Book Reviews by Genre: Thrillers/Suspense

As a reader, do you gravitate towards relate-able, conventional, sweet narrators and stories that follow a comforting and predictable arc, ending in the literary version of “All is well”? If so, then read no further. Christopher Bollen’s page-turning, stomach-churning, prediction-spurning Havoc is not the novel for you.
Bollen’s sole narrator is octogenarian Maggie Burkhardt, a Wisconsin expatriate in Egypt during the pandemic, and Bollen’s use of the first person pays satisfying homage to its origin as an “unreliable narrator.” The book’s synopsis gives us a strong nudge in the “be wary of this narrator” direction, but it also complicates matters by adding an 8-year-old boy, arriving at the shabby-chic hotel on the edge of the Nile in the Sahara Desert with his harried mother, who quickly morphs into an unsettling and eerie nemesis for Maggie.
The peripatetic, well-heeled guests, Ben and Zachary, an American gay couple whom Maggie has befriended and feels comfortable with, as well as Ahmed, the local hotel manager with the proverbial heart of gold, who has warmly welcomed Maggie since her arrival from a mysteriously swift departure from Switzerland, provide rich and believable layers of characterization and sub-plots that robustly deliver from start to finish. But there’s never a doubt that Maggie is the axis around which this beguilingly straightforward yet actually quite twisty plot revolves.
While busying herself with ruminations about which guests might need her special “help” in overturning their lives for the good (ahem)—something Bollen makes sure that readers know is not a newly developed habit--Maggie tries and, to her astonishment, spectacularly fails to befriend young Otto. Subsequently, she becomes convinced that the precocious and troubled 8-year-old, who has quickly inserted himself into the homey interpersonal fabric of the sprawling and laid-back hotel, is on to her. As it happens, she may be right.
Bollen skillfully lays a crumb trail for readers—though never too many crumbs at once!—to suss out and/or add puzzlement to Maggie’s history and motives. Was Maggie’s long-time marriage to Peter who predeceased her as perfect as she recounts? And what’s going on with their daughter who appears in brief, hazy recollections as both a child and an adult when “she died”? The uneasy pleasure of this novel rests in the interwoven nature of Maggie’s unreliable memory and self-talk with the disturbing and escalating aspect of her and Otto’s game of one-up-man-ship. Is Maggie right about her suspicions of this child? Is the kid, in this case, “all right” or….decidedly not? And when friendly Ahmed finally cools towards Maggie because he’s heard just one too many contradictions in her back-story, should we feel pity for someone whose sanity is unraveling or a fervent hope that she be caught out before something worse happens?
The answers to these questions may possibly differ for every reader. But the staggering conclusion, rendered with an admirable combination of nail-shredding suspense and gut-punching abruptness, seemed worthy of Poe to this reader. Kudos to Bollen on his rendition of a “tale of mystery and imagination!”

Flowers in the Attic is about the horrible life of four siblings. Before their lives were turned upside down, their father provided for them, but when he died, the mother decided to take herself and four children to her parents house. The mother was exiled by her parents for her marriage to her husband, so going to her parents for help was her last resort. When arriving at her parents house, the mother decides to hide away her children to gain back her dying fathers favor to inherit his fortune. Until the grandfather dies, the four children will be locked away in the attic and hidden from the world. This story is told through the oldest daughter Cathy’s perspective, and follows her journey with her three other siblings while living in their grandparents' attic. This was a very depressing and disturbing book with a lot of twists and turns nobody would have seen coming. If you like sad stories that do not leave your mind easily, this is the perfect book for you! Personally, I do not recommend this book if you are not prepared for a very disturbing story.

Reviewer Grade: 11

"The Last Thing He Told Me" by Laura Dave is a gripping thriller that follows the life of Hannah Hall after her husband mysteriously disappears, leaving behind a note with the cryptic message, "Protect her." As Hannah unravels the secrets of her husband's past, she discovers hidden truths and forms an alliance with his teenage daughter. The novel masterfully blends suspense with emotional depth, exploring themes of love, trust, and the complexities of family dynamics.
In my opinion, "The Last Thing He Told Me" is a well-crafted and engaging story, deserving of a 4/5 rating. Laura Dave skillfully weaves a compelling narrative, keeping readers on the edge of their seats with unexpected twists and turns. The characters are vividly drawn, and the emotional journey they undergo adds layers to the plot. While the storytelling is strong, a bit more depth in certain explanations could enhance the reader's understanding of certain character motivations and plot intricacies. Nonetheless, the book succeeds in delivering a satisfying blend of mystery, emotion, and intrigue, making it a highly enjoyable read!

