Very interesting way to add characters to the series and there is lots of adventure in this book. It really pulls on the heart-strings, and you go thru a rollercoaster of emotions. Way more in depth than the movie.
Very interesting way to add characters to the series and there is lots of adventure in this book. It really pulls on the heart-strings, and you go thru a rollercoaster of emotions. Way more in depth than the movie.
Very interesting way to add characters to the series and there is lots of adventure in this book. It really pulls on the heart-strings, and you go thru a rollercoaster of emotions. Way more in depth than the movie.
Back in the zombie heyday of 2009, the idea of combining one of the most feminine pieces of literature with the oft masculine-marketed gory violence seemed like an interesting idea. I, for one, didn’t particularly care to read Jane Austen’s Pride and Prejudice , but this take on the romantic classic certainly piqued my interest. Because of the addition of zombies to this plot, I was impelled to read this story to see how these drastically different archetypes were combined. I certainly wonder if the book would have been more enjoyable if I had read Pride and Prejudice beforehand, or if I would have remained far abreast of it altogether.
Partly due to the severe dichotomy of the original story and the zombie additions, there were certainly moments where I could tell what segments of Jane Austen’s plot were modified to fit the new, apocalyptic sensibilities.
The two concepts worked together somewhat, occasionally adding action to a scene that would have likely been boring in its predecessor, but in maintaining the story and outcomes of the original, the whole experiment didn’t quite “gel” as it could have. Perhaps the addition of the prequel and sequel to this book helps to round out these distinct edges, but I have yet to read those books yet.
When it comes right down to it, I struggled to get through this book. With the language and verbiage retaining is feel from the original, the archaic nature of the dialogue was not as easy to read as I would have hoped. In the end, I was practically just reading Pride and Prejudice, but occasionally “changing the channel” to a zombie film whenever anything became boring.
I applaud Seth Grahame-Smith for following through on this ambitious idea, but it almost seems like anyone could easily merge zombies to a romantic classic if they maintain the majority of the source material.
An intriguing idea that never quite fully “connects,” I give Pride and Prejudice and Zombies 3.0 stars out of 5.
A coworker of mine suggested this book to me a few months back. The title sounded interesting, so I put it on my Overdrive wish list and waited for it to become available. Both he and I have a somewhat thorough understanding of Japanese culture, so once I got into this book, I found myself imagining it as an anime. Of course, because The Wind-up Bird Chronicle was originally written in Japanese, there are plenty of cultural idiosyncrasies that might be hard to understand from a different cultural viewpoint. At times, the content is a bit weird, the sex awkward, and the violence strangely surgical.
What was quite refreshing with the narrative in The Wind-up Bird Chronicle, was its timelessness. Written in the early 1990’s and set in the mid-1980’s, only a few technological items (i.e. a land line, an early computer, etc.) haven’t held up well over time. Everything else about the story is so character-driven that it could probably happen at any time. These characters are odd, to say the least. From psychic sisters named after Mediterranean islands to a wealthy perfectionist mother and her mute son, many of their sub-plots do end up tying together in the not-so-surprising ending.
As a “chronicle,” the book does feel episodic at times, hence why I imagined it as an anime. Because I have seen a lot of anime, the content of this book didn’t surprise me. There’s some weird stuff out there, and Japan seems to create quite a bit of it. While the sex and violence might be off-putting to some, it’s not necessarily erotic or graphic in its presentation; it is merely a fact of life. A strange life, to say the least, but a life nonetheless. Parts “slice of life,” “harem,” and “psychological thriller,” in terms of genre, The Wind-up Bird Chronicle is an excellent book for anyone already accustomed to Japanese storytelling.
A prime example of an almost “standard” Japanese plot, I give The Wind-up Bird Chronicle 3.5 stars out of 5.
I don't know, maybe it's because I was reading this out loud to my daughter, but I just don't see what all the hubbub is. It was heavy-handed to me. There were some sweet spots, but overall I was underwhelmed.
OK, I’ll be the first to admit that perhaps the audiobook version of this
story isn’t the best way to digest it. While I did appreciate the Irish
accent of the man who read this book, there really wasn’t much of a chance
to re-read sections that were quite confusing. As a result, I have no idea
what this book is about or what it was supposed to convey. I had a loose
understanding that it was based on Homer’s The Odyssey, which helped make a
few connections here and there, but I honestly can’t say that this parallel
between the plots of the two stories is obvious at all.
