The Rules, by Nancy Holder & Debbie Viguie, is a great thriller but lacks much else. The focus of the book is on the plot, but it's just an average thriller plot. None of the characters are developed over the course of the book, and it doesn't have enough clues to be a mystery. I felt like the author could've expanded for on the theme of rules, but it was a good idea. The book just kinda lacks sustenance, although it does provide a pretty good thriller experience. I would recommend this book to an avid thriller fan, but not really anyone else.

"The One and Only Ivan" by Katherine Applegate is about a silverback gorilla named Ivan who lives at a mall and video arcade told from his perspective.
Ivan has other animal friends that include an old elephant named Stella who is sick and in pain. He goes through a lot of things with his friends but he still wants to go somewhere with other gorillas because he thinks he is the only gorilla he will ever know. The mall almost closes until a new baby elephant arrives. At the mall the elephants are mistreated and Ivan and Stella don't like that another elephant will be hurt. Time goes on until Stella becomes very sick. The mall downplays her illness until she can no longer do the tricks, so doctors come to help Stella get better. In the end all the animals including Ivan go to a zoo where they are treated better and are with other animals.

I would recommend this book. It is very heartwarming but at the same time sad. I cried multiple times while reading "The One and Only Ivan". I chose to read this book because I read it before in third grade and wanted to read it again. Obviously, I could not relate to the characters who were animals. The ending is surprising and the book isn't predictable.

The Goodreads synopsis for this book says the main character is the "most heartbreakingly comical heroine to come along in years." That's a bunch of crap. The main character is flawed but not funny, just sad and hard to root for. Some parts of the book I loved, other parts I didn't. But overall the good parts won out.

After the refreshing sci-fi The Long Way to a Small, Angry Planet , I was ready to follow the crew of the Wayfarer to their next adventure. Unfortunately, the sequel, A Closed and Common Orbit, decided to take a path more akin to The Godfather Part II (1974). Instead of following the main characters of the first story, this sequel delved into the new life of the AI now known as Sidra, while also interspersing a quasi-related prequel story of one of the new characters introduced in this book. Fortunately, these two stories were well paced against each other.

Even though I feel readers could pick up this book without having read The Long Way to a Small, Angry Planet, there are certainly a few details about the diverse races found in this universe left out of this book—probably for the sake of brevity. This didn’t necessarily detract from the enjoyment of A Closed and Common Orbit, but having that previous knowledge certainly helped to bring these alien creatures to life in my mind. Still, the main characters are basically humans, so the interactions with the aliens would be the main reason to know how these creatures communicate.

While this book is only tangentially related to the one that proceeded it in the series, the universe the author has created is solid enough to support a few more additional stories like the ones found here. With fewer characters to focus on in this book, A Closed and Common Orbit was able to dive deep into some pretty heavy topics, including child slavery and artificial intelligence. The writing still retains its casual dialogue style that genuinely helped bring these few characters to life. If anything, the author’s writing is what will keep me coming back to this series.

A mostly unrelated, but still expertly written sequel, I give A Closed and Common Orbit 4.0 stars out of 5.

Back in 2016, I saw advertisements for a TV show adaptation of the original Shannara trilogy, likely trying to cash in on the success of Game of Thrones. While I never watched the show, I remembered enough from these trailers that I was able to recognize that the plot of the first book in the series, The Sword of Shannara , was not the plot of the series. However, when I started reading the next book in the series, The Elfstones of Shannara, suddenly memories of the TV show came to mind. Having finished this book, I can see why the TV show wanted to start here.

I didn’t particularly care for the derivative Sword of Shannara, as it seemed to steal all its ideas from The Lord of the Rings. While The Elfstones of Shannara still appears to take influence from this quintessential epic fantasy, there are enough other fantasy tropes thrown in to make it feel at least somewhat more original. Plus, the strength of the story in this book merely highlighted how unnecessary The Sword of Shannara was, as it basically threw away all the main characters from that book, relegating them to “distant grandfather” status and maintaining the only truly interesting character, the druid, for this book.

The strength of The Elfstones of Shannara comes from its main plotline that finds a boy and girl on a quest to save a magical tree that is dying, thus allowing demons to re-enter the realm. All the other side stories, like the battle/war that was happening, and all the familial and political drama that went with it, I could have done without. Mostly, these minor characters and plots didn’t seem fleshed out enough for me to care. Alternatively, the main story was exciting and had pretty good pacing for a fantasy book that sometimes spends too many words on descriptions and world-building that don’t matter.

A much superior follow-up to The Sword of Shannara, I give The Elfstones of Shannara 3.5 stars out of 5.

1922. Alice James finds herself on a westbound train with two bullets in her stomach and $50,000 worth of counterfeit cash. On the run from the mob, she befriends a black porter who saves her life by taking her to his doctor friend in the only black hotel in Portland, Oregon. When a mixed race child goes missing from the hotel, the residents panic as KKK activity in Portland has been escalating. This excellent novel switches back and forth from the events leading up to Alice’s shooting and then her experiences at the hotel after arriving.

Alice James is one of my favorite characters in recent memory – she’s flawed, but self-aware, whip-smart and most importantly compassionate. Her empathy gets her into the trouble and she knows it, but she’s the sort who is willing to sacrifice herself for the greater cause. The supporting characters, especially Blossom, are equally flawed but lovable, especially as their truths slowly come to light. I’m a sucker for a 20s setting, and we get a lot of the good stuff here, especially linguistically. Our Alice has quite the endearing way of explaining herself in 20s style aphorisms.

