We were liars is a young adult drama/thriller. It’s about the seemingly perfect Sinclair family and their summer private island. Cadence Sinclair is the heir to the Sinclair fortune and going to the island during the summers is what she looks forward to during the year. However, after an accident and two summers missed on the island, Cadence returns with little memory and a suspicious feeling.
This was an overall good book to read. It got a little slow at times, but it was not predictable and kept me on the edge of my seat. I will say I was expecting a predictable ending but the plot twist completely blew me away! It’s also not very long and a quick read but with a lot of emotions. E. Lockhart did a good job at making me feel things. I laughed, I cried, and had more than one jaw dropper. I would rate it a 3 just because it got a little boring and confusing, but I would recommend!
Reviewer Grade: 8
A Good Girl's Guide to Murder presents readers with the skeleton of a mystery novel while somehow excluding most of what makes a mystery novel compelling. Holly Jackson dives straight into the disappearance of Andie Bell at the beginning, ignoring all conventions of suspense of build-up. The disappearance is approached from a strikingly detached perspective, though, in contradiction, many of the key figures in the case are life-long friends of the narrator. This apparent lack of motive from Pippa rocks the very foundation of the novel, and readers have difficulty connecting with such a character. Jackson hastily attempts to patch this by claiming an emotional stake in the matter, but in Pippa's actions, she is all but sensitive. Her investigation is greatly reckless, unrealistic, and absurdly convenient. The mechanical nature of Pippa's progress only further disconnects the reader from the story, and it renders the suspense and climax completely arbitrary.
Against all odds, Lydia and her son, Luca, survive a brutal cartel massacre, leaving them with only one option: to embark on a dangerous and arduous journey to seek safety in the United States. American Dirt by Jeanine Cummins is a harrowing story about the survival, resilience, and hope of migrants fleeing north to the United States. Cummins skillfully captures the hardships, fears, and hopes of these characters, providing a window into the harsh realities faced by those making the perilous trek north. American Dirt humanizes the migrant experience by creating empathetic and multifaceted characters, illustrating the diversity within the migrant community and their shared aspirations for a better future.
Hidden motives, secrets, and lies are the backbone of Lucy Foley’s thriller, The Guest List, and did I mention drama? From the moment you open the book, drama spills out, but in a good way. The characters are the point of the book. Their problems its lifeblood. The Guest List is not solely about the murder but all the threads connecting the cast of characters to one another in some elusive way. And the mystery is cleverly interwoven with all the lies and personal issues, so you won’t know who did it until the end. Even if you do figure it out, the characters have so much more to offer than just their motive. Foley creates characters you will hate, pity, and love. Totally recommend.
"Five Total Stangers" is a book by Natalie D. Richards about a road trip gone wrong. Desperate to get home to her mother, Mira accepts a car ride from four strangers. However, missing items and rising tensions make Mira wonder just what she's gotten into.
Overall, this is a fine book and an easy read. The characters aren't particularly deep, but they all have somewhat compelling backstories and personalities. I wouldn't consider them likeable, but I think that's the point. It adds to the uncomfortable atmosphere. There was a character twist that seemed to come out of nowhere to me, but admittedly I'm particularly bad at predicting twists. Mira is the standout character, having an interesting struggle between needing to get home and not wanting to be in this situation.
The plot falls a bit flat for me. Specifically the pacing. Some stuff goes missing and they spend half the book arguing about it. Then everything goes crazy in the last 40 or so pages. Putting that aside most of the 'spooky' events are fairly standard, without much twist on them. The only exception is one scene where they try to figure out who grabbed the steering wheel and who was driving normally.
I would reccomend this book to horror fans and people who have a lot of free time to kill.
