Staff Book Reviews by Genre: Classics

Animal Farm by George Orwell is a novel following a group of farm animals who want to topple their human farmer's regime, creating a society that is perfect for themselves. While Animal Farm starts off a bit ridiculous, using pigs and other farm animals as the main characters of the story, I think that Orwell using farm animals to explain the message of his story was actually very imaginative, and made the story much more intriguing and unique. Since Animal Farm's main theme is about revolution and the obstruction of democracy, I enjoyed analyzing the symbolism that was placed in the novel, seeing the hidden parallels between the farm animals and the historical events that were occurring during that time. I liked being able to link events from the story to real historical events, such as the communist movement, the Soviet Union, and World War 2. Personally, I think that Orwell's technique in linking his novel to these historical events by using only symbolism was very creative and was written in a very thoughtful and intelligent way. Seeing how some of the book events contrasted with historical events was very strange and interesting for me, and it made me wonder how Orwell could have even thought of linking the two subject matters by only using farm animals.
Overall, I would recommend this classic novel to anyone who is open to an interesting and thought-provoking read.

This is the book to read when you're up for lofty prose fiction that's readable, sophisticated, and becomes gradually more and more that of a delightful meandering upon a grandeur of intricate reminiscence, which, though, it may seem a meandering at first, reveals itself soon to be very much otherwise, instead, the exact opposite—this author never wanders, never guesses, but totally knows where he's expertly taking you—Evelyn Waugh, I realized, was truly a master, he absolutely wins the contest for your literary respect, telling, not a delightful, but a painful story remembered in part from the initial mobilizing of the second world war back to the 1920s, with a thoroughly nostalgic march forward in time from then, a growing up story in an exceedingly high society, I mean, not just aristocratic, like you'd expect in a novel written in the kind of British high style of Brideshead Revisited, but cream of the crop top, the tiptop aristo-of the-cratic. Waugh's writing is proportionately as great as this reviewer's is stilted. This book deserves your time. I put off reading it for a long time. I thought it might be impenetrable. I wonder what's like to listen to?

This book falls into my "all-time favorite" stories, something I will come back to again and again because of its charm. It "could" be a Christmas Story, a crime novella, a dog-lovers "tail", or a unique investigation into 1950s English culture. Truthfully, it is all of these. The book opens with an introduction to the main players, Pongo and Misses, and their pets, the Dearly couple. The family is cared for by the two beloved nannies, Nanny Cook (Mrs. Dearly's nanny) and Nanny Butler (Mr. Dearly's nanny) and let a smart flat off Regent's Park. Mr. Dearly is a wizard of finance and unusually rich due to helping the British government get out debt. Mrs. Dearly is a housewife. Both love their dogs immensely and the dogs love their "pets" just as much. Then comes the glorious news that Misses is expecting puppies, what could be better?! Enter Cruella De Vil, an old schoolmate (but not friend) of Mrs. Dearly who has devoted herself to wealth and furs. The second passion encouraged her to marry a furrier...and to explore avenues for exotic furs, even dog! Pongo and Misses come to realize that they and their puppies are a central element of this sinister plot of dogdom. How will it end? You will have to read it to find out!

The pig family is going on a picnic. Join them on this interactive journey and learn about all sorts of vehicles – some real and some made up. In addition, you can find that tricky Goldbug on each page. You’ll learn a bit about transportation, hunt for Goldbug, learn new vocabulary, and see some funny things. You’ll see new things each time you read this book. It’s destined to become a family favorite!

Coming from the author of "King Solomon's Mines" and creator of Allan Quartermain, you can expect a terrific turn of the century, adventure story. Written as the sequel to "She", "Ayesha: The Return of She" stands on its own, and I find it even more enjoyable than the original story (but "She" does make for a good prequel - as I read them out of sequence). Our hero Leo, sets out with his friend to seek out his long lost love. This leads them to the most remote of areas, across vast deserts, and over treacherous mountains. When they reach the empire of Kaloon, the Khania Atene swears that she is the woman Leo is searching for, but he is unsure, and wishes to consult with the mysterious Hesea, an ancient priestess of the mountain, who has sent for him. Atene will risk everything, even war with the people of the mountain, to keep Leo by her side, even though he wishes to see the Hesea. Is Atene the woman Leo is seeking? Who is the cryptic Hesea? What dangers await Leo and his friend, both in Kaloon, and on the mountain?

