When I started reading Wizard and Glass, it became abundantly clear why The Waste Lands ended with a cliffhanger. While it would have been nice to have a short conclusion at the end of The Waste Lands, Wizard and Glass needed a small amount of framing. That way, it didn’t become a book entirely devoted to a flashback. Granted, the large majority of this book is a flashback, even to the point that I’d consider it to be a prequel. Fortunately, Roland’s backstory was something that desperately needed to be expounded upon in this series.
I know most writers are discouraged from using flashbacks, but in the context of a more extensive series, Wizard and Glass is an integral part of understanding how the Dark Tower universe works. Plus, Stephen King can get away with a lot since he’s so well established. In the end, this book works well because it is relational. Understanding Roland’s past and how he had loved and lost helped to make him not only more relatable but more human as well. Up until now, he was this stark, emotionless gunslinger whose only drive in life was to get to the Dark Tower.
While Wizard and Glass is undoubtedly one of the stronger books in the series, I felt there were a few elements that I didn’t like as much when compared to say, The Drawing of the Three (my current favorite in the series). There was plenty of sex in this book that, while somewhat necessary to the plot, was a bit over the top at times. Additionally, for a book that was as long as it was, I would think that more would have happened in it. As it is, there was a lot of talk about stuff happening, but no real action about it until near the end of the book. Still, I look forward to what will happen next.
A much-needed flashback/prequel for the Dark Tower series, I give Wizard and Glass 4.0 stars out of 5.
My knowledge of Norse mythology is passable at best. Granted, much of it I “learned” from movies like Thor (2011), so I understand that there’s an amount of fictionalization to my knowledge. That being said, Mist seemed to take this pop-culture understanding of Norse mythology and transplant it into modern-day San Francisco. While solidly in the New Adult genre (there is plenty of sex and allusions to it here), I can’t say that anything is interesting here in terms of story. Sure, there are a few things that happen, but they all seem to be alluding to much more exciting developments that won’t happen until later in the series.
One of my biggest qualms with this book was that I didn’t connect with the main character. Mist felt very “Mary Sue” to me. I found the more common elements of her existence (e.g., her employment, grocery shopping, laundry, etc.) were mentioned in passing but never given much weight to ground her in the reality of San Francisco. Additionally, there were plenty of illogical or unexplained actions that she took that I only assumed were to progress the story in the way that it was supposed to happen.
As for the action in this book, it is certainly hectic. At times, it’s also confusing as to what is precisely going on, even to the point of being action for action’s sake. Sure, it’s paced pretty well throughout, and it helps show the growth of the titular character, but I started skimming over these sequences after a while. In the end, maybe Norse mythology isn’t for me. Or at least I am not really into the modern-setting Norse mythology presented in books like this. It’s an interesting concept, but it feels too constrained to the urban and doesn’t allow more of the fantasy to shine through.
A passable New Adult Norse urban fantasy, I give Mist 2.5 stars out of 5.
Pretty darn good! Light urban fantasy/paranormal with some romance, good pacing & character development, good grammar & proofreading (unlike this review), good action scenes. Really liked the reader for the audiobook. Not the depth of story of Briggs, Butcher, or Huff, but not just fluff waiting for the next romantic scene either. So glad our library is awesome and constantly offering new and interesting things.
This book contains a captivating world in which angels and demons exist, and there are two in particular we follow who roam the Earth. Their goal: to stop the apocalypse. Their respective sides endeavor for the apocalypse to occur, but the angel Aziraphale and the demon Crowley have grown very fond of Earth.
The story follows several humans as well, including the Witchfinder Newton Pulsifer, the witch Anathema Device, and the Them. It also follows the story of the Antichrist, and the four horsemen. It is an absolutely spellbinding read.
It’s almost fitting how the follow-on book in the spin-off series to Ender’s Game takes the same tactic as Speaker for the Dead and transforms itself into a completely different genre. While Speaker for the Dead and its sequels still maintained a level of science fiction for the Ender saga, Shadow of the Hegemon pivots into a political thriller with almost no hints of sci-fi to be seen. The strength of the characters helped make this transition relatively smooth, but it still highlights how these child-aged individuals hardly have any child-like qualities.
