Horror

The Lord of The Rings, Harry Potter, Hobbit and The Chronicles of Narnia have already won the hearts of millions of readers of all ages. Fantasy novels with complex plots, written in the understandable even for the youngest readers language, keep older generations excited and thrilled as well. The Fairy Tale by Stephen King can definitely be included in this honorable list. Describing the incredible adventures of Charlie Reade, it takes us to the mystical world and introduces to the ancient evil monsters and brave fighters for freedom.
Everything starts simple enough. The characters are living their ordinary enough lives and dealing with their down-to-earth duties and routines. But everything changes when a 17-year-old Charlie Reade decides to help his old grumpy neighbor. He discovers the door to the hidden world, where life is paralyzed by a curse that erases people’s faces and takes their sensations away from them. An evil tyrant Flight Killer and is the one who stands behind it. And, as it normally happens in fairy tales, Charlie turns out to be the one, whose mission is to defeat the evil, liberate the city of Lilimar and save the fallen princess. Is it truly up to a high-schooler to beat the powerful monster? And what does it have to do with an old ill German shepherd? The Fairy Tale has the answers for all these questions.
The audience gets a chance to dive into the exciting and cozy atmosphere of the good old stories, heard in childhood, and, at the same time, enjoy the complicity of created by King universe and charm of human feelings and behaviors. Classical fairy tale plot and motives make the novel easy and pleasant to read, however, as any fairy tale, it contains hidden moral and promotes eternal values.
Reviewer Grade: 12

This is a clever, evocative YA reimagining for Mary Shelley's "Frankenstein," told from the perspective of Elizabeth Lavenza. I listened to the audiobook adaptation after a friend recommended the book to me, and it was truly difficult to turn it off/put it down. There are rattling, emotional moments and interesting characterization details throughout, particularly in regard to Victor and Elizabeth's complicated, consuming relationship. Elizabeth's narration is strong, I'd say, and the audiobook narrator (Katharine Lee McEwan) performed different character's voices very well/in a way that helped build the atmosphere rather than detract from it. A lovely book!!

Frankenstein, a fictitious novel based Europe, details the account of a genius named Victor Frankenstein who creates a beast out of dead body parts. The beast then goes on to haunt him and kill everyone who Frankenstein loves. Frankenstein tracks the beast into the mountains and eventually speaks to him. The beast pleads Frankenstein to create a female beast, to which Frankenstein, comprehending of the horror that a lineage of beasts would survive, declines. The beast vows to kill every last one of Frankenstein's affections, and he does. Frankenstein is enraged and dedicated the rest of his life to tracking and killing the beast. The chase ends in the Arctic, where Frankenstein eventually dies. The beast sees his death and, with no more hope for a future mate, is overcome with grief.

A Monster Calls is excellent for what it does. A young boy battles with his feelings over his sick and dying mother. He is haunted by a certain horrible nightmare. A monster outside his window causes havoc on various levels to evoke his true thoughts. He isn't afraid of anything, because nothing is scarier than his nightmare. The story reads similarly to a fable in that it weaves itself perfectly neatly. There are no subplots, extra characters, or excess in this novel. Instead, it marches on to the structure that one would expect, in three acts, each with appropriate escalation. The structure of this novel was refreshingly minimalist, and it helps highlight Conor's strengths and flaws in a powerful way. A Monster Calls is a short read, but it is heartbreaking and beautifully done.

Daniel, the main character of the novel ‘Took’ is struggling with family issues, but then his sister, Erica, is taken from plain sight. It can’t be the woods where the witch lives, so what happened to Erica? The book is about Daniel uncovering new clues and going through twists and turns to find his little sister.
I absolutely loved this book! I’ve read it at least three times and it never gets old. I can appreciate everything about this book from the detailed scenes to the simple, but chilling artwork on the front cover.
Reviewer Grade: 8

The Girl in the Locked Room is a ghost story written by Mary Downing Hahn. In a nutshell, this book is based on a strange girl who has been locked in a small room for many years. As the story goes on, many secrets unfold and all questions are answered with shocking twists.
I enjoyed the plot of this story. As simple as the setting is many secrets unfold throughout the book. The character (the girl) is extremely complex even though the setting is small. This isn’t my favorite novel by Mary Downing Hahn, but it is definitely worth reading in my eyes.

This ghost story revolves around a pair of siblings, the older sister named Diana and the younger brother named Georgie. The strange thing about these two is they don’t have any parents or legal guardian looking after them. It has always been Diana and Georgie on the Willis Farm. The two have a strict set of rules to follow which may lead to consequences if they break.
I really enjoyed this book. It was really an attention grabber and I was extremely interested in the plot because I haven’t read anything like it so far. Diana and her little brother Georgie are really complex characters and their relationship is interesting to follow throughout the entire book. This book is another ghost story from Mary Downing Hahn. If you have any free time, I recommend picking up the book and start reading!
Reviewer Grade: 8

Have you ever read a book that’s so bad it’s good? Maybe even great? Even if you haven’t, there is room for one of these books in everyone’s lives. This book for me is Horror Hotel. Cringey, “Gen Z” dialogue? Horror Hotel has it. Badly written plot with an obvious twist? You can find that in Horror Hotel. One dimensional characters? You guessed it, Horror Hotel. Though, I will give this book credit where it’s due. I had found myself laughing harder than I’ve ever had at a book. It has the exact same energy of something you’d write with your friends at 3 AM. If you are looking for grade-A trash, you’ll definitely find it in Horror Hotel.

As a lover of writing, poetry, and pretentious philosophical tangents on the measurements of good art, I was bound to enjoy Wilde's only novel. The Picture of Dorian Gray is a beautiful tapestry of tragic corruption and its devastating effects. Albeit at times Lord Henry seems to ramble on about entirely uninteresting subjects, the overall experience of the book is short and sweet. The prose is flowery and elegant; the interactions between characters are brief but natural. Major character development occurs off-screen, which was disappointing, but within 160 pages one can only fit so much. Ultimately, I greatly enjoyed the ride, and The Picture of Dorian Gray has cemented itself as one of my favorites.

Unwind has a fresh, fascinating, and frankly genius premise: after a war is fought on abortion, the U.S. government passes legislature allowing parents to sign an order to "unwind" their teenagers. The teen is then taken apart, and each body part is used for transplants. Like any good dystopia, the concept poses a number of thought-provoking questions that the book tries to address, like "do we have souls?" or "what makes a person themself?" or "how scary is it to be unwound, really?", and it answers them with varying degrees of success. Unwind is an excellent conversation starter; it is riddled with nuanced philosophical ideas which are, at times, uniquely terrifying. However, that's where the problems with Unwind lie: the intrigue doesn't stretch much farther than the initial concepts. Shusterman is talented at worldbuilding, and every new detail of Unwind's dystopia is interesting, inspired, absurd, and simultaneously realistic. Unfortunately, the story fails to make use of this inherent intrigue. Much of the reader's time is spent spectating characters as they shuttle from one location to another. They have minimal development, or, when they do have development, it is sudden and drastic. Shusterman builds a vivid universe only to guide readers through the dullest corners. Unwind is worth a read for the conversation, not the story. If a reader expects the average teenage dystopia, they should pick another book; but if they want fresh perspectives, creative horror, and possibly a hint of existential dread, Unwind is the perfect read.