Fiction

The first installment of James Dashner’s post-apocalyptic trilogy, entitled “The Maze Runner” has been hailed by critics around the globe as a ground-breaking and masterfully crafted novel. Dashner managed to exceed the status quo with his alluring and mysterious story. Now with the second installment to the series having been released, readers are begging the question, “Does ‘The Scorch Trials’
live up to the expectations set by Dashner’s previous novel?” Well, after having read and thoroughly reflected upon the novel, I am pleased to say that this book did a wonderful job of transitioning the narrative forward!

The narrative picks up where the last left off, with Thomas and the rest of the ‘Gladers’ having discovered that they bear participation to a sick experiment, hosted by leaders of a post-apocalyptic world. Thomas must come to terms with this truth, while also trying to discover more information about the strange reality he is now confronted with.

One of the most signature characteristics of Dashner’s novels are the unpredictable plotlines. It always seems that there is information hanging above the reader’s foresight, with twists and turns following each turn of the page. The grand puzzle of the Maze is yet to be solved in its entirety, so as the narrative continues, readers are left to form their own speculations.
However, that’s not to say that Dashner doesn’t leave clues for readers to catch. His use of foreshadowing is masterful, and its application in his writing makes for a wonderful reading experience.

I would certainly recommend continuing onto this read from the last, as the world first introduced by Dashner in the last novel is expanded upon in wonderful and creative ways. Whether you enjoyed the first installment for its enthralling plot, or its mysterious narrative, you’ll be pleased with Dashner’s continuation of the story, as it has brought a whole new level of masterpiece to his trilogy.

Reviewer's Grade Level: 10

Maximum Ride: The Angel Experiment" by James Patterson is about a group of kids (called the Flock for their avian abilities) who were experimented on, but escaped. When one of their own is kidnapped, they go on a mission to get her back. I found the concept of this book interesting, and the characters had a lot of potential, but I feel there was an element missing from the story. Max, the protagonist, didn't seem to develop throughout the book. Nor did her love interest Fang. There were parts of this story that didn't make sense plot-wise either. But, I don't regret reading it
-- it's a fun adventurous story with lots of humor. I'd still recommend it regardless.

Carve the Mark" is by Veronica Roth, author of the Divergent series.
I really liked the Divergent books, but I felt this book wasn't quite as gripping as her previous work. The plot was slow-moving, especially in the beginning. I also found the world confusing, it was difficult to keep track of it all. The characters, I felt, were also a little one-dimensional. It had potential, but I felt it didn't live up to it. I'd recommend reading the Divergent books instead. Grade: 11

Jane's parents died when she was quite young, but she never felt like an orphan due to the amazing parenting skills of her quirky Aunt Magnolia. When Aunt Magnolia heads off to a photography expedition to Antartica never to return, Jane feels unmoored. She drops out of college and continues her dead end job at the university bookstore. When a surprise visit from an old friend results in an invitation to a mysterious mansion, Tu Reviens, Jane jumps on the chance to experience something new. Not only that, but Aunt Magnolia has told her to NEVER turn down an opportunity to visit the enigmatic island retreat, and Jane is eager to learn more about Magnolia's connection to the place.

That was a hard synopsis to write, as this is a book that somewhat defies description. The book starts off as kind of an Agatha Christie meets Jane Eyre meets John Fowler's the Magus, and then quickly turns into an almost Whitehead inspired choose your own adventure. Jane makes the same choice several times with different consequences each time, and the result is a compilation of strange, horrifying, thrilling and delightful stories and plot twists. Cashore's storytelling abilities are on full display here as she seamlessly weaves together a number of different genres. Character development, while it seems like it would be secondary, is also an integral part of the story. I loved all of the side characters (some of them almost eclipse Jane), and would read an entire book about almost any of them.

Jane, Unlimited is a book that I'll reread in a year or so, because there was a lot of intricate plotting and connections that I'm sure that I missed. I actually don't think I've ever read something quite like this, and that's saying something because I read a lot. The unique format of the book was attractive to me, though I can see it being frustrating for some readers; it's not until Jane makes her second choice that you really start to realize what is happening. If you read this book (and you should), I'd say just relax and enjoy the ride - it's a wonderfully weird one. I can't wait to see the art in the final copy, as I think that the right images before certain stories will add to the peculiar ambiance that permeates the book.

The ending felt both forced and rushed to me, but I think I'll enjoy it more the second time around (as I said earlier, this book practically demands to be reread). I almost loved this one, and now I really can't wait to see what Cashore comes up with next. 4.5 stars.

I received a free copy of this eBook from the publisher in exchange for an honest review.

In this, the fourth installment of the Robert Langdon series, Dan Brown has continued to successfully marry science to art, albeit with the same tropes and trappings that occur in the book’s predecessors. With Inferno, we get the same race across Europe explored in Angels & Demons and The Da Vinci Code, with the ambiguity of the antagonist’s motives that fueled The Lost Symbol . All throughout this adventure, the now-standard “female who is an expert in her field” accompanies Langdon as he tries to unravel the mystery and save the world. Langdon continues to be part Indiana Jones and part James Bond, that’s for sure.

Utilizing the standard “temporary amnesia” plot device, Brown refines his style while also increasing the stakes. While previous books in the series had potential impacts on the local and national levels, Inferno takes the antagonist’s plan to a global scale. With the main character as talented with memory as Robert Langdon is, taking away his recent memories was a good way to have him re-learn the situation at the same time the audience does. This also allows for some entertaining twists and turns as characters’ motives are revealed, often taking the plot in a quick 180° turn.

