War is an ugly thing full of death and destruction. While most books written today bemoan this fact and complain that wars should never start in the first place, what do the individual soldiers handle a war that they didn’t even start? Set in the Civil War, The Red Badge of Courage is perhaps the best representation of the growth of a soldier from a deserter to a courageous fighter. Our intrinsic fear of death is what motivates so many of us to do the things we do to survive. Overcoming that fear and charging headlong into battle does take a measure of courage usually not present in most people.
Stephen Crane does a fantastic job weaving the story of a young man who has to learn what it truly means to earn the titular “red badge of courage.” His prose is almost poetic as he describes the landscapes, battles, and people who were forced to endure this historic war between brothers. There’s realism to the narrative that immerses the reader into the era and the battles that helped to define the war as a whole. In the end, though, this book could almost be set during any period and any war; the themes present within it are that timeless.
While it took me this long to finally sit down and go through this book, I’m glad I finally did. I had started it many years ago but lost interest for some reason. This time around, I was able to appreciate the story based solely on the strength of Crane’s writing. I know this book is usually assigned to elementary school students at some point, but if it has escaped your “read” list as it did for me, then I would urge you to pick it up and give it a read. It won’t take long, and it’s certainly worth the time spent reading it.
A timeless classic that deals with the human side of war, I give The Red Badge of Courage 4.0 stars out of 5.
"The Book Thief", an intriguing story that focuses on a little girl living in Nazi Germany, is a delicate and emotional piece that will have you turning the pages until it is finished. This story is quick read, though surprising based on the 584 pages, and has you hooked on every word of every sentence of every paragraph. This novel is historical fiction, and is written by the perspective of death. Liesel Meminger, the main character of the story, is a foster child living in the excruciatingly difficult times of Nazi Germany. In the story, she faces so much, many of which happening before she meets her foster parents, only to have more head her way in the face of the war. This book is very raw and emotional, and really puts life as we know it into perspective. If you like historical fiction, real stories, and a happy ending, this book is for you.
This book was pretty good. It was an easy and fun read. Very formulaic chick lit. The only real problem I had with it is it seemed the author was trying too hard to make the dialog match with the time period. The slang was heavy handed and made me feel as if it had been made by Mad Libs. I would recommend this book if you are looking for something easy and fun to read that takes place in WWII.
“It was the best of times, it was the worst of times…” The opening lines say it all. I do enjoy Dickens, but this is by far, my favorite novel of his. This book follows the effects and far-reaching ramifications of the arrogant cruelty of the French aristocracy before their Revolution. A man is saved from an unfair imprisonment, but must regain himself through his devoted daughter and friends. They build a new life in England, where we get to know an array of complex characters – each with their own foibles and narratives. Meanwhile the fervor of the people of France veers towards the inevitable overthrow of the tyrannical aristocracy, and as often happens, the oppressed become the new oppressors. Destiny drives our main characters into the French turmoil where they find chaos, danger, and ultimately redemption.
This story centers around an impassioned artist and his dreams, a mysterious murder, an enchanting English manor and all that went on their throughout its many years, a ghost that stands outside of time witness to it all, a vanished girl, an archivist and her discovery of a priceless artifacts, and how what went on there all those years ago effects who she is today.
In the past, the 1860’s to be exact, this story begins with a talented artist Edward Radcliffe and a group of artists that spend a summer at the house of his dreams Birchwood Manor. But shortly after arriving a mysterious murder is committed, a priceless artifact disappears and one of the women vanishes. A hundred years later in the present an archivist, named Elodie, finds a satchel which contains an unrelated photograph and a sketchbook that contains a drawing of Birchwood Manor. As she digs deeper into the mystery she is pulled into a story that has her questioning her past and who she truly is. This beautiful atmospheric mystery spans the length of time, and is told by the many voices and people all living within and around the Manor’s walls.