Enthralling, captivating, and unexpecting are all words that can be used to describe The Silent Patient by Alex Michaelides, an irresistible and stunning psychological thriller. The suspense from the first chapter is palpable, and the skillfully laid out plot leaves the reader second-guessing until the very end. It is truly, in the full sense of the word, a thriller, full of curveballs and red herrings, multidimensional realistic characters, thick, palpable emotions… The list goes on. Michaelides’ wonderful writing style and the perfect plot pace were just the cherry on top.

The plot is utterly outstanding. From the first words, the protagonist, Alicia Berenson, shocks the reader with an unspeakable act of violence: she killed her husband. Why? That is the sole question I found myself asking the whole book. An even bigger question: why did she fall silent after the murder? And will she ever speak again? An added layer of complexity is her new psychotherapist, Theo Faber, who is anything but perfect. Theo’s obsession with Alicia raises another question: why is he obsessed? What are his motivations? As the plot unfolds, the mystery behind Alicia’s silence uncovers vast psychological trauma and the lies of her close friends and family. As the plot thickens, Michaelides creates a haunting setting as he delves into the intricacies of the human mind. It becomes evident that this novel is well-thought-out and plentifully researched to draw the reader into a realistic setting. Honestly, I have no criticism of The Silent Patient and could not recommend it enough for anyone looking for a suspenseful plot-twisty psychological thriller.

After the disappointment of Golden Son , I was leery of starting on the last part of the Red Rising trilogy. Oddly enough, this book was actually somewhat interesting, but in a way that made the first two books seem unnecessary. There was definitely a lot of action in this book, which is part of what made it more exciting than the others. And as far as a book that’s supposed to wrap up a trilogy, Morning Star certainly doesn’t leave too many loose plotlines when it ends. I still think the world-building is forced with all the Roman imagery and sci-fi tech, but at least now it’s over.

As with the previous books, I still had trouble with keeping track of all the different characters and their motivations. The main character was pretty straightforward (if not bluntly so) and his love interest just felt like she wanted to do whatever he was doing. Everyone else had weird names that made it hard to track who was who and which side they were on. At least the plot was simple enough that I could follow what was happening.

The biggest question that came from this book was, “What was the point of trying to get into (and be rejected from) the high society?” It seems to me the only reason to have the first two books was to give the main character a love interest from a caste that was above his station. I think if it could have worked some elements of the first two books into this one, then it could stand by itself. After all, the idea of an oppressed population rising to defeat their wealthy overlords is probably the most interesting concept in this series.

A trilogy finisher that could have been a standalone book, I give Morning Star 3.5 stars out of 5.

Against all odds, Lydia and her son, Luca, survive a brutal cartel massacre, leaving them with only one option: to embark on a dangerous and arduous journey to seek safety in the United States. American Dirt by Jeanine Cummins is a harrowing story about the survival, resilience, and hope of migrants fleeing north to the United States. Cummins skillfully captures the hardships, fears, and hopes of these characters, providing a window into the harsh realities faced by those making the perilous trek north. American Dirt humanizes the migrant experience by creating empathetic and multifaceted characters, illustrating the diversity within the migrant community and their shared aspirations for a better future.

One of my favorite books so far. The book is full of twists and turns and one of the most gripping story. I loved most of the characters.
Every chapter showed us a new suspicious person. Every chapter changed the perspective towards each character. I loved this series. At last it's not a book of black and white, there were so much gray ...

While we mostly know Jules Verne for his science fiction stories, it's hard to miss the fact that his books are also quite adventurous. Even though Michael Strogoff: Courier to the Czar isn't one of his famous works, it may be one of his best. This book was something my father wanted his children to appreciate, and now that I've read it a few more times, I truly understand how ahead of its time it was.

