The Ship Series continues to be phenomenal in Rendezvous. Rendezvous not only continues the thrilling adventures of Zax after twelve years after being Culled, but also continues to develop the story of Adan and his creation of his massive spaceship to save humanity. Aubin adds a whole new level to the depth of the Ship Series with his exploration of the Ship's history while still staying true to the original story. Full of plot twists, Rendezvous will leave you fascinated and reaching for the next book in the series. I highly recommend this book for any middle or high school aged reader.
Maximum Ride is probably one of the most interesting and exciting books I have ever read. The novel starts with a group of children living in a house on their own, the one who watches out for the younger children is sixteen year old, Maximum Ride (Max). The children are not like other normal kids though; they can all fly. When the kids were younger they were all kidnapped by scientists and were experimented on. While they were experimented on they were given genetically attached wings. The children all escaped with the strength they all had together but now the scientists want them back. They can fly and they are stronger than most humans and they each have
individual powers unique to only them and they are not easy to find. The scientist also created what Max and the other children call “Erasers”, which are genetically mutated humans half wolf, half human with the sole purpose of finding the missing flying children. The novel follows Max and the children on their journey to freedom. I honestly think that there is something for everyone to enjoy in this book: romance, science fiction, action and adventure. I love this book and would highly recommend reading it.
Jerry Aubin continues The Ship Series with another phenomenal sci-fi novel. Homeward has the same energy and intensity as its two predecessors and continues Zax's thrilling adventures. In Homeward, life becomes much more complicated for Zax and he is once again faced with difficult moral challenges. Full of fascinating new twists and turns, Homeward will keep you on your feet. I thoroughly enjoyed this book and highly recommend it for any middle or high school aged reader.
Aubin's continuation of the ship series is just as brilliant as the first. Now that Zax has revealed his discovery of an unknown spacecraft from Earth, everything has changed. The ship has erupted into full-blown revolution and Zax is once again faced with a moral dilemma. Revolution is another thrilling sci-fi adventure that is just as action-packed as Landfall. I could not put this book down and was completely enthralled by Aubin's futuristic society. I highly recommend this book for any middle or high school aged reader.
I loved this book. Jerry Aubin has written a sci-fi masterpiece that is the perfect combination of Orson Scott Card's Ender's Game and Star Trek. Landfall follows the life of Zax, a fifteen-year-old cadet on a ship with the last human survivors 5,000 years in the future. Landfall is full of non-stop action and is an absolute page-turner. I couldn't put this book down and neither will you. I highly recommend this book for any middle or high school aged reader who loves a wonderful sci-fi adventure.
this book is a really good read. i would not recommend this book for readers under 10. it is not really scary but does include the FBI.
***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***
There seem to be a few cardinal sins most writers are cautioned to avoid at all costs. Two of these sins are exposition dumps and “show, don’t tell.” While the entire book doesn’t necessarily fall into these pitfalls, Lightless spends a big chunk of its 300 pages in telling the reader about all the exposition to the story that’s currently playing out. Instead of reading an interrogation, I would have much rather seen the events that led to the current state of the solar system. On top of all this, I failed to care about any of the characters or their plights because this method of storytelling was so impersonal.
I’ll admit that I almost gave up reading this book right before it became interesting again. The ending does a pretty good job of re-invigorating the plot, but it might be a case of too little too late. Furthermore, not only were there plenty of weird logical leaps, accents that were told to the reader but not shown in dialect, and actions that didn’t make much sense, but there was almost too much coincidence in the appearance of certain characters. The fact that I thought it would have been a more interesting story if the System interrogator was the terrorist all along, coming to tie up loose ends, says something about the standard nature of the plot.
In the end, this book suffers from being the first of an intended trilogy, as well as being this author’s first work. The amount of exposition crammed into this book is merely a setup to something that’s likely more interesting to read, not that I’ll continue with this trilogy. Additionally, there were quite a few times where the awkward wording of a sentence or the repetition of a particular word pulled me out of the narrative. Finally, I felt it took way too long for the computer specialist to figure out what the problem was. The clues were evident almost from the start, but she only “got smart” about it when the plot demanded it.