Sylvain Neuvel's "Sleeping Giants" is the first book in a series of three fantastic novels about alien technology and what it means to be human. This book was lent to me by my father, so I knew it had to be amazing. I was not wrong in that assumption. My favorite part about this book is likely the most divisive part: the format. This book is explained in an interview format, between each character and a mysterious interviewer that is developed further in the later installments of this series. At first, I wasn't sure if I would like how jarringly different this format is; sometimes it is noticeable when the author wanted to convey some important information, but the constant interview made the information difficult to show. It wasn't exclusively interviews; occasionally a mission log was used for variety's sake. My least favorite part of the book is actually what wasn't included in the book. It sounds picky, but I think that this book had room for more. The cliffhanger, while masterfully executed, came too soon. Not enough happened before the book ended, so I was left immediately scrambling to acquire the other 2 books in the series. The book, and especially the series as a whole, is absolutely surprising at nearly every step. Characters assumed narratively immortal die, and enemies turn into friends that save the world in the third book. Each character had interesting flaws and contrasting personalities, so each character introduced to us through the mysterious interviewer felt like someone you could meet walking down the street. All in all, this book is definitely one of the best books I have read this year.
Reviewer Grade: 10
Romance, thriller, and horror all wrapped into one. Natalie D Richards does it once a great with a book you won't be able to put down until the final page. When two best friends in love have a falling out over a fight at a party it seems nothing could bring them together again. Except for the bridge that is. Strange things keep bringing them back to the place of the party and back to each other. Lock on bridges and hearts hold mystery but the views of both parties is being clouded by their own mental struggles. This is a very emotional book and capitating one that I can't wait to read again. Readers enjoy and beware of the bridge.
The moment you open the book your going to be immediately thrown into the story. A deadly plague has overtaken the world and the few thousand humans left reside in what used to be Manhattan; now called New America. From Drayden (the main characters) perspective we get to see that New America has a tight hierarchy. All citizens of New America get one chance to elevate above the area they were born, and the stories spread around this "chance" make most pass it up. Drayden though, he has decided to play New Americas deadly game.
The Westing Game is a very eventful book with lots of twists and turns. It starts out as a novel about an old rich man who ‘died’, Sam Westing. All of his heirs live in Sunset Towers and are competing in a game he made. In his will, Westing claims that one of the people that resides in the tower killed him. All of his relatives get assigned another family member they have to work with as a partner. The groups start finding and solving clues, one leading to another and making each family suspect each other throughout the whole game. His heirs are hoping to gain control of his business and win millions of dollars through the game, which they will split with their partner. I really liked this book because of all the mystery and obscure details that lead you to the answer. Who set the bombs? Who REALLY killed Westing? Why did Turtle cover up for Angela? Did he even die? Are Sam Westing, Sandy McSouthers, Julian Eastman, and Barney Northrup hiding something? The suspense draws you in, and leaves you wanting more and questioning everything. I would highly recommend this book for any young and curious reader.
This Body's Not Big Enough for Both of Us is a wonderfully witty Jekyll-and-Hyde-esque tale of crime, passion, and sibling squabbles. Adrian and Zooey Kimrean are twins forced to share the same body: the same brain, the same limbs, the same life. After establishing a Private Eye business to utilize Adrian's deductive analysis and Zooey's creative skills, the two are thrown into the path of a mob war. Can they learn to work together, or will their self-destructive self-sabotage spell the end for the both of them?
This book is insane. It's absolutely insane. It's a rollercoaster of emotions, plot points, and story trajectory, and I loved every minute of it. The mastery of the book comes in large part from Cantero himself, and his mastery of humor and pacing and personality. Every character, especially the two main leads, seem to explode from the page. The book acknowledges the tropes of the detective story, and a lot of it plays into it, but there are also some wonderful subversions in the simple act of giving two-dimensional characters a lot more depth than they usually warrant. Very few characters are taken for granted. Beyond that, there's a beautiful vibrancy to the dialogue, and it highlights the unique character dynamics that emerge from the story. The story takes full advantage of its goofy premise, using it for all the drama and humor and plot fodder that it can. Both the hilarity and the absolute tragedy that is the main character's situation is wonderfully balanced. The jokes about it have some of the best slapstick and back-and-forth I've seen in a book. The sorrow of it was genuinely moving, and wasn't undercut or dragged out. Finally, even the writing was wonderful. The imagery was gorgeous, the prose was moving, and the general comic air of the book make the serious parts hit that much harder.