Perhaps the weakness I perceive in this story is due to its status as one of
the great pieces of modernist literature. If that’s the case, then I’ll
admit that I don’t understand modernist literature at all. None of it made
any sense at all. I would almost wager, at times, that Joyce was merely paid
by the word, thus explaining the numerous times he just listed off the names
of people, synonyms of words, or just rambled on until he made a couple extra
shillings. Of course, it could be that I expected a story to be present
instead of a loose string of poetic and complicated words. Maybe that’s the
link it shares with The Odyssey: both are epic poems (but for my money, I’d
read The Odyssey again in a heartbeat instead of this).
This is also not to mention the controversial topics that Joyce covers in
this book. From sex to religion and back to sex again, I wouldn’t say I
agree with his opinions on anything. For years I’ve heard that this is one
of the great stories of literature, but I can’t say I’m impressed. None
of it was particularly inspiring (the parts that made any sense, that is) and
if he had a point to make, it was lost on me. Again, I might get more out of
Ulysses if I was able to read it instead of listening to it, but as it stands
I don’t have any interest in reading this lengthy piece of nothingness
after having had to listen to it.
A disappointing and confusing piece of “literature”, I give Ulysses 1.0
stars out of 5
I was honestly surprised by this book. As has been the case with most
comedians and the books they have written, I expected this to be a bit of an
autobiography in the veins of Bossypants , Yes Please , The Bassoon King: My
Life in Art, Faith, and Idiocy , and Is Everyone Hanging Out Without Me?
Instead, I was presented with a book filled with data, analysis, and
information about how modern relationships work when compared with the
relationships of past generations. Having gone through some of this “Modern
Romance” myself, I could certainly relate to the information being
presented, nodding my head in agreement as things I noticed suddenly had
explanations pinned to them.
But it wasn’t that the book was not an autobiography that surprised me, it
was the humorous way that Aziz Ansari managed to present this subject matter,
while also maintaining high scientific rigor. If I were to put this in a
category of non-fiction humor, it would probably be in the vein of I Am
America but without the tongue-in-cheek satire. Maybe I’m even wrong in
this characterization and it should fall under the collections of humor
around a single topic, like the works of Dave Barry. Either way, this book
was informative and not judgmental in the slightest. It was merely presenting
the facts that had been discovered, but in such a way that made me laugh
about the whole situation.
For those people who are in relationships, want to be in relationships, or
who just want to play the singles game, this book is an optimistic look at
what has changed, what is likely becoming the “norm”, and what we should
all expect from relationships in the future. Simply put, the smartphone has
complicated the world of romance, but it has also given a lot of benefit to
those who know how to use it as a tool to get what they want out of life. I
would almost encourage Ansari to continue writing books like this, because
his humor has made a somewhat dry subject a lot more palatable.
A great book that explores why the dating scene is so different now, I give
Modern Romance 4.0 stars out of 5.
One of the nice things about listening to audiobooks from my library (via the
Overdrive app), is that I can pick up a book and listen to it without really
knowing what it’s about other than a title and a cover. In this way, I
often have no preconceived notions about the book other than first
impressions. At this point, all I’m giving up to “read” the book is the
time it takes me to listen to it, and I have plenty of that driving to and
from work every day.
Since I had no idea what this book was really about, I was surprised at how
humorous it was. If I were to combine a few, better-known series together,
I’d say this is X-Men mixed with James Bond, with just a dash of Jason
Bourne all blended together in Monty Python’s Flying Circus. An odd
combination, I know. But somehow, it works here. The humor is markedly
British, but the characters and their powers are supernatural, to say the
least. Since this was merely the first in a developing series, I can’t wait
to get to book #2: Stiletto.
All this being said, there were a few structural choices to this book that I
often found confusing, which may just be part of listening to it in audiobook
form instead of reading it. First off, the decision to have the main
character afflicted with amnesia was an interesting way to essentially give
the audience what the character already would have known but had conveniently
forgotten. Secondly, because the letters from her former self were used as
backstory, these “flashbacks” were often confusing because it was easy to
lose track of which Mfwany Thomas (glad I had the audiobook for the
pronunciation of this name) was “speaking” at the moment.
An interesting premise with plenty of potential in future iterations, I give
The Rook 4.0 stars out of 5.
While I saw the movie before listening to the audiobook, I must say that I
still really enjoy the main character. He’s one of those guys you love to
hate, but he’s trying so hard to do the right thing, even if it means
defending a scumbag who deserves a lot worse. Of course, since I had seen the
movie already, I had an idea how it was going to end, but couldn’t remember
the specifics. Perhaps that’s a measure of a great crime drama: all the
misdirection makes it difficult to know “whodunit”, allowing future
rereads to be enjoyable.