While the Shadow saga certainly needed to start out focusing on Bean, I did appreciate how Shadow of the Hegemon developed many of the supporting characters. For the first time in both series, I felt like the reader was able to know Petra and Peter while also seeing what Achilles was capable of accomplishing. The results of bringing back children war heroes to Earth had a logical feel to its progression, even if I didn’t really care much about southeastern Asian politics to really engage with the politics of the plot. That’s not to say the whole “cat and mouse” between Achilles and Bean wasn’t interesting; it just wasn’t what had brought me to this series in the first place.
Of course, having read the Ender saga first, I can already see the early ripples of how this side-series will start to wrap up. Now that Ender is less of a presence in the Shadow series, other characters finally have a chance to show what they can do. While I’ll reserve my predictions might change with what actually happens, I get the sense that Peter’s tenure as Hegemon changes the world just as Bean changes into some super-intelligent giant. I will admit that some of Orson Scott Card’s predictions from 2000 still seem plausible today, given the political climate, it’s clear that the author did his research before playing with the ever-important sci-fi “what if” scenario.
A political pivot from a well-known sci-fi series, I give Shadow of the Hegemon 4.0 stars out of 5.
Ximenia Rojas has been the decoy for Condesa Catalina ever since the usurper Atoc overthrow the Illustrarians a decade ago. Ximenia's family, along with the Condesa's, perished during the civil war, and Ximenia and her fellow Illustrians want revenge. When Atoc summons the Condesa to the palace to be his bride, Ximenia goes in Catalina's place and uses her weaving magic to send messages to the Illustrians via tapestry. With only eight weeks before the wedding, Ximenia must find intel about a magical gem that is the Illustrian's only hope.
My literary 2020 is off to a great start with this gem of a historical fantasy YA novel! I went in with fairly low expectations as 2019 was, on the whole, not a great year for YA fantasy. This was very good and felt like something of a course correction. The "historical" aspect covers Bolivian politics and the introduction of cocaine, at least somewhat (I know nothing about Bolivia and the eARC didn't have an author's note at the end, but the author does reference her two Bolivian parents) and deftly weaves a story of magic, moonlight and betrayal. The moon magic is subtle, but well utilized. Ximenia's ability is, for lack of a better phrase, quite cool. The author took a familiar story of rebellion and a headstrong girl and combined those seemingly stale tropes with magical realism and Bolivian flavor to create a book that felt like something new. The romance was earned. The main character grows a lot throughout the course of the book. Ximenia's story is tied up by the end, but there's an intriguing jungle based thread that's left dangling (not a spoiler!) that I'd be willing to bet will be a second book. I'll read it.
Also, I dare you to read this book and not want some tasty Bolivian treats. The food sounds amaaaaaaaaaaazing and it's mentioned a lot.
TLDR: Woven in Moonlight takes a familiar tale of revolution and spices it up with excellent character development and creative magical realism. I'm having trouble thinking of something to compare it to, because I like it better than most books that I've read that are similar (The Bird King by G. Willow Wilson for example - this is in the same zone, but I enjoyed it a lot more). Recommended for readers who like their fantasies to be revolutionary (ha) with a strong female lead and a touch of magic. 4 stars - I really liked it.
Thanks to Netgalley and Page Street Books for the eARC, which I received in exchange for an unbiased review. Woven in Moonlight is available for purchase or you can put your copy on hold today!
It’s been a while since I read this far into a series, and I can start to see why I like trilogies and stand-alone books. If I didn’t know any better, I’d think this series had evolved into a courtroom drama instead of a historical fantasy. At this point, the whole premise of this series seems to have veered off course and has lost its focus to tackle unrelated issues that were somewhat prominent at the time. Or, at least it’s merely acting as a chance to name drop historical figures and take the side of history against well-known issues that haven’t aged well over time. If anything, Heartfire could have easily been the fourth book in the series, since Alvin Journeyman added nothing to the story. Even so, Heartfire didn’t feel as strong as earlier books in the series. It almost seems like there’s more of a focus on world-building. There is less focus on actually progressing the story—like the path toward the Crystal City. Certain plot elements were almost entirely forgotten as well, even if there was a whole legal battle in the last book to re-hash how Alvin came into possession of a sentient golden plow (which itself is still unclear why it’s important).