Before I go any further, first, let me say this. Kate Morton is the master of atmospheric beautiful Gothic mysteries and I am a big fan of hers and have loved every one of her past books. Her intricate and deeply rooted stories her beautiful prose, and her enchanting settings are the reasons why she is simply one of the best in her genre. That being said, this work, was a bit of a disappointment. While all the elements of what I love about Kate Morton’s books were there; an intricate story steeped in history, an old vast English manor with a secret or two to hide within its walls, old families with long pedigrees, a family mystery, an enchanting setting, this book fell short for me mainly because of its intricacy and complexity. I also believe the ending was a bit weak. I really wanted to love it, I just couldn’t.
Morton, I believe, really attempted to tell a challenging story, but simply had to many voices trying to tell it. While I like a good dual timeline novel, this one, with at least four voices and timelines was simply too much. There were times that, because of how she bounced around among the numerous timelines, when I got completely lost in which timeline I was following. This combined with how many characters and voices there were throughout the novel, made the story overall a whole lot less enjoyable. I’ll admit, this story took me a good while to get through and I do recommend, if reading this, keeping a list of who everyone is and which timeline goes where. It’s definitely a book you have to think through. That being said the story itself was beautiful and it makes me wonder, if it wouldn’t be better as an audio book where each of the voices are sounded out. Overall a 2.5-3 star read for me. However, if you are a Kate Morton fan and if you love atmospheric Gothic mysteries, I couldn’t count this one out, I would still give this one a go, just maybe as an audio book. Place your copy on hold today!
Thank you to Netgalley, Atria books, and Simon and Schuster for a DRC of this book in exchange for an honest review.
Nathan Price moves his wife and four daughters out into the Congo in 1959. He's a prolific and die-hard evangelical Baptist pastor, with his mind set on converting the majority of the Congo population to Christianity. His wife, Orleanna, is submissive and silent, obeying him and allowing him to hit their children. Rachel, the eldest Price daughter, arrogant, self-centered, and sorely missing her comfortable 16 year-old life back in the States. Next come the twins, Adah and Leah. Adah is shriveled up and crippled, but her mind runs like a confusing, rampaging fire. Leah has cut her hair short and vows to shoot her bow and arrow as well as any village boys. And Ruth May, the baby of the family at 5 years old, with her warped and imaginative outlooks on their jungle surroundings. The Price family is trying to hold it together as the Congo fights for independence from Belgium, as they watch children starve to death on their doorstep, and the colorful like of the jungle swirl around their broken household. -Jordan T, 8th grade
The classic tale "Huckleberry Finn" is about a young boy and his adventures with a slave named Jim amidst war and racism. I hated this book for two reasons. Firstly, the plot doesn't seem to go anywhere. It seemed that Finn and Jim just wandered aimlessly around, befriending unlikable people and getting into trouble. Secondly, Finn was a very unlikeable protagonist. He doesn't show any sort of compassion or kindness towards anyone -- and doesn't seem to care if his friend Jim lives or dies. It is difficult to root for and follow a hero that you hate. While I personally did not enjoy this book, don't let that stop you. I know many people who really enjoyed "Huckleberry Finn" -- I was just not one of them. But, if you are someone who likes a strong plot and a fairly likable hero, this one is not for you.
The classic tale of "The Great Gatsby" follows Nick Carraway, a newcomer to the city, who discovers the lavish and intoxicating life of Jay Gatsby, his next door neighbor. Nick soon becomes entangled in a net of secrets and deception that involves his friends Daisy Buchanan and her husband Tom. After hearing so many incredible things about "The Great Gatsby", I came into the story with high expectations. Unfortunately, they were not really met. While the story is undeniably powerful, it lacks in some areas. I found all the characters extremely unlikable. There was no one to really root for. In addition, there were parts of the story that seemed to drag on for far too long. I found myself asking, "When is something going to happen?" at several points. All in all, I didn't hate this story, but it definitely wasn't my favorite classic to read. Grade 12.