Even if Michael Strogoff isn't explicitly a science fiction novel, Jules Verne still sneaks plenty of science into this race across Russia to save the life of the Czar's brother. Of course, since it is an adventure novel, Michael Strogoff certainly has a lot of adventure between Moscow and Irkutsk, with some scenes feeling like they were pulled out of a modern action film. The tension of sneaking behind enemy lines to deliver an important message never lets up. I don't want to give too much away, but there are quite a few well-written twists that show Verne's mastery of this "Russian James Bond."

Of course, there are still some tropes that are an artifact of the time when it was written. Cultural stereotypes are present and the age difference between Michael (a 30-year-old man) and Nadia (a 16-year-old girl) is uncomfortable considering how the story ends. Also, Verne describes Michael as this specimen of a man that borders on eye-rolling machismo. Still, there are plenty of interesting characters, including Alcide Jolivet and Harry Blount, who provide some humor in an otherwise serious adventure. If you like Jules Verne books, you'd definitely like Michael Strogoff.

A hidden gem of a Jules Verne adventure, I give Michael Strogoff: Courier to the Czar 4.5 stars out of 5.

Hidden motives, secrets, and lies are the backbone of Lucy Foley’s thriller, The Guest List, and did I mention drama? From the moment you open the book, drama spills out, but in a good way. The characters are the point of the book. Their problems its lifeblood. The Guest List is not solely about the murder but all the threads connecting the cast of characters to one another in some elusive way. And the mystery is cleverly interwoven with all the lies and personal issues, so you won’t know who did it until the end. Even if you do figure it out, the characters have so much more to offer than just their motive. Foley creates characters you will hate, pity, and love. Totally recommend.

A thriller that takes an already scary concept - the systemically racist practice in real estate known as red-lining - and makes it into a more tangible threat. In an historically black neighborhood, Sydney is still grieving the loss of her mother when her neighbors start disappearing one by one. Can she figure out who is behind the accelerated changes of her neighborhood before it's too late?
This book has some genuinely terrifying moments, particularly when the narrative is breaking down the historical practices of red-lining, gentrification, systemic racism, slavery, and the shifts of old practices into new formats. It brings these concepts forward in an approachable way (unlike my review, probably).
This book is a thriller-romance with a John-Wick-esque style by the end. So if you're into social commentary with the just-right amount flair of romance, this is for you! My only frustration is the ending felt a tad bit rushed...but overall, it was satisfying.

Sylvain Neuvel's "Sleeping Giants" is the first book in a series of three fantastic novels about alien technology and what it means to be human. This book was lent to me by my father, so I knew it had to be amazing. I was not wrong in that assumption. My favorite part about this book is likely the most divisive part: the format. This book is explained in an interview format, between each character and a mysterious interviewer that is developed further in the later installments of this series. At first, I wasn't sure if I would like how jarringly different this format is; sometimes it is noticeable when the author wanted to convey some important information, but the constant interview made the information difficult to show. It wasn't exclusively interviews; occasionally a mission log was used for variety's sake. My least favorite part of the book is actually what wasn't included in the book. It sounds picky, but I think that this book had room for more. The cliffhanger, while masterfully executed, came too soon. Not enough happened before the book ended, so I was left immediately scrambling to acquire the other 2 books in the series. The book, and especially the series as a whole, is absolutely surprising at nearly every step. Characters assumed narratively immortal die, and enemies turn into friends that save the world in the third book. Each character had interesting flaws and contrasting personalities, so each character introduced to us through the mysterious interviewer felt like someone you could meet walking down the street. All in all, this book is definitely one of the best books I have read this year.

Reviewer Grade: 10

Romance, thriller, and horror all wrapped into one. Natalie D Richards does it once a great with a book you won't be able to put down until the final page. When two best friends in love have a falling out over a fight at a party it seems nothing could bring them together again. Except for the bridge that is. Strange things keep bringing them back to the place of the party and back to each other. Lock on bridges and hearts hold mystery but the views of both parties is being clouded by their own mental struggles. This is a very emotional book and capitating one that I can't wait to read again. Readers enjoy and beware of the bridge.

