Book Reviews by Genre: Mystery

It’s almost uncanny how timeless the story of Mildred Pierce remains to this day. I could easily see a similar story set in 2009, immediately following the housing crash—instead of following the Great Depression. Of course, this also is an unsettling reminder that many societal structures haven’t changed much since the 1940’s. The patriarchal society that existed then still exists to an extent today, which is troubling because of the increased difficulty women have in trying to get ahead in life, especially after something like a divorce or bankruptcy. The fact that the titular character was able to overcome these limitations speaks to her talent as much as to her luck.

The most noticeable differences between the Hollywood version with Joan Crawford and the source material of this book mainly come down to the amount of suggestive/objectionable material within it. This is likely due to the book’s slightly more pulpy origins, combined with the Hays Code that was prevalent in Hollywood at the time. In fact, the plot almost seems modern, despite its 1940’s roots. The women in Mildred Pierce were certainly more in control of their destinies than we’d like to think, given the era in which they lived.

While the basic rags-to-riches story is inspiring and does lead to some interesting character growth, the constant conflict between the main character and her daughter or husband or lover is what really drives the plot along. The only difference between how Mildred acts at the beginning of the book and how she acts at the end comes down to the simple accumulation of life experience. If she had encountered the kinds of problems when she was barely scraping by, she wouldn’t have reacted in the same way as when she had built a restaurant empire on the one skill she had: hospitality.

A story about a strangely modern woman who overcame patriarchal limitations, I give Mildred Pierce 4.0 stars out of 5.

I can honestly say, this is the worst book I have read in 2018. I couldn't believe it was written by Janet Evanovich. It lacked her usual wit and laugh out loud moments. I actually thought I would love it since I enjoyed the graphic novel. But no. I didn't care about any of the characters.
I thought the story line plodded along and at the end, I just didn't care. I was hoping a canister of nerve gas would just destroy every copy of this book so no one else who's thinking of reading will suffer.

This classic piece of noir does what some might consider impossible: making an insurance salesman interesting. Of course, planning to commit insurance fraud makes the scenario much more interesting, even if it follows some of the basic tropes of the genre. Because the story is so short, only lasting just over three hours of audiobook reading, I feel the movie adaptation was able to include everything that made this story so engaging. I do think the ending was improved in the film, though, as the story’s ending felt a little disjointed from the narrative.

What made Double Indemnity so enjoyable was how the main characters were so sure they’d get away with the crime they were about to commit. The details of the fraud were so thorough that the reader is almost convinced that nothing could go wrong. When the aftermath starts to unravel, that’s when the story began to get interesting. Suddenly, all the little things you’d never think of started to rear their ugly heads and tear the crime apart. If anything, Double Indemnity proves that, no matter how well you plan a crime, there is always something that is bound to go wrong. There are no perfect crimes.

While I enjoyed the revelation of the family’s backstory after the crime was committed, the one element that was a little uncomfortable was how the main character altered his amorous intentions from the mother to the daughter. It felt kind of creepy how he was justifying a 15-year age difference, even if she was a year past the age of consent. Maybe that was part of the point, though: prove that none of the characters were above reproach. They each had flaws that made them unlikeable in some fashion.

A short and tightly-written noir classic, I give Double Indemnity 4.0 stars out of 5.

Have you ever heard of Leatherface? Hannibal Lecter? Freddy Krueger? Good. Because if you like those kinds of killers and movies, then you will absolutely love this novel, The Snowman. The book follows the path of a detective with a dark past who is forced to hunt down one of the most deadly and disturbing killers he has ever faced, as he simultaneously struggles with the battle within himself. Overall I thoroughly enjoyed the book. I would recommend this novel to people who enjoy thrillers, horror novels, or anyone who enjoys getting a little disturbed sometimes.

