Book Reviews by Genre: Literature

I can appreciate poetic works that try to string each idea together into a connected narrative. I've seen few that have done this as well as Einstein's Dreams has. Of course, the problem with trying to make all these disparate poems work together is that they are still just brief glimpses into stories that could easily stand on their own. Perhaps that's the curse of well-written poetry—it leaves you wanting more. I'd almost consider these stories as writing prompts for anyone looking to make an entire book out of the dreams of the world's best physicist.

Many of the stories in this collection/novel play upon the ideas of general relativity. The way the physics is described and how the people in these worlds live feel legitimately realistic. Of course, sometimes the physics "gimmick" isn't revealed until the end of a story, thus leaving me in the dark as to what was actually happening as I read through the dream. I didn't have enough patience to read through these stories again to fully understand the way their worlds worked.

As a cohesive narrative, there isn't much that advances the story here. It's mostly focused on exploring interesting applications of theoretical physics in the terms of people and their lives. Some are stronger than others, but they're all basically the same idea repeated a couple dozen times in slightly different packaging. And maybe I was expecting something more like Shakespeare in Love (1998) where Einstein's dreams help him break through the concepts he's trying to discover. Instead, the titular character is only in a few pieces of joining text that frame the whole collection. But at least the prose was pretty.

Poetic exploration of theoretical physics, I give Einstein's Dreams 3.0 stars out of 5.

Gonzales is both a non-fiction and fiction writer, whose excellent articles I've read in well-known publications like The Atlantic Monthly. This book is the first novel of hers I've read, and I was not disappointed.

Our two key narrators are Anita, a Latina artist whose husband, we discover right away, killed her in 1980s New York City; and Raquel, a Latina art student in late 1990s Rhode Island, trying to find her way in a predominantly white and privileged community while also maintaining and respecting her cultural roots.

Both Anita (who narrates from the world of the dead and who can use a form of Santeria to manifest her actions and "essence" to people still living) and Raquel share the experience of falling for privileged and self-involved white men, both of whom are controlling and abusive in various ways. While Anita is a fighter to the last, Raquel's self-confidence rises slowly but steadily throughout the novel until the finale when readers see her blossom into a woman who can and will stand up for herself and for her family and true friends.

Beyond the two women's dangerous (and in Anita's case. deadly) relationships with controlling white men, the other linked plotline centers on Anita's art work being gradually erased after her death and the promise that Raquel will somehow unearth those works and breathe new life into them. My only quibble with the progress of this plotline is that its resolution felt rather rushed, not quite providing the satisfaction that a slower, longer narrative of Anita's re-discovery would have.

Gonzales's writing style is propulsive in parts and poetic in others. Her two protagonists are drawn vividly, and even without the named alternating chapters, it would be hard to confuse one voice with another. The conclusion of both narrators' stories shines a light on the importance of women defining themselves outside their roles in men's lives. I think Gonzales also does well to portray Anita and Raquel not simply as victims of male violence and general douche-baggery but as flawed, smart, emotionally conflicted women whose sexual and romantic decisions are as fraught with passion and blind spots as any real-life woman's is.

As I work my way through the Pulitzer Prize-winning novels, I'm finding the modern ones hold up a lot better under scrutiny. There's usually some eye-opening element from a marginalized group, which is partly why these are important novels to recognize. For its time, I'm sure Less came off edgier than today because of the wider acceptance of LGBTQ+ characters. Still, the writing in this book is deserving of its Pulitzer status not because of the main character's sexuality, but rather by the humor and humanity present in these pages.

The odd thing is that I don't think a book like this would work quite as well with a straight protagonist because they basically fall into all those same "woe is me" tropes that loser white guy main characters exhibit in a lot of literature. Yes, Arthur Less can't commit to a relationship. Yes, he's avoiding accomplishing the things he's good at because he's having a midlife crisis. That he's gay actually makes things more relatable. It doesn't matter which gender men choose to love, they all have these problems—for better or worse.

I think the most surprising element of Less is its humor. I still recall some of the best written punchlines almost 5 months later (Volcano? It's closed). That the author uses the humor to lighten the depressing side of this book's plot is a godsend. Life is full of missed opportunities and burned bridges, so framing these situations with the soft blanket of humor helps make them more heartfelt. Even amongst all the exotic locations, the one common denominator is the individual who is there, trying to run from themselves. It doesn't get any deeper than that.

