Sylvain Neuvel's "Sleeping Giants" is the first book in a series of three fantastic novels about alien technology and what it means to be human. This book was lent to me by my father, so I knew it had to be amazing. I was not wrong in that assumption. My favorite part about this book is likely the most divisive part: the format. This book is explained in an interview format, between each character and a mysterious interviewer that is developed further in the later installments of this series. At first, I wasn't sure if I would like how jarringly different this format is; sometimes it is noticeable when the author wanted to convey some important information, but the constant interview made the information difficult to show. It wasn't exclusively interviews; occasionally a mission log was used for variety's sake. My least favorite part of the book is actually what wasn't included in the book. It sounds picky, but I think that this book had room for more. The cliffhanger, while masterfully executed, came too soon. Not enough happened before the book ended, so I was left immediately scrambling to acquire the other 2 books in the series. The book, and especially the series as a whole, is absolutely surprising at nearly every step. Characters assumed narratively immortal die, and enemies turn into friends that save the world in the third book. Each character had interesting flaws and contrasting personalities, so each character introduced to us through the mysterious interviewer felt like someone you could meet walking down the street. All in all, this book is definitely one of the best books I have read this year.
Reviewer Grade: 10
The book "Tress of the Emerald Sea" was a brilliant standalone book set in Brandon Sanderson's "cosmere" (his unique term referring to the general world where most of his books take place). I didn't actually choose to read this book; my uncle lent me this book because I love nearly all of Brandon Sanderson's books. After reading this magnificent book, I am very thankful for his generosity. I enjoyed the development of the protagonist, Tress, over the book the most. Tress stays kind throughout the entire book, but her bravery develops as she grows from a timid cup collector to something I don't want to spoil, but she gains a massive amount of bravery in the pursuit of kindness. I didn't enjoy the ease at which the final boss was dealt with, but the conclusion was relatively tidy and neat. This is the type of book where I constantly need to ask myself, "How did the author think of this"? Spore oceans that kill you but still float ships? Cup collectors creating chaos? Nothing was offensively predictable, and the little twist right at the end reminded my instantly of Studio Ghibli's Spirited Away's little twist at the end regarding the protagonist's parents. I won't say this has been the best book that I've read this year, but that is only because the year is still young and Brandon Sanderson's kickstarter had 3 other books in it.
Reviewer Grade: 10
Before Your Memory Fades by Toshikazu Kawaguchi is one of three—four, as of November 2023—books that tells the tale of a cafe with a chair that allows visitors to travel back in time. Contrary to the simplistic concept it carries, there are rules one must follow:
1. One cannot change the present, regardless of their efforts.
2. Occupants must remain in their seat, otherwise they will return to the present.
3. Occupants must finish their coffee before it gets cold. If they do not, they become a ghost and are bound to that chair forever.
4. They can only meet people who have visited the cafe. With that being said, patrons need to travel to the day, hour, minute, and second their targeted person was in the cafe.
5. Patrons can only return to the past once.
6. Despite the first rule, one can give or receive gifts, and one can take photos.
Sorrow and the conflicting bet of regret is a spill all four of the patrons decide against drowning in. Clarity wiped their messes and ordeals clean through the reminiscent transparency of hospitality born from truth, unsaid words, or the driving words to live the rest of their life as a happy person, rather than a person grieving the nauseating reality they're set to survive in.
9th Grade
"Other Birds" is a slice of life story with mild paranormal elements. It does not have a high stakes plot, but rather focuses on the personal struggles of the characters. Overall it is a very refreshing and relaxing read. The paranormal element is not explored much, but it adds to the book's charm. The prose is lovely, especially regarding descriptions of food.
All of the characters are fairly interesting. Charlotte, Mac, and Lizbeth were my favorites. They all had interesting pasts and clear personalities. Zoey and Oliver were also interesting, but felt a little under developed. Lucy is only present for about a dozen pages. She's not so much of a character as she is a mystery, and she serves that role well.