There are some problems with the book. Yes, the wildness of the plot can detract from the mystery. Sure, the humor can be crude and the ending was pretty conflicting. But I don't care. I read this book in a straight 48-hours and I wish it could've lasted for hundreds of hours more. It's a masterclass in characterization, dialogue, humor, and out-of-the-box writing. All in all, I'd recommend this for anyone who wants detective stories, mob wars, unlikely friendships, fantastic action, and one of the most interesting sibling dynamics you'll ever see!
Reviewer Grade: 12
Have you ever read a book that’s so bad it’s good? Maybe even great? Even if you haven’t, there is room for one of these books in everyone’s lives. This book for me is Horror Hotel. Cringey, “Gen Z” dialogue? Horror Hotel has it. Badly written plot with an obvious twist? You can find that in Horror Hotel. One dimensional characters? You guessed it, Horror Hotel. Though, I will give this book credit where it’s due. I had found myself laughing harder than I’ve ever had at a book. It has the exact same energy of something you’d write with your friends at 3 AM. If you are looking for grade-A trash, you’ll definitely find it in Horror Hotel.
League of Liars is an excellent read for fans of anything from fairytales to Ace Attorney. I enjoyed its heart-racing mind games and plans. The prison’s ever-changing playing field always made sure the characters didn’t have things too easy. I also loved the interesting magic system, (and the legal consequences that come with it). However, I think that the plot could have been instantly resolved if magic was used, which makes the characters, who took the hard way, feel idiotic at times. Other than that, if you like well-crafted fantasy worlds, page-turning mysteries, more twists than a bag of pretzels and twice as many likable characters, read League of Liars! (8th Grade)
We Were Liars is a mysterious young adult novel about a wealthy family who spends every summer on their private island. The story focuses on the main character, Cadence. After Cadence suffers a head injury during one of the summers, she cannot remember almost anything from that trip to the island. The next summer things are very different and Cadence has to try and remember why.
This book is quite a page-turner. As Cadence slowly remembers more and more details of the mysterious summer when she suffered her head injury, it is nearly impossible to put the book down. However, not all page-turners are necessarily great books. The story of We Were Liars may have been intriguing, but the content was not very substantial. There didn’t really seem to be any morals, and if there were, they weren’t very clear. Things just happened throughout the story, and although it was a mystery, nothing was truly deep or thought-provoking
Murder on the Orient Express is a compelling Christie mystery. The book is steady and methodical: after the initial inciting incident, each of the passengers are questioned in order. Then, the evidence is reviewed and the conclusion comes easily to the detective. This novel was a straightforward, easy read, but I found it was better enjoyed by just sitting back and reading. Formulating theories, from the perspective of the reader, is relatively difficult due to key details being under developed when first introduced in the book. Therefore, the detective is better informed than the reader throughout the mystery, which took away some of the intrigue for me. Ultimately, however, the ending was satisfying, and Murder on the Orient Express is a well-written, captivating read.
Any fan of mysteries should read And Then There Were None because it is such a wonderfully refreshing book. It is understandable why the book continues to have an impact decades after its release. Following And Then There Were None is not that difficult. Yes, it's a mystery, so pay attention (or at least keep track of who's passing and when), but the book doesn't aim to mislead its readers with unusual text. Guilt and justice are two of And Then There Were None's themes. Every visitor taken to the island is charged with an unfounded murder. As the death toll climbs, visitors struggle in various ways with their own personal emotions of guilt. Justice Wargrave's confession clarifies the notion of justice. Those who loved And There Were None like me should read more of Agatha Christie's work or if you want to read a book similar to And Then There Were None I recommend The Guest List by Lucy Foley. Overall, I loved Agatha Christie's novel And Then There Were None because of how it always kept readers on the edge.
Initially, the premise of this book caught my attention: a psychotherapist sees a patient who murdered her husband years ago (as revealed in the opening line) and has not spoken since. Without spoilers, the story is told in a fascinating way, and Michaelides makes the most of his creative freedom in the medium of novels. Right after I finished reading, I thought the book perfect for what it sought out to do; however, upon further reflection, I feel it missed the spark that makes a good book. Yes, the story was interesting and the flow of events was steady, but by the last third I felt there wasn't enough struggle or buildup to make the progress with Alicia impressive. The novel told two stories simultaneously (the one of Theo's wife and the one of his patient), which was a great artistic choice, but I think that left each individual plotline underdeveloped in the 300 page novel. The Silent Patient is well-written, organized, and unsettling. Although I struggle to grasp the greater message behind the nuanced story Michaelides told, I definitely enjoyed reading it.
