As I’ve been working my way through Ian Doescher’s Shakespearean adaptations of pop culture movies, I think I’ve hit the point where the novelty has worn off. For whatever reason, I didn’t feel like The Force Doth Awaken had the same charm as other entries in this quirky mash-up series. I have a sneaking suspicion that this may be due to one of two factors: 1. The newer movies have more “modern” dialogue that seemed as if it was directly plopped into the Shakespearean format, or 2. The original trilogy had more time to be ingrained in my psyche, and the translation to Shakespearean felt appropriate.
I don’t want to downplay the novelty of this adaptation, though. The voice acting is still superb, and the sound effects add a little something extra that immersed me as I listened to this audiobook. Plus, it’s not like these books are that lengthy anyway. If anything, I’m out a little over an hour of my time to listen to it (since I listen at 2x speed). I did appreciate that Chewie finally received the internal monologue that R2-D2 originally had since these un-translatable individuals still have something to add. I was, however, disappointed that BB-8 didn’t have the same treatment.
One of the other factors with this “translation” that I wasn’t too keen on was the meta aspect that kept winking at the reader and saying, “See? Do you get that reference?” I understand that everything exists in the Star Wars universe, but I think most people who will pick up this book will already know those references anyway and don’t need the coy allusions to other parts of the series. Of course, I’ll still end up listening to the rest of these when I can get them from my library, but The Force Doth Awaken felt like a low point (at least until I get into the prequels).
An almost too modern and meta Shakespearean adaptation, I give The Force Doth Awaken 3.5 stars out of 5.
You’d think a book with (what I assume is) Renna Bales (nee Tanner) on the cover would follow her and the group of people she’s traveling with. You’d think a book titled “The Skull Throne” would spend a lot of time addressing the now-empty Skull Throne. Instead, we only got brief mentions of these two sub-plots. While I’m happy that the latter didn’t have many pages dedicated to it, I’m disappointed that the former was addressed for only a few scant sections at the beginning and end. Instead, the majority of this book spent time in places that didn’t advance the overall story at all.
Having read all the books (and the “3.5” novella) up until now, my concerns that arose during Messenger’s Legacy seem to have materialized. Sure, I do enjoy following the three main characters from The Warded Man , but there were certainly moments where I thought I was reading something from the Song of Ice and Fire series than The Demon Cycle series. This might be high praise for some, but I felt George R.R. Martin’s series was a little bloated and too concerned with relationship drama than actual dragons.
Additionally, I’m still having trouble caring about the Krasians. The fact that there are so many terms and titles for everyday things and people makes it confusing to follow at times. I understand its origins in Middle-eastern culture, but at some point, it goes too far (xkcd had a comic about the number of made-up words in a fantasy book reducing its quality). The culture clash between the Krasians and everyone else has persisted for three books now, and it’s quite tiring to keep highlighting how different and backward their thinking it sometimes. I can only hope we get to see some demon battles in The Core since this book left me unsatisfied.
A weak link that could have spent more time on more exciting subplots, I give The Skull Throne 3.0 stars out of 5.
With this fourth book in the Alvin Maker series, I’m starting to see why a
lot of writers like to stick to trilogies. If anything, I think most readers
can probably skip this volume and move on to the next one because there
wasn’t anything too new or interesting that happened in it. If anything, it
was a re-hash of events in the previous book with a few new characters added
to it. I will concede that Alvin Journeyman did finally develop a fitting
antagonist for Alvin. Still, so few pages were dedicated to this sub-plot
that I’m wondering if it should have just been pulled out and made into its
own novella that would span the gap between book three and book five.
Once again, the strength of the series as a whole carries through here, and
some loose character arcs are tied up before moving on to more important
things. However, spending the majority of the book hashing over what astute
readers (or even readers who were moderately paying attention in the last few
books) already knew as truth just to confirm to the rest of the characters
around Alvin that he wasn’t lying seemed like a waste of words.
If anything, using the delay in Alvin’s journey to develop Calvin’s
“making” abilities did provide a bit of contrast between the two and will
likely pay off when the forces of good and evil clash in future volumes. I
still appreciate the way Orson Scott Card integrates actual history with a
fantasy explanation, though. Despite the missed step here, I’ll continue
with the series to see how it resolves. At the very least, volumes like this
show me why it’s not as notable as the Ender Saga, which was a solid four
book set (that’s really just three books with the third split into two
parts).