An interesting climax that required an expositional slog to get to, I give Lightless 2.0 stars out of 5.
It’s almost fitting how the follow-on book in the spin-off series to Ender’s Game takes the same tactic as Speaker for the Dead and transforms itself into a completely different genre. While Speaker for the Dead and its sequels still maintained a level of science fiction for the Ender saga, Shadow of the Hegemon pivots into a political thriller with almost no hints of sci-fi to be seen. The strength of the characters helped make this transition relatively smooth, but it still highlights how these child-aged individuals hardly have any child-like qualities.
While the Shadow saga certainly needed to start out focusing on Bean, I did appreciate how Shadow of the Hegemon developed many of the supporting characters. For the first time in both series, I felt like the reader was able to know Petra and Peter while also seeing what Achilles was capable of accomplishing. The results of bringing back children war heroes to Earth had a logical feel to its progression, even if I didn’t really care much about southeastern Asian politics to really engage with the politics of the plot. That’s not to say the whole “cat and mouse” between Achilles and Bean wasn’t interesting; it just wasn’t what had brought me to this series in the first place.
Of course, having read the Ender saga first, I can already see the early ripples of how this side-series will start to wrap up. Now that Ender is less of a presence in the Shadow series, other characters finally have a chance to show what they can do. While I’ll reserve my predictions might change with what actually happens, I get the sense that Peter’s tenure as Hegemon changes the world just as Bean changes into some super-intelligent giant. I will admit that some of Orson Scott Card’s predictions from 2000 still seem plausible today, given the political climate, it’s clear that the author did his research before playing with the ever-important sci-fi “what if” scenario.
A political pivot from a well-known sci-fi series, I give Shadow of the Hegemon 4.0 stars out of 5.
After a NASA crew member is left behind on planet Mars, he has a huge to-do list. First, come in contact with NASA to prove he is alive, don't starve, don't die, then make it home alive. I'm not a huge fan of any science fiction type book, however, this was indeed an exception. I loved the perspectives the author chose to include, and the humor he shot into his characters gives the story personality. I suggest this book to an eighth grade audience; there is some inappropriate language and all of the science attributes are complex to understand. I strongly suggest to you this book if you want to be left on the edge of your seat with every new chapter, right up until the end.
Michael Grant has written a thrilling conclusion to his Gone series. Light is the perfect ending to a phenomenal series. Over the past five books, Sam, Astrid, Edilio, and all the others have survived every obstacle the FAYZ has thrown at them. However, will they be able to survive a final epic battle with the Gaiaphage itself? With suspense around every corner, Light brings the same energy and intensity found in all of the other Gone books. I thoroughly enjoyed Light and highly recommend it to any high school aged reader.
Michael Grant continues the Gone series with another spectacular novel. The kids of Perdido Beach have survived many obstacles thrown at them by the FAYZ, but now they must face their biggest fear yet: complete darkness. Will these kids be able to survive when they can't see what's coming for them? Fear is another hit by Grant. With twists and turns around every corner, Fear is a suspense thriller you won't be able to put down.
It’s been a while since I read this far into a series, and I can start to see why I like trilogies and stand-alone books. If I didn’t know any better, I’d think this series had evolved into a courtroom drama instead of a historical fantasy. At this point, the whole premise of this series seems to have veered off course and has lost its focus to tackle unrelated issues that were somewhat prominent at the time. Or, at least it’s merely acting as a chance to name drop historical figures and take the side of history against well-known issues that haven’t aged well over time. If anything, Heartfire could have easily been the fourth book in the series, since Alvin Journeyman added nothing to the story. Even so, Heartfire didn’t feel as strong as earlier books in the series. It almost seems like there’s more of a focus on world-building. There is less focus on actually progressing the story—like the path toward the Crystal City. Certain plot elements were almost entirely forgotten as well, even if there was a whole legal battle in the last book to re-hash how Alvin came into possession of a sentient golden plow (which itself is still unclear why it’s important).
