This book is a great big adventure as we go to a small brick in the ground, to a secret campus hidden in a rosebush, to a laboratory called Nimh, to Thorn Valley. This book is great for children and is one of my favorite books!
Big Bear Little Chair by Lizi Boyd is reminiscent of the block cut, three color art children's books of the 40's and 50's. Very simple text accompanies the beautiful illustrations depicting size comparison. Each page is a story unto itself, and children will love filling in the details of why the big zebra has such a little broom or why the big bird is carrying a little red umbrella. Perfect for ages 2 - 5.
This book is so well written that it didn't matter that I had nothing in common with the narrator and no interest in hunting. In fact, I felt sorry for the coons. This is a story of love and devotion that had me enthralled, especially in the second half. The ending, while a bit contrived, was still beautiful.
Shiloh is a sweet story about a boy's love for his dog. Well, Shiloh isn't actually his but is owned by an abusive neighbor. Marty's devotion and determination to save Shiloh is touching. The narration is spot on. Well done!
Shiloh is a sweet story about a boy's love for his dog. Well, Shiloh isn't actually his but is owned by an abusive neighbor. Marty's devotion and determination to save Shiloh is touching. The narration is spot on. Well done!
I think this book would have been better if I had read it instead of listening to it. The person who voiced it was highly annoying. Too bad, it may have gotten 4 stars otherwise.
Aside from the “Cliff’s notes” version presented on the TV show, Wishbone, I knew enough about Don Quixote to be dangerous without having actually read it. After all, this book has spawned such words and phrases as “tilting at windmills” and “quixotic,” as well as a Broadway musical. But how does this 17th-century classic hold up in today’s world? One would argue that chivalry was already dead by the time it was written, so it’s not likely to be an examination of chivalrous attitudes and how they’d benefit society. As far as I see it, Don Quixote is a bit like a romantic comedy in the vein of William Shakespeare’s plays.
Probably the first-ever recorded instance of a dedicated live action role player (LARPer), the character Don Quixote borders on that line between comedy and tragedy. If I were to give a medical explanation for his actions, it’s either severe delusion and dementia or a high-functioning psychosis. And yet, his dedication to his chivalrous quest is charming if not slightly amusing when he comes face-to-face with reality. The fact that many characters go along with his delusion to work out some relationship issues shows that this book enjoys the lighthearted nature of chivalrous nostalgia.
When it comes right down to it, Don Quixote is a comedy of errors. The long series of mistakes and awkward situations brought about by the titular character’s delusion merely highlights the contrast between the fictional worlds of the books that influenced his demeanor and the real world around him. In fact, one would almost say the moral of this story is being able to distinguish fiction from reality, of which Don Quixote is unable to do. Such as it is, Don Quixote is a fun read, especially if you don’t try to read too much into it.
A comedy with some potential takeaways, I give Don Quixote 4.0 stars out of 5.
When I picked up this book, I have to admit, I was surprised, because sci fy steam punk fantasy stories is not the type of book I usually read, yet it ended up being so much more than I had imagined. The Clockwork Dynasty is not just a book about a race of humanlike mechanical creatures or avtomats that secretly live among us and are fighting a war that has raged for centuries, but it’s a story about life and the constant search for meaning and purpose.
This book waffles back and forth between present day Orgon, Washington and other places, and the 1700’s beginning in Russia and taking the reader on a journey through history and time. And while this may bother some people, the non-linear storytelling I think, adds so much more to the book and allows the author to unfold the story in a deeper more meaningful way.
In present time it follows the story of June someone who has made a career in ancient technology, ever since an encounter she had a child with her grandpa changed her perception of the world and started her fascination with this avtomat technology. A couple years after her grandfather’s death she receives a avtomat artifact that will cause her to team up with an avtomat named Peter, launch her into a great adventure in the secret avtomat
world, and ultimately determine this race’s extinction or survival. In
the 1700’s it follows the story of brother (Peter) and sister (Elena) two humanlike avtomats that were resurrected by a Russian clock maker using something called an anime which serves as the Avtomat’s heart and soul. As they live through the years they spend it hiding their secret, trying to blend into society, and fighting a war that has been raging among their own race for centuries.