The twists in this book are all fairly solid. I guessed one of them immediately, but it still felt impactful. I didn't guess one, but it didn't add anything to the story. Two of them were genuine surprises, and added depth to the story.
This book is not incredible, but it is thoroughly enjoyable and heartwarming. I would recommend it to lovers of character driven stories.
The book Less follows a middle-aged, gay author named Arthur Less, and recounts his loves and losses from a third person point of view. His lover of many years, Freddy, leaves him for a more serious relationship, he goes on a trip around the world partly to avoid Freddy's wedding and his upcoming 50th birthday. The book explores themes such as love, heartbreak, self-doubt, fear of aging, and sexuality. In Less's journey, he discovers that he can't run from his fears by traveling across oceans, he must face them. A Pulitzer prize winner, the language in the book is mature and riddled with literary references spanning throughout history. The author uses many intricate metaphors to describe Less's situation, and then book ends with an incredible twist that will make your jaw drop. I would recommend this book to anyone who likes contemporary literature and wants a meaningful, yet entertaining read.
"The Core" by Peter V. Brett is the finale for The Demon Cycle, a great series of books about demons and religion. I originally began to read The Demon Cycle because it was recommended for fans of "The Lies of Locke Lamora", another fantastic book that I will likely review at a later time. My favorite part about The Core was absolutely the lengths that Peter Brett went to in order to ensure an emotional journey. Without spoiling anything, beloved characters have surprising and drastic events that grip you and force you to keep reading. It's hard to pinpoint an unenjoyable part, but I do wish that the ending had more that I could read; I was dissatisfied when there was no more for me to read and that some characters were not developed to the levels I wanted (e.g. Abban and Roger). A few criticisms are as follows; some characters feel intentionally undeveloped just for the sake of a more impactful climax. Arlen, for example, appeared to achieve near godhood across the last 4 books, but he struggles unnecessarily with things that he proved he had mastered earlier in the series. Regardless of all of this, I still believe that The Demon Cycle as a whole has been one of the greatest series I have read this year.
Reviewer Grade: 10
Back to the beautiful family of Sinclairs, still liars. Family of Liars, the prequel to We Were Liars, takes readers back to the private island of the Sinclairs. What really happened in that tragedy two years ago? Or was it even one tragedy at all? This E Lockhart book will leave you captivated once again. The book may even cause you to return to E. Lochart's first Liars book to realign all the pieces of the mystery. Will the dots be connected or will more mystery unravel?
11th grade
We Were Liars is a young adult mystery by E Lockhart that will grab your attention from the first page. The story describes a beautiful, rich, and perfect (as seen from the outside), family, the Sinclairs. But the Sinclairs have things to hide. When Cadence Sinclair shows up with her cousins on the Sinclair's private island they expect a summer of fun. However, a tragedy of two years ago comes back to haunt and Cadence's migraine pills aren't helping her keep the facts of the incident straight. This story leaves you wondering as new mystery is continuously added. With still more mystery at the end, the book will make you question even more than just the Sinclairs.
11th grade
Nona the Ninth is the third book in the Locked Tomb series. It was an unprecedented addition, as the series was originally meant to be a trilogy that would end with Alecto the Ninth. And after reading this book, I couldn't imagine the series any other way. This book takes a step away from our principle protagonists and inter-planetary conflict to zoom in on Nona, a young woman who has technically only been alive for six months. She is a great teacher's aid, a fantastic dog watcher, and a caring friend. As her city crumbles around her and the secrets of her origin begin to come to light, Nona must keep trust in herself and the people she loves if she hopes to make it to her birthday.