This story was originally published in a serialized form in 1904-1905, with gorgeous Art Nouveau illustrations. If you can find it, I highly recommend reading a reprint that includes the original illustrations. One of my favorite books of all time!

Ever since I saw the inimitable Richard E. Grant in the "The Scarlet Pimpernel" TV series, I have been enamored by these tales from Baroness Orczy. As the cliche goes though, the book is far superior to any adaptation I've seen thus far. After the French Revolution, the new government of France established the "Reign of Terror", where the citizens of France took out their anger and vengeance on any of the old aristocracy that they could find - whether they were guilty of oppressing the people, or not. Enter The Scarlet Pimpernel(!), an elusive daredevil, whose secret league of Englishmen risk their lives to save the aristocratic victims of the people of France. When the government of France charges their agent, Citizen Chauvelin, with discovering the identity of their mysterious enemy, he blackmails Lady Blakeney, a pinnacle of London society, into aiding him in his treacherous task. Who will she turn to, to help save her only brother - her insipidly foppish husband, Sir Percy Blakeney? He may be rich, and the leader of fashion in London's high society, but he's certainly not a "man of action" for something so perilous and vital. Lady Blakeney must face her inner struggles to try to find the hero who she admires so much, only to betray him. Meanwhile, the infamous guillotine awaits her next victims...

Published in 1905, "The Scarlet Pimpernel" established many of the hero tropes that are familiar today, such as having a secret identity, and using disguises and intelligence to outwit one's enemies. This is truly one of my favorite series. If you like this book, there are follow-up chapters, such as "I Will Repay", and "The Elusive Pimpernel", that are worth your attention as well!

“It was the best of times, it was the worst of times…” The opening lines say it all. I do enjoy Dickens, but this is by far, my favorite novel of his. This book follows the effects and far-reaching ramifications of the arrogant cruelty of the French aristocracy before their Revolution. A man is saved from an unfair imprisonment, but must regain himself through his devoted daughter and friends. They build a new life in England, where we get to know an array of complex characters – each with their own foibles and narratives. Meanwhile the fervor of the people of France veers towards the inevitable overthrow of the tyrannical aristocracy, and as often happens, the oppressed become the new oppressors. Destiny drives our main characters into the French turmoil where they find chaos, danger, and ultimately redemption.

I often have a hard time with mysteries, but And Then There Were None was classic, suspenseful and just plain enjoyable. The audiobook version was especially entertaining, perhaps because the original story was written as a play under an alternate (and controversial) title. The characters feel like they were the predecessors to the characters found in the game Clue. They are equally sinister and sympathetic. I am particularly intrigued with the connecting reason all of them have been brought to the island and the psychological effects of that reason. To the very end Agatha Christie teases your deductive reasoning skills. You always feel like you are on the cusp of finding out who the killer is, and then you're wrong! I was completely at a loss by the end. Thanks goodness for the epilogue. This is a timeless mystery classic.

"So it goes..."

You may be thinking that based on the title it is the fifth book in a series of horror novels, but I assure you that it is not. Slaughterhouse-Five is a very thought provoking and poignant anti-war novel that has elements of science fiction, including 4th dimensional time travel and aliens. It’s a nonlinear story that follows a man named Billy Pilgrim as he travels throughout different moments in his life, weaving back and forth through differing time periods. He travels from his time as a chaplain’s assistant in World War II to his normal life with his wife and children to being an exhibit in an alien zoo on the planet Tralfamadore.

By becoming “unstuck in time”, as Billy puts it, he is able to relive these moments in his life and reflect upon them more deeply. This book is one of the best representations of 4th dimensional time travel that I've come across, and if you ever struggle to grasp the concept of time as the 4th dimension, as I do from time to time, then this book will certainly help create a better understanding of it. The book centers around Billy Pilgrim’s experiences during the war and all of the atrocities that he has seen, culminating at the end with the Bombing of Dresden, a moment which influences the rest of his life.