This story explores the character’s constant search for meaning in a way that is both at times sad and extremely insightful. In the book each avtomat’s anime is marked with a Pravda or a special word that is their bond and command. As long as they satisfy their Pravda, they are at peace, otherwise they suffer. In Peter’s case this word is justice. As the book progresses we see his idea of justice shift and change as he lives through the years. Through a fascinating inner dialogue, Peter perception shifts from gaining justice simply by serving rulers in war to something far deeper and more moving, as this quote, when he encounters a dying soldier on the enemy’s side in the battlefield, suggests:
“Once Pravda was clear to me. By obeying my emperor all was well. But what was simple is becoming complex. I can see no evil inside this grievously wounded man, only honor. And though no clockwork flutters beneath his throat, I can see the inevitable forces that led him here, through no fault of his own, fating him to die in the shadow of this crumbling wall.”
As the book progresses a new perspective of right and wrong emerges leaving him questioning not only who he is but why he was made.
Another major theme this story also explores is the theme of war. As Peter recounts from his past, countless experiences on various battlefields throughout his life, and in the present, his own thoughts on his own race’s war; the reality of war is pressed heavy on the reader making this book at times very depressing, sad, and dark.
This reality is made even more real by the moving prose and incredible worldbuilding that takes place throughout the book. Another reason I love this book is the incredible character development between Peter and Elena.
How she is treated by him as a little sister at the beginning of the book, and how he sees her changes through the book from a little girl needing his protection to a sophisticated, wise learned, woman who’s one desire is to make her own way in the world is absolutely incredible. Daniel H Wilson does an amazing job of weaving together past and present into an engaging literary story that has something for everyone. Thank you to Doubleday books and Netgalley for an e- ARC in exchange for an honest review!
This was a very difficult book to read, but it was so beautifully written. Dual timelines tell the story of sisters separated by war. You will learn Hana's story from 1943 in Korea when she is taken by Japanese soldiers to become a "comfort woman" in Manchuria (the details of which are haunting).
Hana's sacrifice allows her younger sister, Emi, to stay on their island home off the coast of South Korea, but she is also tormented by the effects of World War II and the Korean War. We meet Emi as an older woman in 2011, still trying to find out what happened to her sister. Both stories are compelling and heartbreaking, but showcase the strength of these women to survive. Highly recommended.
In an ever-increasing list of books I failed to read as a child, I finally managed to get to Watership Down. While I am aware that many people speculate the true meaning of the book to be an allegory for Nazis or Communism, or whatever, the prologue provided by the author in this edition stated that it was merely a bedtime story for his children. With this in mind, I’m sure many subconscious influences led to some of the themes in Watership Down.
Either way, the story seemed to be a rambling series of events that didn’t have much of a point or purpose.
Let’s be clear: I like rabbits. I think they’re cute, and I even own two of them. Therefore, I appreciate the little details of lagomorph mannerisms sprinkled throughout. And yet, there were a few confusing choices made in this book, like giving a somewhat-confusing “rabbit language” that rarely had context, and was mostly abandoned by the end of the book. I also couldn’t buy into the idea of a “rabbit army” since most of the rabbits I’ve seen in the wild have been mostly solitary animals, and hardly in the numbers described in Watership Down.
When it comes right down to it, the thing that perhaps disturbed me the most about this book was the anthropomorphism of the rabbits. Sure, the “side stories” about El-Ahrairah were distracting and often unnecessary, and I couldn’t honestly tell you the character traits or attributes of any of the numerous rabbits, but the fact that they could talk to each other made them seem somewhat human. Consequently, this then introduces ideas like war and sex trafficking via the “innocent” covering of rabbits. I feel these tend to be mostly human traits, so it pulled me from the story when I had to remind myself, “Wait, these are rabbits.”
A meandering story that puts humans in rabbit bodies, I give Watership Down
2.5 stars out of 5.
In an ever-increasing list of books I failed to read as a child, I finally managed to get to Watership Down. While I am aware that many people speculate the true meaning of the book to be an allegory for Nazis or Communism, or whatever, the prologue provided by the author in this edition stated that it was merely a bedtime story for his children. With this in mind, I’m sure many subconscious influences led to some of the themes in Watership Down.
Either way, the story seemed to be a rambling series of events that didn’t have much of a point or purpose.
Let’s be clear: I like rabbits. I think they’re cute, and I even own two of them. Therefore, I appreciate the little details of lagomorph mannerisms sprinkled throughout. And yet, there were a few confusing choices made in this book, like giving a somewhat-confusing “rabbit language” that rarely had context, and was mostly abandoned by the end of the book. I also couldn’t buy into the idea of a “rabbit army” since most of the rabbits I’ve seen in the wild have been mostly solitary animals, and hardly in the numbers described in Watership Down.
