Centered around the "Wild Woman Archetype," Dr. Estes examines what it means to be a "Wild Woman," the expectations placed upon women in society and the consequences of ignoring the wild feminine nature within. The book certainly has a different approach to imparting knowledge and experience, but her tales of ancient myths and stories will make you feel as if you are sitting around a cozy campfire with an old friend. If you want to better understand the Wild Woman Archetype, an empowered and liberated side of women, I would recommend giving this classic New York Times bestseller a read.
Hark is an orphan who forms a bond of brotherhood with Jelt, a fellow orphan. So when Jelt asks Hark for help executing a job for a local gang, Hark reluctantly agrees. And gets caught, natch. He ends up as an indentured servant of a scientist studying the leftover pieces dead sea-monster gods that ruled the island until they all fought each other to death 30 years prior. Hark talks to the former priests who worked with the gods and is largely enjoying himself, until Jelt shows up with a new job that threatens Hark's new life.
There is obviously a lot going on in this book, and the worldbuilding was next level creative. Each sea-monster/god is different, and the descriptions of them were fantastic and a bit creepy. The mysteries of their existence and sudden disappearance unravel throughout the course of the book. That's kind of half of the book, and the other half is the adventures of Hark (they are, of course, intertwined), which I didn't love as much due to his blind devotion to Jelt. But even still, Hark's story goes down a very interesting and unexpected path and I think a lot of young teenage boys will identify with him. The book's message ends up being about your story/legacy and storytelling, which resonated with me as it will with anyone who understands the power and value of good storytelling.
This is a perfect read for tweens and teens graduating from middle grade fiction to YA who love adventure with a touch of horror. If this book finds it's audience, I can see it being really popular. I really enjoyed it! 4 stars.
Thanks to Netgalley and MacMillan for the eARC, which I received in exchange for an unbiased review. Deeplight is available now - put your copy on hold today!
Nizhoni Begay is a normal seventh grader in many respects, minus the thing where she can see monsters. One day, she gets home from school to see a monster in her kitchen masquerading as her dad's potential boss. Sure enough, the boss-monster kidnaps her dad, and Nizhoni, her brother Max and their best friend Davery take off on a race to the House of the Sun to find weapons they can use to defeat the boss-monster and save Nizhoni's dad.
I really liked this one! All of Rick Riordan's books and the books on his imprint have something of a sameness to them, but that's not necessarily a bad thing (I'd compare it to the Marvel Cinematic Universe). You know you're going to get a snarky teenager narrating an epic quest to save the world where they'll be attacked non-stop by monsters from some sort of mythology. That's what you get here, but its the Navajo edition. I liked it a lot - I think it helps when the mythology being referenced originated more or less in your backyard, and as a Coloradan, it was a lot of fun to read. Plus, the mythology itself is just cool; Black Jet Girl, Spider Woman, and Crystal Rock Boy were particularly fun.
For readers who like mythology, action, adventure and snarky main characters. I really enjoyed this one, and will add this series to the list of books I listen to while I run! 4 stars - I really liked it.
Thanks to Disney-Hyperion and Netgalley for the eARC, which I received in exchanged for an unbiased review. Race to the Sun will be released on 14 January, but you can put your copy on hold today!
Premise: Guinevere died in the convent where she'd been sent by an her father. An imposter, Merlin's daughter and Arthur's new protector, is her replacement, and all have been fooled into thinking she's the "real" Guinevere, save Arthur, who she immediately marries and starts to protect.
I found the beginning of the book, with its delicious hints of a larger story of evil and darkness, to be captivating. Unfortunately, those hints, for the most part, stay hints, and the book ended up being a pretty predictable retelling of sorts that was paradoxically too faithful and not faithful enough to its predecessors. It had glimpses of the humor from Mallory, T. H. White and Steinbeck. It had the promise of the adventure that lies in those tales. It just never fully delivered. And the end, when it finally came, was predictable enough to be a bit disappointing.
That said, I do love Arthurian legend, and this version of Guinevere is not without promise. If the next entry gets great reviews, I'll give it a go as my familiarity with the characters and story would render a re-read unnecessary. 3 stars. I...liked it? I'll recommend it to younger readers new to the legend.