A weak link in the Alvin Maker series, I give Alvin Journeyman 3.0 stars out
of 5.
Fantastic! Ahmed is a 14 year old Syrian refugee that has been orphaned and left with no money and no place to go. He ends up in Brussels and hides in the wine cellar of a house. Max, whose family lives in the house, discovers him and they strike up a friendship. What follows is a story of loyalty, determination, and desperation. The ending almost made me cry. The book brings up questions about whether or not countries should accept refugees and how to determine who is good and who is a terrorist. I definitely recommend it to everyone, as the plight of middle eastern refugees should be known to all.
his novel brought every single emotion to mind while reading. Whether it was joy, love, anger or sadness; this novel made me feel many things. This romantic novel brings you through the road of love and romance as well as heartbreak and tragedy. Louisa Clark is a young woman leading an extremely mundane life, that is until she finds a job as the caretaker for the wheelchair bound Will Traynor. Through the adventure of love and romance, Louisa learns from Will that life is too short to waste and that she deserves more from life. This novel is absolutely riveting but also teaches a lesson on the importance of living your life to the fullest.
Reviewer Grade: 12
Surprisingly good. I was expecting more of a lighthearted chick lit experience, but it was a compelling read that delved into the lives to two sisters over a period of time. I'm not sure what the title has to do with the story but still a very powerful story.
This beautiful work of art, is a love letter to stories and bibliophile’s everywhere. I loved Harrow’s intoxicating magical debut so much that I blew through it in 4 days! I read it back in March but it still sticks with me to this day! But I have to admit, I have been a hard time finding words to describe this magical beautiful experience of a book because it grabbed my heart so completely and did so much to me, that to try to express it in words and to remember all the intricate details has been difficult. But I am happy to report I am currently doing a re reading and so far it is just as magical, heartbreakingly tender and beautiful as the first time. I am so excited that it has finally come out and more people get to experience this epic journey into unknown worlds. This should be on everyone’s reading lists!
Meet January Scaller, a brown girl, an in between sort of thing some call her, growing up in the 1900’s a time rife with social change, and colonialism. A difficult time where the world is in transition and nothing is at it seems. January is the ward of a wealthy white benefactor, Mr. Locke, who spends his waking moments hunting for the worlds artifacts and then selling them to the highest bidder. Or more truthfully, employing people like January’s father to hunt down these treasures, so he can sell them. As a result, his sprawling estate resembles a museum decorated with treasures and all sort of odd things from around the world. Being taught to always be the good girl, she is tollerated in Mr Locke’s society but still she feels like a artifact herself.
With her father gone for months at a time and Mr. Locke attending to meetings, January grows up alone, content with wandering the lonely grounds and halls to be among it’s treasures and discover its secrets. One day when she was 7, playing amidst the wide open fields of the estate, she discovered a door, a blue ragedy door that hadn’t looked like it had been used in ages, and she wished for it to lead to elsewhere, using a old diary she had found. Next thing she new, she was stepping from the familiar into a new world unknown. When she was was older, in the same place she found the diary, she discovered a mysterious book that spoke of secret doors, other worlds, and adventure. As the pages keep turning January discovers connections and truths to her own story, that she never would have imagined and is led into a adventure of a lifetime.
Full of beautiful imagery and entrancing atmospheric prose, this story exhibits the best things I love about books and fantasy in general. Prose that flower off the page and into the reader’s imagination, a coming of age tale, a magic system based in words and stories, other lands, a wild, beautiful, strong heroine who has trouble fitting in and conforming to standards, dastardly villains, sweet friendships, and a heart of love and family at it’s center.
Stories have a way of communicating deeper truths that can’t be understood and communicated in any other way. And their is so much in this book! A imaginative tender hearted lonely adventuresome girl full of all the desires that young girls have, the yearning to be loved both romantically and by a father, and the desire to be part of a grand adventure in unknown new exciting places. This story communicates hope for better things and the understanding that their is something more. It communicates love and the need for family and belonging, it communicates the importance of discovering identity and sticking to your truths no matter what. And it communicates so many other truths that are at once both universal but at the same time, personal as stories speak to each of us differently and discovering what they say, is part of the adventure.