Have you ever read a book that’s so bad it’s good? Maybe even great? Even if you haven’t, there is room for one of these books in everyone’s lives. This book for me is Horror Hotel. Cringey, “Gen Z” dialogue? Horror Hotel has it. Badly written plot with an obvious twist? You can find that in Horror Hotel. One dimensional characters? You guessed it, Horror Hotel. Though, I will give this book credit where it’s due. I had found myself laughing harder than I’ve ever had at a book. It has the exact same energy of something you’d write with your friends at 3 AM. If you are looking for grade-A trash, you’ll definitely find it in Horror Hotel.

League of Liars is an excellent read for fans of anything from fairytales to Ace Attorney. I enjoyed its heart-racing mind games and plans. The prison’s ever-changing playing field always made sure the characters didn’t have things too easy. I also loved the interesting magic system, (and the legal consequences that come with it). However, I think that the plot could have been instantly resolved if magic was used, which makes the characters, who took the hard way, feel idiotic at times. Other than that, if you like well-crafted fantasy worlds, page-turning mysteries, more twists than a bag of pretzels and twice as many likable characters, read League of Liars! (8th Grade)

We Were Liars is a mysterious young adult novel about a wealthy family who spends every summer on their private island. The story focuses on the main character, Cadence. After Cadence suffers a head injury during one of the summers, she cannot remember almost anything from that trip to the island. The next summer things are very different and Cadence has to try and remember why.
This book is quite a page-turner. As Cadence slowly remembers more and more details of the mysterious summer when she suffered her head injury, it is nearly impossible to put the book down. However, not all page-turners are necessarily great books. The story of We Were Liars may have been intriguing, but the content was not very substantial. There didn’t really seem to be any morals, and if there were, they weren’t very clear. Things just happened throughout the story, and although it was a mystery, nothing was truly deep or thought-provoking

Murder on the Orient Express is a compelling Christie mystery. The book is steady and methodical: after the initial inciting incident, each of the passengers are questioned in order. Then, the evidence is reviewed and the conclusion comes easily to the detective. This novel was a straightforward, easy read, but I found it was better enjoyed by just sitting back and reading. Formulating theories, from the perspective of the reader, is relatively difficult due to key details being under developed when first introduced in the book. Therefore, the detective is better informed than the reader throughout the mystery, which took away some of the intrigue for me. Ultimately, however, the ending was satisfying, and Murder on the Orient Express is a well-written, captivating read.

Any fan of mysteries should read And Then There Were None because it is such a wonderfully refreshing book. It is understandable why the book continues to have an impact decades after its release. Following And Then There Were None is not that difficult. Yes, it's a mystery, so pay attention (or at least keep track of who's passing and when), but the book doesn't aim to mislead its readers with unusual text. Guilt and justice are two of And Then There Were None's themes. Every visitor taken to the island is charged with an unfounded murder. As the death toll climbs, visitors struggle in various ways with their own personal emotions of guilt. Justice Wargrave's confession clarifies the notion of justice. Those who loved And There Were None like me should read more of Agatha Christie's work or if you want to read a book similar to And Then There Were None I recommend The Guest List by Lucy Foley. Overall, I loved Agatha Christie's novel And Then There Were None because of how it always kept readers on the edge.
Grade: 8th

Initially, the premise of this book caught my attention: a psychotherapist sees a patient who murdered her husband years ago (as revealed in the opening line) and has not spoken since. Without spoilers, the story is told in a fascinating way, and Michaelides makes the most of his creative freedom in the medium of novels. Right after I finished reading, I thought the book perfect for what it sought out to do; however, upon further reflection, I feel it missed the spark that makes a good book. Yes, the story was interesting and the flow of events was steady, but by the last third I felt there wasn't enough struggle or buildup to make the progress with Alicia impressive. The novel told two stories simultaneously (the one of Theo's wife and the one of his patient), which was a great artistic choice, but I think that left each individual plotline underdeveloped in the 300 page novel. The Silent Patient is well-written, organized, and unsettling. Although I struggle to grasp the greater message behind the nuanced story Michaelides told, I definitely enjoyed reading it.

