Literature

Sometimes, a trip to the lighthouse can take the entire life. Or our life is just one long journey to the lighthouse. Sometimes we don’t even realize how much we are in need of light that we see every night out of the window. We may not even notice how it directs us and helps not to get lost in this misty world. But what happens if this light disappears? We are left with two choices: either go on search of if, following the illusive glance, or find it inside of your soul.
Virginia Woolf’s novel “To the Lighthouse” introduces the readers to the Ramsay’s family and their friends, staying in the summer house in Scotland. As they are going through daily routines, we discover their personalities and stories, so different and unique. They agree and disagree with each other, inspire and discourage, give hope and take it away, create and ruin. Their days flow as usually until the light disappears from the house. It seems like it’s possible to turn everything back and keep the life normal, but everyone can’t help noticing the missing part, until the characters go on their own trips to the lighthouse.
The story is mainly written in a form of reflection. Virginia Woolf lets the readers see the characters and percept the world of the book through two of her main characters’ points of view. It shows, in an unobtrusive manner, how people depend on those whom they are surrounded with. The language of the book is figurative and complex, just as lives of its characters. It plunges the readers into such an atmosphere, where cold Scottish wind keeps your hands numbed, as you are walking down the coast, but the thought of someone caring about you does not let you freeze from inside.
An amazing book that will turn the time of reading it into a very special period of life
Reviewer Grade: 12

The Good Earth follows a man named Wang Lung accompanied by his wife, O-Lan. This story is told surrounding China in the early 20th century told in a classic rags to riches tale. Important themes are told through this story to express what China in the 20th was going through and challenges the people had to face. Some of these themes include the oppression of women and man’s relationship with the earth.
I have to admit, the first time I read this book I didn’t really like it. After talking to someone about the book, I decided to read it again and recognized its importance. Not only is the book informative, but it’s also an all around good book. There are many different plot points and character development pieces that go into this story. While reading it, it made me think… is this what people had to endure in China in the 20th century? Knowing this, it pulled at my heart strings a little bit. I absolutely love this book and would recommend.
Reviewer Grade: 8

Flowers for Algernon is stunning commentary on the way society perceives intelligence and its connection to personal value. The creative liberties taken with this book to modify diction to match Charlie Gordon's knowledge create a more personal connection with the beloved narrator. I found myself celebrating the first time he used a comma or a metaphor. Although this book was difficult to read at first, I understand that those creative choices enhance the impact of the story later on in the book. The reason I wouldn't call Flowers for Algernon perfect is I feel some of the development in the middle diverted from his climactic conversations with the doctor and professor. The story seems to split into two at once: one of Charlie's emotional intelligence struggling to keep up with his knowledge, and one of his environment's reactions to his sudden genius. Though I enjoy both perspectives, I feel the conjunction creates clutter in what could be one flawlessly streamlined story. However, both stories are executed beautifully, and the journey of Charlie Gordon is both profound and emotionally charged. Flowers for Algernon is certainly a novel I'll mull over in years to come.

If it weren’t so gorgeously written, it’d be too wincingly real to read. I felt deeply connected to Edie in all her messiness and compulsive curiosity. Leilani’s characters are all their own: weird, self-possessed, sort of perverse, clearly loved into being.

Mythology, written about Edith Hamilton, creates a timeline and family tree of the Greek gods and demigods. The book is based in small sections, so it is essentially a collection of assorted stories. For example, there is a section called "The Great Heroes before the Trojan War", and in that section there are specific synopsizes on Perseus, Theseus, Hercules, and Atlanta. I enjoyed the book because you can read it 5 minutes at a time because it does not take long to read a section. I recommend the book to mythology and history lovers alike.

Frankenstein, a fictitious novel based Europe, details the account of a genius named Victor Frankenstein who creates a beast out of dead body parts. The beast then goes on to haunt him and kill everyone who Frankenstein loves. Frankenstein tracks the beast into the mountains and eventually speaks to him. The beast pleads Frankenstein to create a female beast, to which Frankenstein, comprehending of the horror that a lineage of beasts would survive, declines. The beast vows to kill every last one of Frankenstein's affections, and he does. Frankenstein is enraged and dedicated the rest of his life to tracking and killing the beast. The chase ends in the Arctic, where Frankenstein eventually dies. The beast sees his death and, with no more hope for a future mate, is overcome with grief.