And everyone should go on this adventure! Everyone should read this intricate, tender hearted, complex, magical, tale that will sweep your heart between it’s pages and not let it go, even after the last page is turned.
Thank you to Orbit publisher for my ARC of this wonderful tale for review!
This book is a compilation of short stories, which are filled with humorous tales and great short stories. I personally really liked this book because of how every story was a perfect duration. I often find it hard to commit to a book for more than a week, with this book, I was constantly entertained by the fun theme of all the stories. If you're looking for a great compilation of bed time stories, or just don't have the time to commit to a long chapter book, this book is perfect for you. If you are looking for one great story to start the adventure, my favorite was The Squid Who Fell in Love With The Sun.
Reviewer Grade: 8
It’s been a while since I’ve read a fantasy book with such a unique magic system in place. I truly enjoyed the amount of thought that went into a world where the main source of power was that of the earth itself. From magma to solid obelisks, the ability to control the vibrations of the planet (either to amplify or dampen) had an interesting and logical follow-through in its characters and storyline. I’m honestly looking forward to eventually starting the next book in the series since the world was built so well. It’s no wonder that it ended up winning the Hugo Award for that year.
While I suppose The Fifth Season is also partly a pseudo-post-apocalypse story, it was only shown in small snippets and references here and there. Consequently, this would make this story almost “modern fantasy” in comparison to some of the classics. Additionally, this would explain some of the character elements added with little to no explanation or relevance to the plot. It sometimes seems like the sexual encounters and fluid genders of these characters are included o merely hit a checkbox of “inclusivity.” Sure, people who relate to these characters feel like their represented, but if these traits don’t affect the plot, then it doesn’t matter about their sexuality at all.
I also found the bold choice of second-person POV to be a bit jarring when it spliced in the more traditional third-person narrative. Initially, I thought these segments were striking in the way that it pulled me into the story. That was until I was given a name and a purpose and any number of other traits that made the “you” in the story into a character that was basically repeated throughout. I get how these different characters interacted to tell a much broader story (which is again, part of the book’s strength) I just didn’t care for the reader’s identity to be given to them via the second person POV.
A uniquely written and crafted fantasy with one or two minor flaws, I give The Fifth Season 4.0 stars out of 5.
Having already listened to the audiobooks for the Shakespearean versions of the original Star Wars trilogy, I was curious to see how another beloved pop culture film would fare with the treatment. Get Thee…Back to the Future! had a bit more of a challenge when compared to the Star Wars stories. First, as the plot is set in (relatively) modern times, much of our technology had to be “explained” in Shakespearean format (e.g., a car is “a horseless carriage born on fumes of gas and flame”). At least the Star Wars stories seemed to fit in the Shakespearean timeframe a little better.
Despite this clash of modern and medieval, the transformation into Shakespearean form does end up working. I’d probably compare this to some of his comedies like The Taming of the Shrew , Twelfth Night , and Much Ado About Nothing , if for no other reason than the comedy of errors involved with Marty being hit on by his mother. I did appreciate some of the more heady references that were thrown in to make it seem more akin to something from Shakespeare’s era (the constant oedipal references were foremost among them).
One thing that seemed to be missing from the audiobook version of this was the sound effects and music that helped accentuate the Star Wars stories. Granted, Back to the Future didn’t have much in terms of sound effects. However, the music is iconic enough that it would have made a welcome addition. And by music, I mean Alan Silvestri’s score, since all the “pop songs” were addressed in the narrative and motif. Either way, it’s a short read and a fun little experiment to see how the “father of modern drama” can enhance (or ruin, depending on your tastes) our modern favorite films.
The Shakespearean comedy I didn’t know I needed, I give Get Thee…Back to the Future! 4.0 stars out of 5.
Before I got into reading the Dark Tower series, I saw the movie adaptation. It’s honestly what inspired me to get into the books. While I was a little disappointed with The Gunslinger , The Drawing of the Three showed me the series’ true potential. Moving on from my favorite book in the series, we have The Waste Lands. It's sort of a mash-up of the two earlier books in terms of characters and plot points. However, it's ultimately less than the sum of their parts (and that’s mostly due to the ending). What strikes me with The Waste Lands is how it could have been better than it was.