Thanks to Netgalley and Delacorte for the advance copy which I received in exchange for an unbiased review. The Guinevere Deception will be on sale on 05 November, but you can put your copy on hold today!
Soul of the Sword picks up directly at the end of the events of the first book in the series, Shadow of the Fox. If you haven’t read Shadow of the Fox, and you like Japanese mythology, what are you waiting for? Pick it up now! Also, skip this review, because spoilers.
If you liked the first book, you’ll like this one too. I did not remember the first book that well as I read it last summer, but Kagawa writes this in such a way that it’s easy for the reader to jump right back in. Most of our characters (save Tatsumi, because he’s mostly a demon now) get further development, and Yumeko in particular really seems to have grown a lot throughout the course of the book. My favorite character, the ronin Okame, has an exceptionally fun development. The worldbuilding, which was fantastic in the first book, continues to be alluring as Kagawa further fleshes out what was already a well-drawn world. The plot, like the first book, is fast-paced and while this is definitely something of a bridge book, it’s a bridge book that is really fun to read.
Readers of Rick Riordan who are looking for something a little more grown-up, or folks who like their fantasy to be steeped in mythology, you won’t go wrong with this series. I’m excited for the next one to come out. 4 stars – I really liked it!
Thanks to Harlequin Teen & Netgalley for the advance copy which I received in exchange for an unbiased review. Soul of the Sword will be available for purchase on 18 June or you can put your copy on hold today!
Zafira has gained respect amongst her community for being the only person brave enough to dare the forest of a the Arz – a rapidly growing magical forest from which most who enter don’t return. She’s known as the Hunter. However, all respect Zafira has gained would be lost if folks were to find out that she was a girl. Nasir has a name of his own: Prince of Death. He assassinates all who cross his autocratic, despotic father, no matter how he feels on the subject. As the Arz grows and resources get more scare, both Zafira and Nasir find themselves on a journey to find a magical relic long buried on a dangerous island long presumed lost.
Another nearly impossible to write description! The worldbuilding in this thing is complex, and its really hard to give a short summary of the plot outside of “awesome” girl and scary-but-hot boy go on a quest for a magical object. While I do love complex worldbuilding, it bogged down the story for the first 40% of the book, and I kept getting confused by which peoples had what characteristics if they weren’t the peoples of our main two protagonists. Speaking of our two main protagonists, they were the least interesting characters in the story. Zafira is your standard strong-but-still-insecure-attracted-to-the-bad-boy YA fantasy protagonist, and Nasir kills people for no reason. The author tries to describe it away (his girlfriend will be brutally tortured), but this guy kills hundreds of people to (maybe) spare the lives of a few. Utilitarian he is not.
Anyway, after a lot of labored worldbuilding, we finally get to the island and team up with some other folks on the same quest. After this, the book is a lot of fun for about 30%. The characters have great chemistry, and the new ones are all dynamic and interesting people (beings) who we learn about slowly through the switching perspectives of our main characters. There’s a heist vibe and some great chemistry between friends and enemies alike . If that section had been the whole book, you would be reading a very different review. However, unfortunately, the book then focuses on a romance between our two leads, and I never found it to be convincing or compelling.
TLDR: This book was so close to being a really fun read, but a forced romance between two largely un-compelling leads overcame my love of the supporting characters, their chemistry, and some really fun worldbuilding elements.
I think folks who liked The Gilded Wolves or the Throne of Glass series will find things to like here. For this reader, it was mostly a miss. 2 stars – it was ok.
Thanks to Farrar, Straus and Giroux and Netgalley for the eARC which I received in exchange for an unbiased review. We Hunt the Flame will be available for purchase on 14 May, but you can put your copy on hold today!
Kingdom of Copper is the sequel to City of Brass, and there are spoilers for that book ahead.
Kingdom of Copper picks up about five years after the events of City of Brass. Nahri is married to Muntadhir and is navigating court politics and learning to use her skills as magical healer. Ali, after getting exiled from Daevabad following the events of City of Brass, has managed to survive several assassination attempts and has made a life for himself in a small village. Forced to return to Daevabad, Ali quickly returns to his post as resident trouble maker/possible emir (which in this case means heir to the throne), and Nahri finds her world rocked once again.