When it comes right down to it, the thing that perhaps disturbed me the most about this book was the anthropomorphism of the rabbits. Sure, the “side stories” about El-Ahrairah were distracting and often unnecessary, and I couldn’t honestly tell you the character traits or attributes of any of the numerous rabbits, but the fact that they could talk to each other made them seem somewhat human. Consequently, this then introduces ideas like war and sex trafficking via the “innocent” covering of rabbits. I feel these tend to be mostly human traits, so it pulled me from the story when I had to remind myself, “Wait, these are rabbits.”
A meandering story that puts humans in rabbit bodies, I give Watership Down
2.5 stars out of 5.
In an ever-increasing list of books I failed to read as a child, I finally managed to get to Watership Down. While I am aware that many people speculate the true meaning of the book to be an allegory for Nazis or Communism, or whatever, the prologue provided by the author in this edition stated that it was merely a bedtime story for his children. With this in mind, I’m sure many subconscious influences led to some of the themes in Watership Down.
Either way, the story seemed to be a rambling series of events that didn’t have much of a point or purpose.
Let’s be clear: I like rabbits. I think they’re cute, and I even own two of them. Therefore, I appreciate the little details of lagomorph mannerisms sprinkled throughout. And yet, there were a few confusing choices made in this book, like giving a somewhat-confusing “rabbit language” that rarely had context, and was mostly abandoned by the end of the book. I also couldn’t buy into the idea of a “rabbit army” since most of the rabbits I’ve seen in the wild have been mostly solitary animals, and hardly in the numbers described in Watership Down.
When it comes right down to it, the thing that perhaps disturbed me the most about this book was the anthropomorphism of the rabbits. Sure, the “side stories” about El-Ahrairah were distracting and often unnecessary, and I couldn’t honestly tell you the character traits or attributes of any of the numerous rabbits, but the fact that they could talk to each other made them seem somewhat human. Consequently, this then introduces ideas like war and sex trafficking via the “innocent” covering of rabbits. I feel these tend to be mostly human traits, so it pulled me from the story when I had to remind myself, “Wait, these are rabbits.”
A meandering story that puts humans in rabbit bodies, I give Watership Down
2.5 stars out of 5.
As I’ve mentioned before in my review of Pride and Prejudice and Zombies , I understand the concept of combining this classic piece of romantic literature with its complete obverse; it just felt like it was almost held back from its full potential by adhering to (most of) the original manuscript. With the prequel to this book, Dawn of the Dreadfuls manages to examine the ridiculous nature of this mashup in a way that’s so tongue-in-cheek that the tongue has practically ruptured the cheek entirely.
That is, this prequel doesn’t take itself nearly as seriously as the original Jane Austen adaptation did.
Even if the non-Pride and Prejudice and Zombies characters were mostly cartoonish in their representation of stereotypes and tropes, they were fun to read as they provided a delightful offset to the canonical characters of the Bennet family. Also, instead of trying to find some boring section of text wherein to insert some zombie excitement, Dawn of the Dreadfuls provides equal parts action and society to accommodate a balance that highlighted the extreme disparity between the two. In fact, when the two finally meet, it’s during the exciting climax of the story. Of course, knowing this is a prequel means there has to be some way out of the predicament; otherwise the original Pride and Prejudice and Zombies book cannot take place.
Despite all the things it has going for it, Dawn of the Dreadfuls suffers from a plot that seems to drag along like the un-functioning foot of a zombie. Sure, each plot point has its purpose, but they almost seem to belabor the point. There were a few chapters where I felt the plot to be somewhat repetitive if it weren’t for a slightly different outcome to show character growth. In any case, I’d still prefer this book over Pride and Prejudice and Zombies.
A prequel that could fully explore a ridiculous combination, I give Dawn of the Dreadfuls 3.5 stars out of 5.
Wolf By Wolf is dystopian and historical fiction novel. The author
writes what would happen if Hitler and his Nazis won WWII. Yael is a death
camp escapee. While in death camp, the ‘doctor’ experimented on her and
several other test subjects. The result was both a gift and a curse: Yael is
a skinshift, meaning she can distort her features to look like other people.
Using her unlikely power, she escapes. She joins a secret resistance, aiming
to demolish the Nazis and Hitler. Using her power, she competes in a
motorcycling race across continents. The prize? A dance with Hitler… and an
opportunity to kill him. I’m giving this book 4 out of 5. I thought the plot
was really cool, as well as the writing, but when Yael is competing in the
race, all you get to read about is her riding on a motorcycle. Overall, I
really liked the book.