Those who have seen the movie version of The Dark Tower will recognize a lot of scenes, if not a huge chunk of them. I can see why they cut the two most interesting characters from the film, especially since everyone ends up splitting off to go on their own journeys almost as soon as everyone finally comes together. And while I did appreciate the weird “robot animals” and the riddle motif, I was ultimately frustrated that this core group of four characters didn’t have more time to show what their inter-personal dynamic would evolve into.
At the very least, the strength of the overall series and the thorough and vivid descriptions of this fantasy world were enough to overcome my misgivings about this book. It’s still well done on a technical level, even if some of its better moments are likely to be explored in future volumes. The cliffhanger ending was a bit of a bummer, though, especially since it might be a while before I can get the next book in the series from my library any time soon. I’ll still read it eventually, though, if for no other reason than to see how these characters fare in their travels.
A great book with some wasted potential, I give The Waste Lands 4.0 stars out of 5.
Peter, Susan, Edmund, and Lucy are drawn back into Narnia 1,300 years in the future to help Prince Caspian defeat a terrible king and gain the throne.
This book was not nearly as good as The Lion, The Witch and the Wardrobe. I listened to it on audio and while the narrator was good (Vanessa Regrave), the story left something to be desired. I know Prince Caspian is young, but he sounded like a whiny child to me. Over all, it was pretty good, but not great.
When a bullying issue arises in Kindergarten, several mothers duke it out on the elementary schoolyard. As we glimpse into the world of the three main mothers we see heart-wrenching elements unfold.
I didn't expect to get much out of this book. In fact, I thought it would be snarky and contrived. After all, the title smacks of drama. But I enjoyed it thoroughly, drama and all. I hadn't read the summary and didn't have any idea as to what would happen next. It was fun and powerful at the same time.
The Monster of Elendhaven follows two characters – Johann, the eponymous monster, and Florian, a mage that ultimately forces him to do his bidding. Mages are forbidden to exist in Elendhaven, and the locals in power kill Florian’s family, so Florian is out for revenge. And he’ll use Johann to ensure he gets it.
It’s rare that I wish a book was longer, but that’s definitely the case here. The worldbuilding was spectacular, as was the prose, but the plot was pretty basic, and the end jarring. I could have spent much longer in this dark, twisted world with our dark, twisted characters. I kept thinking of Patrick Suskind’s book, Perfume: A Story of a Murderer, as both of our characters were somewhat similar to the protagonist of that book. There’s a romance that I wouldn’t have minded so much, but again, it wasn’t given time to breathe in this short little novel.
TLDR: This book is nasty in that deliciously evil sort of way. If that’s your thing, you’ll love it. I wish it were a bit longer.
3.5 stars. Thanks to NetGalley and Tor for the eARC, which I received in exchange for an unbiased review.
Tess is a time traveling member of the Daughters of Harriet, a group that does it's best to make their present time, 2022, a safe place for women, whether cis or trans. There's a men's right's activist group from further in the future trying to undermine their efforts by erasing the Daughters of Harriet and women's rights folks from the timeline. Meanwhile, in 1992, teenager Beth, a friend from Tess' past, finds herself in a bit of a pickle. She and her friends kill a boy who was in the process of sexually assaulting their friend. This starts the girls down a murderous path that Tess will do her best to stop.
For the most part, I enjoyed this book. I usually enjoy time travel, unless its being used as a cheap plot device which was definitely not the case here. Newitz did a lot of homework for this one - the historical notes at the end were really interesting and trips to the past often include historical figures. The story alternates between Tess and Beth with a few other perspectives thrown in on occasion. Tess mainly splits her time between the late 1800s (easily my favorite parts), the early 1990s and her present in 2022, while Beth's story is firmly situated in 1992. While I enjoyed both stories, I never really felt compelled to read the book. Both perspectives were interesting, but not captivating or thought-provoking (though I suspect the book will provide plenty of thinking material for some readers). As a result, certain plot points felt unnecessary and the book felt overlong. I really hated the way Tess' story ended. Nonetheless, its an enjoyable read that makes a great point (women are people too, who knew?) that I would recommend to science fiction readers that are interested in women, women's and LGBT rights. There's also quite a bit of 90's punk rock that readers of a certain age will love. The ending is also quite optimistic, which I wasn't expecting, but did welcome.
TLDR: The Future of Another Timeline is interesting book full of time travel shenanigans that is plagued by the same issues that all time travel book face. Ultimately, while the book was fun, feminist and full of salient social commentary, it wasn't compelling.
