LGBTQ

"Far From the Tree" by Robin Benway is a exploration of family, identity, and the bonds that tie people together. The book follows the interconnected lives of three siblings—Grace, Maya, and Joaquin—who are all separated and discover each other's existence and embark on a journey to understand the meaning of family. Benway skillfully intertwines the perspectives of these three characters, creating a narrative that unfolds with genuine emotion and authenticity. The story delves into themes of adoption, acceptance, and the profound impact of family connections on one's sense of self.
Awarding "Far From the Tree" a rating of 3/5 reflects my appreciation for the novel's engaging storyline and the author's adept portrayal of complex family dynamics. The characters are well-developed, and their individual struggles and growth are compelling. However, at times, the narrative can feel slightly formulaic, with certain plot points following predictable trajectories. Additionally, while the exploration of adoption is insightful, some aspects of the story may feel a bit too neatly resolved. Despite these minor critiques, Benway's ability to craft a touching narrative around the theme of found family makes "Far From the Tree" a solid and emotional read, deserving a 3 star rating.

The Invisible Life of Addie LaRue is about a French girl who did not want to get married and prayed to a dangerous higher being made a deal. The deal makes Addie cursed to live until she gets tired of living and not being able to remember as she lives. Throughout the novel Addie is alone for 300 years her only company this higher being who enjoys to mock her. Finally after 300 years someone remembers her.
The novel is written in a bit of a slow pace, but it slowly builds up as it goes on. The novel switches between the past of characters lives and the present. The ending is a little surprising. The book is worth the read.
Reviewer Grade: 9

"Summer and July" by Paul Moiser is a warm novel about a girl named Juliet. Juliet's mother is a nurse who has to travel to California for the summer. Juliet is very upset about the move because she did not want to leave her best-friend Fern. Then Juliet meets Summer, a local surfer girl. Summer helps her adjust to the new surrounding, (which is very hard due to her mental illness). She faces her struggles with her new positive companion. When Summer reveals her own pains, Juliet must now be the one to help Summer overcome them.

The Perks of Being a Wallflower, written by Stephen Chbosky, is a coming-of-age novel that explores the complexities of adolescence and the struggles of navigating social and emotional challenges. The novel is narrated by the protagonist, Charlie, a high school freshman who is struggling to fit in and find his place in the world. Charlie is a sympathetic protagonist, with his struggles with mental health and social anxiety serving as a powerful critique of the challenges of adolescence. His relationships with his friends Sam and Patrick provide an exploration of the complexities of friendship and the ways in which it can provide a sense of belonging and acceptance. Chbosky combines elements of romance, personal drama, and coming-of-age themes to create a plot that is emotionally resonant and suspenseful. The novel's themes, particularly mental health and the effects of trauma, are poignant and impactful, with Charlie's struggles serving as a critique of societal marginalization and stigmatization. Chbosky's descriptions of Charlie's thoughts and emotions are vivid, immersing readers in the experience of living with mental illness and navigating social and emotional challenges. His use of literary devices, such as symbolism and foreshadowing, adds depth and meaning to the story that kept me engaged throughout. While this book was heartwarming, it was also heartbreaking and took me on a roller coaster ride of emotions. I would recommend this novel to all who love a sappy, coming of age, insightful read that gets you thinking about life.

Reviewer Grade: 11.

This graphic novel has a really interesting way of storytelling- it has multiple stories running simultaneously that add depth to one another. The author uses fairy tales, like the Magic Fish, to represent the actual characters in the main story. It follows a young boy who struggles to tell his mother he is gay and he experiences a crush on one of his close friends. It touches on some sensitive topics but ends really sweetly. Another bonus is the gorgeous artwork and use of color in the different storylines. Despite being a quick read, it was meaningful and a good story.

The book Less follows a middle-aged, gay author named Arthur Less, and recounts his loves and losses from a third person point of view. His lover of many years, Freddy, leaves him for a more serious relationship, he goes on a trip around the world partly to avoid Freddy's wedding and his upcoming 50th birthday. The book explores themes such as love, heartbreak, self-doubt, fear of aging, and sexuality. In Less's journey, he discovers that he can't run from his fears by traveling across oceans, he must face them. A Pulitzer prize winner, the language in the book is mature and riddled with literary references spanning throughout history. The author uses many intricate metaphors to describe Less's situation, and then book ends with an incredible twist that will make your jaw drop. I would recommend this book to anyone who likes contemporary literature and wants a meaningful, yet entertaining read.