Fabulous. If you are at all interested in the Romanovs as a whole (beyond Nicholas and Alexandra), this is a wonderful introduction. This book expands the story of the Romanovs from the point of view of Empress Maria Feodorovna who married the Russian Tsarevich and was the mother of the ill-fated Russian monarch Nicholas II (she was also the sister of Queen Alexandra of the U.K., King Frederick VIII of Denmark, and King George I of Greece - luckily there is a handy family tree in the front of the book for you to refer to!) Beautifully written and engrossing.
This book took me on an emotional roller-coaster! The beginning bits were so funny, I figured it was going to be more of a slapstick comedy (which I was okay with), and then the reality that this was set in London during the Blitz set in, and I found myself gasping. Plucky Emmaline is such a lovable character, I would love if the author would consider revisiting her life in the future! Strongly recommend for those who enjoyed The Guernsey Literary and Potato Peel Pie Society. While it is not written in letters, Dear Mrs. Bird packs a similar emotional punch.
Sometimes, this book had amazing descriptions about experiences and personalities. But the majority of the book was dreadfully dull and dragged on and on. The main character described, in detail, her hook-up stories and one-night stands, leading up to her more fruitful and lengthy relationship with a witty, quick woman named Rosalyn. I felt that although physical intimacy is a large factor in mature relationships, I really didn't need to hear about EVERYTHING they did to each other. I was drawn into the story because the plot seemed fascinating. In theory, it would be, but the author was so fixated on producing a lengthy novel that the story was drawn out. So the story line is this: Hero De Vera arrives in the US as an illegal Filipino immigrant. Her uncle welcomes them into his home, without questioning her very questionable past. The past where she dropped out of medical school, took up one night stands with near strangers, and joined the New People's Army, a discreet organization in the Philippines, where lots of murderous secrets lurk. Hero moves into her uncles house, and is welcomed into the work-alcoholic behavior of her uncle and aunt, who are trying to provide for their family and others. Their young, American-born Filipino daughter, Ronnie, is feisty and spunky. Hero meets Rosalyn and, almost instantaneously, begins to nurture a crush for her. That is, until their physical relationship begins. And THAT is when things got nasty. In conclusion, an intriguing plot, terrible writing, and unnecessary details on Hero's sexual pleasures. And it took a decent chunk out of my time, too.
Loved this dual-timeline novel. Both stories were strong enough that they could have stood on their own, but together they were wonderful. The descriptions of a small town in Tuscany were so vivid that I felt like I was there, and the food in particular made me hungry! I've only ever read the Royal Spyness mysteries by Rhys Bowen, but they are among my favorite lighthearted mystery series. Now, I'm definitely going to have to pick up In Farleigh Field and her other mysteries!!!
Huckleberry Finn is a rebel against school, church, and the respectable society that wants to civilize him. Therefore, after faking his own death, Huck embarkes on a raft journey down the Mississippi River along with Jim, a runaway slave. The Adventures of Huckleberry Finn is a novel full of shenanigans, adventures, schemes, and pranks in addition to deep contemplation that gives some great advice. This adventure is truly a classic and I highly recommend it for any middle schooler or older since there is something in this book for all ages.
If you aren’t familiar with Guy Fawkes Day, every year in England on 05 November, citizens burn Fawkes’ effigy to celebrate his failed attempt to blow up Parliament in 1605. Fawkes tells the story of Thomas Fawkes, Guy’s son, with a fantasy twist. In this world, folks have powers based on colors. Some folks can manipulate some colors, others all colors, which leads to different magical schools of thought and serves as a stand in for the Catholic-Protestant tensions of the time.
If you know anything about my reading preferences (I read mostly fantasy), this next thought is a bit shocking: the fantasy elements really ruin this book. Unfortunately, the worldbuilding is really shallow. You’ll be left with loads of questions about color power like: What if something is more than one color? Paint? How does that work? Why can’t someone who can control Green also control Blue and Yellow? Or vice versa? And so on.