It is a truth universally acknowledged (at least by my friends) that a person such as myself, in possession of historical studies, must be in want of a good medieval mystery. Sadly, I found Ann Swinfen's first book in her Oxford Mystery Series to be only so-so, not even qualifying as good. I admit, too, that I am rather spoiled by having read many of Ellis Peters' Brother Cadfael Mysteries and all of Mel Starr's Chronicles of Hugh de Singleton. Perhaps if I had not done so I would like this series better, but I cannot assess it any other way than having encountered medieval mystery before. The Bookseller's Tale opens with bookseller Nicholas Elyot of Oxford living a quiet yet sad life, his wife taken by the Plague, his widowed sister living with him (for the same reason, the Plague took her family) to care for not only him but his surviving children. All is going along fairly well until a young student who frequents is found murdered by Master Elyot, dumped unceremoniously in the river Cherwell. What ensues is a long trail of details to catch his killer by himself and the murdered student's academic teacher (why not the local Sheriff or Bailiff, I'll never know). The book is excellent at descriptions of how a bookseller's life in the mid-1300s would look. Who they might employ, who would be their friends (academics, it seems), and the layout of hearth and home and Oxford. In truth, it was more like The Time-Traveler's Guide to Navigating the Streets of 1350 Oxford than a mystery at times, Ms. Swinfen takes you on a twisty-turny journey through streets that I assume are mostly non-existent today. I would have preferred less detail of streets and business and more interesting plot, I found myself missing the intrigue of Ellis Peters and the straightforward style of Mel Starr. Not even illuminated books and stolen property were enough to spice it up, as I found myself plodding along on rabbit trails with Master Elyot. As a result I was rather bored about 2/3 through and didn't particularly care why the young man was murdered, though I did finish the book and went "Oh." at the end. But again, this could be just me. Maybe to others it will be exciting and the perfect accompaniment to a rainy afternoon and cuppa by the hearth.

This book is dark, and it addresses most of the situations of what is happening in the present. However it gives the reader another view besides the victims, but everybody that is affected by the circumstances. It is really good, I could not put it down.

Thr3e by Ted Dekker (great title after reading the book) is one of the greatest murder mystery novels out there. The book begins with the main protagonist, or so it seems, Kevin Parson. He receives a phone call from a psychopath in Killer named Slater saying that he has three minutes to confess his sin to the world or else his car will blow up. This is just one of the many events that take Kevin, Samantha, his greatest friend, and Jennifer, an FBI agent, through a world of mystery and motives. The twists and turns are the main attraction of this novel, as the reader won't expect what comes next. Character backstories also play a gigantic role in this novel, and all of them are well crafted to fit the plot. Anyways, I would recommend it to anyone willing to take the time to read a book.

Grade: 8

In this, the fourth installment of the Robert Langdon series, Dan Brown has continued to successfully marry science to art, albeit with the same tropes and trappings that occur in the book’s predecessors. With Inferno, we get the same race across Europe explored in Angels & Demons and The Da Vinci Code, with the ambiguity of the antagonist’s motives that fueled The Lost Symbol . All throughout this adventure, the now-standard “female who is an expert in her field” accompanies Langdon as he tries to unravel the mystery and save the world. Langdon continues to be part Indiana Jones and part James Bond, that’s for sure.

Utilizing the standard “temporary amnesia” plot device, Brown refines his style while also increasing the stakes. While previous books in the series had potential impacts on the local and national levels, Inferno takes the antagonist’s plan to a global scale. With the main character as talented with memory as Robert Langdon is, taking away his recent memories was a good way to have him re-learn the situation at the same time the audience does. This also allows for some entertaining twists and turns as characters’ motives are revealed, often taking the plot in a quick 180° turn.

While much of the historical plot of Inferno focuses on the titular work by Dante, the scientific side of the story is incredibly relevant. Previous Brown books like Angels & Demons or The Lost Symbol certainly had some interesting scientific intertwining, but Inferno examines one of the most pressing issues within the scientific community right now. This issue, much like global climate change, has no easy answer, and Brown’s solution through the book’s antagonist is certainly a terrifying answer, even if it is probably the most humane way to go about implementing it.

The best book in the Robert Langdon series to date, I give Inferno 4.0 stars out of 5.

I haven't always been a big fan of mystery, but this book changed that. The Girl on the Train is about a woman with some difficult events in her past who becomes a crucial part in solving a missing person case. This book resembles a psychological thriller, which keeps the level of suspense high. It shows multiple people's perspectives, which makes following the mystery so much more intriguing. I absolutely recommend this book, whether you like mystery or not. Chances are you won't be able to put it down.

After Dan Brown’s previous entries in the Robert Langdon series had covered the Illuminati and the Catholic Church, respectively, his next target in The Lost Symbol was the Masons. Unfortunately, as both National Treasure (2004) and its sequel, National Treasure: Book of Secrets (2007), were released before this book came out, the setting and concept seemed derivative in The Lost Symbol. Especially with the focus on the Masons’ “treasure” for the better part of the book, I was half expecting the chase to be on a larger scale than just hopping from one Washington D.C. monument to the next as the puzzle unfolds.