Nona the Ninth is the third book in the Locked Tomb series. It was an unprecedented addition, as the series was originally meant to be a trilogy that would end with Alecto the Ninth. And after reading this book, I couldn't imagine the series any other way. This book takes a step away from our principle protagonists and inter-planetary conflict to zoom in on Nona, a young woman who has technically only been alive for six months. She is a great teacher's aid, a fantastic dog watcher, and a caring friend. As her city crumbles around her and the secrets of her origin begin to come to light, Nona must keep trust in herself and the people she loves if she hopes to make it to her birthday.
I've seen a lot of reviews comparing this book to the first two in the series. In my opinion, there is no comparison to be made between any of them. The first is a thriller mystery in a nightmare castle with newfound friends. The second is a psychological horror story that occasionally becomes a soap opera. The third is slice of life, and the most heartbreaking of all three. I agree fully with the choice to make this a separate book, instead of trying to cram this into a climactic series ending. The series needed time to breathe from the revelations and consequences of the first two books, and to develop many of the wonderful side characters. On this note, the side characters in this book ruined me. They are constantly hilarious. They are perpetually heartbreaking. They have so much love for each other and it tears me apart. They are also fantastically developed, to the point where the thought of losing any of them almost stopped me from finishing the book. A large part of what made them special was seeing them through Nona's eyes, which was a fantastic combination of naively loving and strangely perceptive. Speaking of which, Nona's perspective was a special treat. Throughout the series, the author usually increases tension and intrigue by seriously limiting someone’s perspective. Previously this had been by outside parties hiding information or the unreliability of the narrator, but Nona being a mental six-month-old was a special treat. She attempts to relay everything with accuracy, but with limited experience and vocabulary the audience is forced to experience everything with fresh eyes to try to see it for what it is. Beyond all this, the story shined in all the usual departments for this series. The humor was exceptional, probably the funniest the series has been since the beginning of Gideon the Ninth. I particularly enjoyed the dream sequence narrations, as they were beautiful, insightful, and insanely funny. Sometimes I feel like Muir makes nearly every one of her characters funny so they can rip your heart out later with a little extra oomph. The worldbuilding continues to be a harrowing endeavor in the best way, as you have to take the time to figure it out for yourself with what little glimpses the book gives you. The only complaint I feel like someone could make about this book is that the pacing was pretty slow in the beginning to establish the ensemble cast, but I loved every minute of it so I can’t complain.
In conclusion, this book is another triumph for the Locked Tomb trilogy, and I can’t wait to see what comes next! I’d recommend this book to anyone who loves found family, slice of life stories, lots of explosions, zombie princes, and dogs with too many legs!
Reviewer Grade: 12

In light of the Netflix series getting its second season, I decided to pick up Six of Crows. In the end, I was pleasantly surprised.

This is a fantasy heist story, which is already a standout. Kaz Brekker and his gang are tasked to steal from the Ice Court, one of the most secure places in the world. If they succeed they’ll get unimaginable amounts of money. Each of his crew members have a different motivation as they head in to break out a prisoner.

The characters are all well developed. Kaz is the standout, with a nice mix of mastermind villain and sympathetic protagonist. Inej and Nina are the most sympathetic, each having somewhat altruistic motivations. Matthias is horrible, but his redemption arc is interesting. Jesper and Wylan are a bit flat at times, but are both fun enough to make me ignore that.

The plot is easy to follow, while still having a reasonable amount of twists and turns. The main problem I have comes up late in the story. I won’t spoil anything, but two characters are set up for a betrayal. When it’s time for them to follow through, they just don’t. I’m sure it gets explored more in the sequel, but it rings a bit hollow for now.

Overall, I’d definitely recommend this book. Especially if you like morally gray protagonists.

We Are Okay is a beautifully written novel about depression and trauma from the perspective of Marin, a girl who ran off to college shortly after her grandfather's death. It's also about Mabel, her childhood best friend, and the evolution of their relationship. The book explores these themes through artful language, flawless dialogue, and many small acts of service; where it falls short, however, is the plot itself. I adore the book, but the big reveal of the grandfather's secret falls painfully flat. What should have been the climax of the novel, as foreshadowed from the very first page, is reduced to a few vague sentences alluding to greater truths. Marin claims to have "never known her grandfather," yet as a reader, I don't understand why she feels that way. Due to its design, the novel simply demands for a clearer climax without messy time-jumps. I was disappointed that a near-perfect book couldn't pack a punch with its climax, but the well-written characters and relationships make it worth the read anyway.

This book was unlike any other I've read before. I got it annotated by a friend as a Christmas present, and it was the best gift in the world. The first line alone shocked me, and made me want to keep reading. I love when a book starts off really interesting, and Margaret Owen nailed it. The characters are so funny, especially Jasimir, and Tavin is a wonderfully written brave and witty character too. I felt like I lived in the book, it was so vivid and the imagery was amazing. The gore was just enough to have an impact, but not be overwhelming. I would recommend this book in a heartbeat. Can't wait to read the sequel!!!
Reviewer grade: 11