The complex, Middle Eastern inspired world and world-building that were the best part of City of Brass are still present in this book, while they are less of a focal point. Overall, I much preferred Kingdom of Copper to City of Brass. My short review of City of Brass read as something like: "great worldbuilding, annoying characters, promising ending." But because we had that time jump of five years, our characters have separated, matured (at least a bit), and the love triangle that brought down the first book died a satisfying death. The worst part of the first book to me was the romantic angst, and little of that exists in this sequel to the betterment of the book.
TLDR: If you liked the first book, you’ll love this one. If you were on the fence about City of Brass as I was, know that the sequel is much improved.
Kingdom of Copper would appeal young, new and other adults and fantasy readers who like rich world building and a unique setting. 3.5 stars.
Thanks to HarperVoyager for the advance edition, which I received in exchange for an unbiased review. Kingdom of Copper is available now!
Every 10,000 years, an ancient dragon rises to give one mortal a wish (in exchange for their soul) and the world changes. Two characters, a kitsune-hybrid and a ninja, find themselves trying to keep the path to the dragon out of the hands of several interested and nefarious parties. Shadow of the Fox follows our heroes as they travel to and from different monasteries dodging monsters in their quest to protect ancient scrolls.
Shadow of the Fox was a ton of fun! It gave me Percy Jackson vibes, but was definitely for a slightly older audience and the mythology in this book was Japanese, which I found to be very cool. I liked both of the characters – the kitsune must hide her fox nature from her ninja travelling companion as he is a monster killer, and kitsune are a type of…if not monster, then non-human trickster. The ninja is trying to resist becoming possessed by the evil demon that occupies his sword. Their relationship is thus a bit fraught, but adds a really interesting dynamic. Their other travelling companion (a disgraced Samurai who spends most of the book amusingly drunk) provided some levity. Some of the mythology was completely new to me, which made for a engaging reading experience. I liked it enough that I read one of Kagawa’s other books, The Iron King, as well. If you enjoyed that one, you’ll likely like this – I found the formats to be similar, though I personally found the Japanese mythology more interesting than the fairies.
TLDR: This is a really entertaining and action packed fantasy for fans of Percy Jackson and Kagawa’s other books. I loved it, and am excited to get my own copy! 5 stars.
Thanks to Harlequin Teen and Netgalley for the eARC, which I received in exchange for an unbiased review. Shadow of the Fox is available now!
In a world where dominion over birds of prey equals power, twins Brysen and Kylee have a love/hate relationship with falconry. Brysen longs to be good at the sport, but lacks the patience and ability. Kylee is a natural, and even has powers that allow her to speak with the birds, but she just wants to pay back their family’s debts and then leave their village forever. When Brysen compounds their debt and then agrees to hunt the ghost eagle – the very same eagle who killed their father – Kylee knows that she has to help, or lose her brother to the birds as well.
The world building in this book is phenomenal. London creates a rich world with opposing religions about to go to war, and creates an entirely new mythology built around falconry. Now, I know there are other fantasies based around falconry, but as I’ve not read them, this was all totally new and fascinating to me. Kylee and Brysen take turns narrating, and their perspectives were realistic and different enough that you had a great feel for them as characters quite early on in the book. They were so authentic as not to be entirely likable – Brysen in particular makes quite a few stupid and/or impulsive decisions and I found him to be a bit hard to root for. I really enjoyed Kylee, though, and I loved how the world was presented with equality in terms of sexuality and race. Several of our characters are people of color and/or LGBTQ+, and they don’t seem to be oppressed or seen any differently because of it, which was refreshing to read.
For this reader, the plot left something to be desired. The book starts off with a bang, but then quickly devolves into an adventure story in the woods as Kylee and Brysen search for the ghost eagle. The aforementioned “opposing religions about to go to war” parts show the most promise, but were unfortunately relegated to the background. That will likely change in the sequel, but it made this book a slow read for me. I actually put it down in the middle and read an entirely different book as it wasn’t really holding my interest. I felt like the book might have worked really well as a prequel novella, but as a full length novel, there was a lot of filler as Kylee and Brysen navigate the woods with only one important seeming development.
Black Wings Beating was an interesting dive into the world of falconry that sets up a sequel with a lot of promise. I’d recommend it to anyone who likes adventure stories with a touch of the fantastical. 3 stars – I liked it!