In a bit of a combination of Angels & Demons and The Da Vinci Code, The Lost Symbol combines the exciting twists of uncovering the secrets of a Masonic pyramid with the pseudoscience of Noetics. Of course, the plot could have omitted everything about Noetics, and it would have stood just fine on its own, so I question why it was even needed at all, except for some familial drama and a series of wordplays near the end of the book. In my mind, the puzzle-solving element brought over from The Da Vinci Code was much stronger than the “science” brought over from Angels & Demons.

As for the book’s antagonist, I initially felt he was merely formulaic to the other enemies from previous Robert Langdon books. After all, when you have a self-motivated Illuminati Agent in Angels & Demons and an albino religious zealot in The Da Vinci Code when you have a tattooed Masonic muscleman as the antagonist in The Lost Symbol, you start to see the similarities. At least this time the antagonist had a great twist near the end. However, like some of the other “twists” in this book, if you were paying close enough attention, you would have figured it out before its reveal.

A procedural combination of the previous two books in the Robert Langdon series, I give The Lost Symbol 3.5 stars out of 5.

The first time I was introduced to Alan Glynn’s writing was through the
film, Limitless (2011), which itself was based off his first novel, The Dark
Fields. While I enjoyed the film for its visuals, what really struck me as
interesting was the storytelling and characters Glynn created. Now fifteen
years after his first standalone novel, Paradime continues to show Glynn’s
talent in creating engaging plots and characters. Since I really enjoyed this
book, I will do my best to review it without spoiling it for anyone.

At its most simple level, Paradime is a modernized retelling of Mark
Twain’s The Prince and the Pauper, or at least half of it anyway. Told from
the perspective of an out-of-work and out-of-luck cook, Danny Lynch, the
pacing of each of the three acts is steady and intense. Even if some of
Danny’s vocabulary seems a little advanced at times, he is the perfect
“everyman” to convey his peculiar circumstances to the reader. Those
familiar with Limitless will probably see many parallels between the two
stories, with the main exception being how the story ends for Danny.

Glynn’s writing style is very natural and easy to read in this modern
thriller. Each chapter left me wanting to read more and I found myself having
difficulty stopping because the pull of the plot was so intense. I also
appreciated the ability of Glynn to tie things up in an almost unexpectedly
expected way so that no detail in this book was left unused. While this may
have been the first time I’ve read anything by Alan Glynn, I am now
certainly a fan and will have to go back and pick up his other books to read.

A fast-paced and thrilling read, I give Paradime 5.0 stars out of 5.

One of the nice things about listening to audiobooks from my library (via the
Overdrive app), is that I can pick up a book and listen to it without really
knowing what it’s about other than a title and a cover. In this way, I
often have no preconceived notions about the book other than first
impressions. At this point, all I’m giving up to “read” the book is the
time it takes me to listen to it, and I have plenty of that driving to and
from work every day.

Since I had no idea what this book was really about, I was surprised at how
humorous it was. If I were to combine a few, better-known series together,
I’d say this is X-Men mixed with James Bond, with just a dash of Jason
Bourne all blended together in Monty Python’s Flying Circus. An odd
combination, I know. But somehow, it works here. The humor is markedly
British, but the characters and their powers are supernatural, to say the
least. Since this was merely the first in a developing series, I can’t wait
to get to book #2: Stiletto.

All this being said, there were a few structural choices to this book that I
often found confusing, which may just be part of listening to it in audiobook
form instead of reading it. First off, the decision to have the main
character afflicted with amnesia was an interesting way to essentially give
the audience what the character already would have known but had conveniently
forgotten. Secondly, because the letters from her former self were used as
backstory, these “flashbacks” were often confusing because it was easy to
lose track of which Mfwany Thomas (glad I had the audiobook for the
pronunciation of this name) was “speaking” at the moment.

An interesting premise with plenty of potential in future iterations, I give
The Rook 4.0 stars out of 5.

While I saw the movie before listening to the audiobook, I must say that I
still really enjoy the main character. He’s one of those guys you love to
hate, but he’s trying so hard to do the right thing, even if it means
defending a scumbag who deserves a lot worse. Of course, since I had seen the
movie already, I had an idea how it was going to end, but couldn’t remember
the specifics. Perhaps that’s a measure of a great crime drama: all the
misdirection makes it difficult to know “whodunit”, allowing future
rereads to be enjoyable.