But, back to the main character, Mickey Haller, I think one of the reasons
this book was a breeze to listen to was because the main character’s POV is
so well written. You can tell that he has some baggage from his father, which
is partly why he defends everyone, regardless if they’re guilty or not. The
fact that Haller knows his way around the legal system and uses it to his
advantage to even get the guilty an innocent ruling just shows that he takes
pride in his work, even if it labels him as someone who keeps the crime on
the streets.
The plus to this audiobook was also the narrator, who was awesome in bringing
all the different characters to life with his voice acting. Even if the story
is told from the point of view of the eponymous “Lincoln Lawyer,” there
are plenty of interesting people in this book, and each one certainly has a
different “sound” to them. It’s the attention to these details that
differentiates a narrator just reading a book to you and a voice actor who
can bring the events happening in the words he’s speaking to life.
A great start to an interesting crime drama series, I give The Lincoln Lawyer
4.0 stars out of 5.
Another book, another trial for the Lincoln Lawyer. While I appreciated the
stand-alone nature of this book, I also liked that knowledge of the events in
the first book of this sub-series helped to provide context for the
challenges Mickey Haller now faces. The main case of this novel was pretty
predictable, especially if you read into the insinuation of the title. I
would have liked a little more attention on the side-case surrounding the
death of Haller’s lawyer colleague. It seemed to be more of a Harry Bosch
story, though, so I can understand why the focus was on Haller’s case.
Once again, Michael Connelly creates an easily readable series of events that
unfold in the courtroom. Some twists at the end were exciting developments
but were definitely easily guessed if the reader was paying attention.
There’s almost a guilty pleasure in following Haller along as he embeds
that reasonable doubt into the jury’s minds. Something about the justice
system being used to make absolutely sure someone is innocent or guilty just
sits right, even if it’s in the defense of a completely unlikeable
character. This character’s final fate was equally as satisfying, even if
it wasn’t in court.
As noted above, my only qualm with the novel was that it seemed to be only
one side of the story. While we followed Mickey Haller, there was another
story unfolding with Harry Bosch that probably could have filled up another
volume. There was a lot that Bosch did behind the scenes that made his story
also seem quite interesting, even if it wasn’t expressed in these pages.
The connection between these two characters at the end of the book was also
nice, and I am curious how often Bosch will come back into play in future
Mickey Haller books.
A straightforward courtroom drama with predictable twists, I give The Brass
Verdict 3.5 stars out of 5.
After two novels of Mickey Haller defending guilty scumbags, Michael Connelly
changes it up with The Reversal. Not only does the title refer to the
reversal of a 24-year old conviction, but also to the main character’s swap
over to the prosecution. While there seems to have been a book between this
one and The Brass Verdict, I have a feeling it was mostly about Harry Bosch,
since the hinted details in this book give me a good idea of what happened
and it didn’t change the last reference point of Mickey Haller.
Now that these two main characters were tied together in this case, one of
the issues I had with this book was how often it switched between first and
third person POVs. Perhaps I was too used to the story being told from Mickey
Haller’s perspective and there was so much that happened outside of his
direct involvement that it was necessary. However, there were times where
Haller was present in the scene and it seemed to switch between the two POVs
somewhat inconsistently, adding to my confusion as to who was speaking. I
only hope the next book in the series focuses more on Haller than splitting
the time between him and Bosch.
Furthermore, while I did appreciate the change of Haller being a part of the
prosecution team with his ex-wife, the story unfolded much in the same way
the others had. Most of the trial was pretty predictable with the twists
being easily recognized well before they were revealed. The unpredictable
ending is almost part of the template now, so even though it was an exciting
development, I had come to expect it.
Another Michael Connelly standard with a few changes to make it interesting,
I give The Reversal 3.5 stars out of 5.
In the fourth installment of The Lincoln Lawyer series, The Fifth Witness
follows Mickey Haller as he navigates another murder trial. This time, the
real scenario of the foreclosure crisis is brought in to help set the stage
for the trial. Using a historical event like this helped to bring the story
together in a way that felt more real and relatable than the previous entries
in the series. Most Americans I know who were affected by the housing market
crash would certainly be entertained by this story of corruption and
underhanded dealings, if for no other reason than to justify how screwed up
the system is.
Gone from this part of the series is detective Harry Bosch, who I felt
distracted from the main storyline centering around Mickey Haller and his
court battle in the previous two books of this series. This time, it’s all
Mickey. What helped to make this book stand out from the rest was the amount
of soul-searching and character development our favorite defense lawyer does
throughout the events unfolding around this trial. Because of his work as a
defense attorney, it was easy for him to become cynical, thus making his
aloof attitude more entertaining than endearing. This time around, he starts
to become self-aware and sees that his life isn’t heading in the direction
he wants.