I, like most people, got wildly bored reading this book. Even then, it's one of my favorites. Moby Dick is a long and treacherous journey not for the faint of will, but lying at the end of the mud-covered path is a handsome bounty. For me, the ending of Moby Dick justified the means. Sprinkled throughout are interesting and bizarre chapters (and wise quotes on sleeping with drunken cannibals), but I believe the impact of the ending cannot be achieved without Moby Dick's arduous length. The hundreds of pages allow the reader to spend a massive amount of time with the characters (even if it's just Ishmael) and grow to appreciate the ship. Without that, the ending would fall miserably flat. So, despite the time it takes to read Moby Dick, the famous tale of a captain's monomania is one told beautifully.

No Longer Human is a cultural phenomenon, widely known as the second most bestselling novel in the history of Japan. Within, Osamu Dazai explores the life of a man who feels that he has never been a part of humanity, and his desperate strivings to find a piece of happiness in a life full of terror and vice. The timeless, existential themes of the novel will haunt the reader past the last page.
I chose to read this book because I'd seen a lot of people all over the internet praise it as the saddest book they'd ever read. There are about a thousand videos and essays and think pieces about the depressing nature of this book, and how it can devastate and eviscerate emotionally. Weirdly enough, I don't see it. The book is definitely very sad, but to me it didn't extend very far beyond the other grimly written books about very sad people with very sad lives. However, the psychology of the protagonist definitely sets the book apart. Unlike other books of the same nature, this book cuts to the bone by showing the terrifying underbelly of humanity. The protagonist is paralyzed by fear because he comprehends what many of us forget: that we are at all times surrounded by our own apex predators. Each of us has our own deep desires that could stir us to violence at any given time. We lie and cheat and steal to get what we want, effortlessly wearing masks that can obscure our entire character and can last a lifetime. The protagonist isn't like other antiheroes of hardened books about the horribleness of humanity. He doesn't accept it, or rail against it. He is very much afraid of it, and does everything he can to get out of its way. The protagonist's perspective is also interesting in the way it views humanity. The detachment of the central character is clinical, and portrays the characters in an alien light. He is scared of humans, but he also doesn't understand them. He sees all hunger and desire as something strange, and he wonders how people can be so insincere so easily. But despite his abject horror of humanity, the protagonist is slowly transformed into everything he despises and cannot understand. Perhaps the most fascinating part of this tale is how the protagonist is dragged, slowly but steadily, into the grips of humanity's vices and horrors.
Despite the intriguing nature of the protagonist's psychology, I didn't find the rest of the book as interesting as I thought I would. I was likely just disappointed that after all the build up, this amounted to another very well done, very sad bildungsroman in the vein of Catcher in the Rye or Little Friends. There's also issues with the way the writer portrays women, but since everyone in the book is fairly dehumanized it doesn't bother me as much as I thought it would. All in all, No Longer Human is a fascinating journey through the most base natures of humanity, all through the eyes of a man who feels disqualified from being human. I'd recommend this to someone who wants something dark and strangely fascinating. I would not recommend this to anyone who is anywhere close to being in a bad place, or anyone who got annoyed by Holden in Catcher in the Rye. This guy is ten times worse.
Reviewer Grade: 12

You will understand why she was so depressed and attempted suicide three times after reading this novel. It tells the tale of a young girl who suffers a lot throughout her entire life. All the events of her life are beautifully executed with the help of Easter's character in this novel. Sylvia wants to be a poet, but society forces her to be a housewife, have children, or someone else. Sylvia Plath's father dies when she most needs him. Being without a father means you are alone with creatures in this cruel world that does not care about anyone. She seems very lonely, and sometimes she feels like she is in a bell jar, like a dead baby. She is depressed by the silence. It is not the silence of silence, it is her own silence. The novel also depicts the situation of women in the 1940s they were supposed to do what their men wanted them to do. If the person is loyal, he should get the same person, but that is not the case with Slviya Plath. Every boy friend she finds has an affair with another woman. She sacrifices her body for the peace of mind and her virginity for the sake of experience.

As a lover of writing, poetry, and pretentious philosophical tangents on the measurements of good art, I was bound to enjoy Wilde's only novel. The Picture of Dorian Gray is a beautiful tapestry of tragic corruption and its devastating effects. Albeit at times Lord Henry seems to ramble on about entirely uninteresting subjects, the overall experience of the book is short and sweet. The prose is flowery and elegant; the interactions between characters are brief but natural. Major character development occurs off-screen, which was disappointing, but within 160 pages one can only fit so much. Ultimately, I greatly enjoyed the ride, and The Picture of Dorian Gray has cemented itself as one of my favorites.