But, back to the main character, Mickey Haller, I think one of the reasons
this book was a breeze to listen to was because the main character’s POV is
so well written. You can tell that he has some baggage from his father, which
is partly why he defends everyone, regardless if they’re guilty or not. The
fact that Haller knows his way around the legal system and uses it to his
advantage to even get the guilty an innocent ruling just shows that he takes
pride in his work, even if it labels him as someone who keeps the crime on
the streets.

The plus to this audiobook was also the narrator, who was awesome in bringing
all the different characters to life with his voice acting. Even if the story
is told from the point of view of the eponymous “Lincoln Lawyer,” there
are plenty of interesting people in this book, and each one certainly has a
different “sound” to them. It’s the attention to these details that
differentiates a narrator just reading a book to you and a voice actor who
can bring the events happening in the words he’s speaking to life.

A great start to an interesting crime drama series, I give The Lincoln Lawyer
4.0 stars out of 5.

Another book, another trial for the Lincoln Lawyer. While I appreciated the
stand-alone nature of this book, I also liked that knowledge of the events in
the first book of this sub-series helped to provide context for the
challenges Mickey Haller now faces. The main case of this novel was pretty
predictable, especially if you read into the insinuation of the title. I
would have liked a little more attention on the side-case surrounding the
death of Haller’s lawyer colleague. It seemed to be more of a Harry Bosch
story, though, so I can understand why the focus was on Haller’s case.

Once again, Michael Connelly creates an easily readable series of events that
unfold in the courtroom. Some twists at the end were exciting developments
but were definitely easily guessed if the reader was paying attention.
There’s almost a guilty pleasure in following Haller along as he embeds
that reasonable doubt into the jury’s minds. Something about the justice
system being used to make absolutely sure someone is innocent or guilty just
sits right, even if it’s in the defense of a completely unlikeable
character. This character’s final fate was equally as satisfying, even if
it wasn’t in court.

As noted above, my only qualm with the novel was that it seemed to be only
one side of the story. While we followed Mickey Haller, there was another
story unfolding with Harry Bosch that probably could have filled up another
volume. There was a lot that Bosch did behind the scenes that made his story
also seem quite interesting, even if it wasn’t expressed in these pages.
The connection between these two characters at the end of the book was also
nice, and I am curious how often Bosch will come back into play in future
Mickey Haller books.

A straightforward courtroom drama with predictable twists, I give The Brass
Verdict 3.5 stars out of 5.

After two novels of Mickey Haller defending guilty scumbags, Michael Connelly
changes it up with The Reversal. Not only does the title refer to the
reversal of a 24-year old conviction, but also to the main character’s swap
over to the prosecution. While there seems to have been a book between this
one and The Brass Verdict, I have a feeling it was mostly about Harry Bosch,
since the hinted details in this book give me a good idea of what happened
and it didn’t change the last reference point of Mickey Haller.

Now that these two main characters were tied together in this case, one of
the issues I had with this book was how often it switched between first and
third person POVs. Perhaps I was too used to the story being told from Mickey
Haller’s perspective and there was so much that happened outside of his
direct involvement that it was necessary. However, there were times where
Haller was present in the scene and it seemed to switch between the two POVs
somewhat inconsistently, adding to my confusion as to who was speaking. I
only hope the next book in the series focuses more on Haller than splitting
the time between him and Bosch.

Furthermore, while I did appreciate the change of Haller being a part of the
prosecution team with his ex-wife, the story unfolded much in the same way
the others had. Most of the trial was pretty predictable with the twists
being easily recognized well before they were revealed. The unpredictable
ending is almost part of the template now, so even though it was an exciting
development, I had come to expect it.

Another Michael Connelly standard with a few changes to make it interesting,
I give The Reversal 3.5 stars out of 5.

In the fourth installment of The Lincoln Lawyer series, The Fifth Witness
follows Mickey Haller as he navigates another murder trial. This time, the
real scenario of the foreclosure crisis is brought in to help set the stage
for the trial. Using a historical event like this helped to bring the story
together in a way that felt more real and relatable than the previous entries
in the series. Most Americans I know who were affected by the housing market
crash would certainly be entertained by this story of corruption and
underhanded dealings, if for no other reason than to justify how screwed up
the system is.

