YALSA Award

Faith and the Renegades have just saved the world from a supervillain - but that fight didn't come without a price. The Renegades have now split up and are doing their own thing. Faith's ex, for example, is now starring in his very own reality tv show! Faith herself is posing as a Buzzfeed (ok, Zipline) writer by day whilst saving Los Angeles as a hero named Zephyr by night. Can she juggle a job and saving the city all by her lonesome?

I came into this comic without having read anything at all about the Renegades, and that was fine - you definitely didn't need prior knowledge of the Renegades to enjoy this comic. Faith was extremely likable; I think most readers, especially those of the lady-type variety, would see something of themselves in Faith. The real draw here, for me at least, was that Faith was not just a woman superhero, but a fat woman superhero which, needless to say, is something of a rarity. I really liked the way her body size was treated in the book. Faith is comfortable in her own skin and unapologetic about that to the point where her body size wasn't even really a thing. Which, in this reader's opinion, is how it should be.

The story itself was your standard superhero fare. After an initial mission of SAVING PUPPIES, Faith finds herself looking for other, possibly powered children that have been disappearing from the city. The artwork was really good, though I found it to be quite similar to that of other hero focused graphic novels. Faith has these amazing fantasy/dream sequences, and I preferred the art in those sequences to the main art as it was a bit more whimsical and different. I preferred the cover artist (look at that cover - so cute!) to both.

This would be a great intro to the superhero comic world for those that are interested but haven't given it a try. Otherwise, it was nothing special, but if the superhero genre is your thing, I don't think you'll be disappointed. 3 stars - I liked it!

Unwind, a novel written by Neal Shusterman, is a fiction book that is about the adventures of three teenagers that have been chosen to be unwound by their parents. Unwinding is basically the process of cutting apart an individual in order to have each parts of their body to be used to save others. In the book, it is something that parents may decide to do to their child. When a child is no longer such, and becomes an early teen or a teen, the parents may decide to have their children go through this process.
Overall, this book provides a great amount of entertainment, as it is full of thrills and excitement. While reading this novel, one gets to feel like they are going through the struggles and adventures with the main characters.
Despite the book being very adventurous and entertaining, it would not be a good novel for someone younger than middle school to read, as it has very graphic details and contains some gruesome scenes. Overall, this novel is one that I would highly recommend for someone looking to have a fun and fairly short read.
Reviewer Grade: 11

Many readers are immediately turned off by the immense depth and length of this classic (450+ pages). However, within the hundreds of pages, Steinbeck is able to create a realistic world with dynamic characters and an immersive story line. The book takes place during the Great Depression era, and the story follows the Joad family as they travel to California after losing their family farm. The story begins with the main character, Tom Joad, returning home from his time in prison. He quickly finds out that the Joad family farm has been repossessed, partly due to the Dust Bowl, and the entire family must travel to California in search of work. Along the way, the family meets and interacts with many characters facing the same difficulties of the Great Depression. Throughout the book, we see the hardships faced by these characters, which accurately correspond to the struggles of those during the 1930's. As an avid history nerd, I found myself quite intrigued by the story, since I was able to feel more connected to this tragic time in American history. Overall, I greatly enjoyed reading this book, and would strongly recommend it to someone who has an interest in history and enough free time to tackle this classic title.
Reviewer Grade: 11

Sierra Santiago is looking forward to the perfect summer. Class is finally out, she has a close group of friends to hang out and party with, and best of all she has the perfect summer gig: painting murals on the walls of old buildings in Brooklyn. But when she starts work on her first mural, she notices something strange going on with the other paintings around her. For one thing, they’re fading way faster than normal, and for another – well, it almost seems like they’re moving. Most confusing of all, when she gets home her grandfather – who hasn’t spoken since his stroke – suddenly wakes up and starts speaking directly to her: she HAS to finish the mural she’s painting, he says, and she needs to do it as fast as possible – before it’s too late. Sierra is thrown. What could a giant picture of a dragon have to with anything? And what does her grandfather mean about time running out? He leaves her with a riddle about a missing woman and more questions than answers.

Most infuriating of all, everyone in her family seems to know exactly what’s going on – but no one will tell her. Her mother even gets angry with her when she tries to ask about the connection between her grandfather and the murals. Something about the subject is just too dangerous to discuss. At first this seems ridiculous to her, but when she goes to a party with a group of her friends suddenly the danger is all too real. A zombie crashes the party and heads straight for her. Sierra is in shock, but Robbie, the quiet, artistic boy from her class that she’s been chatting with, knows what it is – and knows Sierra’s grandfather, too. Sierra escapes, but it’s a close call, and her problems are only just beginning.