I've seen a lot of reviews comparing this book to the first two in the series. In my opinion, there is no comparison to be made between any of them. The first is a thriller mystery in a nightmare castle with newfound friends. The second is a psychological horror story that occasionally becomes a soap opera. The third is slice of life, and the most heartbreaking of all three. I agree fully with the choice to make this a separate book, instead of trying to cram this into a climactic series ending. The series needed time to breathe from the revelations and consequences of the first two books, and to develop many of the wonderful side characters. On this note, the side characters in this book ruined me. They are constantly hilarious. They are perpetually heartbreaking. They have so much love for each other and it tears me apart. They are also fantastically developed, to the point where the thought of losing any of them almost stopped me from finishing the book. A large part of what made them special was seeing them through Nona's eyes, which was a fantastic combination of naively loving and strangely perceptive. Speaking of which, Nona's perspective was a special treat. Throughout the series, the author usually increases tension and intrigue by seriously limiting someone’s perspective. Previously this had been by outside parties hiding information or the unreliability of the narrator, but Nona being a mental six-month-old was a special treat. She attempts to relay everything with accuracy, but with limited experience and vocabulary the audience is forced to experience everything with fresh eyes to try to see it for what it is. Beyond all this, the story shined in all the usual departments for this series. The humor was exceptional, probably the funniest the series has been since the beginning of Gideon the Ninth. I particularly enjoyed the dream sequence narrations, as they were beautiful, insightful, and insanely funny. Sometimes I feel like Muir makes nearly every one of her characters funny so they can rip your heart out later with a little extra oomph. The worldbuilding continues to be a harrowing endeavor in the best way, as you have to take the time to figure it out for yourself with what little glimpses the book gives you. The only complaint I feel like someone could make about this book is that the pacing was pretty slow in the beginning to establish the ensemble cast, but I loved every minute of it so I can’t complain.
In conclusion, this book is another triumph for the Locked Tomb trilogy, and I can’t wait to see what comes next! I’d recommend this book to anyone who loves found family, slice of life stories, lots of explosions, zombie princes, and dogs with too many legs!
Reviewer Grade: 12
Hatchet, written by Gary Paulsen, is a fictional account of Brian Robeson. Brian, traveling by bush plane to see his father, is quite nostalgic and sad, as his parents had recently divorced. However, this all changes when the pilot has a heart attack and dies. Having no clue how to obtain help and low on gas, Brian, with little previous experience, manages to crash land the plane into a lake. Brian swims to shore and collapses, exhausted. Brian spends several days recovering from the crash before realizing his extreme hunger, which motivates him to be proactive and use all of his resources, including a hatchet, to find food. I would recommend this book to people who like adventure, as well as those who are (and are not) resourceful. Paulsen teaches the reader that it is not what one physically has that determines success, but rather, what one mentally has.
The book, "The Golem and the Jinni" was a fantastic book for several reasons. However, before I get to those reasons, I'd like to explain more about how I chose this book. I was in need of a book for entertainment. Typically, I like to investigate what books are similar to others that I have enjoyed before I visit the library, but this visit was more impromptu. A book was grabbed off the shelf, and I began to read it.
As for the book itself, I enjoyed the historical accuracy the most. Although I was not alive during the described time period, I enjoy the subtle nuance in architectural designs and consistent description between different characters (albeit with a different view for each character; Saleh obviously doesn't describe location unless it reflects faces, until... a spoiler). I enjoyed the inconclusive details the least; without spoiling too much, a lot of the information explained about a Golem's behavior simply never matters, or never comes up. When I first catalogued the details provided to me, I assumed that at least some of it would be relevant to the plot. The vast majority never was. The book was still surprising; the information dump near the climax was amazing for how much it concluded, even if I still complain about the information that was never resolved. The characters are relatable because they aren't relatable. Social situation are difficult for both the Golem and the Jinni, albeit for different reasons. This isn't one of the best books I've read this year, but I'll give it a 4/5 for amazing descriptions of the setting and lovable characters.
Reviewer Grade: 10
In light of the Netflix series getting its second season, I decided to pick up Six of Crows. In the end, I was pleasantly surprised.
This is a fantasy heist story, which is already a standout. Kaz Brekker and his gang are tasked to steal from the Ice Court, one of the most secure places in the world. If they succeed they’ll get unimaginable amounts of money. Each of his crew members have a different motivation as they head in to break out a prisoner.