Unwind has a fresh, fascinating, and frankly genius premise: after a war is fought on abortion, the U.S. government passes legislature allowing parents to sign an order to "unwind" their teenagers. The teen is then taken apart, and each body part is used for transplants. Like any good dystopia, the concept poses a number of thought-provoking questions that the book tries to address, like "do we have souls?" or "what makes a person themself?" or "how scary is it to be unwound, really?", and it answers them with varying degrees of success. Unwind is an excellent conversation starter; it is riddled with nuanced philosophical ideas which are, at times, uniquely terrifying. However, that's where the problems with Unwind lie: the intrigue doesn't stretch much farther than the initial concepts. Shusterman is talented at worldbuilding, and every new detail of Unwind's dystopia is interesting, inspired, absurd, and simultaneously realistic. Unfortunately, the story fails to make use of this inherent intrigue. Much of the reader's time is spent spectating characters as they shuttle from one location to another. They have minimal development, or, when they do have development, it is sudden and drastic. Shusterman builds a vivid universe only to guide readers through the dullest corners. Unwind is worth a read for the conversation, not the story. If a reader expects the average teenage dystopia, they should pick another book; but if they want fresh perspectives, creative horror, and possibly a hint of existential dread, Unwind is the perfect read.

You'll Be the Death of Me was disappointing to say the least. McManus' other book, One of Us is Lying, had fascinating characters and a clever plot. This book felt like a knock-off. Ivy, Mateo, and Cal are three high school students who skip school one day and get swept up in a shocking murder mystery. The actual plot and eventual killer was kind of interesting, but not enough of a shock to be fully entertained. This is one of those mysteries that you can absolutely guess midway through the book. The three main characters are pretty bland and don't have good chemistry. Why do they just remember this one "Best Day Ever" in middle school and decide to randomly skip school? Were they actually long-term friends or just acquaintances? It seems like the author couldn't decide. Plus, every romantic interaction felt forced and uncomfortable. Not my favorite.
Grade 12

A Good Girl's Guide to Murder is a surprisingly dark and complex book. The main character, Pip, decides to investigate a "solved" murder in her town from five years ago, one that she is very close to. She teams up with the alleged murderer's brother and slowly unravels a well-hidden mystery. The book's organization made an otherwise-complicated crime easier to understand. You would read a chapter, then Pip would summarize the findings in her capstone project diary entry. This information was backed up with occasional maps and diagrams as well. Although I did get lost at some parts with there being so many names, I appreciated there being enough suspects that it was impossible to figure out the mystery until the characters did. Pip was clever and eloquent, so her handling of this personal investigation didn't take away from the story. Not to mention her friends along the way, who were pretty well-developed side characters. If you think the pacing is slow for the first part of the book, keep going!
Grade: 12

The Bayview Four, the four pupils Simon falsely accused of being the cause of his death, are no longer together, and their younger classmates and relatives are forced to play a new round of gossip-filled Truth or Dare. One year has passed since the events of One of Us Is Lying, and a game of Truth or Dare has begun. However, this isn't your typical Truth or Dare. This game can be deadly. Accepting the dare could be risky, even fatal while telling the truth might reveal your deepest secrets. This sequel had a mixed record as far as success goes. First on the list is Phoebe. It's true if you decide not to play. Phoebe’s secret is dark and it keeps her relationships and family messed up until the very end when the truth is spilled. Maeve then enters the scene, and she ought to know better than always taking the dare. However, things have become dangerous by the time Knox is ready to be tagged. The dares have turned deadly, and Maeve has learned that she cannot rely on the authorities for assistance after what happened to Bronwyn last year. or security. Although Simon is no longer with us, someone is committed to preserving his legacy at Bayview High. And the regulations have altered. The only thing I didn’t like about this book was the ending, so many things were left untouched like relationships and the truth or dare game that I feel like there must be a third book.