By now, I’m merely reading the series on autopilot just to see if there is any conclusion to the alternate history presented here. I still think there are clever takes on historical figures, but by now, they seem added in as a heavy winking nod to the reader, most of whom will already know the referenced individual. Perhaps the lack of overall character growth in this book is what made it such a so-so read for me. Sure, there were baby steps toward some redemption arc, but in the end, nothing ended up changing the drive of the overarching story.
Another weak link in the Alvin Journeyman series, I give Heartfire 3.0 stars out of 5.
Title: Harry Potter and the Prisoner of Azkaban
Author: J.K. Rowling
Rating: 4 stars = Really Good
Review:
The third installment of the Harry Potter series, the Prisoner of Azkaban, continues his story at Hogwarts and the expected trouble with various fantasies and legends that are brought to life. Being his third year at Hogwarts, Harry Potter experiences the mystery of a known Azkaban prison and is curious to find out more of this particular myth. As Harry dives deeper into this myth, he will ultimately find out a surprising truth.
With more character involvement for the protagonists and antagonists, the Prisoner of Azkaban truly envelopes the feeling of mystery within the fantasy world. Bringing out a deep universe and lore to the series, it encapsulates the attention of both casual and avid readers.
Reviewer Grade: 11
Up until now, I had only read one other book by Naomi Novik. I had loved Spinning Silver and the unique take on a classic fairy tale it presented. While I understand Tongues of Serpents is the sixth book in the Temeraire series, I found it to be inferior to Spinning Silver in many ways. I will also grant that I’m not necessarily the target audience for this genre of historical fantasy when it takes a more nautical tilt (like Far Side of the World does). Still, there was enough of a standalone element to Tongues of Serpents that I was able to pull a story out of it and write a review of it.
Some things I had trouble getting used to in this book were the fact that the dragons all spoke in the same English as the human characters. I had a tough time identifying which characters were dragons and which were humans, and I didn’t know why they sounded so similar (I’m sure a previous book explains this). Additionally, I eventually gained a slight sense of the overarching goal of the series (I think it’s to get to China), but I didn’t feel like the characters’ motives were very clear in this book.
I almost gave up reading this book until the end of part one when something interesting happened, but even that sub-plot felt like it never went anywhere and was only an excuse to use a lot more words to describe very few actions. In the end, there was a lot of fluff in this book, and I’ll chalk it up to the way authors write these historical nautical books. Perhaps if it were slanted more toward fantasy or more tied to history (like in the Alvin Maker series), I would have enjoyed it more. As it was, I just kind of skimmed through it and donated it to the next person who might like to read about dragons in Australia.
A historical fantasy that was too light in both history and fantasy, I give Tongues of Serpents 2.5 stars out of 5.
While this prequel to the original Shannara trilogy was written well after completing the first three books, First King of Shannara failed to re-capture the magic that made me adore Wishsong of Shannara . If anything, this book seemed unnecessary. It told a story that already had a fixed ending as described in the exposition of The Sword of Shannara (which itself had a pretty un-climactic ending if I remember correctly). Sure, there’s a lot more world-building in this book, but only avid fans of the series will find any of it interesting.
Perhaps my main gripe with this book is how I failed to care for any of the characters. Most of their interactions felt cliché and trite, and there was a smidge too many of them for me to want to take the time to know who they were. If anything, the characters were flat stereotypes with no personality. This was also not helped by the plot, which most of the time sounded like a condensed and bulletized list of events instead of an actual story. Sure, the writing may have been more polished since The Sword of Shannara , but this book merely highlighted elements of the series I never really liked to begin with.
I think some of the navel-gazing that occurs in these high fantasy series is what turns me off from exploring the huge tomes filled with so many words but signifying little. Some of the action (including the war at the end) was exciting, and some of the descriptions of certain events (like the forging of the sword) was creative and flowery, but these few bright points do little to distract from the fact that a lot of the book was bloated word count for inflated word count’s sake.
An unnecessary prequel, I give First King of Shannara 2.5 stars out of 5.
The thrilling Gone series continues with this fourth book, and Grant does not disappoint. This series has been one of my favorites and Plague is no exception. As a highly contagious, fatal illness spreads at an alarming rate and predatory insects terrorize Perdido Beach, morale continues to drop.
