Other Award(s)

Meet Yasmin! by Saadia Faruqi and Hatem Aly, is an innovative pick for readers age 5 - 8. It is chock-full of colorful illustrations that support the simple but intriguing text. This early chapter book tells the tale of spunky, creative Yasmin and her family as they move through everyday situations. The familiar settings will help young readers decipher new or difficult words as they read. The back matter of the book contains a page of discussion questions, a glossary of Urdu words, information on Pakistan, crafts to explore and a recipe for a yummy drink.

In the book, Countdown: 2979 Days to the Moon, Suzanne Slade and Thomas Gonzalez have created a gorgeous non-fiction book about Project Apollo and all the people who made the moon landing possible. Lush illustrations combine with informative free verse in this book for children age 10 - 14. There are photos, a selected bibliography, and website list in the back of the book.

For many years, I was hesitant to read this book, mostly due to a few intense sequences that I saw in the David Fincher film adaptation. I wasn’t sure I wanted to be subjected to them in book form any more than I had been already. Fortunately, these scenes were quite a bit more tolerable in the book, mostly because the descriptions weren’t nearly as visceral as watching them on the big screen. I’m only now kicking myself for waiting this long to read such a fantastic book. While the book and the movie diverge in a few spots, I can see the reasoning behind the differences.

When it comes right down to it, The Girl with the Dragon Tattoo is a showcase for its titular character. Lisbeth Salander is tough, smart, and an overall entertaining individual to follow. While it takes quite a while for her to become involved in the main plot, at least the Mikael Blomkvist sections are still interesting enough to carry themselves until that point where the two characters join forces. I did find the distinction between these two characters’ plotlines a little hard to follow early on, but that’s likely an artifact of listening to the audiobook version.

I did find it a little odd that the book essentially starts with the introduction of Mikael’s investigation, only to take almost half the book to start it. Granted, this allowed plenty of room for both Mikael and Lisbeth to be developed as characters, but it felt a little like a sudden realization that the primary focus of the plot wasn’t addressed up until that point. Additionally, I did like the framing of the book around Mikael’s Millennium problems, especially with the much more thorough ending that tied everything up with a nice little bow.

A great book with fantastic characters, I give The Girl with the Dragon Tattoo 4.0 stars out of 5.

The series The Secret Life of Amy Bensen has my three favorite elements: characters I care about, a believable action plot, and scorching hot sex. I noticed few grammatical errors, common in ebooks. My only criticism is of the misplaced clauses in especially long sentences -- they require re-reading to understand. I know I'm picky but someone needs to be, since the editors at Simon & Schuster aren't.

I know by now there isn’t much that hasn’t been said about Diane Setterfield’s latest offering, Once Upon a River, but I want to add my two sense. There is a reason why Setterfield’s beautiful haunting stories have touched millions since she first came out with The Thirteenth Tale, several years ago. The simple reason is, her books use the art of story as a medium to express to the heart, truths that words alone have not always been able to accomplish. Stories have a way of creeping up on you and taking root in the heart of the reader by the author being able to take everyday experiences and ideas, such as love, loss, and beauty and bring them to an emotional level, making them more real. And sometimes, a story, to fully germinate, takes time and patience; and knowing not only the characters, but its environment and history intimately. And that’s ok, it makes reading them, when they are finally available, that much more satisfying.

That is why I am such a fan of Setterfield’s works! She has a way of enveloping her characters in the power of story, and produces such a strong relationship between the characters in her stories and their environment! And Once Upon a River is no different. It uses the medium of story to forge a relationship between the environment of the Thames river and the community living on its banks, to weave a tale that strongly evokes the searing pain of loss, the beauty of love, and the hope of reunion.

The premise is simple. One wintery night a man, stumbles into a local tavern of a small English town on the river Thames, with a mute girl, who at first appears dead. What follows from that incident is a wild, haunting story that is weaved day in and day out, and changes and flows like the Thames river it is set upon. As the girl, appears mute, the mystery as to where she came from deepens, as several villagers claim her as their own missing daughter, or sister. The characters include every villager and every villager is included in this story. As the tale develops, it is clear how her arrival builds up hope in some, and compounds the searing loss for others, but the truth, later revealed, is not so simple.

Filled with haunting prose, drawing upon local and international folklore, strong character development, from the most minor character to the most central, and a beautiful story of love, loss, and reunion; Once Upon a River is a great feat in modern storytelling. Part mystery, part fairytale, and part legend. If you love any or all of these elements, you need to pick up this beautiful tale today! Thank you to the publishers and #netgalley for my DRC for review!