Thanks to Farrar, Straus and Giroux and Netgalley for the eARC, which I received in exchange for an unbiased review. Black Wings Beating will be available for purchase on 25 September, but you can put your copy on hold today!
Lira steal's princes' hearts. Literally. She lures them into a trance-like state with her siren song, and drags them down to the bottom of ocean where she rips out their hearts. After failing to steal Prince Elian's heart, the pirate prince also known as the "siren killer", Lira's mother, the Sea Queen, turns her into a human in punishment, and commands that she retrieve Elian's heart, or stay a human forever.
Are you getting Little Mermaid vibes from that description? Good, because there is a definitely Little Mermaid inspiration here, though it's definitely more Anderson than Disney (for examples, sirens turn into sea foam a few moments after they are killed). There's also some Greek mythology (I feel like this is the origin of sirens, but I only say that because of the Odyssey), but the influences, while noticeable, are integrated nicely, and the world-building game in this book is super strong. Elian and Lira travel to several different kingdoms, and each kingdom has its own flavor and customs. There's also some cool mythology around sirens vs. mermaids vs. mermen, and I really loved where she went with the mermaids in particular. It was a version of mermaids that I had never read before.
Elian and Lira are both complex but likable characters (if you like your heroes of anti- or bloodthirsty variety, which, I DO). Initially, Lira is a stone-cold killer. She was raised to be one, and the fact that she could be anything but a stone-cold killer after her upbringing is kind of magical. As the book develops, she learns more about humans and begins to *gasp* kind of like them. Her character development and growth are a main theme throughout the book, and Lira's maturation is slow enough to develop seems plausible.
Elian was also fine; he mostly serves as a foil to Lira, and it's fun to see his opinion of her change as he slowly learns more about her. There is a bit of romance between them, but as they are at odds for most of the book, its kind of a forbidden romance which is a trope that I love when done right (needless to say, it was done right here).
Amazing worldbuilding, great characters, no sequel - what's not to love here? If you are into pirates or mermaids or lux worldbuilding, you'll enjoy this book. 4 stars - I really liked it!
Thanks to Feiwel & Friends and Netgalley for the eARC for review consideration. To Kill a Kingdom will be released on 06 March, but you can put your copy on hold today!
Katherine Arden's The Girl In The Tower is just as good, if not better, than the first book, The Bear and The Nightingale. Filled with more Russian Fairy tales, atmospheric literary prose, rich and strong characters, and the same enchanting setting of Medieval Russia, this book picks up right where the first one left off. It follows the story of Vasya, now a grown up woman she, instead of conforming to the role woman in her day usually play, of marriage or life in a convent, chooses instead a life of adventure. Leaving her home and traveling the vast Russian Wilderness while dressed as a boy, she soon is called upon to defend the city of Moscow and finds the threat greater and more deadly than she imagined. While fighting this threat, only she can stop, she is also forced to protect her secret as she comes upon her brother and attracts the attention of the Grand Prince of Moscow.
Part of what drew me to this book is the fairy tales, yes, but also the historical setting of Medieval Russia. Katherine Arden does a masterful job of weaving fantasy elements with real life historical details only a great historian would discover. Blurring the line between history, fantasy, and reality this book and, more importantly this series, is contemporary historical fantasy at its best. It is a sketch not only of real life in Medieval Russia, but also displays the power of story and demonstrates the importance of fairy tales and the lessons they can teach us.
A perfect winter read! A beautiful atmospheric retelling of the fairytale Jack Frost set in a wintry town on the edge of the Russian wilderness in Medieval Russia. Plus a strong independent female protagonist who risks everything to save her family from the evil forces all around her! What's not to love! Katherine Arden's The Bear and the Nightingale is a must read! This novel has it all mystery, magic, adventure, and love! With well developed characters and beautiful, atmospheric, lyrical writing that makes you almost feel the cold wind on your skin and see the snow flakes falling this book cannot be passed up! I cannot wait for the next book in the series to come out, The Girl in The Tower!
