THIS IS A MUST READ! Suzanne Collins does a fabulous job on bringing this novel to life. It is an easy read for word choice. The main characters are very easy to love. The Hunger Games is the first book to a 3-part series.
I recommend ages 11+ because it is a longer book with more mature events. I really enjoyed this series so I rate it a 4 Star. Team Peeta!
THIS IS A MUST READ! Suzanne Collins does a fabulous job on bringing this novel to life. It is an easy read for word choice. The main characters are very easy to love. The Hunger Games is the first book to a 3-part series.
I recommend ages 11+ because it is a longer book with more mature events. I really enjoyed this series so I rate it a 4 Star. Team Peeta!
All Titanic lovers must read this. It is very straightforward and this book covered a lot of the questions I had. I recommend this book for ages 12+ because it’s a very serious book about a world-wide known tradegy and it covers sensitive topics that demand full respect. I thouroughly enjoyed reading it. It taught me more about this beautiful ship than I’ve ever known. 882.5 Amazing Answers to your Questions about the Titanic is worth reading! I rate it 4 stars because it was truly helpful and a great read.
If All the Light We Cannot See were a movie, I would consider it “Oscar bait.” Set during the most romantic of World Wars: check. Main character with disability: check. Drama, tragedy, and suspense: check, check, and check. It’s then no wonder that All the Light We Cannot See ended up winning a Pulitzer. Sure, it’s filled with plenty of the “award” tropes that we tend to see repeated over and over again—but it works. What helps this book stand out from the rest of the books and movies that try too hard to earn awards is twofold: its characters and its plot.
Before I get too far into my praise for this book, I have to mention that the narrator for the audiobook version seemed to mispronounce a few words early on, which threw me for a loop and made me wonder if I’ve been mispronouncing them myself. Similarly, it was a little challenging to track the timeframes for some of the subplots, but the impact of the book was still the same. The author was able to paint a vivid set of lives set on opposite sides of a global conflict. From the blind French girl forced to survive on her own to the prodigious German boy with a penchant for radios and STEM, their internal and external conflicts were prime examples of gripping and engaging storytelling.
While there didn’t seem to be one primary driving plot in this book, the addition of the handful of subplots worked in concert to create a gem of a story (har har). These subplots were natural to the characters that embodied them, which helped to produce an amount of realism that held everything together. Everything just made sense, and even the semi-tragic ending was a satisfying end that left no subplot or loose end untied.
A beautiful piece of prose worthy of its Pulitzer, I give All the Light We Cannot See 5.0 stars out of 5.
If All the Light We Cannot See were a movie, I would consider it “Oscar bait.” Set during the most romantic of World Wars: check. Main character with disability: check. Drama, tragedy, and suspense: check, check, and check. It’s then no wonder that All the Light We Cannot See ended up winning a Pulitzer. Sure, it’s filled with plenty of the “award” tropes that we tend to see repeated over and over again—but it works. What helps this book stand out from the rest of the books and movies that try too hard to earn awards is twofold: its characters and its plot.
Before I get too far into my praise for this book, I have to mention that the narrator for the audiobook version seemed to mispronounce a few words early on, which threw me for a loop and made me wonder if I’ve been mispronouncing them myself. Similarly, it was a little challenging to track the timeframes for some of the subplots, but the impact of the book was still the same. The author was able to paint a vivid set of lives set on opposite sides of a global conflict. From the blind French girl forced to survive on her own to the prodigious German boy with a penchant for radios and STEM, their internal and external conflicts were prime examples of gripping and engaging storytelling.
While there didn’t seem to be one primary driving plot in this book, the addition of the handful of subplots worked in concert to create a gem of a story (har har). These subplots were natural to the characters that embodied them, which helped to produce an amount of realism that held everything together. Everything just made sense, and even the semi-tragic ending was a satisfying end that left no subplot or loose end untied.