I really wish the book had been written as straight historical fiction. A point about religious persecution could have been made (that was perhaps attempted, but for me it didn’t land). The story might not have dragged for the first three quarters of the book. Add to the weird pacing and lackluster worldbuilding the fact the main character manages both to be extremely judgmental and lack any convictions for most of the book, and you’ve got a book that really isn’t fun to read. I found myself skimming just to get through it.
With that being said, I did enjoy the last quarter of the book. The pacing picks up, Thomas develops a backbone, we get to spend some time with my favorite character (Emma!), and Guy Fawkes gets a tiny bit of development.
This wasn’t for me, but perhaps some folks will be swept away by the romance and intrigue. For fans of historical fiction that can look past the weak fantasy elements. 2 stars. Meh.
Thanks to Thomas Nelson, HarperCollins Christian Publishing and Netgalley for the free eARC, which I received for review consideration. Fawkes will be available for purchase on 10 July, but you can put your copy on hold today!
After watching the critically acclaimed movie I could not help but read Kathryn Stocket’s book, The Help. Watching the movie before reading the book is something I rarely do, and I knew the book would be better in this case, but I underestimated just how good the book would be.
The Help takes place in the 1960s and is a about a girl named Skeeter who wants to write a book about the African Americans who help in white households. However, different chapters are narrated by different characters so each character has somewhat their own story within the story.
This may be a bold statement, but The Help is my favorite book I have ever read. As an avid reader, I loved how long the book was. The book did not seem to end and the characters were so interesting, I didn’t want it to. Stocket’s writing abilities are phenomenal and the fact that each character was so distinctly different from one another was very impressive. I enjoyed the different chapters being narrated by different characters so much since I got to see what each character was thinking and feeling. I also loved the descriptions in the book. It wasn’t so descriptive that it got boring but
it also wasn’t so little that you couldn’t picture the situation. It was the perfect amount and it added to the reality of the story so well.
Overall I would highly recommend this book, especially for long summer reading. The only thing that I can think of that wasn’t great about the book were two specific chapters. They weren’t awful, I just felt that the book could have easily done without them. But obviously they didn’t really take away from the story and I still adore this book.
You know you have come across an extraordinary book when you find yourself thinking about its beautiful story and characters several months after you have first read it. I first read this beautiful novel back in February when I received an ARC of it from the publisher, and today I still think of the book and its beautiful characters of Nour and her family as they flee their homeland, Syria in 2011, and become refugees venturing across several middle eastern countries as the situation becomes more and more unstable and the violence ever more brutal. Shifting between past and present, in a second duel story-line that takes places more than 800 years earlier in Medieval Syria, Jennifer Zeynab also tells a harrowing tale of a girl named Rawiya, her desire to see the world, her very real clash with supernatural myth, and her adventures with a famous cartographer.
Jennifer Joukhadar through the fictional characters of Nour and her family, discusses a relevant and timely topic of the experience of many refugees that flee persecution and violence. She also does it in a way, that is, for the most part, unbiased choosing to focus instead on the everyday human experience of a family, instead of political ideology, which is very refreshing in today’s global climate.
The atmospheric and beautiful prose are a delight to read as we get to experience the world the way Nour and Rawiya saw it through beauty, sorrow, color and light. The character development of Nour, as her personal identity and her idea of what home is shifts as her journey progresses through time and years, is especially strong as she reflects on all she has lost and gained. Though the character development of Rawiya, shows a progression and change as her journeys around the world challenges and changes her perspective on life, I do not think it was as strong as the story of Nour and her family. And though Rawiya’s story-line was beautiful and entertaining, I felt it sometimes took away, from what I think of, as the central story-line of Nour and her family’s refugee experience.