The Bear and the Nightingale is a Russian fairy tale(s) retelling that follows Vasilisa (Vasya) as she comes of age in the harshly beautiful Russian countryside. After her mother dies in childbirth, Vasya develops a kinship with the house spirits that protect her home, village and the surrounding countryside from any evils that lurk in the woods. All is well until her father decides to remarry. Her new stepmother is deeply religious and sees the house spirits as demons; a newly arrived monk further enforces these believes. The townsfolk become afraid, and stop minding the house spirits. This leads to disaster and death as the evil lurking in the woods begins to creep ever closer. Vasya must work with the spirits to restore balance to her town, lest her town be completely consumed by evil.
As someone who grew up on a steady diet of Disney and fantasy books, I am a sucker for a good fairytale and this one hits the mark. It's very much a fairy tale for adult(ish) readers and the writing was so lovely and hauntingly atmospheric that it sometimes felt like I was the one traipsing through the Russian countryside. Vasya was a very likable character - headstrong and intelligent in a time where women were still viewed as a commodity, Vasya is not ok with her lot in life. She wants more than to just pop out babies for some lord; she wants to live her own life on her own terms. That struggle, set against the wintry backdrop of a magical Russian countryside, made for a very entertaining read.
While the writing and most of the characters were fantastic, I did have a few issues with the book. I loved the beginning and ending, but struggled mightily with the middle. Many side plots that barely had anything to do with the story were introduced and never resolved. This is explained by the fact that this book is the first in a series, but I feel like the story would've been better served to focus on the main plot.
Meandering middle aside, this was a great read. This book demands to be read under blankets or near a fireplace on a cold day. Pick it up and prepare to be transported to the snowy fields of the Russia of yore. 3 stars.
This Arthurian tale is about noble knights, impossible quests and miracles. Camelot has fallen. King Arthur Pendragon and his Round Table of invincible knights have been destroyed. For tens years now the land has spiraled into chaos and destruction. Ruled by the evil Morgana and her hired barbarians, the people have no hope - all is lost. Guinevere, the Queen of the Britons, is hidden away in a far away abbey, safe from the assassins of Morgana - or is she? And where is Merlin the Wise, Arthur's trusted adviser? That old wizard was at the Battle of Camlann when the King fell, but has disappeared. Morgana's spies are searching the land for him and has vowed to take his head. A merchant ship approaches the shores of Albion hoping to avoid the Saxon Sea Wolves that hunt these waters now. But they're spotted, boarded and the butchering begins. Then two passengers emerge from the ship's hold. Like banshees from hell they move in deadly unison, destroying everyone in sight. Sir Percival, the last Knight of the Table, has returned.
This series is really a must-read for fans of modern fantasy, mythology and pop culture. The Wicked + the Divine takes place in a world where a phenomenon called the Recurrence occurs every 90 years, causing a Pantheon of twelve deities from across human cultures to awaken within the bodies of young adults, granting them tremendous superhuman abilities. They will be loved, they will be hated, but two years after awakening, they will all be dead. The year is 2014 and the Recurrence has come again, and this new crop of gods blurs the line between the way deities were worshipped in ancient times and the way humankind worships its popular icons in the modern day. Though they are reincarnations of figures from antiquity- Lucifer, Woden, and Minerva, for example- their personas and appearances invoke modern musical icons like Daft Punk, David Bowie and Prince, and their worshippers stalk their instagram feeds and attend sold-out concert-like performances of their miracles.
However, all is not divine within the ranks of the Pantheon. Skeptics dismiss their claims of "godhood" and "miracles" as delusions, hallucinations or special effects, and point to the last Recurrence - which took place during the 1920s - as the product of the same sort of hoax as those performed under the umbrella of Spiritualism during that era. And, these new gods have all the hormones, the petty selfishness and the capriciousness of the teenagers and young adults they used to be, only now they have superhuman powers at their fingertips, and the weight of the knowledge that for all their strength they will all die before two years have passed. The mysterious goddess Ananke, who exists outside the cycle of the Pantheon, is the only being who seems to understand the forces at work behind the Recurrence, and she acts as something of a guiding light for the gods, though a cryptic and guarded one, at best. Into this tumultuous mix enters Laura, our narrator, a god-obsessed superfan who idolizes the Pantheon to the point of distraction. Though Laura wants nothing more in this life than to be a god herself, she settles for attending their tours, buying their merchandise and following them obsessively on social media, getting as close to them as she possibly can. That is, until she unexpectedly befriends the young Lucifer at a concert and finds herself suddenly drawn into the beautiful, deadly and miraculous world of intrigue that surrounds the members of the Pantheon.
