The scene is New York, 1778-1780, during the American War of Independence. The story is billed as a mystery. Richard Savill arrives from London to hear the claims of Loyalists who have lost property to the rebels. British Manhattan is a conglomeration of soldiers, refugees, and maybe double agents. As the death toll mounts, Mr. Savill can no longer be content in his roll as an observer. He even ventures out into the Debatable Ground with a pass from Gov. Franklin (Benjamin's son), which may or may not protect him. It is a mystery, but I was fascinated by the historical detail. Well worth your time!

I haven't read Fern Michaels in several years, but since this is a "holiday" book, I thought I'd check it out. The main character lives in Denver. Colorado but the story takes place in South Carolina. Obviously, the editor didn't even bother to correct the cover illustration - a snowy Christmas scene. So many descriptions within the story were repeated. I couldn't finish the book. I wonder if the editor even reviewed the material.

Fern Michaels? Slam dunk. Not.

Premise: Guinevere died in the convent where she'd been sent by an her father. An imposter, Merlin's daughter and Arthur's new protector, is her replacement, and all have been fooled into thinking she's the "real" Guinevere, save Arthur, who she immediately marries and starts to protect.

I found the beginning of the book, with its delicious hints of a larger story of evil and darkness, to be captivating. Unfortunately, those hints, for the most part, stay hints, and the book ended up being a pretty predictable retelling of sorts that was paradoxically too faithful and not faithful enough to its predecessors. It had glimpses of the humor from Mallory, T. H. White and Steinbeck. It had the promise of the adventure that lies in those tales. It just never fully delivered. And the end, when it finally came, was predictable enough to be a bit disappointing.

That said, I do love Arthurian legend, and this version of Guinevere is not without promise. If the next entry gets great reviews, I'll give it a go as my familiarity with the characters and story would render a re-read unnecessary. 3 stars. I...liked it? I'll recommend it to younger readers new to the legend.

Thanks to Netgalley and Delacorte for the advance copy which I received in exchange for an unbiased review. The Guinevere Deception will be on sale on 05 November, but you can put your copy on hold today!

Eva's nameday is coming up. And on that day, she'll become a Rival Heir. From then on, she'll be expected to try to kill her sister (or die in the process), so that one of them could take the throne. Eva's always been her father's favorite, but in this matriarchal society, her mother, the Queen, who, of course favores Eva's sister Isadore, would do anything to make sure that Eva doesn't get the throne. Including helping Isa with her magic while trying to keep Eva from accessing hers. But the throne is Eva's destiny. It's that, or death.

This was another instance of the plot being hard to describe, though that's mostly due to the fact that there are so many things happening in this book. It's pretty complicated. Not in a bad way - I really enjoyed it. The worldbuilding was very cool, I loved the khimaer. A lot of it was new to me, or a fun twist on a familiar concept. I loved the book's mythology. Something about it felt fresh. I also bizarrely really liked the middle part of the book - its full of layered mysteries, court intrigue, training montages and the right amount and type of romance. It's built on mutual and earned respect (and yes, hotness). There's a lot to like in this book, and it won't be the last by this author that I read.

That said, the beginning and ending were rote and felt a bit weak. The end, in particular, felt like it existed only to get you to read the next installment. There was no resolution, and it felt very rushed, especially after a story that was otherwise taking its time unfolding. I don't want to spend a lot of time criticizing what was otherwise a fun read - give it a go!

TLDR: This was so close to being really good, but it just missed the mark (rote beginning and ending, super strong middle and worldbuilding). I quite enjoyed it, nonetheless. 3.5 stars - I almost really liked it. :)

Thanks for the eARC Netgalley and Putnam for the advance copy! A River of Royal Blood will be available for purchase on 29 October, but you can put your copy on hold today.

After my slight disappointment with Mecha Samurai Empire , I was pleased to find that a book that actually knows how to do "mecha" right already existed years before Mecha Samurai Empire was released. Taking a somewhat unique approach in its narrative structure, Sleeping Giants uses a series of interview transcripts to tell the story of discovering the parts of an ancient, giant robot and learning how to pilot this unique piece of equipment. There aren't any dialogue tags. There aren't any direct action sequences. There are just words describing the events as they happened. Somehow, it totally works.