Afraid and more confused than ever, she decides to go to the best place for research: the library. While she’s there, she discovers that an anthropologist, the mysterious Dr. Wick, was studying her grandfather and his group of friends just before he had a stroke and everything went wrong. Dr. Wick was researching a power called shadowshaping: the ability to imbue ancestral spirits into their artwork, whether it’s storytelling, music, or, you guessed it, painting murals. Sierra’s starting to put together the pieces, but time is running out – the murals are fading faster than ever and her grandfather’s group of friends, the shadowshapers, are dying one by one. Sure, they’re elderly men, and there’s not a mark on their bodies, but it can’t just be a coincidence, can it? And what about Dr. Wick – he went missing at the same time as her grandfather's a stroke, but is he a victim or a killer? Sierra sets out with Robbie and her group of friends in search of answers. Along the way, she’ll face the walking dead, living paintings, and her family’s tangled past.

I love fantasy, and this had such a unique premise that I had to pick it up, but sadly it fell far short of my expectations. First, the good: the magic system is very original and a lot of fun to read about; the idea of imbuing artwork with ancestral spirits is already interesting, but having murals and chalk drawings come to life to dance and fight and interact with the world made for great reading and some really cool action scenes. In addition, the cast is very diverse in terms of both race and sexuality, and Sierra’s budding relationship with Robbie felt natural rather than forced (and I say that as someone who usually hates romance in YA, but it was very subtle and actually rather sweet). Unfortunately, none of this could save the book from its biggest problem: the pacing. Usually I’m complaining about books that are bloated with filler, but this one had the opposite problem: way too many ideas, not enough space. In just 280 pages, there wasn’t enough room to develop all of the world-building and plot and character development that could have made this book great. As a result, it’s very uneven, and there’s no room for the plot to breathe; the book jumps around a lot from plot point to plot point, and most of the interactions between characters are, quite frankly, bizarre. Older forces awkward conversations that seemed designed to cram in as much background detail as possible before ending abruptly mid-stream so that Sierra can get to the next scene. It’s as if he’s written a check list of everything Sierra needs to do and he’s decided to follow it doggedly regardless of whether or not it flows. Details are introduced but then never followed up on or resolved in any way.

This is compounded by a second problem: the writing just isn’t very good. Part of that is just the book being aimed at a younger audience, and that aspect doesn’t bother me, but another part is awkward transitions between scenes, ham-fisted dialogue, and way too many editing errors for such a short read. These problems together made it honestly quite painful to get through, especially in the rushed beginning chapters when you can see Older trying to get to the main plot as quickly as possible at the expense of everything else. Basically, good idea, poor execution. I would give it 2.5 stars. I still think this has appeal for teens who love urban fantasy or who are looking for something different and original to read, but I wouldn’t call it good by any stretch of the imagination.

Review: This is the one of best historical fiction books I've ever read. Most historical fictions get their facts wrong, but this book had accurate details and the writer manages to get a good story into it. I absolutely loved the plot and the different kind of character's. The only problem with it is after all that detail throughout the book, at the end it kind of just drops off a cliff. It had a unique ending, I just wish it had more explanation to it.

This series is really a must-read for fans of modern fantasy, mythology and pop culture. The Wicked + the Divine takes place in a world where a phenomenon called the Recurrence occurs every 90 years, causing a Pantheon of twelve deities from across human cultures to awaken within the bodies of young adults, granting them tremendous superhuman abilities. They will be loved, they will be hated, but two years after awakening, they will all be dead. The year is 2014 and the Recurrence has come again, and this new crop of gods blurs the line between the way deities were worshipped in ancient times and the way humankind worships its popular icons in the modern day. Though they are reincarnations of figures from antiquity- Lucifer, Woden, and Minerva, for example- their personas and appearances invoke modern musical icons like Daft Punk, David Bowie and Prince, and their worshippers stalk their instagram feeds and attend sold-out concert-like performances of their miracles.

However, all is not divine within the ranks of the Pantheon. Skeptics dismiss their claims of "godhood" and "miracles" as delusions, hallucinations or special effects, and point to the last Recurrence - which took place during the 1920s - as the product of the same sort of hoax as those performed under the umbrella of Spiritualism during that era. And, these new gods have all the hormones, the petty selfishness and the capriciousness of the teenagers and young adults they used to be, only now they have superhuman powers at their fingertips, and the weight of the knowledge that for all their strength they will all die before two years have passed. The mysterious goddess Ananke, who exists outside the cycle of the Pantheon, is the only being who seems to understand the forces at work behind the Recurrence, and she acts as something of a guiding light for the gods, though a cryptic and guarded one, at best. Into this tumultuous mix enters Laura, our narrator, a god-obsessed superfan who idolizes the Pantheon to the point of distraction. Though Laura wants nothing more in this life than to be a god herself, she settles for attending their tours, buying their merchandise and following them obsessively on social media, getting as close to them as she possibly can. That is, until she unexpectedly befriends the young Lucifer at a concert and finds herself suddenly drawn into the beautiful, deadly and miraculous world of intrigue that surrounds the members of the Pantheon.