By now, I’m merely reading the series on autopilot just to see if there is any conclusion to the alternate history presented here. I still think there are clever takes on historical figures, but by now, they seem added in as a heavy winking nod to the reader, most of whom will already know the referenced individual. Perhaps the lack of overall character growth in this book is what made it such a so-so read for me. Sure, there were baby steps toward some redemption arc, but in the end, nothing ended up changing the drive of the overarching story.
Another weak link in the Alvin Journeyman series, I give Heartfire 3.0 stars out of 5.
As a crew of astronauts leave from Mars, Mark Watney, an astronaut is left behind as he was presumed dead. Watney is forced to survive on Mars with the limited resources and supplies that he has with him. As he is doing so, NASA on Earth are diligently working to bring him home for a rescue mission.
The Martian is a fictional story that interests those who are interested in either science and/or action. Bringing both of these together, it illustrates a stressful novel that will keep the reader on.
Reviewer Grade: 11
1984 introduces Winston Smith as the primary character. Smith is a middle-aged man that lives within a dystopian society in April of 1984. Being nearly 4 decades after World War II and just a couple of years after the apparent Atomic Wars, Smith lives through the totalitarian state of Oceania, where is activity is consistently surveyed. At this point, Smith attempts to relocate himself from this totalitarian state in order to put him back to normal behavior.
1984 is another novel involving a dystopia, however, it stands out for its strong character development. The premise of the story is heavily shown through the setting, as it demonstrates a controlled and tyrannical lifestyle.
Reviewer Grade: 11
Considering that A Closed and Common Orbit was only loosely related to the first book in the Wayfarers series, I knew that I shouldn’t expect the third book in this series, Record of a Spaceborn Few, to have any significant connection to the previous books. Unfortunately, even the several different storylines in this book were hardly connected, seeming more like a series of short stories that were inter-cut between themselves. While Chambers’ world-building and dialogue are still top-notch, there isn’t anything in this book other than some boring characters living their boring lives.
I understand that any author worth their salt will develop vast amounts of details about the universe they create. However, most authors leave the aspects of the minutia and banal day-to-day lives out of their writing in favor of an actual plot with actual conflict. Instead, this book is filled with the details of world-building and nothing else. If these characters were better connected, or there was a stronger plot driving their stories, it would have maintained my interest. Unfortunately, most of the stories of these characters’ sub-plots are too generic and trope-like for me to care about any of them.
About the only reason I’m giving this book as high a rating as I am is due to the aforementioned writing on the part of the author. The actions and consequences are clearly thought out, and there is a realism to the dialogue that continues from the previous two books (but by this point makes a lot of the characters sound the same). If anything, this book should have been the first in the series. It should have introduced the universe and the stakes that anyone who ventures out into space is sure to face. The fact that it’s (in my opinion) the weakest in the series is probably why more exciting adventures were written for books one and two.
A disappointing and boring record of space, I give Record of a Spaceborn Few 2.5 stars out of 5.
The journey of a girl who only had a mere spark, but soon let it engulf in flames.
Beatrice Prior lives in a dystopian world where people are categorized by personality and lifestyle preferences. There are five sections: Dauntless, Amity, Erudite, Abnegation, and Candor. Beatrice lives in the abnegation faction, with nothing to her name but her father's presence in the council.
That becomes an issue when Beatrice discovers that she is different from everyone else. Something inside of her has been trying to tell her that, but she left it to simmer. When she makes a life-altering decision to change her faction, she fears that she has disappointed her family. Beatrice soon learns to let go of what once held her back and fight for what she truly wants. In, "Divergent," the reader sees first-hand how grueling life can be and how becoming completely and utterly obsessed with the things you want only sets you up for success. In a dystopian world of chaos and mayhem, Beatrice not only sets out to find herself but is desperate to find the truth. Who is really behind all of this destruction? And how brave do you need to be to figure it out?
(Reviewer Grade: 9)
George Orwell depicts a horrific and terrifying alternate reality of 1984.
After years of war and conflict, the world is governed by three totalitarian regimes. The one that our main character, Winston Smith, resides under is ruled by the “party” and its leader “Big Brother”. The narrative follows Winston as he meets a mysterious woman named Julia, and the two begin to secretly rebel.