A humorous and heartfelt look at the midlife crisis of all men, I give Less 4.5 stars out of 5.

Nikolai Gogol's "The Overcoat" is a simple yet intriguing story of a man set upon buying a new overcoat despite his poverty-stricken life. Enamored with his job of copying documents at the office, Akaky never takes notice of the world around him, even when all the other workers around him gibe at his love for something so mundane as replicating documents and the intense manner of which he regards this dull job. However, he is sharply brought into reality when winter brings frigid weather, and he realizes his threadbare and tattered overcoat simply will not sustain Russia's winter. He begins his speculations into buying a new overcoat with as much zeal as he puts into his office work, yet he hardly expects what the future holds both for him and his overcoat. Both amusing and thought-provoking, Nikolai gives the reader insight into the life of an eccentric office worker laboring during the harsh winter and successfully blends farce comedy with blunt realism to create a short story that stirs the emotions and leaves the reader satisfied.

I began this book because I was interested in the author, Osamu Dazai, as some of his life and feelings were reflected in this work of literature. Overall, I enjoyed the perspective that Yozo brings on both life and humanity.

No Longer Human by Osamu Dazai is a fictional story that follows the main character, Oba Yozo, throughout his tumultuous life as he feels estranged from humanity and those around him. Yozo as a child yearns for something in life which he cannot find in the untruthful and utilitarian way that the people he is surrounded by choose to live. As he searches for what it is to be an authentic human being while battling his own disconnect from society, his view on life as a whole changes. As time progresses Yozo’s life takes a bold path, highlighted by his erratic behavior in order to “qualify as a human” as he enters college, still struggling with his fear of exposure and masking his true nature under a comedic facade. The way that Yozo is characterized brings forth a layer of depth and instills a deeper understanding of both him and human nature through his perspective. The book touches on many themes that are prevalent even in our modern-day world such as alienation from society and individual struggle of expression as well as fear of being ostracized. The story of Yozo and his wayward life is intriguing, and I think that one of the reasons that it is still widely read and appreciated both in the West and in Japanese literature is because Yozo brings out the things in people which often are hidden away, revealing some of what it is to be human. His account as he goes through life also adds a refreshing take to things often perceived as mundane, inviting the reader to muse upon them and form their own opinion themselves. However, I was not able to fully enjoy the book because of the overly cynical view it took on life especially towards the end of the story which I believe is a reflection of the author’s similarly deteriorating life.

"One Hundred Years of Solitude" by Gabriel García Márquez is a novel that spans generations, blending magical realism with themes of love, family, and the cyclical nature of history. Set in the fictional town of Macondo, the novel follows the Buendía family through triumphs, tragedies, and the passage of time. García Márquez's prose and vivid imagery create a picture of Colombian culture and folklore, immersing readers in a world where the extraordinary is commonplace. As the Buendía family grapples with their destinies and the ghosts of the past, García Márquez creates a narrative that transcends time and place, offering insights into the human condition. "One Hundred Years of Solitude" is a masterpiece of literature that enchants, leaving a mark on all who read it.

"The Remains of the Day" by Kazuo Ishiguro is a novel that explores themes of duty, regret, and the passage of time. Set in post-World War II England, it follows the life of Stevens, a butler reflecting on his decades of service at Darlington Hall. Through Stevens' introspective narration, Ishiguro skillfully reveals the inner workings of a man dedicated to his profession to the detriment of his personal life. As Stevens embarks on a journey to confront his past, readers are drawn into an exploration of the complexities of human relationships and the consequences of missed opportunities. Ishiguro's elegant prose and subtle storytelling make "The Remains of the Day" a timeless piece, inviting readers to ponder the meaning of loyalty and the nature of true greatness.

"Wuthering Heights" by Emily Bronte is a haunting tale of passion, revenge, and the destructive power of obsession. Set against the atmospheric backdrop of the Yorkshire moors, Bronte creates a narrative that delves deep into the complexities of human nature and the dark corners of the human psyche. Through the relationship between Heathcliff and Catherine, Bronte explores themes of social class, love, and the relentless cycle of vengeance. The novel's richly drawn characters and evocative prose create an immersive reading experience that lingers in the mind long after the final page. "Wuthering Heights" stands as a timeless classic of English literature, captivating readers with its raw emotion and portrayal of the human heart's capacity for both love and cruelty.

