Gearbreakers is a story with two subjects. First, there's Eris, a revolutionary with a burning hatred for Godolia, the all powerful government that killed her parents and regulates her home with the giant mechas known as Windups. She has dedicated her life to destroying these Windups, and any who dare pilot them. Second, there's Sona, a Windup pilot that is scheming to destroy Godolia from the inside. When the two of them meet after one of Eris' destructive escapades goes sideways, their clashing backgrounds and mirrored desires forges an unlikely friendship, one that will change both of their lives as they know it.
This book is unusual for its genre from the get go. It's clearly a YA dystopia, with its young, child soldier protagonists with appropriately angsty personalities set against a terrifying yet monolithic totalitarian government. I've read plenty of these in my time, like most of my generation, and I'm very familiar with the elements. In this book, the usual elements are subverted immediately. Instead of starting out with a bland everyman that, despite having a hard life, isn't usually directly opposed to the system they're in, this book cuts to the chase. The first voice of the story, Sona, is introduced already chock-full of rage. The entire first chapter begins in medias res, completely skipping the usual revelations and training montages and directing us straight to a character who has just been transformed and is very ticked about this. This is something the book does very well: it trusts its audience to grasp the situation at hand, without needing the exposition many books like this are heavy in, often using heavy and lyrical prose to do so. This is another thing: the prose. The book is unexpectedly poetic in many places, which is also generally strange for the genre. I'm not talking about clunky metaphors about birds and technology, although there is a lot of stuff about technology. Just the writing itself is beautiful, interweaving metaphors and similes and personification and all that fun stuff seamlessly with the literal. This also makes the novel seem older than its setting and genre, more like an old folk tale about ancient gods and classic heroes than a YA dystopia about robots and lasers. Another bright spot in the novel is its vibrant tone, especially with the characters. Every character is brimming with emotion and character and motivations. And they're all unspeakably angry. This author is younger than most, and this definitely shows in the portrayal of the younger characters in the novel. In many books written by older authors, the teenage characters often exhibit the cynicism and stoicism of that older generation in the face of social injustice. While this leads to cool-headed, logical heroes to aspire to, none of them have the same instant relatability with the younger generation as these angry characters do. Most teenagers, in the face of unfairness, get unreasonably angry. Its a fact of life, and having unabashedly angry female teen characters who scream and yell and blow stuff up in the face of their terrible circumstances instead of passing out or something is surprisingly refreshing. The two main characters, and their deep seated anger in the face of trauma and injustice, as well as their different ways of reacting to their similar demons, makes for some great chemistry and explorations of their characters. I will admit, most other characters didn't get similar levels of development, but they were each memorable and likable in unique and fun ways.
All in all, I would simply describe this book as fun and refreshing. The action and characters and writing is all fun, and the way the author subverts typical expectations in unique and interesting ways is refreshing! I would recommend this to anyone in the mood for lots of robots, good emotional conflicts, lots of sadness, lots of laughs, and some cathartically angry female characters.
Reviewer Grade: 11

Harrow the Ninth is the second book in the Locked Tomb series, and it follows a necromancer, Harrow, as she learns to become a Lyctor to God himself, the emperor of the First House. But as the teaching progresses, the century-old secrets of God and his immortal Lyctors, the intangible death monsters hell-bent on destroying them, and Harrow's own crippled psyche threaten to crush her under their weight.
The first book in this series, Gideon the Ninth, is undoubtedly both bizarre and amazing from the very first page, all the way until the last. I read this book because I adored the first one, and I have to say it is even more bizarre and amazing, but there's an emphasis on the 'bizarre' part in the beginning and an abundance of 'amazing' in the end.
For the first thing, a good chunk of this book is told in second person. For another, the beginning is very confusing, mimicking the main characters confused state. For a third, much of the book seems to contradict the first book, or itself, giving a whole new meaning to the 'unreliable narrator'. Now, at the end, this all comes together and makes perfect sense and blows your head off in a fit of epiphany. And, having read the entire book cover to cover, I applaud the author for the bold choices and tantalizing ending. But for the beginning, it may be a bit more a struggle to push through, and the brilliance of the first book is really needed to help accomplish this.
So, the book is pretty confusing, but for the most part its understandable, and it maintains the first books commitment to levity. This book is pretty funny, even though it can be heart wrenching or gory in some bits. The main character, Harrow, is both very sad and very cool, like a skinny Batman, which I really like! She's also well developed, with understandable actions and motives. The supporting cast is fleshed out well, and highly entertaining, and very sad. All of this is very good. The plot, while confusing at first, is concluded nicely, and is well paced. The worldbuilding of this book does this thing I really like, where it never really sits down and fully explains anything, but still leaves you getting the gist of everything by passing remarks and impressions and vague implications. It did this better in the first book, but since the second book had a lot more complicated necromancy stuff to explain, I'll let it slide.
All in all, this was an extremely good book, which took risks with its material and just expected all of us to push through the bizarre for the amusing and sad characters and an unknown payoff, which we all did, and which was totally worth it! Highly recommend, but read the first book first, and if you've read the first book and you're looking for a reason to keep reading, definitely do so!
Reviewer Grade: 11

