Fiction

In light of the Netflix series getting its second season, I decided to pick up Six of Crows. In the end, I was pleasantly surprised.

This is a fantasy heist story, which is already a standout. Kaz Brekker and his gang are tasked to steal from the Ice Court, one of the most secure places in the world. If they succeed they’ll get unimaginable amounts of money. Each of his crew members have a different motivation as they head in to break out a prisoner.

The characters are all well developed. Kaz is the standout, with a nice mix of mastermind villain and sympathetic protagonist. Inej and Nina are the most sympathetic, each having somewhat altruistic motivations. Matthias is horrible, but his redemption arc is interesting. Jesper and Wylan are a bit flat at times, but are both fun enough to make me ignore that.

The plot is easy to follow, while still having a reasonable amount of twists and turns. The main problem I have comes up late in the story. I won’t spoil anything, but two characters are set up for a betrayal. When it’s time for them to follow through, they just don’t. I’m sure it gets explored more in the sequel, but it rings a bit hollow for now.

Overall, I’d definitely recommend this book. Especially if you like morally gray protagonists.

This book suffered from a lot of major flaws, ranging from one-dimensional characters to confusing (and silly at times) plotlines. Mafi not only leans into harmful stereotypes, but she further exaggerates them and emphasizes them as the norm. The relationships between chatacters are largely shallow, their development rushed, and their personalities bland. I remember next to nothing about these unremarkable characters. This book is an infuriatingly simple tale of stereotypical people following a messy and illogical story, and I advise readers to avoid it whenever possible. The greatest strength of this book is its relatively short reading time.

The Giver by Lois Lowry explores themes of individuality, memory, and conformity in a dystopian society. Set in a world where pain and suffering have been eliminated, the story follows Jonas, a young boy who is chosen to become the Receiver of Memory, a role that involves experiencing the past and holding the collective memories of his society. Jonas is a sympathetic and relatable protagonist, with his experiences and struggles serving as a lens through which the reader can explore the world of the novel. The plot of The Giver is very compelling- Lowry’s exploration of memory and its role in shaping identity is particularly well-done, with her depiction of the ways in which the absence of memory can lead to conformity and complacency providing a powerful critique of authoritarian societies. The climax of the novel is both suspenseful and poignant, with Jonas’ actions serving as a powerful statement about the importance of individuality and freedom. Additionally, Lowry’s writing style is both elegant and understated, perfectly capturing the voice of a young boy struggling to make sense of the world around him. To me, The Giver was a fantastic book because of how much it made me think and consider the world around me, and because of how intriguing the contrast between Jonas's dystopian society and the view into the past was. I would highly recommend this book to any and all dystopian lovers.
Reviewer Grade: 11.

The moment you open the book your going to be immediately thrown into the story. A deadly plague has overtaken the world and the few thousand humans left reside in what used to be Manhattan; now called New America. From Drayden (the main characters) perspective we get to see that New America has a tight hierarchy. All citizens of New America get one chance to elevate above the area they were born, and the stories spread around this "chance" make most pass it up. Drayden though, he has decided to play New Americas deadly game.

To Kill a Mockingbird by Harper Lee explores themes of race, justice, and morality through the eyes of a young girl in a small Southern town. Set in the 1930s, the novel follows Scout Finch as she grows up and navigates the complex social and political landscape of Maycomb, Alabama. The plot of To Kill a Mockingbird is both compelling and emotionally resonant. Lee’s exploration of racism and prejudice is nuanced and insightful, offering a powerful critique of the social and political systems that perpetuate injustice. The trial of Tom Robinson, which forms the center of the novel, is both tense and heartbreaking, with Lee masterfully building tension and suspense as the case unfolds. This novel is very heavy in symbolism and encapsulates the perspective and voice of a young, naive girl very successfully. I enjoyed the wide variety of characters, bits of humor, and overall depth of meaning and thought that To Kill a Mockingbird provides. Overall, it was a very thought-provoking and deep read, perfect for classic lovers and those who enjoy realistic fiction.
Reviewer Grade: 11.