Unwind has a fresh, fascinating, and frankly genius premise: after a war is fought on abortion, the U.S. government passes legislature allowing parents to sign an order to "unwind" their teenagers. The teen is then taken apart, and each body part is used for transplants. Like any good dystopia, the concept poses a number of thought-provoking questions that the book tries to address, like "do we have souls?" or "what makes a person themself?" or "how scary is it to be unwound, really?", and it answers them with varying degrees of success. Unwind is an excellent conversation starter; it is riddled with nuanced philosophical ideas which are, at times, uniquely terrifying. However, that's where the problems with Unwind lie: the intrigue doesn't stretch much farther than the initial concepts. Shusterman is talented at worldbuilding, and every new detail of Unwind's dystopia is interesting, inspired, absurd, and simultaneously realistic. Unfortunately, the story fails to make use of this inherent intrigue. Much of the reader's time is spent spectating characters as they shuttle from one location to another. They have minimal development, or, when they do have development, it is sudden and drastic. Shusterman builds a vivid universe only to guide readers through the dullest corners. Unwind is worth a read for the conversation, not the story. If a reader expects the average teenage dystopia, they should pick another book; but if they want fresh perspectives, creative horror, and possibly a hint of existential dread, Unwind is the perfect read.
A Good Girl's Guide to Murder is a surprisingly dark and complex book. The main character, Pip, decides to investigate a "solved" murder in her town from five years ago, one that she is very close to. She teams up with the alleged murderer's brother and slowly unravels a well-hidden mystery. The book's organization made an otherwise-complicated crime easier to understand. You would read a chapter, then Pip would summarize the findings in her capstone project diary entry. This information was backed up with occasional maps and diagrams as well. Although I did get lost at some parts with there being so many names, I appreciated there being enough suspects that it was impossible to figure out the mystery until the characters did. Pip was clever and eloquent, so her handling of this personal investigation didn't take away from the story. Not to mention her friends along the way, who were pretty well-developed side characters. If you think the pacing is slow for the first part of the book, keep going!
The Bayview Four, the four pupils Simon falsely accused of being the cause of his death, are no longer together, and their younger classmates and relatives are forced to play a new round of gossip-filled Truth or Dare. One year has passed since the events of One of Us Is Lying, and a game of Truth or Dare has begun. However, this isn't your typical Truth or Dare. This game can be deadly. Accepting the dare could be risky, even fatal while telling the truth might reveal your deepest secrets. This sequel had a mixed record as far as success goes. First on the list is Phoebe. It's true if you decide not to play. Phoebe’s secret is dark and it keeps her relationships and family messed up until the very end when the truth is spilled. Maeve then enters the scene, and she ought to know better than always taking the dare. However, things have become dangerous by the time Knox is ready to be tagged. The dares have turned deadly, and Maeve has learned that she cannot rely on the authorities for assistance after what happened to Bronwyn last year. or security. Although Simon is no longer with us, someone is committed to preserving his legacy at Bayview High. And the regulations have altered. The only thing I didn’t like about this book was the ending, so many things were left untouched like relationships and the truth or dare game that I feel like there must be a third book.
This is the kind of book with so many cliffhangers, you can't find a stopping point. This is a book you'll want to read in one sitting but remember you have homework and have to reluctantly put it down. This is a book that makes your hands sweat and your heart beat faster. The vivid imagery and dynamic characters will make you feel as if you're there yourself. This is a book for adventurers. This is a book for the fearless. This is Underlined Paperbacks and this is The Wild.
When Dawn is sent to a wilderness boot camp for one to many bad decisions, she ends up in a situation her parents nor her ever expected. The people she meets there have bad decisions they are also living with and as the woods get darker, their pasts are revealed. Will they make it out of the camp alive? Is everyone there for the reason they claim they are?
Reviewer Grade: 11