However, Sam, Astrid, and even Caine are determined to find a way to survive.
Everyone must make difficult decisions when it comes to saving themselves and those they love. Grant has written another phenomenal dystopian horror with suspense around every corner. I highly recommend this book to all high school aged readers.
After my slight disappointment with Mecha Samurai Empire , I was pleased to find that a book that actually knows how to do "mecha" right already existed years before Mecha Samurai Empire was released. Taking a somewhat unique approach in its narrative structure, Sleeping Giants uses a series of interview transcripts to tell the story of discovering the parts of an ancient, giant robot and learning how to pilot this unique piece of equipment. There aren't any dialogue tags. There aren't any direct action sequences. There are just words describing the events as they happened. Somehow, it totally works.
I seriously couldn't get enough of this book and basically devoured every word. I was a little disappointed with the semi-cliffhanger ending, though. Just as everything was starting to finally come together, it just kind of ends. Sure, many of the large plot movements reached a momentary conclusion but now I really want to know what happens next. My only other qualm was the "exposition character" who was dropped into the narrative about half-way through to explain all the unexplainable bits of the story. It seemed like a cheap way to give information that wouldn't have been naturally revealed. What's perhaps the most interesting with the minimalist way the story is written in Sleeping Giants is how strong the characters come across. Even if it's only interview transcripts, the pauses, snark, and other personality traits are just as obvious as if I could see them talking across the table from me. Judging by the acknowledgments section of this book, I certainly can't wait for this to be made into a movie. I'm sure it will be just as exciting to see everything on the big screen as it was to read about it line-by-line.
A unique narrative method that had me ravenously reading, I give Sleeping Giants 4.5 stars out of 5.
You’d think a book with (what I assume is) Renna Bales (nee Tanner) on the cover would follow her and the group of people she’s traveling with. You’d think a book titled “The Skull Throne” would spend a lot of time addressing the now-empty Skull Throne. Instead, we only got brief mentions of these two sub-plots. While I’m happy that the latter didn’t have many pages dedicated to it, I’m disappointed that the former was addressed for only a few scant sections at the beginning and end. Instead, the majority of this book spent time in places that didn’t advance the overall story at all.
Having read all the books (and the “3.5” novella) up until now, my concerns that arose during Messenger’s Legacy seem to have materialized. Sure, I do enjoy following the three main characters from The Warded Man , but there were certainly moments where I thought I was reading something from the Song of Ice and Fire series than The Demon Cycle series. This might be high praise for some, but I felt George R.R. Martin’s series was a little bloated and too concerned with relationship drama than actual dragons.
Additionally, I’m still having trouble caring about the Krasians. The fact that there are so many terms and titles for everyday things and people makes it confusing to follow at times. I understand its origins in Middle-eastern culture, but at some point, it goes too far (xkcd had a comic about the number of made-up words in a fantasy book reducing its quality). The culture clash between the Krasians and everyone else has persisted for three books now, and it’s quite tiring to keep highlighting how different and backward their thinking it sometimes. I can only hope we get to see some demon battles in The Core since this book left me unsatisfied.
A weak link that could have spent more time on more exciting subplots, I give The Skull Throne 3.0 stars out of 5.
With this fourth book in the Alvin Maker series, I’m starting to see why a
lot of writers like to stick to trilogies. If anything, I think most readers
can probably skip this volume and move on to the next one because there
wasn’t anything too new or interesting that happened in it. If anything, it
was a re-hash of events in the previous book with a few new characters added
to it. I will concede that Alvin Journeyman did finally develop a fitting
antagonist for Alvin. Still, so few pages were dedicated to this sub-plot
that I’m wondering if it should have just been pulled out and made into its
own novella that would span the gap between book three and book five.
Once again, the strength of the series as a whole carries through here, and
some loose character arcs are tied up before moving on to more important
things. However, spending the majority of the book hashing over what astute
readers (or even readers who were moderately paying attention in the last few
books) already knew as truth just to confirm to the rest of the characters
around Alvin that he wasn’t lying seemed like a waste of words.