A beautiful piece of prose worthy of its Pulitzer, I give All the Light We Cannot See 5.0 stars out of 5.
If All the Light We Cannot See were a movie, I would consider it “Oscar bait.” Set during the most romantic of World Wars: check. Main character with disability: check. Drama, tragedy, and suspense: check, check, and check. It’s then no wonder that All the Light We Cannot See ended up winning a Pulitzer. Sure, it’s filled with plenty of the “award” tropes that we tend to see repeated over and over again—but it works. What helps this book stand out from the rest of the books and movies that try too hard to earn awards is twofold: its characters and its plot.
Before I get too far into my praise for this book, I have to mention that the narrator for the audiobook version seemed to mispronounce a few words early on, which threw me for a loop and made me wonder if I’ve been mispronouncing them myself. Similarly, it was a little challenging to track the timeframes for some of the subplots, but the impact of the book was still the same. The author was able to paint a vivid set of lives set on opposite sides of a global conflict. From the blind French girl forced to survive on her own to the prodigious German boy with a penchant for radios and STEM, their internal and external conflicts were prime examples of gripping and engaging storytelling.
While there didn’t seem to be one primary driving plot in this book, the addition of the handful of subplots worked in concert to create a gem of a story (har har). These subplots were natural to the characters that embodied them, which helped to produce an amount of realism that held everything together. Everything just made sense, and even the semi-tragic ending was a satisfying end that left no subplot or loose end untied.
A beautiful piece of prose worthy of its Pulitzer, I give All the Light We Cannot See 5.0 stars out of 5.
If All the Light We Cannot See were a movie, I would consider it “Oscar bait.” Set during the most romantic of World Wars: check. Main character with disability: check. Drama, tragedy, and suspense: check, check, and check. It’s then no wonder that All the Light We Cannot See ended up winning a Pulitzer. Sure, it’s filled with plenty of the “award” tropes that we tend to see repeated over and over again—but it works. What helps this book stand out from the rest of the books and movies that try too hard to earn awards is twofold: its characters and its plot.
Before I get too far into my praise for this book, I have to mention that the narrator for the audiobook version seemed to mispronounce a few words early on, which threw me for a loop and made me wonder if I’ve been mispronouncing them myself. Similarly, it was a little challenging to track the timeframes for some of the subplots, but the impact of the book was still the same. The author was able to paint a vivid set of lives set on opposite sides of a global conflict. From the blind French girl forced to survive on her own to the prodigious German boy with a penchant for radios and STEM, their internal and external conflicts were prime examples of gripping and engaging storytelling.
While there didn’t seem to be one primary driving plot in this book, the addition of the handful of subplots worked in concert to create a gem of a story (har har). These subplots were natural to the characters that embodied them, which helped to produce an amount of realism that held everything together. Everything just made sense, and even the semi-tragic ending was a satisfying end that left no subplot or loose end untied.
A beautiful piece of prose worthy of its Pulitzer, I give All the Light We Cannot See 5.0 stars out of 5.
If All the Light We Cannot See were a movie, I would consider it “Oscar bait.” Set during the most romantic of World Wars: check. Main character with disability: check. Drama, tragedy, and suspense: check, check, and check. It’s then no wonder that All the Light We Cannot See ended up winning a Pulitzer. Sure, it’s filled with plenty of the “award” tropes that we tend to see repeated over and over again—but it works. What helps this book stand out from the rest of the books and movies that try too hard to earn awards is twofold: its characters and its plot.
Before I get too far into my praise for this book, I have to mention that the narrator for the audiobook version seemed to mispronounce a few words early on, which threw me for a loop and made me wonder if I’ve been mispronouncing them myself. Similarly, it was a little challenging to track the timeframes for some of the subplots, but the impact of the book was still the same. The author was able to paint a vivid set of lives set on opposite sides of a global conflict. From the blind French girl forced to survive on her own to the prodigious German boy with a penchant for radios and STEM, their internal and external conflicts were prime examples of gripping and engaging storytelling.