The Sea Is Salt and So Am I is a story about a girl, two brothers, and their Maine town that is collapsing around them. The powerful storms of the climate change era are destroying everything in the town they love, and while trying to save it, stories and secrets and tragedies tear them apart all while forcing them closer together. In a stunning novel about grief and loss and trust and home, Cassandra Hartt weaves a tale through the eyes of the three main characters, masterfully crafting a story that will break your heart and put it together at the same time.
I almost didn't pick up this book the first time I saw it at the library. When I saw the synopsis contained two brothers and one of the brothers best female friend, I immediately flashed back to the Kissing Booth, and all the other contrived dramas this storyline had spawned. But, I took a chance. While this book is full of drama, much of it resulting from the two brothers and the female best friend usual conflict, the story makes the characters so realistic and grounded and understandable that it's utterly incomparable to the Kissing Booth. Every main character is fully fleshed out and sympathetic, even though you'll hate almost all of them (minus Tommy) all of the time. I heard once that the hallmark of a great author is one who, when writing a character to make a horrible decision, doesn't make you despise them, but makes you fully despise the character. In other words, good writing comes from making the characters' motivations and traits so clear cut that any decision they make, no matter how horrible, makes sense for them. And the characters in this book make some horrible decisions. They're mostly terrible towards each other for the whole book, but since the author does a fantastic job of making you understand each character, you're just ticked at the characters for being terrible, which isn't fun, but it sure is captivating.
The book also has great prose, with lots of beautiful and striking imagery. Each character has a distinct voice, and you can almost see the half-drowned Maine town the story is centered on. The emotions of the characters in general are painted vividly by the prose, which is most evident with the way the author describes depression. There's a suicide attempt in this book, and the aftermath, as well as the attempts of the depressed character to recover, is well executed and genuine, and does a great job of showing the impact of the attempt on all characters involved.
All in all, this book kept me turning pages, and while it definitely wasn't a fun-hearted, it did tug at heart strings and fill my heart and break it and came from the heart and all that good stuff that can make you cry but still love it with all your heart. I'd wholeheartedly recommend this to anyone who can read about depression and suicide safely and wants to feel something you can't fully explain!
Reviewer Grade: 11

The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid is a historical fiction novel that you won’t be able to put down. Amateur journalist, Monique Grant, is requested to do a private interview with one of the most mysterious Old Hollywood stars, Evelyn Hugo. We follow Evelyn as she retells her elegant and scandalous life as a movie icon. But why does Evelyn want to do an interview now and why did she choose an unknown journalist, Monique Grant? The Seven Husbands of Evelyn Hugo will lead you through the twists and turns of Old Hollywood life and how a single mistake can change a persons life in an instant. I highly recommend this book to anybody that wants a captivating book that will leave you guessing until the very end.

The House in the Cerulean Sea by T.J Klune is a must read, feel good book unlike any other. We follow Linus in his journey to make sure Marasyas Island Orphanage abides by the rules for housing magical youth. Although he is on an highly classified assignment for his job, Linus starts to blossom into his true potential and sees the world for what it could be. Yet, Linus faces a hard decision, do what’s right for the children or what society wants him to do. The House in the Cerulean Sea will leave you feeling refreshed and wanting more. I would highly recommend this book to anybody who is in a reading slump or needs a pick me up.

Rule, a book of mystery, suspense, and drama. Zofi, Ren, and Akeylah are each citizens of a different Reach. The Reaches are all ruled by Kolonya, and torn by war. Each girl has something to hide and each one fears the other. But when it comes to light that someone in Kolonya knows all of their secrets, they must band together to find out who is blackmail them. "Rule" paints a world that immerses the reader so that they feel they are in the story.