The characters are all well developed. Kaz is the standout, with a nice mix of mastermind villain and sympathetic protagonist. Inej and Nina are the most sympathetic, each having somewhat altruistic motivations. Matthias is horrible, but his redemption arc is interesting. Jesper and Wylan are a bit flat at times, but are both fun enough to make me ignore that.
The plot is easy to follow, while still having a reasonable amount of twists and turns. The main problem I have comes up late in the story. I won’t spoil anything, but two characters are set up for a betrayal. When it’s time for them to follow through, they just don’t. I’m sure it gets explored more in the sequel, but it rings a bit hollow for now.
Overall, I’d definitely recommend this book. Especially if you like morally gray protagonists.
This book suffered from a lot of major flaws, ranging from one-dimensional characters to confusing (and silly at times) plotlines. Mafi not only leans into harmful stereotypes, but she further exaggerates them and emphasizes them as the norm. The relationships between chatacters are largely shallow, their development rushed, and their personalities bland. I remember next to nothing about these unremarkable characters. This book is an infuriatingly simple tale of stereotypical people following a messy and illogical story, and I advise readers to avoid it whenever possible. The greatest strength of this book is its relatively short reading time.
The Giver by Lois Lowry explores themes of individuality, memory, and conformity in a dystopian society. Set in a world where pain and suffering have been eliminated, the story follows Jonas, a young boy who is chosen to become the Receiver of Memory, a role that involves experiencing the past and holding the collective memories of his society. Jonas is a sympathetic and relatable protagonist, with his experiences and struggles serving as a lens through which the reader can explore the world of the novel. The plot of The Giver is very compelling- Lowry’s exploration of memory and its role in shaping identity is particularly well-done, with her depiction of the ways in which the absence of memory can lead to conformity and complacency providing a powerful critique of authoritarian societies. The climax of the novel is both suspenseful and poignant, with Jonas’ actions serving as a powerful statement about the importance of individuality and freedom. Additionally, Lowry’s writing style is both elegant and understated, perfectly capturing the voice of a young boy struggling to make sense of the world around him. To me, The Giver was a fantastic book because of how much it made me think and consider the world around me, and because of how intriguing the contrast between Jonas's dystopian society and the view into the past was. I would highly recommend this book to any and all dystopian lovers.
Reviewer Grade: 11.
The moment you open the book your going to be immediately thrown into the story. A deadly plague has overtaken the world and the few thousand humans left reside in what used to be Manhattan; now called New America. From Drayden (the main characters) perspective we get to see that New America has a tight hierarchy. All citizens of New America get one chance to elevate above the area they were born, and the stories spread around this "chance" make most pass it up. Drayden though, he has decided to play New Americas deadly game.
To Kill a Mockingbird by Harper Lee explores themes of race, justice, and morality through the eyes of a young girl in a small Southern town. Set in the 1930s, the novel follows Scout Finch as she grows up and navigates the complex social and political landscape of Maycomb, Alabama. The plot of To Kill a Mockingbird is both compelling and emotionally resonant. Lee’s exploration of racism and prejudice is nuanced and insightful, offering a powerful critique of the social and political systems that perpetuate injustice. The trial of Tom Robinson, which forms the center of the novel, is both tense and heartbreaking, with Lee masterfully building tension and suspense as the case unfolds. This novel is very heavy in symbolism and encapsulates the perspective and voice of a young, naive girl very successfully. I enjoyed the wide variety of characters, bits of humor, and overall depth of meaning and thought that To Kill a Mockingbird provides. Overall, it was a very thought-provoking and deep read, perfect for classic lovers and those who enjoy realistic fiction.
Reviewer Grade: 11.