While there didn’t seem to be one primary driving plot in this book, the addition of the handful of subplots worked in concert to create a gem of a story (har har). These subplots were natural to the characters that embodied them, which helped to produce an amount of realism that held everything together. Everything just made sense, and even the semi-tragic ending was a satisfying end that left no subplot or loose end untied.
A beautiful piece of prose worthy of its Pulitzer, I give All the Light We Cannot See 5.0 stars out of 5.
This book is so awesome it's probably my favorite book. It has so much detail that you can imagine exactly what this BFG is going through. Over all i love this book.
This book is full of so much character it's so hard to stop reading, and it's also an easy book to read because it's a graphic novel.This book tells so much story of this girls problems she goes through, the pros and the cons.
This book is full of so much character it's so hard to stop reading, and it's also an easy book to read because it's a graphic novel.This book tells so much story of this girls problems she goes through, the pros and the cons.
***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY***
It’s been a while since I’ve read a book as profound as The Essex Serpent. Perhaps it’s because they don’t write books like this anymore.
While written in the last few years, the style of The Essex Serpent is distinctly Victorian. It holds callbacks to the greats of gothic literature, including the physiological studies of Frankenstein and the back-and-forth letter writing of Dracula . All the while, the ever-present gloom of the muddy and foggy Essex shoreline hides the eponymous serpent just outside the reader’s view, providing anticipation of its reveal. Is the Essex Serpent real or is it a figment of so much imagination?
Of course, in staying with the Victorian style, the book does suffer somewhat in readability. The vocabulary and description are certainly more voluminous than modern volumes, but my biggest qualm seems to be more along the lines of the seemingly endless talk that occurs in the first half of the book—perhaps trying to mimic one of Jane Austen's romances—that only seems to be present for character exposition. There are also a few sub-plots that sound incredibly important, but don’t end up having much sway on the outcome of the plot.
Still, despite having to get used to the style, the characters and their drama is expertly crafted. In particular, the “friendship” between the widow Cora and the married clergyman Will was positively heart-pounding.
Cora’s son was delightfully peculiar, as was Will’s wife. If The Essex Serpent was more predictable, I’m sure the ending would have been different. I’ll have to settle for the conclusion as written, instead of having to read a more serious version of Sense and Sensibility and Sea Monsters . At least, the plot surrounding the Essex Serpent is exciting and was what kept me reading through the muddy first half.
A modern book expertly written in the Victorian style, I give The Essex Serpent 4.0 stars out of 5.
While most people might not realize Stephen King wrote The Green Mile, I was completely unaware that the original version of this book was released serially—much like Charles Dickens used to do with his books. The novelty of experimenting with this format is somewhat lost now that the volumes are collected together to create a whole narrative. Even so, King is still the master of his craft, even if there’s minimal “horror” contained within the walls of this prison. At least, it’s an expected horror through the system of capital punishment, and not tied to the terror of the unknown.
Even though I enjoyed this story for its characters and plot, one element stuck out like a sore thumb: the framing via the retirement home. Sure, there’s a neat twist involved near the end, but so often the narrative would pull away from the time period in the prison to show some parallels to retirement living in a distracting way. I don’t think this added much to the story and it seemed to be more of a diversion than a benefit to the plot as a whole. Either way, these moments are few and far between, which helps move the action along.
Overall, King’s descriptive writing brought much of the book to vivid life. His imaginative ideas and foreshadowing give the reader just enough information to figure out the real culprit of the crimes mere pages before the characters themselves were able to. Each of the characters is unique and has their own qualities that causes you to either love or hate them—depending on who they are. Even if you’re not a fan of Stephen King’s other works, I highly suggest you read The Green Mile, regardless.
A fantastic non-horror Stephen King novel, I give The Green Mile 4.5 stars out of 5.
