Staff Book Reviews by Genre: Classics

"So it goes..."

You may be thinking that based on the title it is the fifth book in a series of horror novels, but I assure you that it is not. Slaughterhouse-Five is a very thought provoking and poignant anti-war novel that has elements of science fiction, including 4th dimensional time travel and aliens. It’s a nonlinear story that follows a man named Billy Pilgrim as he travels throughout different moments in his life, weaving back and forth through differing time periods. He travels from his time as a chaplain’s assistant in World War II to his normal life with his wife and children to being an exhibit in an alien zoo on the planet Tralfamadore.

By becoming “unstuck in time”, as Billy puts it, he is able to relive these moments in his life and reflect upon them more deeply. This book is one of the best representations of 4th dimensional time travel that I've come across, and if you ever struggle to grasp the concept of time as the 4th dimension, as I do from time to time, then this book will certainly help create a better understanding of it. The book centers around Billy Pilgrim’s experiences during the war and all of the atrocities that he has seen, culminating at the end with the Bombing of Dresden, a moment which influences the rest of his life.

By being told out of chronological order, the structure of the book drives the importance and impact of the moment rather than just describing what happens next and it creates a sort of puzzle that the reader must put together. It is full of satire, wit, and black humor that is vintage Vonnegut and is one of the strangest meditations on war and humanity. If you want an extremely thoughtful book that challenges your perspective, then I highly recommend Slaughterhouse-Five by Kurt Vonnegut.

Reader beware, this is my favorite book. This is probably the fifth or sixth time I've read it. It's observant, subtle, and cleverly written. I come away with something new every time I read it. This time I felt for Elizabeth upon coming to the realization that her father was greatly to blame for the shortcomings of her three younger sisters. Oh, and Mr. Darcy's subtle devotion to her was more apparent to me this time around. It's easy to imagine the BBC version and characters while reading, but this book - like most books - is more richly constructed than the mini-series.

At only a smidgen under two-hundred pages, this book appeared to be a concise and quick read. Surprisingly, my experience was quite the opposite. The War of The Worlds presents a typical scenario that many novels have sadly claimed. The initial third is gripping and chocked full of descriptors and entertainment; the second third is nearly pointless to the main plot; the concluding third wraps the story up, leaving enough aspects unresolved for the imagination to expand upon, but doesn't carry on the initial third's promise. Thus, leaving the reader confused and with a feeling of wasted time.

Initial Third:
After reading the beginning chapters a sense of urgency becomes the overlying theme. Peril soon engulfs the novel's setting as its characters realize the grave situation. The Author takes his time here by writing pages of description to meticulously set the scene. The story progresses to a small climax at the end of this third, which casts a shadow of high expectation on the other two thirds. This initial third is a marvel of a opener that brings honor to the class of classic English-literature.

Second Third:
If paper could speak to its reader it'd ask that they'd grip their new-found excitement and trudge through the muck. The majority of this third's viewpoint comes from that of a flat secondary-character with little importance to the story. This characters presence only delayed the objectives that the first chapter created. Their travels were hectic; slightly smile inducing at times. Taking this character shift seriously was difficult as the pages grew thinner and crucial answers were yet to be disclosed. The author even goes as far as giving a figurative apology for sidetracking the reader at this third's close; H. G. Wells' canny sense of humor makes an unexpected appearance here.

Concluding Third:
After hope for the story as-a-whole was drained, Wells restored the glorious successes of the initial third, but not fully. Excitement and intensity were brought back as the conclusion drew nearer. The story abruptly shifted to the round, main-character, again; swapping character who're in different settings is usually abrupt, so this isn't a true issue. This character goes on to see the conclusion, which wraps up most of the events and questions that the previous content created.