"Invisible Man" by Ralph Ellison is a profound exploration of identity, race, and society in mid-20th-century America. Ellison's masterful storytelling and vivid prose paint a gripping portrait of an unnamed African American protagonist navigating a world that refuses to see him as an individual. Through his journey, the protagonist grapples with the complexities of self-discovery and the nature of prejudice and invisibility. Ellison's exploration of themes such as the quest for recognition and the power dynamics inherent in society resonates with readers long after they turn the final page. "Invisible Man" is a timeless classic known for its insightful commentary on the human condition and the pursuit of identity in a world that often seeks to render individuals invisible.

Harper Lee wrote the award-winning novel, To Kill a Mockingbird, in the 1960s. This was a time when her home state of Alabama was embroiled in many civil rights activities to counteract the inconceivable practice of segregation. It is so fascinating that Lee placed the setting of her book in the 1930s during The Great Depression. The story is narrated by a young girl named Scout Finch who lives with her father Atticus, her brother Jem, and their black housekeeper named Calpurnia. She uses these characters and many others to weave together a coming-of-age story and a story of racism. Scout witnesses the biased treatment of African- Americans when her father defends a black man, Tom Robinson, who is accused of beating and raping a white woman. Atticus teaches Scout and Jem so many lessons about prejudice, compassion, and tolerance. My favorite quote in the book is: “You never really understand a person until you consider things from his point of view…until you climb into his skin and walk around in it.” I highly recommend this book as its lessons will never be outdated.

1984 is based in London, where the protagonist, Winston Smith, resides. In this dystopian society, a figure named "Big Brother" controls The Party, and watches every move citizens make. Everything in this nation is under heavy restriction to ensure Big Brother remains in control. This includes language, history, and even thoughts. Winston finds himself committing "thoughtcrime": having negative feelings and thoughts against "Big Brother", which is an extremely high offense in this nation. I enjoyed reading this novel because it includes intense moments that made my heart race, as well as many thought-provoking phrases that initiated reflection. This is the type of book that requires multiple reads to fully understand. I look forward to my second readthrough to experience the suspense again and catch new messages Orwell implemented. If you are into dystopian novels and conspiracy theories, I highly recommend this book, you won't regret reading it!

Reviewer: Grade 12

Set in 1992, The Great Gatsby encapsulates themes of wealth and society as readers experience the life of Nick Carraway, a man who recently moved to Long Island. He eventually befriends Jay Gatsby, a man known for his money and extravagant parties. As they grow closer, Nick quickly discovers more depth to Gatsby than meets the eye when Jay becomes vulnerable with Nick and exposes the reason behind his lavishness and expenses. This novel is known for its ability to distinguish new money and old money, explore "The American Dream", and expose how shallow and vain humans can be. I enjoyed following Nick's life, as he is a relatable character who reacts to this nonsense like many readers would. He acts as the voice of reason while those around him have significant flaws and characteristics that represent different aspects of society. I believe this book appeals to everyone in one way or another.

Reviewer: Grade 12

Orwell wrote this book to examine the early years of the Soviet Union and the real result of the Russian Revolution. He uses Manor Farm as the setting and uses the farm animals as characters to convince the reader how the leaders of a country could put in place a system that would not be the utopia they promise. These promises may turn out to create a situation much worse than existed before. Orwell wanted a farm where “All Animals Are Equal.” Unfortunately, “Some Are More Equal Than Others.” The reader will recognize some of the characters as representing historical figures such as Stalin, Marx, Lenin, and Trotsky. If you are interested in economic and political systems and how they impact the citizens, you will not be able to put this book down! Animal Farm is one of my favorite books.

TW: This book contains racism and police brutality. If either of these topics trigger you, I would recommend finding a different book.

‘Invisible Man’ is a story about an unnamed black man in the 1930s. He attempts to make his way in the world, but is blocked at every turn by society’s barriers and refusal to see him. He goes from university to the brotherhood trying to find his place. The story includes steady commentary on racism that remains prevalent to this day.

Almost all the main characters have a layer of depth to them. From Dr. Bledsoe to Mary, they all have clear motivations and roles in the story that contributes to the themes. The main character in particular surprised me. It’s not uncommon for the point of view character to be serviceable, but not have many defining traits. This narrator did, though. He was an eloquent speaker and was obsessed with his grandfather’s last words. It’s not the most exaggerated personality, but it was clear and consistent.

The plot moves along nicely, never staying in one place for too long. The progression makes sense, and no scene feels wasted.