That issue aside, this novel which is rich with historical and mythical detail, was in my opinion, several steps above the rest as it tackled a relevant, continuous, and difficult issue with beauty, grace and a truly memorable story. This novel, it has been said, does for Syrian Refugees what the Kite Runner did for Afghan refugees and in my opinion, it is a fair and correct comparison.
Thank you to the publisher Touchstone Books for an ARC of this beautiful novel for review! If you have not yet, please put this book on your holds list, it is so beautiful!
Mark Twain's beloved nineteenth-century novel is a thrill. Tom Sawyer is the story of a boy that everyone can relate to. From being bored in Sunday school to playing pranks on the teacher to running away and playing pirates, Tom Sawyer is full of boyhood adventures. The Adventures of Tom Sawyer is filled with comedy, warmth, and youthful innocence. However, below the surface, The Adventures of Tom Sawyer is about young boys facing the cruel adult world. This novel is truly a classic and can be enjoyed by all ages, especially upper elementary, middle schoolers, and high schoolers.
Rich with symbolism and human feeling, the compassionate author leads us to consider deepest plumes of human sentiment. We are artfully led by the hand into the inner corridors of human hearts, where we are taught to stare down passion, shame, despair, revenge and finally courage.
First, we are compelled to walk around in a world where there is no forgiveness. We are removed from the fresh and life-giving promises of scripture to a stale and unrelenting universe, a universe in which once you have sinned in certain ways, you are branded for life. Hawthorne’s world takes the world of Jesus and turns it upside down. Where Jesus welcomed the repentant prostitutes and the reformed tax collectors and had his very harshest words for the proud, exacting Pharisees, in Hawthorne’s world the town’s peoples’ sins of unforgiveness and pride are smugly overlooked.
Hawthorne’s world does to us what all good fiction ought to do: it causes us to shudder. We feel instinctively the cruelty of the sentence placed upon the young woman and the baby, although we acknowledge her sin. This should lead us to praise our God for the forgiveness and grace that is so freely offered us in scripture. As the Pharisees ask Jesus what they should do with the woman caught in the act of adultery (and where, I always wonder, is the man?), we should know his response: “Let him who is without sin cast the first stone.” John 8:7
Yet we come to appreciate the large-heartedness of Jesus all the more as we come to live in the world of Hester Prynne. Hawthorne, understanding the longing that we all feel to be welcomed and loved unconditionally within a society of people, haunts us with the solitary and scorned life Hester Prynne is relinquished to. As we sink deep into the mire of her forlorn pit, our hearts should soar all the more with the blessed promises of our great God:
“Remember that you were at that time separated from Christ, alienated from the commonwealth of Israel and strangers to the covenants of promise, having no hope and without God in the world. 13 But now in Christ Jesus you who once were far off have been brought near by the blood of Christ.” Eph 2:12,13
As we walk around in Hester Prynne’s world, we know what it would be like to be separated from Christ, to be alienated from the commonwealth of Israel, to be cut off from the promises of God. And yet we rejoice, because we know by faith that Hawthorne’s world is a skewed, twisted world, bearing no resemblance to the true community of faith.
Hawthorne’s character Dimmesdale is as unlike to Christ as nearly any man can be. Dimmesdale’s portrayal of failed manhood is so epic, I can scarcely think of another rival in literature. Here we see a man so small, so petty, so devoid of the smallest scrap of courage or courtesy, that he sits back passively allowing a woman to not only care for, love, and instruct his child alone, but also do so while laboring under the unrelenting sorrow of his shame. He sees this woman daily scorned, reviled, despised, belittled, made an object of while he walks around enjoying his position of influence and respect in others’ eyes. The fact that his sin daily eats away at him till his health is completely deteriorated does not make him any less pathetic in my eyes. No, he is the more pathetic for it. For he shows none of the manly dominance over human affairs that God gave to Adam when he blessed him and gave him dominion over the world. Instead, Dimmesdale is a peon, a victim of circumstance, a shadow of man, resigned to say simply “come what may,”
devoid of action and refusing to take responsibility at every turn.