While much of the historical plot of Inferno focuses on the titular work by Dante, the scientific side of the story is incredibly relevant. Previous Brown books like Angels & Demons or The Lost Symbol certainly had some interesting scientific intertwining, but Inferno examines one of the most pressing issues within the scientific community right now. This issue, much like global climate change, has no easy answer, and Brown’s solution through the book’s antagonist is certainly a terrifying answer, even if it is probably the most humane way to go about implementing it.

The best book in the Robert Langdon series to date, I give Inferno 4.0 stars out of 5.

Tell me if you’ve heard this one before: an unassuming character is given the task to use a magical item to destroy a great evil that once terrorized the world. To help this character on their quest is their best friend, a magic-wielding individual, a ranger with a love interest, a dwarf, and some elves. Look, I get that The Lord of the Rings redefined the fantasy genre in the 1950’s, but why were fantasy writers still replicating this formula twenty years later? I only half-paid attention to this derivative plot, mostly because I already had an idea what was going to happen.

Now, I will admit that The Sword of Shannara isn’t completely a 1-for-1 rehashing of The Lord of the Rings, but enough of it is similar that it feels almost too familiar. The plot does divert from the Tolkien formula, but probably not until about halfway through. It was at this point where some interesting and original characters finally arrived on the scene. A mute rock troll and his thieving friend were quite entertaining, and I would almost prefer if the story was about them instead of about this titular and fabled sword of legend.

Just enough of this book was different enough to make it engaging. Sure, some of the same Lord of the Rings plot points were there, albeit in a different order, but the details were just unique enough to give the characters their own little side quests. I know it 's hard to introduce an entire fantasy world in one book, so I’m willing to give this trilogy a bit of slack, but only as long as the next book in the series goes in a new and original direction and doesn’t just follow the Lord of the Rings template.

Moments of originality in a mostly derivative plot, I give The Sword of Shannara 2.5 stars out of 5.

The concept is simple: a machine takes your blood and spits out a card with the means of your demise printed on it. In this collection of short stories, a variety of authors explore what this truly means for individuals, as well as society as a whole. Based off an idea by Ryan North (author of “Dinosaur Comics”), this anthology has plenty of different approaches to the concept that a machine could predict how a person will die. However, many of these ideas hit upon the same concepts and social implications, making the whole thought exercise seem redundant by the end of the book.

Part of me felt the idea itself was a little derivative of Death Note, but with a more ambiguous set of constraints. Each of the short stories included in this anthology had some unique twist on the idea, ranging from humor to romance to horror. Still, every author tended to agree: a machine of death would bring about a dystopian future in some form or other. From governments requiring a “death reading” to mitigate any national disasters to a school needing to know how their prospective students will die so they can save face, the real enemies of this idea tended to be the bureaucracies of humanity.

While I honestly enjoyed the stories included in this anthology, they all seemed to suffer from the “a priori problem.” With each story titled with some way to die, you half-expect the story’s main character to end via that method. The intrigue is more in the how and when; thus providing interest to the story despite practically knowing the ending before it even starts. Granted, that’s part of the appeal of the machine: the ambiguity is as freeing as it is constraining.

A morbid set of interesting short stories, I give Machine of Death 4.0 stars out of 5.

As time marches on, predictions of the future made in the past are tested against reality. In 1984, we didn't have George Orwell's dystopian government. In 2001, we didn't have Arthur C. Clarke's interplanetary travel. Sure, these authors did have a few interesting ideas that did come true, eventually. Still, they were writing well before the events in their books would come to pass. Robert J. Sawyer's Flashforward did not have that luxury. Written in 1999, Sawyer only imagines a future set a decade in the future. For those keeping track at home, Flashforward takes place in 2009, with a vision of a future 21 years ahead of that. Since 2009 has come and gone, there were a few things Sawyer got right, but many he could not have predicted.

The crux of this story is similar to that explored by Machine of Death: everyone in the world gets a glimpse of their future in 2030, thus causing everyone to react based on what they saw. Some were encouraged by what they saw, others despondent and suicidal. The people who had negative visions hoped the future could change, especially if their lives were on the line. Many of the "effects" of the look into the future were logical conclusions, which added an amount of interest to the story but with a cheap cop-out to keep from killing off all the characters. With all the different characters and POVs, it was somewhat difficult to follow along each time the
focus changed, since there was nothing to indicate a change of view.

I also appreciated the conversation this book had in regards to science and the many existing theories about the future. While this exploration of science also included the discovery of the Higgs Boson (which didn't happen until 2012), I was continually distracted by the narrator's pronunciation of "CERN," which sounded more like "sairn" instead of how I thought it was pronounced ("sirn"). I did appreciate the narrator's ability to mimic multiple accents, but that one pronunciation threw me.

A recent book about the "future" that gets a few things correct, I give Flashforward 3.5 stars out of 5.

If you have not read this book please...DO! This is a fantasy/adventure book that is unpredictable. It does have a cliffhanger at the end. It is the fifth book out of a seven book series. This book will make a lot more sense if you read all the books in order. While some parts of the story may be relatable to the reader (teen drama and romance) other parts aren't relatable to the reader. It is one of the best books I have read this year so far!
Reviewer Grade: 8th

If you love fantasy/adventure books PLEASE READ THIS BOOK! This is such an awesome book! It is not predictable and contains a cliffhanger at the end.
Some of the characters’ drama is relatable to the reader (such as the teenager dating scene). This is the fourth book in a seven book series. The books will make a lot more sense if you read the books in order. This was definitely one of the best books I have read this year!
Reviewer Grade: 8th