This is a classic novel for good reason. I would recommend it to those who are looking for a longer, thought provoking read.

"To Kill a Mockingbird" by Harper Lee is a classic exploration of racial injustice and moral growth in Southern United States. The novel's strengths lie in its powerful narrative, addressing societal prejudices through the trial of Tom Robinson. While the coming-of-age story of Scout and Jem Finch provides a strong examination of morality, occasional pacing issues and a less engaging narrative may make it a 3/5 for some readers. Despite this, the novel's enduring relevance and impact on discussions of justice make it a worthwhile read. I found the language in the book somewhat challenging, making it less accessible for me. It occasionally hindered my overall reading experience, but was a treasure of its own!

First, there was an explosion—a small bomb in a Delhi marketplace place. The Kurana boys were killed, and their friend Mansoor survives. This small bomb had devastating results on two families, and The Association of Small Bombs by Karan Mahajan reveals the interconnectedness of grief and disaster as it follows the lives of the families and the terrorists after the explosion. Mahajan confronts tough topics and raises questions about terrorism and war. It is an uncomfortable read, definitely not a book for pure pleasure. Frankly, The Association of Small Bombs is not my favorite book, nor do I believe it is meant to be. While it certainly covers hard and uncomfortable topics, it could have been written in a less dry manner. The characters also seemed to always fall on some extreme, and I feel some less extreme characters would have enhanced the novel. At least for the first chunk of the novel, the characters' names are challenging, and sometimes essential plot points are overshadowed as I attempt to remember who some characters are. That being said, it definitely prompted me to think about grief differently and about all the interconnected pieces of a single action.

Although George Orwell crafted a rather interesting dystopia, the story he built around it largely fell flat. It was apparent throughout the novel that Orwell was more of an essayist than a storyteller; he was more interested in explaining the structure of his setting to his audience rather than showing them how that structure affects the story. 1984 suffers from hundreds of pages of blunt exposition-dumping that disconnects the reader from the characters and plot. While there is significant payoff at the end, the rising action was rather lacking in weight as the main character spends more time describing the logistics of the 1984 world rather than where he fits in it. Some aspects of Orwell's famous dystopian are intriguing, like the use of Newspeak or the new family dynamics, though it is overall disappointing.

The sole way to describe Demon Copperhead by Barbra Kingsolver is a long, dark coming-of-age narrative. Demon Copperhead, born and raised in the southern Appalachian mountains by a single drug-addicted teenage mother, is seemingly designed for failure the moment he was born. Throughout his childhood, Demon confronts an abusive stepfather, an addicted mother, exploitive fosters, and selfish friends. As he faces a life of mistrust, inadequacy, and poverty, Demon relies on his wits to survive. While the book is lengthy, there is never a dull moment or lull in the plot, and the characters within the narrative are dynamic, adding depth to the story. The writing style effectively lures the reader into the constructed world of Lee County.

I loved this book! The detail in these stories was terrific and made the book a lot easier to follow. The story was entertaining and kept you on the edge of your seat at some parts. My only dislike about this story is that in the beginning of the book when Patroclus is naming all of the different Greek gods and demigods and such, so many names did get a bit confusing. It was a bit hard to follow but only lasted for about the first chapter and was an easy read after that. I rated this book 5 stars because the Greek mythology base in the story was very interesting, and you grew to love the characters as you read it. It made me smile, laugh, and cry. Genuinely a great book. In my opinion, this book is meant for young adult readers, I would say 15+ in my opinion. It does contain some violence but nothing too graphic and one brief sexual content scene but does not go into much detail. Would definitely recommend it!

"Invisible Man" by Ralph Ellison is a powerful and thought-provoking novel that explores the complexities of African American identity in a society that refuses to see them as anything but invisible. Published in 1952, the book tells the story of an unnamed narrator who struggles to find his place in a world that constantly denies his existence.

The novel is set in the early 20th century and follows the narrator's journey from his youth in the South to his experiences in the North, where he encounters racism, violence, and exploitation. The narrator's quest for identity is complicated by the fact that he is not only a black man in a white-dominated society but also an individual struggling to define himself.

Throughout the novel, Ellison employs richly symbolic imagery to convey the narrator's experiences and emotions. The use of motifs such as blindness, invisibility, and masks emphasizes the ways in which society seeks to hide or ignore the realities of racism and prejudice. At the same time, the narrator's invisibility serves as a metaphor for the struggle of African Americans to assert their identity and agency in a society that denies them these basic human rights.