I appreciated the slight bit of meta-humor in this book, not only in its
title but considering it came out around the same time as The Lincoln Lawyer
(2011) movie. And while some of the numerous “sudden evidence” events for
the trial was a bit of a cheap way to add twists to the story, Connelly
expertly hid the true twist ending until the final moments of the book,
something that was somewhat missing from earlier parts of the series. With an
interesting nod toward some future storylines, I felt The Fifth Witness is
the strongest entry in the series so far.
A great courtroom drama pulled straight from the housing crisis, I give The
Fifth Witness 4.0 stars out of 5.
In another “lapse” of my reading habits, I didn’t manage to read
Ender’s Game until the movie of the same name came out in 2013. At the
time, all the sci-fi fans were eagerly anticipating a film that had taken
over 25 years to finally become a reality. While I thought the movie was
quite well done and engaging, after I read the book, I can understand why
some of the diehard fans of the series were disappointed. As is usually the
case with book-to-movie transitions, sub-plots often find themselves on the
cutting room floor. Of course, I don’t blame them for cutting what they
did; after all, it is called Ender’s Game.
Even though watching the movie first spoiled the exciting twist of the ending
when I read the book, I almost read the book differently knowing how it would
turn out. I could see the signs leading up to the shocking reveal, almost as
if I had read it before. I did appreciate the sub-plot with Ender’s
siblings and their efforts back on Earth as their brother was winning the war
in space. If anything, it helped to break up the intense action surrounding
the eponymous main character so that the reader could fully absorb what was
happening in the universe on a political level as well as a military one.
It is disappointing that there will likely be no more movies in this series
since the source material is full of interesting ideas that I’d like to see
on the big screen. Perhaps the series would be better suited for a television
show (a la Game of Thrones) to fully include all the different elements that
made it a classic of sci-fi back in 1985. Either way, I look forward to
exploring more of Orson Scott Card’s universe in the next book of the
series: Speaker for the Dead.
A fantastic sci-fi story with an incredible twist ending, I give Ender’s
Game 5.0 stars out of 5.
In another “lapse” of my reading habits, I didn’t manage to read
Ender’s Game until the movie of the same name came out in 2013. At the
time, all the sci-fi fans were eagerly anticipating a film that had taken
over 25 years to finally become a reality. While I thought the movie was
quite well done and engaging, after I read the book, I can understand why
some of the diehard fans of the series were disappointed. As is usually the
case with book-to-movie transitions, sub-plots often find themselves on the
cutting room floor. Of course, I don’t blame them for cutting what they
did; after all, it is called Ender’s Game.
Even though watching the movie first spoiled the exciting twist of the ending
when I read the book, I almost read the book differently knowing how it would
turn out. I could see the signs leading up to the shocking reveal, almost as
if I had read it before. I did appreciate the sub-plot with Ender’s
siblings and their efforts back on Earth as their brother was winning the war
in space. If anything, it helped to break up the intense action surrounding
the eponymous main character so that the reader could fully absorb what was
happening in the universe on a political level as well as a military one.
It is disappointing that there will likely be no more movies in this series
since the source material is full of interesting ideas that I’d like to see
on the big screen. Perhaps the series would be better suited for a television
show (a la Game of Thrones) to fully include all the different elements that
made it a classic of sci-fi back in 1985. Either way, I look forward to
exploring more of Orson Scott Card’s universe in the next book of the
series: Speaker for the Dead.
A fantastic sci-fi story with an incredible twist ending, I give Ender’s
Game 5.0 stars out of 5.
In another “lapse” of my reading habits, I didn’t manage to read
Ender’s Game until the movie of the same name came out in 2013. At the
time, all the sci-fi fans were eagerly anticipating a film that had taken
over 25 years to finally become a reality. While I thought the movie was
quite well done and engaging, after I read the book, I can understand why
some of the diehard fans of the series were disappointed. As is usually the
case with book-to-movie transitions, sub-plots often find themselves on the
cutting room floor. Of course, I don’t blame them for cutting what they
did; after all, it is called Ender’s Game.
Even though watching the movie first spoiled the exciting twist of the ending
when I read the book, I almost read the book differently knowing how it would
turn out. I could see the signs leading up to the shocking reveal, almost as
if I had read it before. I did appreciate the sub-plot with Ender’s
siblings and their efforts back on Earth as their brother was winning the war
in space. If anything, it helped to break up the intense action surrounding
the eponymous main character so that the reader could fully absorb what was
happening in the universe on a political level as well as a military one.