Gone from this part of the series is detective Harry Bosch, who I felt
distracted from the main storyline centering around Mickey Haller and his
court battle in the previous two books of this series. This time, it’s all
Mickey. What helped to make this book stand out from the rest was the amount
of soul-searching and character development our favorite defense lawyer does
throughout the events unfolding around this trial. Because of his work as a
defense attorney, it was easy for him to become cynical, thus making his
aloof attitude more entertaining than endearing. This time around, he starts
to become self-aware and sees that his life isn’t heading in the direction
he wants.

I appreciated the slight bit of meta-humor in this book, not only in its
title but considering it came out around the same time as The Lincoln Lawyer
(2011) movie. And while some of the numerous “sudden evidence” events for
the trial was a bit of a cheap way to add twists to the story, Connelly
expertly hid the true twist ending until the final moments of the book,
something that was somewhat missing from earlier parts of the series. With an
interesting nod toward some future storylines, I felt The Fifth Witness is
the strongest entry in the series so far.

A great courtroom drama pulled straight from the housing crisis, I give The
Fifth Witness 4.0 stars out of 5.

While Angels and Demons is not nearly as popular as its sequel, the famous (if not infamous) The Da Vinci Code, the elements which led to its successor’s success are certainly all contained within this first book in the Robert Langdon series. Of course, just because you have the materials to build a nice house doesn’t mean that it magically becomes a mansion. Despite containing many of the elements that made The Da Vinci Code so good, Angels and Demons feels a little underdeveloped in quite a few areas.

First, the protagonist, Robert Langdon, is supposed to feel like an “Indiana Jones”-type character, but with a specialty like symbology as his background, I just can’t buy the action-hero transformation of this everyday academic. Add to this the almost repetitive nature of his “discoveries” wherein he makes an assessment, then goes to the location of the assessment only to find that he didn’t think of it in the right way and thus requiring the whole plot to shift gears as he rushes to the new location. He eventually had better predictions, but by then it felt repetitive.

Secondly, the whole “treasure hunt” to find the antimatter (of which I feel CERN is a more recognizable name than it was back in 2000) seemed to take a back burner to the parallel plot of the pope’s death and finding his replacement. It is hard to focus on both plotlines, especially since both of them had pretty predictable endings. Finally, the romance aspect of this novel seemed quite forced, even to the point where the final scene of the book felt like it was ripped out of a James Bond story. Wherein a modicum of charm from the male protagonist makes his female counterpart swoon with undying affection that wasn’t in any part of the prior plot.

A rough start to the Robert Langdon series, I give Angels and Demons 2.5 stars out of 5.

What a difference three years makes! Even though it contains all the same tropes and motifs that Angels and Demons did, The Da Vinci Code eliminates the fluff and focuses on the strengths of these individual pieces to create an enthralling adventure through Christian history. I will admit that I first read this book because I was curious about the controversy that surrounded it. While Dan Brown is a fantastic storyteller, and many of his connections and links to Christianity made sense, I still maintain that, at its core, The Da Vinci Code is just well-written fiction.

This time around, Robert Langdon is much better suited for the task of finding the “Holy Grail” instead of being a glorified Roman tour guide. His expertise in symbology certainly helped to drive the plot forward, even if it sometimes was in a misleading direction for the sake of a twist. I did appreciate how, even if a clue didn't immediately come into play, it became useful later to help round out the plot. It wasn’t just a series of “find me a rock” exercises but had a parallel set of intersecting strings and subplots that drove the story forward to its exciting conclusion.

And while the female protagonist was much more developed than the one in Angels and Demons, the villains also had more depth to them as well. Instead of a few individuals using the name of a huge organization like the Illuminati to create the conflict, a singular man with a singular goal helped to create the “chase” that propelled Robert Langdon across Christendom to find the Holy Grail. While both The Da Vinci Code and Angels and Demons share almost identical plot structures, the former shows that the execution of such a story is precisely what makes one a great read and the other an exercise in eye-rolling.

An exciting treasure hunt filled with fictional historical connections, I give The Da Vinci Code 4.0 stars out of 5.

Despite The Fifth Witness leaving the door open to an interesting diversion from the same defense lawyer story we’ve come to know and love from Michael Connelly’s Mickey Haller, The Gods of Guilt puts Haller back in the hot seat as the counsel protecting a digital pimp from a murder conviction. Some of the depth of the Haller character developed in previous books in this series was eliminated after his unsuccessful District Attorney run, but there was still enough humanity in him to advance his story. After all, his coping mechanisms and needs are some of what we all deal with in our own lives.