By being told out of chronological order, the structure of the book drives the importance and impact of the moment rather than just describing what happens next and it creates a sort of puzzle that the reader must put together. It is full of satire, wit, and black humor that is vintage Vonnegut and is one of the strangest meditations on war and humanity. If you want an extremely thoughtful book that challenges your perspective, then I highly recommend Slaughterhouse-Five by Kurt Vonnegut.

At only a smidgen under two-hundred pages, this book appeared to be a concise and quick read. Surprisingly, my experience was quite the opposite. The War of The Worlds presents a typical scenario that many novels have sadly claimed. The initial third is gripping and chocked full of descriptors and entertainment; the second third is nearly pointless to the main plot; the concluding third wraps the story up, leaving enough aspects unresolved for the imagination to expand upon, but doesn't carry on the initial third's promise. Thus, leaving the reader confused and with a feeling of wasted time.

Initial Third:
After reading the beginning chapters a sense of urgency becomes the overlying theme. Peril soon engulfs the novel's setting as its characters realize the grave situation. The Author takes his time here by writing pages of description to meticulously set the scene. The story progresses to a small climax at the end of this third, which casts a shadow of high expectation on the other two thirds. This initial third is a marvel of a opener that brings honor to the class of classic English-literature.

Second Third:
If paper could speak to its reader it'd ask that they'd grip their new-found excitement and trudge through the muck. The majority of this third's viewpoint comes from that of a flat secondary-character with little importance to the story. This characters presence only delayed the objectives that the first chapter created. Their travels were hectic; slightly smile inducing at times. Taking this character shift seriously was difficult as the pages grew thinner and crucial answers were yet to be disclosed. The author even goes as far as giving a figurative apology for sidetracking the reader at this third's close; H. G. Wells' canny sense of humor makes an unexpected appearance here.

Concluding Third:
After hope for the story as-a-whole was drained, Wells restored the glorious successes of the initial third, but not fully. Excitement and intensity were brought back as the conclusion drew nearer. The story abruptly shifted to the round, main-character, again; swapping character who're in different settings is usually abrupt, so this isn't a true issue. This character goes on to see the conclusion, which wraps up most of the events and questions that the previous content created.

My Take:
I didn't find this novel to be terrible or great. It proved to me that it's a mediocre work glossed with wild literary technique and vocabulary. Wells' persistence use of over description dimmed the natural flow and appeal of his writing. There's little reason to use half a page or more to describe minute details. It would have been better if he spent the time to detail the larger picture, rather than tiny scenes. Character development was superb at first, but fell flat due to the second third's character shift. If the second third was omitted in its entirety and, then rewritten without the secondary-character's perspective the novel would be vastly improved. Wells wasn't an illiterate fellow with corn for brains. His derailing of the story added multiple perspectives and was most likely an attempt to add another dynamic. The incessant over-descripting showcased his incredible vocabulary while portraying him as an over confident writer. Paying closer attention to the plot and character development will lead to a better story than any amount of impressive vocabulary ever could. It's clear that H. G. Wells is a gifted and skilled writer, but this certainly isn't a jewel.

Would you like to read slower? Would you like to read a novel slowly, I mean in a good way, meditatively, obsessing less about the plot? That is probably my favorite thing about reading Henry James, especially his novel The Wings of the Dove. It is totally character driven. Yet what emerges out of this kind of storytelling is suspense and narrative curiosity, the usual cause and effect of a complex, satisfying plot grouped together with some choice
subplots.
Since it was published in 1902, with a story set fairly close to the time, it is a classic Victorian novel told in James’ very unique and, at the same time, typical prose of the era. This contrast is part of the fascination reading it. You feel it resting on Hawthorne but anticipating Joyce. (In no uncertain terms, the language is certainly nothing like the patchy prose of this choppy review!) The style is aristocratic, philosophical, contemplative. To describe it in one word, I would choose the word Consciousness. It’s so hypnotic at times you might wonder if it is really his brother William James the psychologist-philosopher whispering it in your ear.
And last: there is a raciness embedded in it but without the modern explicit details. You won’t feel like you need a shower afterwards.