My Take:
I didn't find this novel to be terrible or great. It proved to me that it's a mediocre work glossed with wild literary technique and vocabulary. Wells' persistence use of over description dimmed the natural flow and appeal of his writing. There's little reason to use half a page or more to describe minute details. It would have been better if he spent the time to detail the larger picture, rather than tiny scenes. Character development was superb at first, but fell flat due to the second third's character shift. If the second third was omitted in its entirety and, then rewritten without the secondary-character's perspective the novel would be vastly improved. Wells wasn't an illiterate fellow with corn for brains. His derailing of the story added multiple perspectives and was most likely an attempt to add another dynamic. The incessant over-descripting showcased his incredible vocabulary while portraying him as an over confident writer. Paying closer attention to the plot and character development will lead to a better story than any amount of impressive vocabulary ever could. It's clear that H. G. Wells is a gifted and skilled writer, but this certainly isn't a jewel.

Would you like to read slower? Would you like to read a novel slowly, I mean in a good way, meditatively, obsessing less about the plot? That is probably my favorite thing about reading Henry James, especially his novel The Wings of the Dove. It is totally character driven. Yet what emerges out of this kind of storytelling is suspense and narrative curiosity, the usual cause and effect of a complex, satisfying plot grouped together with some choice
subplots.
Since it was published in 1902, with a story set fairly close to the time, it is a classic Victorian novel told in James’ very unique and, at the same time, typical prose of the era. This contrast is part of the fascination reading it. You feel it resting on Hawthorne but anticipating Joyce. (In no uncertain terms, the language is certainly nothing like the patchy prose of this choppy review!) The style is aristocratic, philosophical, contemplative. To describe it in one word, I would choose the word Consciousness. It’s so hypnotic at times you might wonder if it is really his brother William James the psychologist-philosopher whispering it in your ear.
And last: there is a raciness embedded in it but without the modern explicit details. You won’t feel like you need a shower afterwards.

I really enjoyed "The Snows of Kilimanjaro", "A Clean Well-Lighted Place", and "The Short Happy Life of Francis Macomber". Overall, the subject matter was a bit too macho for me, but the writing, of course, was excellent.

Jesus, this was a horror story! A bloodbath! A children's book! I was kinda hoping it would end differently, but the ending was still good. Especially the adult perspective at the end. Chilling.

A classic whodunit. Campy but fun. I'm not really a mystery person, which is probably why I didn't give it 5 stars. I found myself getting bored with the whole process about 2/3 of the way through. But I really liked the ending.

The epitome of classic mysteries. A thoroughly enjoyable whodunit. Generally, mysteries aren't my thing, but I very much enjoyed this book.

From the moment Wendy realizes she'll grow up, to the very end when Peter stole Mrs. Darlings thimbles, this book was brilliant, sad, and filled with adventure. I loved that Tinker Bell was a a 'common' fairy and that Hook was more three dimensional and not an all evil figure. The narrative was beautiful, clever, and even a bit melancholy. Peter is the tragic figure here. But of course, he's fine and happy. I loved how Wendy's daughter and granddaughter played into the mix. Perhaps you stay young forever through your offspring.

Michael Hague illustrates this volume brilliantly.

I gave this book four stars, not because I got a lot out of the book initially, but because the literary criticism opened my eyes to its attributes. Otherwise, I would have given it three stars. Of course, it is a good book, but I found myself underwhelmed a great part of the time reading it. I liked the prose and its reflection of jazz music but I was confused by the overt racism in the book. Then I read the criticism and realized that the racism came from Tom Buchanan and that he was a white supremacist, a quality aimed at making him unlikeable. The fact that Daisy chose him over Gatsby illustrates her lack of character, which makes Gatsby's obsession with her even more misguided. The excess and the emptiness of Gatsby's lifestyle make this book a cautionary tale that applies even today.

I love Anne. She is such a terrific role model for girls young and old. This book is very well written. The story unfolds in a leisurely way with lush descriptions of nature and imagination. I enjoyed how the relationship between Marilla and Anne grew into one of deepest love. Each time I read this book I get something new out of it. This time it was the understanding that achievement means hard work and sacrifice. Simple enough, but not something one necessarily thinks of when stating a lofty ambition. I can't wait to read Anne of Avonlea!