While I have come to expect a twist ending from Connelly, it was surprisingly missing from this book. For once, Haller’s client wasn’t as bad as everyone made him out to be, and that’s saying something for the digital pimp of Andre La Cosse. Perhaps that’s what made this story a little more uncomfortable than the others: the seedy underbelly of the adult entertainment industry is harder to relate to than simple foreclosures. Still, I can’t help but think that the same strawman tactics that Haller used in this case were quite similar to some of his other defense cases.

All this being said, Connelly is still a master of his craft. The pacing and advancement in the plot was excellent and the peril Haller found himself in after getting too deep into some serious side-investigations helped to make a rather standard book in the series an entertaining read, nonetheless. As was the case in The Fifth Witness, I appreciated the meta nature of this universe where the Lincoln Lawyer movie was a real part of Haller’s life.

Yet another predictable entry in the Mickey Haller series, I give The Gods of Guilt 3.0 stars out of 5.

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Having already blasted through the rest of the Mickey Haller series, I finally arrived at a book that didn’t center around the defense lawyer. Instead, The Crossing follows Harry Bosch, Haller’s half-brother (which we learned back in The Brass Verdict). I realize that Mickey Haller is merely a spin-off series from the main Harry Bosch series, so it was interesting to finally enter the main storyline of Connelly’s longest-running character. Now I see that he writes Bosch books in third-person, as compared to Haller’s first-person, which was why I was confused when the POVs switched in one of the previous books featuring both of them.

Coming into this series at the twentieth book was a little jarring to me, but not entirely disorienting. There were plenty of references to previous books I had not read; but by the sounds of them, these predecessors were certainly exciting. What probably helped with my transition into this series was that Bosch retired from his job in the police department, thus creating a new start for the character that could be used to explore some interesting scenarios without being burdened by the bureaucracy of his job.

While Connelly’s writing is still superb and suspenseful, the one aspect I found to be a bit unbelievable was Bosch’s innate sense of what was “wrong” with the current investigation. Just based on one single, minor detail, he was able to unravel the deeper conspiracy involving other, corrupt police officers. What if he hadn’t noticed? Would he have still managed to get to the bottom of the truth? Either way, I might have to pick up the earlier books in this series, just so I can get more of the story behind the briefly referenced excitement Bosch had to go through in the past.

Proof that sometimes it’s difficult to quit a job after having done it for so long, I give The Crossing 3.5 stars out of 5.

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I’ll be honest and say that I had no idea what this book was about before I started listening to it. Once I got into it, I could clearly see how the title and cover image related to the story at hand. It’s interesting to think that a mere five years after the terrorist attacks on September 11th, a book like this could be written. Of course, there is plenty of highly descriptive language that helps to cement the story to the reality of the tragedy. That being said, there are many situations in the plot that feel quite cynical, if not downright dark in their humor. Perhaps it’s this mixture of the absurd and the tragic that gives The Zero its interest.

I did find the memory gaps experienced by the main character to be an interesting literary device, especially in their transitions. For the main character to have a series of memory gaps to add to the eventual reveal at the end of the book, I almost felt like I was listening to the film, Memento (2000). Considering how much I love Memento, this was a good thing. The character only knows as much as the reader, which leaves him and us piecing together what happened at the same pace.

Despite its ability to poke at the ridiculous nature of the nationalism that resulted from this disaster, The Zero does show the effects of this national tragedy on its citizens. Loss can be hard to deal with, and everyone does so in their individual way. The poignancy of the narrative is true even today, more than 15 years after the events that transpired that day.

A cynical and often darkly humorous examination of the effects of 9/11, I give The Zero 3.5 stars out of 5.

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When Fox Mulder was just a kid, his little sister was kidnapped while he was babysitting her. That event has haunted him and his family ever since. So, when children start to go missing and then turn up dead from what appears to be a ritualistic serial killer, Mulder knows that he has to do something.

While I like the X-files, I'm certainly not the world's greatest fan - I've probably seen around 1/2 of the episodes, and I haven't watched the reboot. However, this book jumped out at me as I was perusing the stacks, and I'm glad it did. In fact, if you are just a fan of mysteries and/or the paranormal, this book will totally meet your needs. You can go into this without knowing anything about Mulder and the TV show, and you'll still have a great reading experience. If you are an avid fan of the show, there are several "easter eggs", cameos and cute references throughout the book (the smoking man shows up in the first chapter!). Also, it's got some entertaining historical fiction elements as the book is set in 1979, and that is very much reflected in the music and technology.