What a striking contrast to our mighty savior. It is the man Jesus Who in all things takes the initiative. Jesus takes the shame for sins He never committed. Jesus stands up and takes our punishment. Jesus bears all our sorrow and our shame. Jesus, though perfect, identified himself with the lowly, with sinners and allowed himself to be crucified in the most undignified and hideous fashion, next to violent criminals. Jesus, instead of leaving a woman to lonely sorrow while he enjoyed respect, became a man of sorrows, well acquainted with grief. (Is. 56)
Is the Scarlet Letter a book for today? Why else does abortion flourish today except that we are plagued with a generation of Arthur Dimmesdales walking our streets? We have everywhere men who will not take responsibility for their actions and protect the children they have carelessly fathered.
Instead, they take their women to the clinic in the shadows and leave them to the abortionist scalpel, which brands hearts with a letter so hot and scarring, only the red-hot blood of Christ will heal.
I feel the same way about this book as I do certain of my favorite foods: I absolutely love it but I can understand why someone else wouldn't. The very distinctness of this book is what makes it so lovely. If you're looking for an action-packed page-turner, keep looking. This is a book to be savored.
On the pages of Gilead, I was confronted with the transcendence, the miracle that is everyday life. The author beckoned me to see the smallest detail of existence as a thing to be cherished. I found myself deeply moved by the quiet steadiness of a man who had lived in one small, inconsequential town his whole life. He wrote no great books, and made no national waves, but he was faithful and content. What a concept! Yet he fought real battles! They were the struggles he waged in his own heart. For instance, he fought hard to love the wayward son of his best friend who had caused the family so much grief for decades, and had now returned. But in the end, he rose as a victor, and gave a blessing so moving it could change the course of a life. He had struggled for decades with loneliness. While his best friend had a household of eight kids, he had remained wifeless and childless for years after his first wife had died in childbirth. But this eventually served only as a platform to make him a stronger and more sensitive man--a man able to love more deeply because of all his heartache. All of this is described so skillfully, so carefully, that the reader cannot help but love all that the author loves. And what else is a good story for if not to capture the affections?
This book is not some trite, feel-good, cliche-gushing, sappy-ending kind of book. I'd say rather, Robinson portrays a little love for Flannery O'Connor in her writing. But a reader must remember that an author writes this way, not always to be dark for darkness sake (like Poe), but to sketch the world as she believes it really is. Home portrays the world as a messy place, with the messiest of all places on earth being the human heart.
Jack Boughton has wandered the world for 20 years as the wayward son of a faithful pastor but returns back home, just before his father passes away.
Jack relives much of his childhood as he returns to this home he has been gone from his whole adult life. Here he must face the remembrance of not belonging to something lovely, something he was and still is cut off from. He sees how a darkness in his heart has kept him from the light, the warmth, the fondness of family love. He has been a heartache to his parents and this he hates. But hating oneself is not the same thing as redemption; neither is regret; neither is simply making a physical trip to one’s childhood home, nor caring for your father for the last few weeks of his life. Reminiscing with your little sister and visiting all your old haunts, no, none of these things alone makes for redemption. It is much more complicated than all of that, and can only happen in the heart. Like many good books, the reader is not given a pat, 5-step plan. The path is left ambiguous. But we are only given hints. Jack whispers one of the deepest longings of every human heart, when he says to his father under his breath, “Bless me, even me also, O my father.” (From Genesis 27:34)
There is no tidy reconciliation scene between father and son, although Jack at one point tries to fake a change in his beliefs to ease his father's last days, but his father sees right through it. However, before the book ends, Jack receives a blessing from his namesake, his father’s best friend, and this is where the unexpected power to both forgive and to claim a promise, pierces through the binding darkness that Jack on his own could never have escaped.
A father who loves unconditionally a wayward son, and a life-long family friend who intercedes between a father and a son who love each other but can't understand each other, these two things are among the strongest forces on earth.