Have you ever read a book that’s so bad it’s good? Maybe even great? Even if you haven’t, there is room for one of these books in everyone’s lives. This book for me is Horror Hotel. Cringey, “Gen Z” dialogue? Horror Hotel has it. Badly written plot with an obvious twist? You can find that in Horror Hotel. One dimensional characters? You guessed it, Horror Hotel. Though, I will give this book credit where it’s due. I had found myself laughing harder than I’ve ever had at a book. It has the exact same energy of something you’d write with your friends at 3 AM. If you are looking for grade-A trash, you’ll definitely find it in Horror Hotel.

As a lover of writing, poetry, and pretentious philosophical tangents on the measurements of good art, I was bound to enjoy Wilde's only novel. The Picture of Dorian Gray is a beautiful tapestry of tragic corruption and its devastating effects. Albeit at times Lord Henry seems to ramble on about entirely uninteresting subjects, the overall experience of the book is short and sweet. The prose is flowery and elegant; the interactions between characters are brief but natural. Major character development occurs off-screen, which was disappointing, but within 160 pages one can only fit so much. Ultimately, I greatly enjoyed the ride, and The Picture of Dorian Gray has cemented itself as one of my favorites.

Unwind has a fresh, fascinating, and frankly genius premise: after a war is fought on abortion, the U.S. government passes legislature allowing parents to sign an order to "unwind" their teenagers. The teen is then taken apart, and each body part is used for transplants. Like any good dystopia, the concept poses a number of thought-provoking questions that the book tries to address, like "do we have souls?" or "what makes a person themself?" or "how scary is it to be unwound, really?", and it answers them with varying degrees of success. Unwind is an excellent conversation starter; it is riddled with nuanced philosophical ideas which are, at times, uniquely terrifying. However, that's where the problems with Unwind lie: the intrigue doesn't stretch much farther than the initial concepts. Shusterman is talented at worldbuilding, and every new detail of Unwind's dystopia is interesting, inspired, absurd, and simultaneously realistic. Unfortunately, the story fails to make use of this inherent intrigue. Much of the reader's time is spent spectating characters as they shuttle from one location to another. They have minimal development, or, when they do have development, it is sudden and drastic. Shusterman builds a vivid universe only to guide readers through the dullest corners. Unwind is worth a read for the conversation, not the story. If a reader expects the average teenage dystopia, they should pick another book; but if they want fresh perspectives, creative horror, and possibly a hint of existential dread, Unwind is the perfect read.

The book is about a world where a virus made all animals poisonous of people so the world turns to cannibalism to survive. The main character is Marcos who works in a meat processing plant to ensure his family is taken care off. It describes this daily work, slowly building how the world adapted. He's given a gift of live meat. Marcos seemed to look down and seemed to be the only one who saw something wrong with this. However a the end of the book the last few pages changed everything you know about Marcos, you see him in a different light. It feels like it came out of nowhere but, slowly looking through you see it building up.
The book is hard to put down and it explores the darker side of humans abilities to adapt. It makes you think and leaves you wondering about the world that Marcos built for himself afterwards.

Imagine what could happen, if people possessed magic mirrors that reflected not their faces, but their souls? Dorian Gray, from the novel by Oscar Wilde, gets a chance to fully experience it.
An artist, Basil Hallward, paints an incredibly realistic portrait of an even more incredibly handsome young man. As he’s still innocent, the picture reflects just his appearance, but later, when Dorian starts doing cruel and ugly things, the portrait begins changing too. Every sin, every crime against the other human reflects on the face on the canvas, adding more and more ugly wrinkles, spots and ulcers. His own face, however, stays unaltered, always fresh and young. The portrait shows not what he looks like, but what he truly is. Finally, when Dorian kills the artist, he reveals the picture and the face of an old disgusting man on it.
The entire transformation proves what a high price one has to pay in order to realize his wish to stay young and attractive all the time. Under the influence of his old friend, Dorian loses his life guides and devotes his time to looking for new enjoyments. He does not understand that true beauty comes from the inside. It’s not necessarily visible. It’s not on your face, it’s in your thoughts, words and actions.
The novel is written in magical realism, so even the most incredible plot turns feel like something natural. It involves from the first page and makes the readers go through all the transformations together with the main characters.
Reviewer Grade: 11

This book was alright. I had to read this for school once and actually quite enjoyed it. This is a great book for anyone who likes quick mystery reads. The plot is one that makes the reader want to continue reading! The book is about a mysterious doctor named Dr. Jekyll. Jekyll is a well respected man but awfully strange. If this sounds interesting I suggest reading it! Yes, it wasn’t my favorite, but I enjoyed the mysterious plot.