When I first started reading this book, I was a little bit disappointed. I had such high expectations (I think that was the problem) ,and it just didn’t live up to them. In the beginning, I thought Winston’s character was somewhat flat, and I didn’t feel a lot of sympathy for what he was living through. I thought Julia was unrealistic and a bit obnoxious. But in the second half of the book, my opinions had changed. The book becomes quite disturbing, and it makes you question what is actually real and what is just a fabrication of the party. It’s terrifying to say the least. Despite the fact that I enjoyed parts of this book, I have to rate it 3 stars because I wasn’t engaged in the first half of the narrative.
The thrilling Gone series continues with this fourth book, and Grant does not disappoint. This series has been one of my favorites and Plague is no exception. As a highly contagious, fatal illness spreads at an alarming rate and predatory insects terrorize Perdido Beach, morale continues to drop.
However, Sam, Astrid, and even Caine are determined to find a way to survive.
Everyone must make difficult decisions when it comes to saving themselves and those they love. Grant has written another phenomenal dystopian horror with suspense around every corner. I highly recommend this book to all high school aged readers.
After my slight disappointment with Mecha Samurai Empire , I was pleased to find that a book that actually knows how to do "mecha" right already existed years before Mecha Samurai Empire was released. Taking a somewhat unique approach in its narrative structure, Sleeping Giants uses a series of interview transcripts to tell the story of discovering the parts of an ancient, giant robot and learning how to pilot this unique piece of equipment. There aren't any dialogue tags. There aren't any direct action sequences. There are just words describing the events as they happened. Somehow, it totally works.
I seriously couldn't get enough of this book and basically devoured every word. I was a little disappointed with the semi-cliffhanger ending, though. Just as everything was starting to finally come together, it just kind of ends. Sure, many of the large plot movements reached a momentary conclusion but now I really want to know what happens next. My only other qualm was the "exposition character" who was dropped into the narrative about half-way through to explain all the unexplainable bits of the story. It seemed like a cheap way to give information that wouldn't have been naturally revealed. What's perhaps the most interesting with the minimalist way the story is written in Sleeping Giants is how strong the characters come across. Even if it's only interview transcripts, the pauses, snark, and other personality traits are just as obvious as if I could see them talking across the table from me. Judging by the acknowledgments section of this book, I certainly can't wait for this to be made into a movie. I'm sure it will be just as exciting to see everything on the big screen as it was to read about it line-by-line.
A unique narrative method that had me ravenously reading, I give Sleeping Giants 4.5 stars out of 5.
Back in college, my first introduction to Heinlein was Stranger in a Strange Land. I had to read this book for my “Science in Literature” course, and I found it moderately interesting. Since then, I’ve read other Heinlein books like Starship Troopers and The Moon is a Harsh Mistress, but I didn’t realize how dedicated Heinlein was to some of his “supernatural” themes until I read Assignment in Eternity. Sure, most authors will have some concept or idea that they like to revisit. Still, the fact that a majority of Assignment in Eternity ’s included short stories deal in some way with “superhumans” must mean something.
The whole concept of ESP and “evolved” humans isn’t interesting to me since I don’t think there’s much that can be done with the concept. While Stranger in a Strange Land covered most of the bases, Assignment in Eternity doesn’t really expand the ideas any further. If anything, Stranger in a Strange Land was the culmination of Heinlein’s obsession with this topic. I think, in the end, the whole idea of telepathy and other mind powers isn’t science fiction as much as the ideas explored by Ray Bradbury or Isaac Asimov.
Because Heinlein could fill a book with short stories mostly centering on this theme speaks volumes about the overall topics in his writing. If you’re into this kind of story, then Assignment in Eternity is an excellent addition to the classic that is Stranger in a Strange Land. If anything, Heinlein is consistent in his style, even if it makes short stories like this somewhat repetitive to the other stories and books he’s written. Like other short story collections, I would have liked to see some more variety in what was presented here, but I suppose beggars can’t be choosers.
More of the same Heinlein, just in smaller chunks, I give Assignment in Eternity 3.0 stars out of 5.