It is disappointing that there will likely be no more movies in this series
since the source material is full of interesting ideas that I’d like to see
on the big screen. Perhaps the series would be better suited for a television
show (a la Game of Thrones) to fully include all the different elements that
made it a classic of sci-fi back in 1985. Either way, I look forward to
exploring more of Orson Scott Card’s universe in the next book of the
series: Speaker for the Dead.
A fantastic sci-fi story with an incredible twist ending, I give Ender’s
Game 5.0 stars out of 5.
While Angels and Demons is not nearly as popular as its sequel, the famous (if not infamous) The Da Vinci Code, the elements which led to its successor’s success are certainly all contained within this first book in the Robert Langdon series. Of course, just because you have the materials to build a nice house doesn’t mean that it magically becomes a mansion. Despite containing many of the elements that made The Da Vinci Code so good, Angels and Demons feels a little underdeveloped in quite a few areas.
First, the protagonist, Robert Langdon, is supposed to feel like an “Indiana Jones”-type character, but with a specialty like symbology as his background, I just can’t buy the action-hero transformation of this everyday academic. Add to this the almost repetitive nature of his “discoveries” wherein he makes an assessment, then goes to the location of the assessment only to find that he didn’t think of it in the right way and thus requiring the whole plot to shift gears as he rushes to the new location. He eventually had better predictions, but by then it felt repetitive.
Secondly, the whole “treasure hunt” to find the antimatter (of which I feel CERN is a more recognizable name than it was back in 2000) seemed to take a back burner to the parallel plot of the pope’s death and finding his replacement. It is hard to focus on both plotlines, especially since both of them had pretty predictable endings. Finally, the romance aspect of this novel seemed quite forced, even to the point where the final scene of the book felt like it was ripped out of a James Bond story. Wherein a modicum of charm from the male protagonist makes his female counterpart swoon with undying affection that wasn’t in any part of the prior plot.
A rough start to the Robert Langdon series, I give Angels and Demons 2.5 stars out of 5.
What a difference three years makes! Even though it contains all the same tropes and motifs that Angels and Demons did, The Da Vinci Code eliminates the fluff and focuses on the strengths of these individual pieces to create an enthralling adventure through Christian history. I will admit that I first read this book because I was curious about the controversy that surrounded it. While Dan Brown is a fantastic storyteller, and many of his connections and links to Christianity made sense, I still maintain that, at its core, The Da Vinci Code is just well-written fiction.
This time around, Robert Langdon is much better suited for the task of finding the “Holy Grail” instead of being a glorified Roman tour guide. His expertise in symbology certainly helped to drive the plot forward, even if it sometimes was in a misleading direction for the sake of a twist. I did appreciate how, even if a clue didn't immediately come into play, it became useful later to help round out the plot. It wasn’t just a series of “find me a rock” exercises but had a parallel set of intersecting strings and subplots that drove the story forward to its exciting conclusion.
And while the female protagonist was much more developed than the one in Angels and Demons, the villains also had more depth to them as well. Instead of a few individuals using the name of a huge organization like the Illuminati to create the conflict, a singular man with a singular goal helped to create the “chase” that propelled Robert Langdon across Christendom to find the Holy Grail. While both The Da Vinci Code and Angels and Demons share almost identical plot structures, the former shows that the execution of such a story is precisely what makes one a great read and the other an exercise in eye-rolling.
An exciting treasure hunt filled with fictional historical connections, I give The Da Vinci Code 4.0 stars out of 5.
I liked Stone Fox because it's about a boy who has a very sick grandfather who is sick so he has to save him but no one knows why. Then Willy finds out why, it was because they were bankrupt and Willy enters a race which will get him $500.00. Willy races against the greatest dog-sled racer on earth. I liked the book because it was really exciting and intense at parts.
A Snicker of Magic by Natalie Lloyd is about a young girl named Felicity Pickle, who sees and collects words. These words are words that people are thinking about or what they want. These words can even dance, glow, or wiggle around. She has traveled to many places in the world and has seen many words except for one, home. But when the Pickled Jalapeño, the family's van, drives into Midnight Gulch, Felicity believes that everything is about to change. She has found a place to make a friend and even make some good memories. This happens to be, because Midnight Gulch used to have magic! This is where people shared their magical talents, until a curse stole that away from them. From what all of the people believe, Felicity can tell there is still a snicker of magic left and all she has to do is find the right words for the magic to return to Midnight Gulch.
This is a great book full of adventure, friendship, and well magic. I chose this book because the cover caught my eye and it seemed interesting. My favorite thing about this book is how the author explained parts and how she used her words. My least favorite thing was how there really was no big change in the characters, but this was still a great book. I highly recommend this book for people especially early teens.
Therefore, I gave this book a 4.0 out of 5 stars!