Ellison's prose is both poetic and poignant, as he explores the complexities of race, identity, and power. He also addresses issues of class and gender, as the narrator navigates the world of white power brokers, black nationalists, and women who seek to control him.

Overall, "Invisible Man" is a powerful and important work that continues to resonate with readers today. It is a testament to the enduring legacy of racism and inequality in America, and a call to action for all those who seek to create a more just and equitable society. If you have not read this book yet, I highly recommend that you do so.

"A Little Life" by Hanya Yaragihara is a commendable literary fiction which will make you cry and smile, often both at the same time.
I read this book last year and I still think about it sometimes and that's how I know it's a good book.
Honestly, saying it's a 'good' book is an underestimation.
My sincerest apologies.
Let me correct myself, A Little Life is not a good book, it's a magnificent book. A fine piece of literary fiction.
After a couple of decades this book is going to be considered a classic from this
generation. I have dibs on it.
Reading it was quite an expedition,
It was as if I rode a rollercoaster of
emotions;
whereupon I felt the highest of highs and lowest of the lows, varying from small soothing ecstasies to immense crestfallenness.
The book is bildungsroman of sorts which simply means we follow characters from their childhood towards their adulthood and we basically read them go through their lives.
We circle the lives of four college friends, based in nyc, who technically grow up together.
But our focal point resides on Jude, our protagonist, whom we adore!
A little context: In his adult life, he is a successful litigator who has got his act together,
but little do we know, he's been through hell and back. We untangle his mind-boggling mysteries on this expedition of ours. Its a tragic tale really but despite the unfortunate trajectories there is something so beautiful and pure about this book,
I guess what I'm referring to is friendship.
The bond these college friends share.
These characters grow on you, you can tell they're written with love.
They re so complicated and real and even relatable, sometimes.
Moreover, text is simply elysian. I needn't say more.
The beauty is in the details, in the intricacies.
Once you get through the initial fifty pages, it'll grow on you indefinitely.
and it'll become unputdownable and your fingers would ache since its a mammoth of a book. And you're dread it when you're nearing the end,
dread it because you do not want it to end yet,
thats how lovely these people are, and their story is. Well, lovely and sad.
Once you devour the text,
you'd miss them.
your heart would be left rended all over the place, like mine was
and you'd think how the text wasn't long enough, like I did after reading 800 something pages,
I wished there were more to the book.
Adding some trigger warnings for this book at the end of my review-
sexual abuse, child sexual abuse, scary verbal abuse, psychological manipulation and gaslighting, kidnapping/
imprisonment, many modes of self-harm, suicide, rape.
I think I covered them all, look trigger warnings up once just to be sure.
Read this book. I insist and assure you will have a good time.

To Kill a Mockingbird by Harper Lee explores themes of race, justice, and morality through the eyes of a young girl in a small Southern town. Set in the 1930s, the novel follows Scout Finch as she grows up and navigates the complex social and political landscape of Maycomb, Alabama. The plot of To Kill a Mockingbird is both compelling and emotionally resonant. Lee’s exploration of racism and prejudice is nuanced and insightful, offering a powerful critique of the social and political systems that perpetuate injustice. The trial of Tom Robinson, which forms the center of the novel, is both tense and heartbreaking, with Lee masterfully building tension and suspense as the case unfolds. This novel is very heavy in symbolism and encapsulates the perspective and voice of a young, naive girl very successfully. I enjoyed the wide variety of characters, bits of humor, and overall depth of meaning and thought that To Kill a Mockingbird provides. Overall, it was a very thought-provoking and deep read, perfect for classic lovers and those who enjoy realistic fiction.
Reviewer Grade: 11.