This comic is incredible, both in terms of its writing and worldbuilding, and its art, which is both stunning and incredibly consistent. It is also a wonderful example of diversity and inclusiveness in what is, essentially, a superhero comic - Laura is part of a loving biracial family, Lucifer is a polyamorous, genderfluid woman who is a dead ringer for Bowie, and representation of queer characters, women and people of color abound. I collect this comic religiously (hah!) in both its individual issues and its trades, and I really cannot recommend it enough. However, when our rating says M/Mature, we MEAN it. While there isn't much in the way of graphic sexual content, there is some gore, frequent adult language, and a whole lot of adult situations.
Real Rating: 4.5, rounded up. 6 stars for the Olympians!! Not so many stars for Orion and some of the other creative choices here regarding Diana's origins (that's personal, though -- you may disagree with me.) BUT THE OLYMPIANS, THOUGH.
Brian Azzarello’s work isn’t always my cup of tea, but I have to say I really appreciate a lot about his recent run on Wonder Woman, beginning with “Wonder Woman Volume One: Blood.” A lot of my appreciation for this comic stems from its creative portrayals of the Greek gods – Dionysus can twist the world as a proper god of madness, Apollo is made out of sizzling magma-ish sun stuff, with an obsidian skin hardened over his fiery insides, and Artemis is literally shaped out of fluid moonlight. It’s gorgeous, and a ton of fun. If you love Greek folklore but have always wanted to see Poseidon represented as a barnacle-crusted sea monster, this may be the perfect series for you. Cliff Chiang's art is also very modern and playful, which fits the optimistic tone of the book perfectly. Diana is fierce and loyal, here, a heroine truly worthy of the name “Wonder Woman.” Some of the characters didn't mesh with me so well (>:( I'm looking at you, Orion!!! Augh!!) but despite that I eagerly awaited every volume of this series as I was reading it, so… Consider it hereby recommended for the fun-factor alone. Watch Hera try ice cream for the first time! Watch Artemis run rampant through a tube station! ALL IN DC COMICS CANON! Yes!
I've yet to read something by Catherynne M. Valente that isn't absolutely gorgeous -- admittedly I may be a little bit biased, as I definitely think folkloric stories are the best, and folkloric stories with lovely playful twists are the BEST best... But when it comes to evocative and clever prose, as far as I'm concerned Valente is on a level all her own. At the moment, I happen to be reading her "Fairyland" series, and so... Behold, the first book -- "The Girl who Circumnavigated Fairyland in a Ship of her Own Making!" It's just as whimsical as it sounds.
So there's this little girl named September, living in a lonely house and washing a bunch of lonely teacups all the time and feeling very trapped. A quirky and talkative Green Wind -- apparently a defiant and spirited sort of wind -- riding a leopard shows up to spirit her away to Fairyland if she likes. This book is very much like "Alice's Adventures in Wonderland" for the modern age: September has loads more authority over herself and her destiny, for one, and she grows dramatically as a human being over the course of the series. Fairyland helps that along of course, despite being a wild and alien place, complete with folkloric and/or mythological figures both eternal and re-imagined, petulant tyrants with very impressive hats, and interesting twists and turns aplenty that I can say I definitely didn't see coming. Valente's world is simultaneously familiar and wonderfully fresh, like she's composed words to go along to the tune of a well-beloved song, shifting its meaning in unexpected ways while still keeping true to the soul of something timeless.
Oh my goodness, Apollo, you strange and beautiful basket case. I was laughing all through this book, marking pages to shove at my friends... You know the drill. The Greek-mythology-centric Percy Jackson series as a whole helped me through some dark times when I was younger, and this first book of Rick Riordan's new "Trials of Apollo" series is delightful, just as I remember "The Lightning Thief" to have been back when I really, really needed it. (It's only missing Mr. D -- I've always especially liked Mr. D. Maybe he'll show up in the next one?)