I seriously couldn't get enough of this book and basically devoured every word. I was a little disappointed with the semi-cliffhanger ending, though. Just as everything was starting to finally come together, it just kind of ends. Sure, many of the large plot movements reached a momentary conclusion but now I really want to know what happens next. My only other qualm was the "exposition character" who was dropped into the narrative about half-way through to explain all the unexplainable bits of the story. It seemed like a cheap way to give information that wouldn't have been naturally revealed. What's perhaps the most interesting with the minimalist way the story is written in Sleeping Giants is how strong the characters come across. Even if it's only interview transcripts, the pauses, snark, and other personality traits are just as obvious as if I could see them talking across the table from me. Judging by the acknowledgments section of this book, I certainly can't wait for this to be made into a movie. I'm sure it will be just as exciting to see everything on the big screen as it was to read about it line-by-line.

A unique narrative method that had me ravenously reading, I give Sleeping Giants 4.5 stars out of 5.

Back in college, my first introduction to Heinlein was Stranger in a Strange Land. I had to read this book for my “Science in Literature” course, and I found it moderately interesting. Since then, I’ve read other Heinlein books like Starship Troopers and The Moon is a Harsh Mistress, but I didn’t realize how dedicated Heinlein was to some of his “supernatural” themes until I read Assignment in Eternity. Sure, most authors will have some concept or idea that they like to revisit. Still, the fact that a majority of Assignment in Eternity ’s included short stories deal in some way with “superhumans” must mean something.

The whole concept of ESP and “evolved” humans isn’t interesting to me since I don’t think there’s much that can be done with the concept. While Stranger in a Strange Land covered most of the bases, Assignment in Eternity doesn’t really expand the ideas any further. If anything, Stranger in a Strange Land was the culmination of Heinlein’s obsession with this topic. I think, in the end, the whole idea of telepathy and other mind powers isn’t science fiction as much as the ideas explored by Ray Bradbury or Isaac Asimov.

Because Heinlein could fill a book with short stories mostly centering on this theme speaks volumes about the overall topics in his writing. If you’re into this kind of story, then Assignment in Eternity is an excellent addition to the classic that is Stranger in a Strange Land. If anything, Heinlein is consistent in his style, even if it makes short stories like this somewhat repetitive to the other stories and books he’s written. Like other short story collections, I would have liked to see some more variety in what was presented here, but I suppose beggars can’t be choosers.

More of the same Heinlein, just in smaller chunks, I give Assignment in Eternity 3.0 stars out of 5.

As I’ve been working my way through Ian Doescher’s Shakespearean adaptations of pop culture movies, I think I’ve hit the point where the novelty has worn off. For whatever reason, I didn’t feel like The Force Doth Awaken had the same charm as other entries in this quirky mash-up series. I have a sneaking suspicion that this may be due to one of two factors: 1. The newer movies have more “modern” dialogue that seemed as if it was directly plopped into the Shakespearean format, or 2. The original trilogy had more time to be ingrained in my psyche, and the translation to Shakespearean felt appropriate.

I don’t want to downplay the novelty of this adaptation, though. The voice acting is still superb, and the sound effects add a little something extra that immersed me as I listened to this audiobook. Plus, it’s not like these books are that lengthy anyway. If anything, I’m out a little over an hour of my time to listen to it (since I listen at 2x speed). I did appreciate that Chewie finally received the internal monologue that R2-D2 originally had since these un-translatable individuals still have something to add. I was, however, disappointed that BB-8 didn’t have the same treatment.

One of the other factors with this “translation” that I wasn’t too keen on was the meta aspect that kept winking at the reader and saying, “See? Do you get that reference?” I understand that everything exists in the Star Wars universe, but I think most people who will pick up this book will already know those references anyway and don’t need the coy allusions to other parts of the series. Of course, I’ll still end up listening to the rest of these when I can get them from my library, but The Force Doth Awaken felt like a low point (at least until I get into the prequels).

An almost too modern and meta Shakespearean adaptation, I give The Force Doth Awaken 3.5 stars out of 5.