Fahrenheit 451 by Ray Bradbury delves into the dangers of a society where books are banned and critical thinking is discouraged. The novel follows protagonist Guy Montag, a fireman whose job is to burn books, as he begins to question the oppressive society he lives in and seeks to uncover the truth about the value of literature. The plot of Fahrenheit 451 is both compelling and thought-provoking- Bradbury’s dystopian world is entirely possible, and his exploration of the consequences of censorship and intellectual suppression can be easily applied to modern times. The story is driven by Montag’s journey of self-discovery, which is filled with twists and turns that keep the reader engaged until the very end. Bradbury’s writing style is poetic and evocative, bringing the world of Fahrenheit 451 to life with vivid descriptions and metaphorical language. His use of symbolism is particularly effective, as he weaves in recurring motifs such as fire, the mechanical hound, and the phoenix to add depth and complexity to the story. The novel is also structured in a way that mirrors Montag’s journey, with the pace and tone shifting as he becomes more aware of the world around him. Overall, Fahrenheit 451 is a very thought-provoking and symbolic classic that really makes you rethink the value of intellectual freedom and education. Every time I read it, I recognize more symbols, hidden meanings, and references that really enrich my experience. I enjoyed this book very much and would recommend it to anyone interested in dystopian, mind boggling novels.
Reviewer Grade: 11.

Against all odds, this book bored me. The Stranger follows an indifferent man shortly after the death of his mother, of whom he is accused of having no care or affection towards. Meursault is far too agreeable for his own good, and it pulls him into relations with Raymond, who seeks revenge on his lover for cheating on him. As Meursault cares little for the romantic or violent developments in his life, he relates these events to the reader in a painfully dull manner. Every description is matter-of-fact and insignificant; Camus reveals nothing else about the narrator until the very end of the novel. Until then, the reader is dragged painstakingly through a drab recount of Meursault's life as if it belonged in a dictionary. The book, thankfully short, seemed to stretch on far past its actual runtime. I do appreciate that Meursault can be funny on rare occasions, but never in a way that feels purposeful. Overall, I'm disappointed with this book, and I wish the non-feeling narrator had been written with more depth.

The Catcher in the Rye by J.D. Salinger is a timeless classic that explores the complexities of adolescence and the search for identity. The story follows the life of the main character and narrator, sixteen year old Holden Caulfield, over the course of two days after he has been expelled from prep school. Disillusioned and struggling to come to terms with the world around him, Caulfield's story is masterfully told through Salinger's unique and captivating writing style that immerses the reader in Holden's world and captures the essence of teenage angst and rebellion. This classic novel is unlike any other that I have read, containing several humorous instances and a main character with a very strong personality that kept me hooked. Holden's interactions with his family, friends, and strangers are both funny and poignant, highlighting the challenges of growing up in a world that often seems confusing and unfair. Overall. The Catcher in the Rye is one of my all-time favorite pieces of classical literature that resonates with many age groups and provides for a very interesting read. I have read this novel at least five times and have yet to tire of it.
Reviewer Grade: 11.

Truman Capote's In Cold Blood is a true crime account of the 1959 murder of the Clutter family in Holcomb, Kansas by the criminal duo Dick Hickock and Perry Smith. Capote's unique, journalistic writing style creates an intriguing narrative that blurs the line between fact and fiction. In my opinion, part one of four starts the book off a bit slowly, and Capote includes a lot of extra details that make the book seem longer than it is. However, once the book transitions into the backgrounds and motives of the killers and moves on from introductory information, it is quite a thought-provoking read. Capote's portrayal of the murderers is particularly fascinating because he delves into their motivations and psychological states in a way that is both haunting and insightful. This novel explores themes of morality and the American Dream, which are easily connected to modern day society. Overall, In Cold Blood is a must-read for anyone interested in true-crime and journalism, as it offers a unique and suspenseful account of one of America's most notorious crimes. I enjoyed reading this novel, although just one read was enough for me.
Reviewer Grade: 11.

Charlotte Bronte's Jane Eyre is one of my favorite pieces of classical literature that explores the human experience through the story of an orphaned young woman, Jane Eyre, who remains steadfast in her beliefs despite the challenges she faces. Bronte's writing style is emotional and descriptive, immersing the reader in a detailed and symbolic representation of 19th century England. The novel's structure is well-crafted, with each chapter building upon the last to create a story that is hard to put down once you're reading. The character development is impressive, with Jane and supporting characters adding depth and complexity to the narrative. The novel explores universal themes of love, morality, and social class, making it a timeless classic that truly can resonate with any reader. Jane becomes a relatable character throughout the novel as she overcomes a variety of issues, and I found most of the drama she was involved in to be both intriguing and entertaining. Overall, Jane Eyre is a must-read for anyone who appreciates a good story or classic literature, especially one that explores coming-of-age and romantic ideas. Personally, this is one of my favorite novels across any genre as I have read it multiple times.
Reviewer Grade: 11.