Garcia does a great job with the character development. Mulder quickly teams up with two other "genuis" types, and this book could've quickly devolved into some variation of "three teen geniuses solve a crime caper" a la a number of middle grade/YA books out there, but Garcia fleshed the characters out to the point that this pitfall was, for the most part, avoided. Mulder is, understandably, obsessed with finding his sister, and his parents are separated. His best friend, Gimble (a D&D name), has a father who is so enmeshed into conspiracy theories that he's been fired from the Air Force (he may or may not be an influence to young Mulder). His other best friend, also a love interest, was not as well developed, she was easily the weakest character, and I could've done without her and the romance. The story itself was a well done serial killer mystery, though the end felt a little abrupt with a ton of loose strings. The mystery is only mostly resolved, so I'm assuming there will be a sequel.

Anyone looking for a decent mystery with good characters, look no further. The X-files stuff is just icing on what is an already pretty tasty cake. I wanted to believe (I couldn't help myself), and this book didn't let me down. 3.5 stars.

Written on My Heart tells a tale of young Florine Gilham and Bud Warner, a couple soon to be married. As the wedding approaches, Florine's memory is drawn back to her mother. She disappeared when Florine was only twelve years old. Florine and Bud face the challenge of trying to solve the mystery of her vanishing mother all while raising a family. It comes to a path that shows them the power of families, not only the one's you are born into, but the one's that are because of friendship.
Overall, this fiction was fun to read, but does get a little bit boring in the beginning. It does speed up, and the author's impressive writing creates the whole scene for the book.
Reviewer Grade: 8

I often have a hard time with mysteries, but And Then There Were None was classic, suspenseful and just plain enjoyable. The audiobook version was especially entertaining, perhaps because the original story was written as a play under an alternate (and controversial) title. The characters feel like they were the predecessors to the characters found in the game Clue. They are equally sinister and sympathetic. I am particularly intrigued with the connecting reason all of them have been brought to the island and the psychological effects of that reason. To the very end Agatha Christie teases your deductive reasoning skills. You always feel like you are on the cusp of finding out who the killer is, and then you're wrong! I was completely at a loss by the end. Thanks goodness for the epilogue. This is a timeless mystery classic.

In L.A. Mental, after a freak incident with his brother Nick, Tom Crandall investigates his bizarre breakdown and discovers something gigantic.
He may be in over his head. I really liked the mystery that kept me intrigued throughout the novel. I didn't like how confusing it was, although every few chapters the book explains what is going on and helps you understand. I pick this book because I wanted something to keep me on the end of my chair, and while I was mildly interested this wasn't a book I just could not put down.
Mostly this book was completely predictable but it did throw in a few surprising twist and turns. I could partly relate to Tom because i don't have the best relationship with my siblings just like him. This book was an okay book definitely not my favorite but I would recommend.
Reviewer Grade: 9

Would you like to read a book about psychopathic men exploiting vulnerable women? Well then, do I have the book for you!

After having a stillborn child, Jane needs a new start. What better way to start over than in a new apartment? One Folgate Street has weird rules to be sure, but the minimalist life style required by the owner actually sounds like the perfect way to reinvent herself. But after she moves in, Jane learns that a previous tenant, Emma Matthews, was murdered in the apartment. As Jane learns more about Emma, she finds that they have much in common - and that she might be the apartment's next victim. The Girl Before goes back and forth between Jane and Emma's stories.

This was...not good. The beginning of the book was intriguing, and until about 1/3 of the way through, I was thinking it'd be a 2-3 star read for me. And then, like a conversation with a stranger or a first date, the book took an unfortunate turn. This was, sadly, to be the first of many unfortunate turns. Ultimately, I finished the book as it truly is an easy read - there was almost no imagery or description, you spend most of the time in the main characters' heads or watching them do incredibly stupid things (have these women never heard of a hotel?). Oh, and as is often the case in these domestic thrillers, the characters were all extremely unlikable.

This genre is pretty hit or miss for me (for example, I liked Gone Girl but HATED Girl on the Train), and The Girl Before was no exception - I found it to be kind of terrible. It's apparently being made into a movie, and I think with some plot/character changes, it may be more successful in that format. Stay away from the book unless you just can't get enough of psychological thrillers. 1 star - I did not like it.