Since I knew the fourth Pirates of the Caribbean movie was based on this book, I decided to give it a read to see if it was any better than the so-so extension of the Pirates franchise. Let's just say that this book was a loose inspiration for the film. About the only elements that survived the transition were Blackbeard and the Fountain of Youth. Of course, even the movie version vastly improved the Fountain. In fact, I think I prefer the Pirates movie of the same name, even if the two don't share much in common.
I will say that On Stranger Tides does excel in its action sequences. The fights and battles are choreographed and described in such a way that is entertaining to read and comprehensible to understand. Unfortunately, a book full of fight sequences does not a good story make. Events in this book just seemed to happen, almost at random, and with no foreshadowing of what was to come. This made it difficult to follow, especially as the story seemed to jump from character to character, so I had to remember what was happening in each of the plotlines all at once.
I got the sense that this book didn't know what it wanted to be, mostly because it had so many main characters that it never had enough time to devote to any of them. Some of these characters never had clear motivations,
or if they did have goals and ambitions, they weren't revealed until much later in the book. The magic system could have been a little better fleshed out, as there didn't seem to be any consistent rules or reasoning behind the effects the magic created. Overall, I was mostly disappointed with what this book could have been.
Some good action sequences drowning in too many subplots, I give On Stranger Tides 2.5 stars out of 5.
This book is the first in a growing series of 10 books and sets up the rest of the books. This book is set from the perspective of Clay. Clay is a Mudwing dragonet that is part of a prophecy to stop the War of SandWing succession. This book is a great source of entertainment for those looking to begin the Wings of Fire series. I would suggest this book for people of ages of 10-15, although it could still be enjoyed by younger or older people. I give this book an 8/10 (4/5 on Review Crew) because after rereading this book a couple of times, I found that at many times it can actually be quite boring.
My favorite book of the year (so far). It had action, romance, and took you on a sad roller coaster of emotion. The main characters were very likeable. The setting is in the present, but with a few changes. One of these changes is that the government can tell you if you will die that day. Our two main characters both learn that they will die sometime that day. They meet and create a friendship that eventually turns into romance. They go on many adventures and overcome thier biggest flaws in one day. They also have major character development. The reader will be on the edge of thier seat when they find out if the both truly die at the end.
My favorite book of the year (so far). It had action, romance, and took you on a sad roller coaster of emotion. The main characters were very likeable. The setting is in the present, but with a few changes. One of these changes is that the government can tell you if you will die that day. Our two main characters both learn that they will die sometime that day. They meet and create a friendship that eventually turns into romance. They go on many adventures and overcome thier biggest flaws in one day. They also have major character development. The reader will be on the edge of thier seat when they find out if the both truly die at the end.
My favorite book of the year (so far). It had action, romance, and took you on a sad roller coaster of emotion. The main characters were very likeable. The setting is in the present, but with a few changes. One of these changes is that the government can tell you if you will die that day. Our two main characters both learn that they will die sometime that day. They meet and create a friendship that eventually turns into romance. They go on many adventures and overcome thier biggest flaws in one day. They also have major character development. The reader will be on the edge of thier seat when they find out if the both truly die at the end.
This is an exciting murder mystery book. I enjoyed all the difrent perspectives of the four main characters. All four of the main characters were flawed in some way, but still likable. The reader will enjoy the mystory until the very end when it is reveald. The author throws you in many directions and when you think you know who did it, new evidence will come up.
I took off one star simply because I thought the ending was a little predictable. Overall I enjoyed this book and I recommend it.
This is an exciting murder mystery book. I enjoyed all the difrent perspectives of the four main characters. All four of the main characters were flawed in some way, but still likable. The reader will enjoy the mystory until the very end when it is reveald. The author throws you in many directions and when you think you know who did it, new evidence will come up.
I took off one star simply because I thought the ending was a little predictable. Overall I enjoyed this book and I recommend it.