The Hunger Games: The Ballad of Songbirds and Snakes by Suzanne Collins is a masterful prequel to the wildly popular Hunger Games trilogy. Set 64 years before the events of the first book, The Ballad of Songbirds and Snakes explores the origins of the Hunger Games and the rise of the villainous President Snow. The main character, Coriolanus Snow, is a fascinating and nuanced character, with his motives and actions constantly shifting throughout the novel. His relationship with his fellow tribute, District 12's Lucy Gray Baird, is particularly compelling, with Collins exploring themes of loyalty, trust, and love in a way that is both nuanced and emotionally resonant. The plot of The Ballad of Songbirds and Snakes is both gripping and thought-provoking. Collins deftly weaves together political intrigue, personal drama, and action-packed set pieces to create a narrative that is both thrilling and emotionally engaging. The Hunger Games themselves are particularly well-done, with Collins using them as a vehicle to explore the darker side of human nature and the impact of power and privilege on individuals and society. Collins's descriptions of the Capitol and the districts are vivid and immersive, offering a richly detailed portrait of the world of Panem. Her use of foreshadowing and symbolism, such as the mockingjay, adds depth and meaning to the story, inviting readers to reflect on the deeper themes of the novel. This book was a stellar prequel to the Hunger Games trilogy that adds a lot of perspective and background to the original story. I would highly recommend this book to anyone who enjoyed the original novels and wishes to explore more of the Hunger Games world. Reviewer Grade: 11.
Fahrenheit 451 by Ray Bradbury delves into the dangers of a society where books are banned and critical thinking is discouraged. The novel follows protagonist Guy Montag, a fireman whose job is to burn books, as he begins to question the oppressive society he lives in and seeks to uncover the truth about the value of literature. The plot of Fahrenheit 451 is both compelling and thought-provoking- Bradbury’s dystopian world is entirely possible, and his exploration of the consequences of censorship and intellectual suppression can be easily applied to modern times. The story is driven by Montag’s journey of self-discovery, which is filled with twists and turns that keep the reader engaged until the very end. Bradbury’s writing style is poetic and evocative, bringing the world of Fahrenheit 451 to life with vivid descriptions and metaphorical language. His use of symbolism is particularly effective, as he weaves in recurring motifs such as fire, the mechanical hound, and the phoenix to add depth and complexity to the story. The novel is also structured in a way that mirrors Montag’s journey, with the pace and tone shifting as he becomes more aware of the world around him. Overall, Fahrenheit 451 is a very thought-provoking and symbolic classic that really makes you rethink the value of intellectual freedom and education. Every time I read it, I recognize more symbols, hidden meanings, and references that really enrich my experience. I enjoyed this book very much and would recommend it to anyone interested in dystopian, mind boggling novels.
Reviewer Grade: 11.
We Are Okay is a beautifully written novel about depression and trauma from the perspective of Marin, a girl who ran off to college shortly after her grandfather's death. It's also about Mabel, her childhood best friend, and the evolution of their relationship. The book explores these themes through artful language, flawless dialogue, and many small acts of service; where it falls short, however, is the plot itself. I adore the book, but the big reveal of the grandfather's secret falls painfully flat. What should have been the climax of the novel, as foreshadowed from the very first page, is reduced to a few vague sentences alluding to greater truths. Marin claims to have "never known her grandfather," yet as a reader, I don't understand why she feels that way. Due to its design, the novel simply demands for a clearer climax without messy time-jumps. I was disappointed that a near-perfect book couldn't pack a punch with its climax, but the well-written characters and relationships make it worth the read anyway.
Against all odds, this book bored me. The Stranger follows an indifferent man shortly after the death of his mother, of whom he is accused of having no care or affection towards. Meursault is far too agreeable for his own good, and it pulls him into relations with Raymond, who seeks revenge on his lover for cheating on him. As Meursault cares little for the romantic or violent developments in his life, he relates these events to the reader in a painfully dull manner. Every description is matter-of-fact and insignificant; Camus reveals nothing else about the narrator until the very end of the novel. Until then, the reader is dragged painstakingly through a drab recount of Meursault's life as if it belonged in a dictionary. The book, thankfully short, seemed to stretch on far past its actual runtime. I do appreciate that Meursault can be funny on rare occasions, but never in a way that feels purposeful. Overall, I'm disappointed with this book, and I wish the non-feeling narrator had been written with more depth.