In this dystopian novel, Reds (those with red blood) live like peasants and servants to the god-like Silvers (those with silver blood), who live in luxury and royalty, possessing mind bending powers that make them superior. While the Reds slave away, Silvers feast. Mare, a Red, finds herself right in the middle of it all when she is surprisingly allowed to work in a Silver palace. In a freak accident, Mare finds out something about herself… she possesses one of the many god-like powers, like the Silvers.
And not just any power, a power that has never been seen before. She is betrothed to marry a Silver Prince and forced into a Silver life. She embarks on a quest to find out who she really is. This book, I think, deserves a 4 out of 5. The plot was amazing, but several things kept it from a full score.
First of all, the author’s attempt at creating a heartfelt and loving romance failed miserably, leaving me gagging from the sappiness of it all. On that note, I felt like the main character, Mare, was too dependable on her lover. However, I did like the overall plot and outcome, and I didn’t regret reading this book.
In this dystopian novel, Reds (those with red blood) live like peasants and servants to the god-like Silvers (those with silver blood), who live in luxury and royalty, possessing mind bending powers that make them superior. While the Reds slave away, Silvers feast. Mare, a Red, finds herself right in the middle of it all when she is surprisingly allowed to work in a Silver palace. In a freak accident, Mare finds out something about herself… she possesses one of the many god-like powers, like the Silvers.
And not just any power, a power that has never been seen before. She is betrothed to marry a Silver Prince and forced into a Silver life. She embarks on a quest to find out who she really is. This book, I think, deserves a 4 out of 5. The plot was amazing, but several things kept it from a full score.
First of all, the author’s attempt at creating a heartfelt and loving romance failed miserably, leaving me gagging from the sappiness of it all. On that note, I felt like the main character, Mare, was too dependable on her lover. However, I did like the overall plot and outcome, and I didn’t regret reading this book.
In this dystopian novel, Reds (those with red blood) live like peasants and servants to the god-like Silvers (those with silver blood), who live in luxury and royalty, possessing mind bending powers that make them superior. While the Reds slave away, Silvers feast. Mare, a Red, finds herself right in the middle of it all when she is surprisingly allowed to work in a Silver palace. In a freak accident, Mare finds out something about herself… she possesses one of the many god-like powers, like the Silvers.
And not just any power, a power that has never been seen before. She is betrothed to marry a Silver Prince and forced into a Silver life. She embarks on a quest to find out who she really is. This book, I think, deserves a 4 out of 5. The plot was amazing, but several things kept it from a full score.
First of all, the author’s attempt at creating a heartfelt and loving romance failed miserably, leaving me gagging from the sappiness of it all. On that note, I felt like the main character, Mare, was too dependable on her lover. However, I did like the overall plot and outcome, and I didn’t regret reading this book.
Alright, this book was even worse than Kazuo Ishiguro’s other book(Never Let Me Go). I didn’t know that that was possible, but it is. In this book, an old, traditional English butler takes a road trip along the English countryside. That is it. Oh, I forgot one thing: he does remember some of his dreadfully dull and pointless memories about his career. The main character (the butler) Mr. Stevens doesn’t even show character development by the end of the book. There is one thing that I liked about this book: that it finally got round to finishing.
Alright, this book was even worse than Kazuo Ishiguro’s other book(Never Let Me Go). I didn’t know that that was possible, but it is. In this book, an old, traditional English butler takes a road trip along the English countryside. That is it. Oh, I forgot one thing: he does remember some of his dreadfully dull and pointless memories about his career. The main character (the butler) Mr. Stevens doesn’t even show character development by the end of the book. There is one thing that I liked about this book: that it finally got round to finishing.
Britt-Marie was Here is the incredible sequel to My Grandmother Asked Me to Tell You She’s Sorry, both of which are fantastic books. Britt-Marie is a picky, stubborn, and socially awkward old woman. She doesn’t criticize or judge people, even if they’re as rude, messy, and vulgar as they are. But hidden inside the busybody is somebody who dreams and imagines, just like the rest of us. When she moves to a new town, she is confronted with people who have muddy floors (an unforgivable sin), disorganized drawers (oh, the horror!), and ‘modern’ hairstyles (Shriek!). This book perfectly captures the everyday messiness and beauty of human life, complete with humor along the way. It will make you look at the curmudgeons in your life a different way!
Reviewer's Grade: 7