Small town crime is the plot of the novel. Cold cases are reexamined by Evie Blackwell State Police Detective to launch a new state task force. The novel kept my interest to the end because I wanted to know if and how she solved the cases. It seemed unlikely that all these cases would have occurred in a rural town setting and many of them overlapping, but perhaps I am naïve about such things. . It was interesting to follow the thoughts of police work and the background that goes into solving cases. The characters were enjoyable, particularly the Thane brothers. I enjoyed these men of integrity, their caring hearts, and the family they belong to. Evie is tenacious in her thoughts and work. I enjoyed some visiting characters from other Dee Henderson novels that I had read previously. I wouldn't say there is a lot of action suspense, but rather character development more along the lines of regular fiction. There were some touch topics that affected the characters deeply. I would recommend it if you like character driven stories.

In the early hours of the morning, a man places a phone call to the local police station reporting that a woman has fallen down and hit her head in her living room. He asks for an ambulance to be sent but hangs up before the officer receiving the call can ask any more questions. When the first responders arrive at the scene, they find a young woman lying against the fireplace, dead. Junior Detectives Antoinette Conway and Stephen Moran are assigned to the case, but as they dig into the facts they start to suspect that there’s more to it than a simple domestic dispute. Try as they might, though, every new lead seems to dry up when they look into it. And it isn’t just the case that’s causing problems; everything seems to be going wrong in Conway’s life. She’s being relentlessly hazed by the other detectives on the squad; her relationship with her friends is deteriorating between the long hours and her own depression; and no matter how high their clearance rate is, neither she nor Steve are having any decent cases thrown their way. Conway is tough as nails and dedicated to her job, but the animosity of the rest of the squad and the constant scut work are starting to make her doubt her career path. This case seems like their best chance to get back on track and finally win some respect -- provided they can prove that there’s more to it than meets the eye.

This is the most recent entry in Tana French's Dublin Murder Squad series. If you're not familiar with the series, I'll say that, while each book can be read as a stand-alone without issue, there are some recurring characters that make it rewarding to read them in order. The lead in this book, Antoinette Conway, was first introduced in the preceding book, The Secret Place, and her partner, Steve, started out as a minor character in Broken Harbor. All of French’s books are excellent character portraits, so it’s rewarding to get to see the same individuals first from an outside perspective and then from within their own head, but you won’t miss anything plot-wise by skipping them. The Trespasser centers around the idea of fantasy: the stories we tell ourselves to make ourselves feel better, the stories we tell to other people to make them act the way we want them to, and the devastating effects it can have when those fantasies finally collapse. That applies as much to the detectives as it does to the victim, and so we get a nice mix of personal drama with our protagonists and the more straightforward investigation of the murder. I loved Conway as a character in The Secret Place, so I enjoyed getting to see things from her own perspective in this book. What I like about French’s books is that they have more going on than just the ‘whodunnit’. The mystery is always interesting to me, but what really shines is her portrayal of the characters and the setting: Dublin really comes alive for you in her books, and the characters feel like they could walk off the page.

I was very curious to try one of James Patterson's Bookshots. He called them a pulse pounding thriller from beginning to end. I will say it lived up to the billing! I was immediately into the story and kept wondering what was going to happen next. 113 Minutes started off with a teenage boy dying from an overdose from crystal meth. Then there is a bank robbery, a heist of over a million dollars at a country club, and then a shootout with the Feds! Whew!!! I really enjoyed this one and can't wait to read more Bookshots!

Colorado is the setting for best-selling author Andrew Gross’ thriller, One Mile Under. From the Roaring Fork River, which starts at the Continental Divide and runs through Aspen to Glenwood Springs, to the state’s eastern plains, the central theme of the book is water.

After being summoned by his god-daughter, a rafting guide, to investigate a suspicious white water kayaking death, security specialist Ty Hauch joins Danielle Whalen in search of clues to the fatality on the Roaring Fork.

The investigation leads to Weld County, where water is every bit as important to farmers and ranchers as it is to the outdoor recreation industry in the mountains, and there is one more player in this adventure - the oil and gas industry. As Ty and Dani soon find out, extracting ore from far beneath the earth’s surface involves water…and lots of it.

The controversial process is commonly known as “fracking”, an issue that is a hot topic in Colorado today. One Mile Under is fast-paced, educational and a really good read.