When Patroclus accidently murders a boy, he is exiled to Phthia and disowned by his father. There, he meets Achilles, and almost instantly, the two become close companions, and eventually lovers. Achilles, born to the goddess Thetis and the mortal Peleus, is destined to be the greatest warrior of his generation. When Achilles is given the choice between a short life fully of glory or a long life where he is forgotten, he choses the first and sails to Troy to fight in the Trojan War. No matter how much Patroclus attempts to divert his fate, Achilles is bound to die, but on what terms?

This is one of the most beautifully written books I've ever read! You don't need much background on the Odyssey or Iliad to understand the events, which makes it more enjoyable for a wider range of audiences. There are several interpretations to the relationship between Patroclus and Achilles, but this novel was very intimate in their friendship and eventual romantic relationship. I loved the growth of Patroclus and that Achilles realized his flaw and accepted his consequences. The ending was bittersweet, but it was lovely and perfect for their story.

They Both Die at the End follows the tale of two teens, Mateo Torrez (18) and Rufus Emeterio (17), who both receive phone calls from Death-Cast, a national service that notifies people who have only 24 hours left to live. Mateo and Rufus, being two complete strangers living in New York City, meet up with each other via the Last Friend app, and decide to spend their last 24 hours alive with each other.
The idea and creativity behind this plot is something I really enjoyed, and the very blunt title already set me up for inevitable sadness. I liked the basic gist of this story, and the romance that formed between Mateo and Rufus was very sweet to read, although as their romance progressed I felt myself getting sadder and sadder as I read because all of us readers knew what was going to happen to end.
However, even though I enjoyed the plot, characters, and unique title, I have to say I was let down a little. They Both Die at the End spiked in popularity, and because everyone was raving about how sad and amazing it was, I couldn't help but feel like it was a little overhyped. Yes, the story was generally good, but I think the internet fame it received made my expectations be way higher than the novel actually was. The writing was fine, the characters were fine, the idea was there, but that was pretty much it. The story was nice, but not as amazing and tear-wrenchingly heartbreaking as everyone claimed. To be honest, I didn't even cry once when reading this book.
Overall, the story and writing were there, but the novel was given way more credit than was needed.

Gideon the Ninth is about the rebellious Ninth House acolyte, a prodigious fighter, who is forced to become the protector of her most hated enemy Harrowhark, the necromancer of the Ninth House. The two of them travel to the First House, to compete against the necromancers and cavaliers of the other houses for the treasured position of Lyctor. They must battle bone monsters, hidden murderers, the laboratories of the dilapidated castle, fellow competitors, and their burning desire to murder each other to, maybe, make it out alive.
I hadn't read sci-fi/fantasy for a long time before I read this book, and this was a brilliant example of everything I'd been missing. The characters are hilarious and likable, the stakes are high, the magic system is somewhat complicated yet explained brilliantly without long periods of exposition, and the undercurrent of science fiction is always present and contrasted beautifully with the fantasy. The idea of a a hyper-advanced society with spaceships and planets is bound to the aesthetic of necromantic power and fighting primarily done with swords, creating a world that has all the fun elements of imaginative science melded with magic. Beyond this, the story is also really tight. There's not really a moment that the book sits you down and explains everything. It just grabs you and goes and it's up to you to catch up, which is a nice change of pace. But, as I've mentioned, the shining gem of the story is likely the characters. The cast is large, but memorable in its own right. If you can't remember the names, just a few sentences of them speaking will clue you in to their distinct personality. And the gem of the story is probably Gideon herself, who's always hilarious and fun and somewhat tragic, and has a great comradery of hatred with Harrowhawk. The character development, the plot, the world, the magic system, and the mystery of this book make it easily one of my favourite books of this year.

This book is the sequel to Call Me By Your Name, and it is incredible! The novel is split into four sections, each following the lives of Samuel (Elio's father), Elio, and Oliver, characters who were first introduced in the first book. It isn't clear who the narrator is for each section, but and I love the ambiguity that it adds to the plot. The book is so beautifully written: I loved the metaphors and vivid imagery, and the overall theme of the book. Call Me By Your Name ended sadly, but this book was the closure I hadn't realized I needed.

The events of the book take place twenty years after the first book. In the first part, Samuel meets a young woman on a train and they quickly begin a romantic relationship. In the second part, Elio is now an established pianist and begins a relationship with an older man, but they break up later. In the third section, Oliver is married with two children and teaches at a university in New Hampshire. Often, he finds himself thinking of Elio and the time they spent together twenty years ago. In the final section, Elio and Oliver reunite and are raising Elio's half-brother. Overall, I definitely recommend reading this book (and reading the first one)! The movie for the first book is also a must-watch.