This is the kind of book with so many cliffhangers, you can't find a stopping point. This is a book you'll want to read in one sitting but remember you have homework and have to reluctantly put it down. This is a book that makes your hands sweat and your heart beat faster. The vivid imagery and dynamic characters will make you feel as if you're there yourself. This is a book for adventurers. This is a book for the fearless. This is Underlined Paperbacks and this is The Wild.
When Dawn is sent to a wilderness boot camp for one to many bad decisions, she ends up in a situation her parents nor her ever expected. The people she meets there have bad decisions they are also living with and as the woods get darker, their pasts are revealed. Will they make it out of the camp alive? Is everyone there for the reason they claim they are?
Reviewer Grade: 11

Two years ago FBI agent Nina Brandt sent a hacker with a paranoid disorder to prison, and he has spent these past two years to make a detailed plan of how to get is revenge. At the same time, her ex-fiancee's brother hacks into the TSA's No Fly List. When Quinn Stone, her ex-fiancee, realises his brothers only hope to stay out of jail is to ask her for her help. What Nina and Quinn don't see coming is that their past is going to come back to haunt them. Nina is pulled far deeper into the investigation that she ever thought she would be. Although crime isn't the only thing on Nina's mind. She realises quickly that she is falling for Quinn again. Everything depends on if Agent Brandt can manage to solve the crime and prevent terrorists from receiving the No Fly List information and also keeping herself from being killed by Wiley, the felon out to get her.
Web of Shadows is the second instalment of the Agents Under Fire Series.My reason for reading this book is that I have read other books of Sleeman's and this one sounded interesting. From its many intriguing plot twists to Nina's romantic indecision, I enjoyed almost everything about this books. The only thing I don't like, is at the beginning most of the point of view is from the felon. I think the type of people who would enjoy this book the most are teens and adults, and it is a fiction mystery.

This eerie thriller was interesting, and I could have never guessed the plot twist! The Silent Patient follows a psychotherapist named Theo who is intrigued by patient Alicia's story of murdering her husband without warning or motive. She becomes mute and is resistant to talk about what happened that night, but Theo is determined to change that. Each chapter was engaging and added to the mystery of what led to the murder. Plus, the setting of a psychiatric hospital added to the grim and suspenseful tone of the book. By the very end, I was a bit confused by the plot twist because once it was revealed, it seemed like the characters totally changed personalities. Nevertheless, it was still a great book.
Grade 12

Storm Break follows Harry Dresden, the only wizard-for-hire in the country, as he investigates a grisly murder that could only be done by dark magic. Along the way, he'll have to juggle the case of an abandoned wife, the demands of his only friend in the force, the pressures of a sentient skull, and the condemnation of a council that wants to end him once and for all.
I didn't give this book three stars because it's a decent book. I gave this book three stars because it does some things really, really well and some things really, really badly. Throughout my reading, my internal rating jumped between one and four stars, so I stuck with three because it was mostly a good book and two stars should be reserved for boring books. And this definitely wasn't boring.
On the good side, I enjoyed the world building. It remains typical enough to the urban fantasy realm to seem cozy without being boring. Every magical creature has the exciting things we're used to, with some extra thrown in for fun, and lots of personality to make up for any stereotypical writing. The creatures and world building sell the danger of the world, making the stakes very high in the first book, something I appreciate. I like the main character, Harry Dresden, because he's a funny guy. I mean funny in that he cracks actually funny jokes, as well as funny as in he doesn't ever think things through and the outcome is always hilarious. I also like how the Harry has a "sad hidden backstory", but its not really hidden or sad because he talks about it so matter-of-factly that you forget how messed up it is in context. I loved the mystery of the novel, even if some twists threw me for a loop. The writing could also be surprisingly emotional for whats meant to be a cynical cop novel, in a way that really makes you sympathize with the twisted situation the protagonist is in, as well as the innocent people wrapped up in it. The ending was very satisfying and climactic and well bought, and really kept me invested until the end. Basically, its a very good urban fantasy novel with a fascinating protagonist and a thrilling story!
Now for the really, really bad stuff. Or just one really, really bad thing. In short: the author of this story has no idea how to write women. Or, he knows how to write women, and he just chooses to do it in the worst way possible. Every single woman in this book is one of three things: desperate for help from the dashing protagonist, incredibly attractive for no reason and really into the protagonist, or a token "strong independent woman" who devolves into one of the other two types within chapters. And I cannot stress how jarring this was. The author can write witty dialogue and fantastical creatures and heart wrenching emotion, but he can't write a single female character without sexualizing or demeaning her in some way. It's like walking through a local art gallery full of beautiful landscapes and self portraits, and then out of the blue there's a two-year-old's finger painting. I could go on for hours about how bad it was, and I really want to, but basically: about half of the women in this book are prostitutes, about half of the women die horribly and helplessly, most of them hit on Dresden and he always assumes its to seduce him for nefarious purposes, and not a single one of them has more than a shred of autonomy, character, or soul. All of that had to go into the main character, who is amazing alone, but whenever he's around woman he feels like a gross power fantasy that I can't sympathize with until about ten pages after he shares a conversation with a female character.
All in all, this book is a frustration. I want to enjoy the world building and fun characters and funny moments and good plot, but every so often a woman is introduced and I have to resist the urge to track the author down and throw the book at his face. If you can suffer through that, there is some great writing to be found! If you can't, I don't blame you.
Reviewer Grade: 12