You’d think a book with (what I assume is) Renna Bales (nee Tanner) on the cover would follow her and the group of people she’s traveling with. You’d think a book titled “The Skull Throne” would spend a lot of time addressing the now-empty Skull Throne. Instead, we only got brief mentions of these two sub-plots. While I’m happy that the latter didn’t have many pages dedicated to it, I’m disappointed that the former was addressed for only a few scant sections at the beginning and end. Instead, the majority of this book spent time in places that didn’t advance the overall story at all.

Having read all the books (and the “3.5” novella) up until now, my concerns that arose during Messenger’s Legacy seem to have materialized. Sure, I do enjoy following the three main characters from The Warded Man , but there were certainly moments where I thought I was reading something from the Song of Ice and Fire series than The Demon Cycle series. This might be high praise for some, but I felt George R.R. Martin’s series was a little bloated and too concerned with relationship drama than actual dragons.

Additionally, I’m still having trouble caring about the Krasians. The fact that there are so many terms and titles for everyday things and people makes it confusing to follow at times. I understand its origins in Middle-eastern culture, but at some point, it goes too far (xkcd had a comic about the number of made-up words in a fantasy book reducing its quality). The culture clash between the Krasians and everyone else has persisted for three books now, and it’s quite tiring to keep highlighting how different and backward their thinking it sometimes. I can only hope we get to see some demon battles in The Core since this book left me unsatisfied.

A weak link that could have spent more time on more exciting subplots, I give The Skull Throne 3.0 stars out of 5.

In yet another case of watching a movie first before reading the books, I finally got around to reading Mortal Engines after absolutely loving the 2018 movie. While I understand middle-grade or Young Adult readers are the intended audiences, it left me wanting in its presentation. Sure, most of the elements that made it into the film were there (with some less-than-necessary parts being cut from the screenplay for obvious reasons), but the way it was written felt a bit too flowery for my tastes. In fact, the engineer in me would have loved a lot more world-building than I got in this short volume. I did still appreciate the post apocalyptic steampunk world of Mortal Engines—if for no other reason than its ridiculous premise. The idea that whole cities would transform into moving monstrosities that devour lesser towns in a “predator and prey” relationship is such an intriguing notion that I had to give it a chance. Even if I don’t expect there to be movies to finish out the adaptation of the quartet of books, I can definitely look forward to exploring the rest of this series to have my world-building needs satiated in the next volume.

While the young protagonists were flat and singularly minded, some of the adults had enough meat on them to make their actions reasonable and realistic. Sure, there are always going to be clichés in stories meant for younger audiences. However, I don’t usually tolerate character-based clichés as much as I do plot-based ones. And while the writing certainly had a creative bent to its vocabulary, it became tiresome having to sit through it for a whole book. Purple prose is good in short bursts, but too much of a good thing can ruin the immersion of the reader.

A fantastic idea with semi-flat characters and far too flowery language, I give Mortal Engines 3.5 stars out of 5.

With this fourth book in the Alvin Maker series, I’m starting to see why a
lot of writers like to stick to trilogies. If anything, I think most readers
can probably skip this volume and move on to the next one because there
wasn’t anything too new or interesting that happened in it. If anything, it
was a re-hash of events in the previous book with a few new characters added
to it. I will concede that Alvin Journeyman did finally develop a fitting
antagonist for Alvin. Still, so few pages were dedicated to this sub-plot
that I’m wondering if it should have just been pulled out and made into its
own novella that would span the gap between book three and book five.

Once again, the strength of the series as a whole carries through here, and
some loose character arcs are tied up before moving on to more important
things. However, spending the majority of the book hashing over what astute
readers (or even readers who were moderately paying attention in the last few
books) already knew as truth just to confirm to the rest of the characters
around Alvin that he wasn’t lying seemed like a waste of words.

If anything, using the delay in Alvin’s journey to develop Calvin’s
“making” abilities did provide a bit of contrast between the two and will
likely pay off when the forces of good and evil clash in future volumes. I
still appreciate the way Orson Scott Card integrates actual history with a
fantasy explanation, though. Despite the missed step here, I’ll continue
with the series to see how it resolves. At the very least, volumes like this
show me why it’s not as notable as the Ender Saga, which was a solid four
book set (that’s really just three books with the third split into two
parts).

A weak link in the Alvin Maker series, I give Alvin Journeyman 3.0 stars out
of 5.