***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***

For anyone who thinks that fantasy is a childish genre, The Warded Man shows that it can have very adult themes. While this adds an element of realism by including sex and violence, it also means that the intended audience for this book should be mature enough to be able to pay attention. Unfortunately, this
book takes a repetitive approach with its character arcs, almost as if writing for children who need the point constantly driven home. In the end, I’m mostly just disappointed at what this book could have been instead of what it was.

I’m not sure if there’s a minimum page count/word count for fantasy books, but The Warded Man seems to be an interesting novella, padded out with tons of unnecessary backstory—or at least backstory that could be covered in a relevant line or paragraph when needed. I did like the concept and the magical system in this book. Heck, I thought the naming scheme for the minor characters was also quite brilliant. I just can’t bring myself to suggest that people slog through over 450 pages of story that could have easily been covered in 150.

If you are interested in a somewhat original fantasy story, you can literally pick up the book at the beginning of Part 3 and read to the end, and you won’t miss much (if anything, you won't get some establishing details). This was also exacerbated by the fact that at least one of these characters didn’t have an interesting story until Part 3, so it was a bit annoying to have to jump over to his story when I’d much rather read about the other two characters. As it’s written right now, many of the characters’ motivations are repeatedly brought up in similar situations, so all the first part of the book does is delay these three characters’ inevitable meeting.

A great concept for a novella with a ton of backstory tacked on the front, I give The Warded Man 3.5 stars out of 5.

Clockwork Angel follows Tessa Gray, a 16 year old girl from America, on her journey to England to meet her brother, where she is subsequently kidnapped by the Dark Sisters. This is her introduction to the Shadow World, a world where vampires, werewolves, warlocks, faeries, and Shadowhunters live just out of sight of mundanes, who are people without a magical background. It takes place in Victorian England, where Tessa meets a variety of interesting people. These people include the vampire Camille Belcourt, the warlock Magnus Bane, and many Shadowhunters such as Will and Jem. There are battles, escapes, and a pinch of romance. Recommended for ages 14 and up. I have read this book many times, and it is only the beginning of a much bigger universe.
Discovery lies behind every turn of the page. I love this book because of my connection with Tessa, whose love for books connects so deeply with my own.

Reviewer Grade: 11

Albert Camus was a French philosopher and author who gave rise to the idea known as absurdism, the idea that humans live in a meaningless, chaotic universe. His novel, The Stranger, reflects this idea quite well. The novel is about a man named Mersault who, after his mother's death, murders an Arabic man on a beach and is sentenced to death.

Throughout the novel, Mersault is quite passive to the things around him; to his mother's death, to him shooting the Arab, and to his death sentence. This suggests the idea of absurdism: why should he protest to what is happening when he will one day die? While I like the message and the ideas the book puts forward, the writing can be a big lackluster. For example, the first half of the the novel is quite boring and moves at a snail's pace, which made it hard for me to remain interested. Thankfully, the book is quite short so it's not that big of an issue. I would recommend this novel to fans of philosophy or like novels about existentialism.

Brandon Sanderson has done it again. The first two novels in this series were already amazing in their own right, but the finale novel of the trilogy is by far the best. The story has once again been improved, with Vin and the crew battling against a literal god, Ruin, who hears and sees everything they do or say. If they do not conquer over him, he will destroy the world. Aside from the main, overarching plot, there are also several smaller side plots that are all intriguing and exciting. Along the way there are several plot twists and epic moments that keep the reader guessing and hungry for more.

The ending of the novel is quite sad, but provides a satisfying conclusion to one of the best fantasy trilogies ever. I would recommend this to anyone who has read the first two novels.

Where Mistborn told a tale of political intrigue, revolution and overthrowing a dictator, the second novel in the Mistborn series, The Well of Ascension, builds upon an already enthralling first book. This novel supplies the reader with a bigger, more intriguing, more grandiose story, more suspense, and more action than before. Brandon Sanderson has done an incredible job with fleshing out each character in a unique way, and creating an amazing story. The story itself follows Vin, Elend, and the rest of their crew as they attempt to find the Well of Ascension, which is said holds the power required to stop the world from being destroyed. The ending this book builds up to is truly unexpected, and was a brilliant plot twist by Sanderson. I would highly recommend this book if you have read Mistborn.