In addition to being a charming read, the book covers some really important issues around race, gender and sexuality. The author has a deft enough hand at covering these issues that she manages to make the commentary work for the 20s as well as present day. If you decide to read this book, you’ll laught, cry and rage along with the characters at the injustices handed to them based on their gender, race or sexuality. My one complaint is that the middle sagged a bit – this is book that’s largely focused on character development and the mystery really just served to get Alice to learn things about her new friends.

I don’t read a lot of historical fiction, but the promise of mob-excitement, mystery and racial commentary brought me to this book, and I’m so glad it did. Richly drawn characters and a fascinating setting pretty much guarantee that most fiction (historical or otherwise) readers will enjoy this one, and I’ll be pre-ordering a copy for my mother. 5 stars – I adored it.

Thanks to Netgalley and G.P. Putnam’s Sons for the advance copy, which I received in exchange for an unbiased review. The Paragon Hotel goes on sale on 08 January, but you can put your copy on hold today!

Coming from the author of "King Solomon's Mines" and creator of Allan Quartermain, you can expect a terrific turn of the century, adventure story. Written as the sequel to "She", "Ayesha: The Return of She" stands on its own, and I find it even more enjoyable than the original story (but "She" does make for a good prequel - as I read them out of sequence). Our hero Leo, sets out with his friend to seek out his long lost love. This leads them to the most remote of areas, across vast deserts, and over treacherous mountains. When they reach the empire of Kaloon, the Khania Atene swears that she is the woman Leo is searching for, but he is unsure, and wishes to consult with the mysterious Hesea, an ancient priestess of the mountain, who has sent for him. Atene will risk everything, even war with the people of the mountain, to keep Leo by her side, even though he wishes to see the Hesea. Is Atene the woman Leo is seeking? Who is the cryptic Hesea? What dangers await Leo and his friend, both in Kaloon, and on the mountain?

This story was originally published in a serialized form in 1904-1905, with gorgeous Art Nouveau illustrations. If you can find it, I highly recommend reading a reprint that includes the original illustrations. One of my favorite books of all time!

Wonderful mystery reminding me of Umberto Eco. "Anyone who enjoys novels that are scary, erotic, touching, tragic and thrilling should rush right out to the nearest bookstore and pick up The Shadow of the Wind." Really amazing depiction of characters and setting in early 20th century Spain. Captures feeling of fear caused by Spain's political environment and war and aftermath when villainous police. Can't put down type of read.

Ever since I saw the inimitable Richard E. Grant in the "The Scarlet Pimpernel" TV series, I have been enamored by these tales from Baroness Orczy. As the cliche goes though, the book is far superior to any adaptation I've seen thus far. After the French Revolution, the new government of France established the "Reign of Terror", where the citizens of France took out their anger and vengeance on any of the old aristocracy that they could find - whether they were guilty of oppressing the people, or not. Enter The Scarlet Pimpernel(!), an elusive daredevil, whose secret league of Englishmen risk their lives to save the aristocratic victims of the people of France. When the government of France charges their agent, Citizen Chauvelin, with discovering the identity of their mysterious enemy, he blackmails Lady Blakeney, a pinnacle of London society, into aiding him in his treacherous task. Who will she turn to, to help save her only brother - her insipidly foppish husband, Sir Percy Blakeney? He may be rich, and the leader of fashion in London's high society, but he's certainly not a "man of action" for something so perilous and vital. Lady Blakeney must face her inner struggles to try to find the hero who she admires so much, only to betray him. Meanwhile, the infamous guillotine awaits her next victims...

Published in 1905, "The Scarlet Pimpernel" established many of the hero tropes that are familiar today, such as having a secret identity, and using disguises and intelligence to outwit one's enemies. This is truly one of my favorite series. If you like this book, there are follow-up chapters, such as "I Will Repay", and "The Elusive Pimpernel", that are worth your attention as well!

While the original Pride and Prejudice and Zombies was a combination most
people never knew they needed, apparently making it into a trilogy was the
next logical conclusion. Combined with the prequel, Dawn of the Dreadfuls ,
Dreadfully Ever After puts the series to rest with a sequel that seems to
re-hash a lot of similar ideas presented in Pride and Prejudice and Zombies,
but with enough connection to the prequel and at least one or two original
ideas that helped to round out the characters. These new ideas were logical
extrapolations from the events that concluded Pride and Prejudice and
Zombies, so they weren’t necessarily shocking, but still entertaining to
pull the thread nonetheless.

I think, overall, I prefer the prequel and sequel to the original
Austen/monster mashup. It probably helped that both were written by the same
author, who was essentially writing fan fiction based on the idea that this
romantic classic could be combined with the undead. Dawn of the Dreadfuls had
the problem of needing to set up Pride and Prejudice and Zombies, thereby
negating any dire threats to the main characters since they would need to
appear in the next book. However, Dreadfully Ever After does an excellent job
of adding the complexities of marriage in proper English society in the
zombie apocalypse to the mixture. Thus, this book expanded the universe
instead of just poking around its never quite fully-explained origins.

In fact, one might be able to read the books on either side of Pride and
Prejudice and Zombies and get a coherent and satisfying story out of it. I,
for one, struggled through Austen’s writing, so the more modern style
presented in Dawn of the Dreadfuls and Dreadfully Ever After was a welcome
change. Plus, with the ability to stray from the source material and add
additional characters in both “bookend” books, there is a continuity that
is satisfying to conclude in this book. In the end, though, the two books
that expand the Pride and Prejudice and Zombies universe don’t ever take
themselves that seriously and are a fun and silly read for anyone who had a
passing fancy to get into the topic.

A fitting and silly extrapolation of the idea that Jane Austen’s book
needed more gore and violence, I give Dreadfully Ever After 4.0 stars out of
5.