This book is very heavy and grim, but Hanya Yanagihara gives a detailed insight into living with disabilities, mental illness, and addiction. I became attached to the characters from the start. Four young men- Jude, Willem, JB, and Malcom, have been best friends since being college roommates in New York, but their individual lives and struggles make it complicated to work through their mid-life crises. Despite the grief and somber moments in A Little Life, I appreciated the resilient mentors that the four, especially Jude, had. It had a loving message of always having a support system somewhere even if it doesn't feel like it, and that your past doesn't define you- your present choices do. However, the ending was open ended and left a lot for me to ponder over later. I'd recommend this if you like more somber, down to earth books (and if you're a fast reader, because this book took forever to read!)
Grade 12

One of King's earliest and critically acclaimed books, a superflu ravages the planet, leaving a minuscule remainder of the population to pick between two opposing factions.
This book was a lengthy trip to follow, but it was pretty good. The characters were my favorite part of the story, as most of them were nuanced and developed. Seeing them interact with each other and/or their environment really pulled me in. The story, overall, was also good, but there were spots that didn't bring me the same enjoyment. The ending was anti-climatic and seemed forced, and it didn't flow with the setup before hand. Speaking of flow, the story was very slow. Characters acted and did things, but they also didn't. After the beginning, nothing really happened conflict wise. It all seemed like set up without much driving force aside from the attraction to the two fractions. In context with the story, it makes sense, but it still seemed boring at points where characters either weren't developing or were just there for a purely plot reason. Still recommend a read (especially with how it connects with his other works), but not the best I've read.
Reviewer's Grade: 11

In this book, you follow four childhood friends (shown from the perspective of Isa Wilde) as the secrets of their past actions come back to haunt them.
I was intrigued by the premise of the story, but for the most part, the story was pretty boring and predictable. The concept of a lying game in the past was interesting and I was excited to see how would play into the story. The secret about what happened almost 20 years earlier seemed really overplayed to me. What actually happened didn't really seem as much of a big reveal as I thought it would be. The final twist at the end of the book wasn't anything special and I figured it out pretty quickly compared to other stories. The ending was anti-climactic; by the end of the story, I wasn't invested. The characters were fine: originally, they seemed relatable and human for the most part, but as the story progressed, I grew to dislike a couple of the main characters. Their actions seemed abnormal and irritating, and even within the context of the story, I still couldn't get over it. This could have been a better book, but the payoff wasn't there.
Reviewer's Grade: 11

Here, you follow Jack Forman as he wages through his wife's unusual behavior and the nanotechnology her company created and developed.
For my first Crichton novel, I really enjoyed it. Watching Jack as he waded through his suspicious and the dangers he faces was a thrill to watch. While the characters themselves felt a bit bland, the plot, scientific mystery, and thriller aspects of the story make up for it. Learning about nanotechnology and different parts of programming was also fun to read, even if I didn't understand all of it. The pacing of the novel was done pretty well, from the beginning with Jack's wife, to the her place of work later in the novel. The way the danger was presented and changed was done well and kept me on my toes until the resolution. I recommend this for those who like thrillers and/or sci-fi.
Reader's Grade: 11