The Hunger Games: The Ballad of Songbirds and Snakes by Suzanne Collins is a masterful prequel to the wildly popular Hunger Games trilogy. Set 64 years before the events of the first book, The Ballad of Songbirds and Snakes explores the origins of the Hunger Games and the rise of the villainous President Snow. The main character, Coriolanus Snow, is a fascinating and nuanced character, with his motives and actions constantly shifting throughout the novel. His relationship with his fellow tribute, District 12's Lucy Gray Baird, is particularly compelling, with Collins exploring themes of loyalty, trust, and love in a way that is both nuanced and emotionally resonant. The plot of The Ballad of Songbirds and Snakes is both gripping and thought-provoking. Collins deftly weaves together political intrigue, personal drama, and action-packed set pieces to create a narrative that is both thrilling and emotionally engaging. The Hunger Games themselves are particularly well-done, with Collins using them as a vehicle to explore the darker side of human nature and the impact of power and privilege on individuals and society. Collins's descriptions of the Capitol and the districts are vivid and immersive, offering a richly detailed portrait of the world of Panem. Her use of foreshadowing and symbolism, such as the mockingjay, adds depth and meaning to the story, inviting readers to reflect on the deeper themes of the novel. This book was a stellar prequel to the Hunger Games trilogy that adds a lot of perspective and background to the original story. I would highly recommend this book to anyone who enjoyed the original novels and wishes to explore more of the Hunger Games world. Reviewer Grade: 11.

Fahrenheit 451 by Ray Bradbury delves into the dangers of a society where books are banned and critical thinking is discouraged. The novel follows protagonist Guy Montag, a fireman whose job is to burn books, as he begins to question the oppressive society he lives in and seeks to uncover the truth about the value of literature. The plot of Fahrenheit 451 is both compelling and thought-provoking- Bradbury’s dystopian world is entirely possible, and his exploration of the consequences of censorship and intellectual suppression can be easily applied to modern times. The story is driven by Montag’s journey of self-discovery, which is filled with twists and turns that keep the reader engaged until the very end. Bradbury’s writing style is poetic and evocative, bringing the world of Fahrenheit 451 to life with vivid descriptions and metaphorical language. His use of symbolism is particularly effective, as he weaves in recurring motifs such as fire, the mechanical hound, and the phoenix to add depth and complexity to the story. The novel is also structured in a way that mirrors Montag’s journey, with the pace and tone shifting as he becomes more aware of the world around him. Overall, Fahrenheit 451 is a very thought-provoking and symbolic classic that really makes you rethink the value of intellectual freedom and education. Every time I read it, I recognize more symbols, hidden meanings, and references that really enrich my experience. I enjoyed this book very much and would recommend it to anyone interested in dystopian, mind boggling novels.
Reviewer Grade: 11.

We Are Okay is a beautifully written novel about depression and trauma from the perspective of Marin, a girl who ran off to college shortly after her grandfather's death. It's also about Mabel, her childhood best friend, and the evolution of their relationship. The book explores these themes through artful language, flawless dialogue, and many small acts of service; where it falls short, however, is the plot itself. I adore the book, but the big reveal of the grandfather's secret falls painfully flat. What should have been the climax of the novel, as foreshadowed from the very first page, is reduced to a few vague sentences alluding to greater truths. Marin claims to have "never known her grandfather," yet as a reader, I don't understand why she feels that way. Due to its design, the novel simply demands for a clearer climax without messy time-jumps. I was disappointed that a near-perfect book couldn't pack a punch with its climax, but the well-written characters and relationships make it worth the read anyway.

Against all odds, this book bored me. The Stranger follows an indifferent man shortly after the death of his mother, of whom he is accused of having no care or affection towards. Meursault is far too agreeable for his own good, and it pulls him into relations with Raymond, who seeks revenge on his lover for cheating on him. As Meursault cares little for the romantic or violent developments in his life, he relates these events to the reader in a painfully dull manner. Every description is matter-of-fact and insignificant; Camus reveals nothing else about the narrator until the very end of the novel. Until then, the reader is dragged painstakingly through a drab recount of Meursault's life as if it belonged in a dictionary. The book, thankfully short, seemed to stretch on far past its actual runtime. I do appreciate that Meursault can be funny on rare occasions, but never in a way that feels purposeful. Overall, I'm disappointed with this book, and I wish the non-feeling narrator had been written with more depth.

Scythe is the start of the Arc of a Scythe trilogy, set in the far future, humanity has overcome any and all problems. Except one, death, humans no longer keel over to illness, accidents, or war, but the Earth's population must be kept in check, thus humans must die. And so only the most humble and moral are put to the task. But of course humanity is fallible and the words humble and moral start to become rare words to describe the dealers of death. This book kept me constantly reading and wanting more (also had me checking my holds for the next in the trilogy), by far one of my best and most entertaining reads.