If anything, using the delay in Alvin’s journey to develop Calvin’s
“making” abilities did provide a bit of contrast between the two and will
likely pay off when the forces of good and evil clash in future volumes. I
still appreciate the way Orson Scott Card integrates actual history with a
fantasy explanation, though. Despite the missed step here, I’ll continue
with the series to see how it resolves. At the very least, volumes like this
show me why it’s not as notable as the Ender Saga, which was a solid four
book set (that’s really just three books with the third split into two
parts).
A weak link in the Alvin Maker series, I give Alvin Journeyman 3.0 stars out
of 5.
This beautiful work of art, is a love letter to stories and bibliophile’s everywhere. I loved Harrow’s intoxicating magical debut so much that I blew through it in 4 days! I read it back in March but it still sticks with me to this day! But I have to admit, I have been a hard time finding words to describe this magical beautiful experience of a book because it grabbed my heart so completely and did so much to me, that to try to express it in words and to remember all the intricate details has been difficult. But I am happy to report I am currently doing a re reading and so far it is just as magical, heartbreakingly tender and beautiful as the first time. I am so excited that it has finally come out and more people get to experience this epic journey into unknown worlds. This should be on everyone’s reading lists!
Meet January Scaller, a brown girl, an in between sort of thing some call her, growing up in the 1900’s a time rife with social change, and colonialism. A difficult time where the world is in transition and nothing is at it seems. January is the ward of a wealthy white benefactor, Mr. Locke, who spends his waking moments hunting for the worlds artifacts and then selling them to the highest bidder. Or more truthfully, employing people like January’s father to hunt down these treasures, so he can sell them. As a result, his sprawling estate resembles a museum decorated with treasures and all sort of odd things from around the world. Being taught to always be the good girl, she is tollerated in Mr Locke’s society but still she feels like a artifact herself.
With her father gone for months at a time and Mr. Locke attending to meetings, January grows up alone, content with wandering the lonely grounds and halls to be among it’s treasures and discover its secrets. One day when she was 7, playing amidst the wide open fields of the estate, she discovered a door, a blue ragedy door that hadn’t looked like it had been used in ages, and she wished for it to lead to elsewhere, using a old diary she had found. Next thing she new, she was stepping from the familiar into a new world unknown. When she was was older, in the same place she found the diary, she discovered a mysterious book that spoke of secret doors, other worlds, and adventure. As the pages keep turning January discovers connections and truths to her own story, that she never would have imagined and is led into a adventure of a lifetime.
Full of beautiful imagery and entrancing atmospheric prose, this story exhibits the best things I love about books and fantasy in general. Prose that flower off the page and into the reader’s imagination, a coming of age tale, a magic system based in words and stories, other lands, a wild, beautiful, strong heroine who has trouble fitting in and conforming to standards, dastardly villains, sweet friendships, and a heart of love and family at it’s center.
Stories have a way of communicating deeper truths that can’t be understood and communicated in any other way. And their is so much in this book! A imaginative tender hearted lonely adventuresome girl full of all the desires that young girls have, the yearning to be loved both romantically and by a father, and the desire to be part of a grand adventure in unknown new exciting places. This story communicates hope for better things and the understanding that their is something more. It communicates love and the need for family and belonging, it communicates the importance of discovering identity and sticking to your truths no matter what. And it communicates so many other truths that are at once both universal but at the same time, personal as stories speak to each of us differently and discovering what they say, is part of the adventure.
And everyone should go on this adventure! Everyone should read this intricate, tender hearted, complex, magical, tale that will sweep your heart between it’s pages and not let it go, even after the last page is turned.
Thank you to Orbit publisher for my ARC of this wonderful tale for review!
This book is a compilation of short stories, which are filled with humorous tales and great short stories. I personally really liked this book because of how every story was a perfect duration. I often find it hard to commit to a book for more than a week, with this book, I was constantly entertained by the fun theme of all the stories. If you're looking for a great compilation of bed time stories, or just don't have the time to commit to a long chapter book, this book is perfect for you. If you are looking for one great story to start the adventure, my favorite was The Squid Who Fell in Love With The Sun.
