacus Lore has written a thrilling conclusion to this blockbuster series. This action packed adventure is wonderful and a great read. I highly recommend this book to all middle and high school aged readers.

"Scarlet" is the second book of Marissa Meyer's series, "The Lunar Chronicles". We left off with new information on Cinder's true identity and her trapped in jail. With gifts from Dr. Erland Cinder must pull a daring escape from prison, using her wits and new allies to push her towards her next goal.
Meanwhile, Scarlet has been waiting weeks for information on her grandmother's disappearance. When nothing turns up, she is forced to turn to more sketchy sources.
Marissa Meyer expertly weaves the two view points to keep the series moving in the dashing book known as "Scarlet".
Reviewer Grade: 8

I said it for my review of Shakespeare’s Star Wars , and I’ll say it again: this combination of old verbiage and meter with popular science fiction is a match made in heaven. The follow-up to the first part of the original trilogy, Shakespeare’s The Empire Striketh Back continues to be an amusing exercise that anyone who loves Shakespeare and/or Star Wars will enjoy. Some consider Empire to be the best part of the original trilogy, and its adherence to the plot won’t disappoint. Additionally, the audiobook version continues to use music, sound effects, and voice acting to recreate an experience as close to the source material as possible.

While the audiobook did provide a robust experience of the text (especially the voice actors who recreated Han Solo and C-3PO’s speech patterns), the author’s explanation at the end made me realize there were some aspects that weren’t quite as clear as they would have been if I had just read the book normally. For instance, Yoda’s typically backward speech wasn’t as backward as I would have thought—mostly because the Shakespearean cadence sounds a little backward. Instead, Yoda spoke in haiku, which I’m sure would have been more evident if I was reading the words on the page.

As I mentioned above, Empire is the favorite of many Star Wars fans. However, I’m one of the rare few (like the author) who find Return of the Jedi to be their favorite of these first three films. Consequently, since this book held close to the original plot, it seemed to sag a little between the opening act on Hoth and the third act in Cloud City. At least the added soliloquies from ancillary characters like the AT-AT walkers, random Stormtroopers, and the dangerous creatures of the universe added in some humorous elements to the narrative that weren’t strictly canon.

A fantastic audiobook that still might require a read-through, I give Shakespeare’s The Empire Striketh Back 4.5 stars out of 5.

An excellent adult Sci-Fi novel in a future where to join humanity's military, the CDF, you must be 75 years old. Interesting takes on aliens, human interactions with other species, and combat. Be warned, there are sections of this book that go quite in depth about the background of certain story elements and they can seem long winded, but they all contribute to the story at large. Great read and hard to put down once you've found a little traction.

***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***

With the rise in popularity of the superhero genre, it was only a matter of time before it leaked into other genres. While some genres like steampunk (like in The Esper Files ) make for an interesting twist, others like military YA sci-fi are so similar as to be just one other entry in the zeitgeist. The problem with this is that other, more famous handlings of supernatural superpowers bring much more to the table than books like The Point (which doesn’t necessarily add much to either genre on the whole).

As far as I could gather, there are only three or four different “types” of mutants in The Point: telekinetic, pyrokinesis, super strength, and “other” (like dream manipulation and energy storage, the latter of which was reasonably original). I suppose franchises like X-Men and One Piece, which give each of their unique characters unique superpowers and rarely (if ever) repeat themselves, is what ruined this book for me. This only added to the sense of the faceless military machine presented in this book, as few characters stood out to me at all.

Furthermore, I didn’t like the main character at all. Sure, most YA (and this is mature YA at that—an oxymoron, I know) start with a character who needs to undergo growth by the end of the story. However, I don’t need a main character that’s so fully flawed for so long that I end up hating her before she even learns anything. This, added with numerous questions I had that were never answered, plenty of redundant and boring sections, and the fact that I wholeheartedly agreed with the villain meant that I didn’t particularly like this book.

A book that’s likely trying to cash in on superhero and/or YA trends, I give The Point 2.0 stars out of 5.