Anyway. You know how in Greek folklore, Apollo gets stripped of his powers sometimes when he gets his king/dad, Zeus, angry? That's happened again in this series, only now it's all happening in modern day New York... Where the rules to everything are way different than what Apollo's used to... Annnnd he's not used to acne or helplessness, either, both of which he has to deal with as an awkward teen apparently named "Lester." It's the sparkly god of the sun/music/so many things's turn to go on actual quests again instead of waving demigods off on them... And he's very, very sad about it.
Some familiar faces from the Percy Jackson series have appeared so far in "The Hidden Oracle," but I would say it's definitely its own series with unique sources of pathos. Something I always loved about the Percy Jackson books is their empathy, the way people can redeem themselves, the way characters can still be heroic despite/because of their flaws... And that is STILL HERE, operating now through the protagonist, given the centuries worth of mistakes a now-human Apollo has to grapple with. I definitely liked "Magnus Chase and the Gods of Asgard: The Sword of Summer" -- the Riordan book that came out a bit before this one -- but it didn't click with me in nearly the same way as Apollo's shenanigans. "The Hidden Oracle" felt like a fresh and self-aware remix of old ideas and settings from Percy Jackson, all told through a recently fallen god's wonderful, WONDERFUL narration. Yes, if you want something completely different than Percy Jackson this might not be the best place to look. But if you want to see the Percy Jackson universe through refreshingly new and oh-so-Olympus-y eyes, this may be perfect for you!
To sort of sum things up: I think this is a great kids' book, engaging and fast-paced and written with a light and goofy sense of humor, just like those original Percy Jackson books. (Sometimes the humor does get VERY goofy, so go in warned, but other times it's clever and tongue-in-cheek. Funny guy, that Apollo. Versatile.) Beyond that, though, I...a grown adult...am 100% buying the next book for myself just as soon as it comes out. I know that doesn't necessarily mean EVERY mythology-loving adult equipped with a suitably goofy sense of humor would also enjoy this book, but I know for a fact plenty of others have the same plan.
I'm not going to try to describe this book, because there is a lot going on and I wouldn't really know where to start. Here's what you need to know:
It's a companion novel to American Gods, but you do not need to read American Gods first. In fact, I found this book to be vastly superior to American Gods, though the internet does not necessarily agree with me on that one.
Do you like Loki? Or like, the idea of Loki? Or just trickster gods in general? Anansi is the African trickster god, and this book is a TRICKSTER god of a novel: its clever, tricky and pure fun.
I listened to this book, and the narration was stellar. Lenny Henry nails the Caribbean accents, the humor, the eeriness, and well, all of it. I'd strongly recommend consuming this in audiobook format.
Oh, and while the characters never felt super fleshed out to me, it didn't matter, because this book was all about stories. And Anansi's stories are the best stories.
The villain was absotively the worst in the best kind of way.
Anyway, if you are looking for a funny, fast, excellently crafted mythological type of read, look no further. 5 stars.
Popular mythology author Rick Riordan strikes again! He has series delving into Greek, Roman, Egyptian, and now NORSE mythology. This series follows Magnus Chase, son of a Norse god. Which god, you ask? Read the book and find out!
Riordan’s writing style is very distinct, playing to his youthful audience. The chapter titles were humorous and made no sense until I reached those parts of the book. (I read through them initially and thought, “What the…?!”)
Magnus Chase was vaguely--well, maybe more like strongly--reminiscent of Percy Jackson for me. Although Magnus has had a much rougher life so far, his voice is very similar to that of Percy. Magnus Chase is barely 16 years old, but he has been living on the streets for the past 2 years since his mother’s death. After an...interesting encounter with a fire giant, he finds himself gracing the halls of Valhalla with other Norse warriors killed in battle. Along with his valkyrie, a dwarf, and an elf, he goes on a quest to retrieve the Sword of Summer and stop the wolf Fenrir from escaping his bindings.
A interesting read for those die-hard Riordan fans or anyone who loves mythology interpretations. I was very entertained by the story, as I always am with Riordan’s mythologies, but despite the gods changing, the stories are starting to run together. The overlap of stories definitely doesn’t help the blurring of the lines. (Oh, hi Annabeth!) Crossing over from the Percy Jackson series, Annabeth, last name Chase--I guess we could have seen this one coming--has a couple nice little cameos in this book, foreshadowing a larger role later in the series. I’ll be interested to see where this goes.