Reviewer Grade: 8
It’s been a while since I’ve read a fantasy book with such a unique magic system in place. I truly enjoyed the amount of thought that went into a world where the main source of power was that of the earth itself. From magma to solid obelisks, the ability to control the vibrations of the planet (either to amplify or dampen) had an interesting and logical follow-through in its characters and storyline. I’m honestly looking forward to eventually starting the next book in the series since the world was built so well. It’s no wonder that it ended up winning the Hugo Award for that year.
While I suppose The Fifth Season is also partly a pseudo-post-apocalypse story, it was only shown in small snippets and references here and there. Consequently, this would make this story almost “modern fantasy” in comparison to some of the classics. Additionally, this would explain some of the character elements added with little to no explanation or relevance to the plot. It sometimes seems like the sexual encounters and fluid genders of these characters are included o merely hit a checkbox of “inclusivity.” Sure, people who relate to these characters feel like their represented, but if these traits don’t affect the plot, then it doesn’t matter about their sexuality at all.
I also found the bold choice of second-person POV to be a bit jarring when it spliced in the more traditional third-person narrative. Initially, I thought these segments were striking in the way that it pulled me into the story. That was until I was given a name and a purpose and any number of other traits that made the “you” in the story into a character that was basically repeated throughout. I get how these different characters interacted to tell a much broader story (which is again, part of the book’s strength) I just didn’t care for the reader’s identity to be given to them via the second person POV.
A uniquely written and crafted fantasy with one or two minor flaws, I give The Fifth Season 4.0 stars out of 5.
Before I got into reading the Dark Tower series, I saw the movie adaptation. It’s honestly what inspired me to get into the books. While I was a little disappointed with The Gunslinger , The Drawing of the Three showed me the series’ true potential. Moving on from my favorite book in the series, we have The Waste Lands. It's sort of a mash-up of the two earlier books in terms of characters and plot points. However, it's ultimately less than the sum of their parts (and that’s mostly due to the ending). What strikes me with The Waste Lands is how it could have been better than it was.
Those who have seen the movie version of The Dark Tower will recognize a lot of scenes, if not a huge chunk of them. I can see why they cut the two most interesting characters from the film, especially since everyone ends up splitting off to go on their own journeys almost as soon as everyone finally comes together. And while I did appreciate the weird “robot animals” and the riddle motif, I was ultimately frustrated that this core group of four characters didn’t have more time to show what their inter-personal dynamic would evolve into.
At the very least, the strength of the overall series and the thorough and vivid descriptions of this fantasy world were enough to overcome my misgivings about this book. It’s still well done on a technical level, even if some of its better moments are likely to be explored in future volumes. The cliffhanger ending was a bit of a bummer, though, especially since it might be a while before I can get the next book in the series from my library any time soon. I’ll still read it eventually, though, if for no other reason than to see how these characters fare in their travels.
A great book with some wasted potential, I give The Waste Lands 4.0 stars out of 5.
Peter, Susan, Edmund, and Lucy are drawn back into Narnia 1,300 years in the future to help Prince Caspian defeat a terrible king and gain the throne.
This book was not nearly as good as The Lion, The Witch and the Wardrobe. I listened to it on audio and while the narrator was good (Vanessa Regrave), the story left something to be desired. I know Prince Caspian is young, but he sounded like a whiny child to me. Over all, it was pretty good, but not great.
The Monster of Elendhaven follows two characters – Johann, the eponymous monster, and Florian, a mage that ultimately forces him to do his bidding. Mages are forbidden to exist in Elendhaven, and the locals in power kill Florian’s family, so Florian is out for revenge. And he’ll use Johann to ensure he gets it.
It’s rare that I wish a book was longer, but that’s definitely the case here. The worldbuilding was spectacular, as was the prose, but the plot was pretty basic, and the end jarring. I could have spent much longer in this dark, twisted world with our dark, twisted characters. I kept thinking of Patrick Suskind’s book, Perfume: A Story of a Murderer, as both of our characters were somewhat similar to the protagonist of that book. There’s a romance that I wouldn’t have minded so much, but again, it wasn’t given time to breathe in this short little novel.
TLDR: This book is nasty in that deliciously evil sort of way. If that’s your thing, you’ll love it. I wish it were a bit longer.
3.5 stars. Thanks to NetGalley and Tor for the eARC, which I received in exchange for an unbiased review.