This comic is incredible, both in terms of its writing and worldbuilding, and its art, which is both stunning and incredibly consistent. It is also a wonderful example of diversity and inclusiveness in what is, essentially, a superhero comic - Laura is part of a loving biracial family, Lucifer is a polyamorous, genderfluid woman who is a dead ringer for Bowie, and representation of queer characters, women and people of color abound. I collect this comic religiously (hah!) in both its individual issues and its trades, and I really cannot recommend it enough. However, when our rating says M/Mature, we MEAN it. While there isn't much in the way of graphic sexual content, there is some gore, frequent adult language, and a whole lot of adult situations.

Rainbow Rowell's "Carry On" had me laughing and tearing up and cheering along the protagonists like a crazy person, which -- as I listened to the audiobook in my car -- I'm hoping didn't concern my fellow drivers. This book is not only a clever love letter to the Harry Potter universe/the concept of a "chosen one" narrative, it's one of the cutest teen fiction romances I've read in a long time. I'm going to try not to spoil anything, which is why this review is so very, very short, but... Awww. What a simultaneously goofy and emotional book.

As you may or may not know, "Carry On" takes place in the universe Cath is fangirl-ing over in Rowell's other novel, "Fangirl," but I'd say it works very well as its own independent story. You could read it as a set with "Fangirl," or just read it for its own sake, I imagine both ways are fun and interesting for different reasons.

Categories: Teen Fantasy, Just Plain (?) Fantasy (if you love the Harry Potter books, this is kind of intended for you, I think, regardless of age), GLBTQ Fiction, Humor (?), Romance, Satire/Reinterpretation

Real Rating: 4.5, rounded up. 6 stars for the Olympians!! Not so many stars for Orion and some of the other creative choices here regarding Diana's origins (that's personal, though -- you may disagree with me.) BUT THE OLYMPIANS, THOUGH.

Brian Azzarello’s work isn’t always my cup of tea, but I have to say I really appreciate a lot about his recent run on Wonder Woman, beginning with “Wonder Woman Volume One: Blood.” A lot of my appreciation for this comic stems from its creative portrayals of the Greek gods – Dionysus can twist the world as a proper god of madness, Apollo is made out of sizzling magma-ish sun stuff, with an obsidian skin hardened over his fiery insides, and Artemis is literally shaped out of fluid moonlight. It’s gorgeous, and a ton of fun. If you love Greek folklore but have always wanted to see Poseidon represented as a barnacle-crusted sea monster, this may be the perfect series for you. Cliff Chiang's art is also very modern and playful, which fits the optimistic tone of the book perfectly. Diana is fierce and loyal, here, a heroine truly worthy of the name “Wonder Woman.” Some of the characters didn't mesh with me so well (>:( I'm looking at you, Orion!!! Augh!!) but despite that I eagerly awaited every volume of this series as I was reading it, so… Consider it hereby recommended for the fun-factor alone. Watch Hera try ice cream for the first time! Watch Artemis run rampant through a tube station! ALL IN DC COMICS CANON! Yes!

“Through the Woods” by Emily Carroll is a comic book collection of whimsically morbid fairy-tales, each mostly self-contained but serving what I would call an important, human theme: the uncanny waits, and surrounds, especially where you wouldn’t expect it. I love the stark yet evocative art throughout this book, and some of the stories did manage to surprise me. I personally love testaments to the monsters under our beds, particularly those intended for adults, and if you do, too, you may carry something interesting away from this collection. At any rate, the art is gorgeous, feeling “classic” even as it’s so unique.

Writer Scott Snyder and artist Greg Capullo are each AMAZING in DC's just-ended Batman run, starting with "Batman Volume One: The Court of Owls." Seriously, amazing. These books are morbid and playful, working with Batman's psyche and the twisted fairy-tale that is Gotham in a way I think works really, really well. Bruce Wayne feels fully-realized and complicated, as a character, and a great many of the Bat Family get a chance to shine. I personally love Snyder's take on Batman's ensemble of villains, from the Joker (don't worry, he'll show up soon) to the infamous Crazy Quilt (yes, I'm serious.) The "Court of Owls" introduced in this first volume adds yet another layer of rot to this already twisted city, wonderfully developing both the Wayne family history and Gotham as a symbol. I'll leave you with a nursery rhyme repeated throughout the Court of Owls arc, to give you a feel for what sort of story is waiting for you here: "Beware the Court of Owls, that watches all the time, Ruling Gotham from a shadowed perch, behind granite and lime. They watch you at your hearth, they watch you in your bed. Speak not a whispered word of them, or they'll send the Talon for your head." Come on! If that isn't a recipe for fun Batman shenanigans, I don't know what is. :)