3 stars - I liked it.
Thanks to Netgalley and Tor for the advance copy which I received in exchange for an unbiased review. The Future of Another Timeline will be available for purchase on 24 September, but you can put your copy on hold today!
First, before I go any further with this review, if you are ordered to evacuate, for goodness sake, EVACUATE. Doing anything else is putting not just your life at risk, but those of the emergency responders as well. It’s just not ok.
Alrighty then, I’m going to hop off my soapbox.
After the death of her father, an assault, and a bad breakup, Bree has decided to flee New York in search of warmer, more gentle climes…and people. As a current resident of Little Bridge Island (a small key in FL), she’s not excited when the first hurricane she experiences is a Category 5. She decides to stick it out in Little Bridge with her employers, the Hartwells and their hot-if-unavailable playboy son, Drew. No Judgements follows Bree’s exploits before, during and after the hurricane.
Meg Cabot’s books are always hit-or-miss for me, and unfortunately, this one was the latter. There were a few things that were approached in a completely inappropriate way. For example, our heroine deciding not to leave Little Bridge even though literally everyone she knows is begging her to evacuate, she has no experience with hurricanes, and she lives in an apartment that’s only eight feet above sea level. There’s also some insane gun usage later in the book, and a grown adult solves an issue with his fists and is lionized for it. No no no no no. The book, being a romantic comedy, has some fun romantic moments, but a lot of the comedy felt, again, borderline inappropriate to me. Hopefully some of those jokes are removed before the book is published.
Why is the protagonist 25? This book would’ve been much more interesting if it were about an older protagonist, and this woman, to me, did not act like most 25 year olds that I know. She acted like she was a teenager, and not a very smart or mature one at that (see above examples). Romantic comedies featuring twenty-somethings are a dime-a-dozen. I wish Cabot had taken a risk here. The male lead is not any better. He likes animals and is hot, and we don’t learn much else about him. They do fall in love instantly, though, so…yay?
As someone who grew up in a hurricane affected area, I think the idea of a romantic comedy centered around a hurricane is a fabulous idea. I just wish the execution had been less offensive. I did like the pet-rescue sub-plot, though.
Even though I didn’t enjoy this book, I’ll still check out Meg Cabot’s next one and keep recommending those books of hers that I do like (for instance, Insatiable or Queen of Babble). I mean, I read this book in a day, so that says something, right? I think plenty of readers will enjoy it. For me, though, it was a 1 star read: I didn’t like it.
Thanks to Netgalley and Harper Collins for the electronic advance copy, which I received in exchange for an unbiased review. No Judgements will be released on 24 September, but you can put your copy of the book on hold today!
Packed with action and intensity, Detective Cross is a mystery-action that will have you on the edge of your seat for the entire duration of the book.
The plot starts with a bomber planting bombs in national parks. Police search and defuse the bombs, only for more to be planted the next day. The serial bomber keeps on planting more and more, with the authorities always a step behind. I would highly recommend this book, as it had me on edge the whole time, with its accurate details and action packed plot. Reviewer Grade: 8
The Great Gatsby is truly a masterpiece. The Great Gatsby tells the story of Nick and his mysterious neighbor Gatsby. Gatsby is very wealthy and throws grand parties, yet has a mysterious and possibly immoral past.
Fitzgerald is a master of imagery, character development, and mystery. Set during the Jazz Age, The Great Gatsby is a fascinating commentary on life in America. I understand why The Great Gatsby is a classic and many students are required to read it. The Great Gatsby is a wonderful book that any reader from high school to adults can enjoy and learn something from.
The highlight of The Way of Kings is assuredly the masterful world building. Sanderson manages to craft a fantastical and believable world with unique quirks and mountains of lore. With an exciting narrative to boot, this book (over a thousand pages long) tends to threaten other menial activities such as sleep. Though occasionally losing momentum through its frequent shift of character viewpoints, The Way of Kings is definitely a worthwhile read with compelling characters and gripping action.
I listened to this on CD. The narrator was fantastic. The book was also fantastic. Well written, aimed at younger readers, but still enjoyable by adults. There's a reason why this book is a classic. The story had me thinking about bravery and forgiveness, but the Edmund story line was a bit frustrating. His siblings were kinder than I would've been, although I have to remember that he was just a child. All in all, a must-read, or listen.