The Shadows by Alex North is about a brutal crime that rocks a small town, and haunts the ones closest to it. Paul grew up alongside three boys, two of which would later murder one of their fellow students. Twenty-five years later, Paul returns to the town to visit his dying mother and is forced to uncover deeply-hidden secrets about the murder when new crimes start to happen. I liked how each chapter revealed new clues and the final result was difficult to guess. There were several plot twists that felt well-calculated. For as exciting as the plot was, Paul was a very bland main character. The way he described his childhood with the future murderers was boring, and I didn't like the lucid dreaming theme. It seemed like the author was going for a strange cult theme, but it was muddled with the constant flashbacks to present-day. It was a good read for the Halloween season, but not my favorite otherwise.
Grade 12

The book is about a book loving kid named Ollie who after coming home from school sees a woman trying to throw a book into water. Ollie of course takes the book away from her and got a warning. The book Ollie got slowly connects to the farm she's visiting for a field trip. After the trip the bus breaks down and they find themselves listening to the bus driver and leaving into the fog. Which led them to a creepy place where scarecrows roam around at the night. Overall I loved to see the book slowly connect as the pieces began making sense. You get to see the characters grow emotionally and begin to understand each other. The eerie feeling of the book fits and the ending makes it feel like it's gone back to this small town and nothing ever happened.

John Dies at the End is a story on two levels. On hand hand, it's a poignant exploration of the darkness of humanity, the fear of the unknown, the tragedies of life, and the devastating realities we exist besides everyday. But also, it's about two idiots on a space drug and their strangely resilient dog.
This book should be the blueprint for every dark comedy. It isn't a needlessly tragic story with a few laughs thrown in or a joke fest that undercuts every poignant moment. It blends comedy and tragedy seamlessly, balances it perfectly, and hits it for a home run with meticulous writing and characters. This is mostly done by finding the hilarity in tragedy, specifically the tragedy of life. This book is strangely and wonderfully existential for being mostly about shadows and movie monsters, a very classic demons of a character mirrored by demons of the world. The characters in general are stellar, with so many flaws and so much cynicism but with some shining nuggets of morality and love that makes them very easy to root for.
The entire thing is a joke that takes itself seriously in the best way possible. There are horrible moments of death and gore and dehumanization, and I would definitely look up some content warnings, but it's still such a fun ride. One minute there's gruesome character deaths and existential dread and body horror and such, the next minute one of the characters need to just kill the alien larvae quickly to get to work on time. Or their dog explodes and shows up like two days later and they don't care enough to investigate that. It's a rollercoaster of mood swings, but in a good way.
All in all, I don't know how to describe this book without using far too many words. Basically, despite some anticlimactic moments and weaker plot structure, this is a perfect dark comedy. I'd recommend this to any fans of horror, humor, existential dread, nihilistic humor, and well-written alien drugs!

Reviewer Grade: 12

Despite the high page count, I've been looking to reread It by Stephen King for some time. It was a great book; it just took some time to get through. Seven friends all team up to fight an other-worldly murderous clown after several people turn up dead in the small town of Derry. This clown feasts on your worst thoughts and fears, and destroys your mind as well as your body. The switch between the seven friends as kids versus adults was entertaining, because they handled emergency situations differently as well as having different motives because of how the clown affected their childhoods. The chapters could get tedious at times and have a lot of fluff (in a horror book? YES!). I would even call the last hundred or so pages strange as the final battle became sort of biblical and unlike the direction of the rest of the book. Still, if you're a fast reader and would like to get a horror book under your belt, try it out!
Grade 12