Book Review: The Beautiful Music All Around Us: Field Recordings and the American Experience

Writer and musician Stephen Wade plumbs the deep river of American traditional music as he explores the back stories of 12 field recordings from the Library of Congress’ Archive of Folk Culture. Beginning in 1928, the Library of Congress established the Archive of American Folk Song with the goal of collecting “all the poems and melodies that have sprung from our soil or have been transplanted here, and have been handed down…from generation to generation as a precious possession of our folk.” Passionate collectors such as Robert Gordon, John and Alan Lomax, Zora Neale Hurston, and many more, traveled the nation’s back roads, and beyond, with cumbersome recording equipment to capture the voices and music of everyday folk. In so doing, they created what is arguably the most valuable archive of the American experience.

In his book, Wade examines 12 musical performances, from among the Archive’s more than 150,000 sound recordings, tracing the stories of the performers and the songs, placing them in the social and cultural context of their time, and following the remarkable influence they have had on our modern culture. Using historical sources and well as recent interviews with family descendents and friends of the performers, Wade gives these largely unknown men, women, boys and girls the recognition they have so long deserved as bearers of real American culture. The lives of these performers often were tragic or bittersweet and the recordings they made in coal camps, prisons, churches, front porches and schoolyards both bear witness to the circumstances of their lives and transcend them. We are fortunate that these recordings were made in rural America during the 1920s-40s and that they have been diligently preserved in our national library. We are also fortunate that Stephen Wade has taken the time to dig deeply into the lives of these performers and write about what he has found.

The book is accompanied with a CD containing the performances captured in the original field recordings and discussed in the book’s 12 chapters.