This is a book designed for lovers of Xenofiction (books from non-human perspectives). "Watership Down" is a book about a warren of rabbits. Hazel's brother Fiver has a disturbing vision that prompts him and others to leave the warren. Along the way they run into other, sinister warrens. Interwoven with the story, short segments describing the mythology of El-ahrairah ( a figure similar to Robin Hood).

Some may be familiar with the violent reputation of "Watership Down". This is an earned reputation. Although no main characters die, they do suffer grievous harm. Aside from that, there is a vivid and disturbing description of the original warren's description. However, I felt that the most disturbing parts of the books were the parts exploring the almost dystopian warrens the group meet. If you plan to read this book, keep this in mind. Do not read this if you are sensitive to violence.

If you can get past the disturbing content, this is an excellent read. The characters are incredibly charming. Hazel is an inventive leader, who sometimes acts recklessly to show off. Fiver is a timid rabbit who has glimpses of the future, based on the famous Greek oracle Cassandra. Bigwig is a gruff ally, who occasionally doubts Hazel's leadership, but has a big heart. The plot is equally as interesting, leaving me anxious at parts when things seemed to be going eerily well. The segments regarding El-ahrairah are also entertaining, giving insight into the rabbit culture.

All in all, if you aren't sensitive to violence, I would definitely recommend trying this book.

Until this book, I had not read anything that had impacted me this much. It was an absolutely heart wrenching book that was so beautifully written and was overall amazing. I love books that touch on the dark and uncomfortable parts of life and the human experience that aren't talked about very often and this is one of those types of books (check the trigger warnings before reading it because there are a lot of tough subjects in it).
A Little Life follows a man named Jude throughout his whole life. It focuses mainly on him and his friends when they met in college and follows them beyond, well into adulthood. It has flashbacks to Jude's childhood and the trauma he went through and how he coped with that trauma and how his relationships were affected. It has a strong message about friendship and has underlying themes of dealing with grief and abuse along with other tough subjects. This is hands down the best book I have read in a long time. The characters were incredibly developed and they felt real, it was one of those types of books that took me a long time to recover from after I finished it because I felt so close to the characters and the story. Even though some of the topics covered in this book are tough and uncomfortable, they are important to talk about and I recommend this book to anyone who enjoys raw and slightly gut wrenching books.
Reviewer Grade: 11

The Virgin Suicides is the elegy of the Lisbon girls, from the perspectives of the neighbors that are still haunted by them. The Lisbon family lives on a quaint suburban street in the Sun Belt, drenched in sunlight and white-washed shingles. Then one year, every Lisbon girl, starting with Cecilia and ending with Mary, commits suicide. This book is the observations and meditations of the boys across the street, the ones who loved them, who obsessed over them, who objectified them, and who watched them die one by one. The girls are doomed from the opening lines. The only question that remains is why they did it, and why our narrators can't let them go.
I read this book because I was told it was a staple of dark academia. It is not, no one here likes school. In reality, it is a treatise on girlhood, in all its insubstantial suffering. The first thing that struck me was the way the author sets the mood immediately. The entire book is dripping with malaise, the suffocating nature of sisterhood and parenthood on full display whenever the Lisbon house is described. The brief gasps of outside life are bright and crisp, while the references to the current day, middle-age life of the narrators is sad and listless. I wouldn't say this book is pleasant to read, but it is gripping in its complete commitment to its mood and setting. On that note, the choice of the author to tell the story entirely from outside perspectives was fascinating. The narrator is only described as "we", as the group of neighborhood boys who obsess over the girls in both childhood and adulthood. One conflict in the book is wondering if we are meant to sympathize with the boys who are scarred from the suicides, or see them as a commentary on the ways that the world seeks to capture and define teenage girls. I ended up seeing it as the latter, which likely made me view this book in better light than many of my peers. The boys actions always have an air of perversion about them, and at the end they seem to realize that all their breaches of privacy and decency have brought them no closer to understanding the girls. Another thing I liked about this book is the way that the girls are given a kind of privacy of thought from the narrators and the readers. Every attempt at scrutinizing their reasoning or emotions or motivations is always followed by a caveat. Nothing is certain with the Lisbon sisters, just the way nothing is every certain when we view the actions of others. The unknowability of their tight knit group gives them a dignity that their neighbors and community seem to want to violate constantly. This book is also a clear censure of suburbia. The neighbors try to do their best to help when they can, but still grumble amongst themselves about the Lisbon family leaving the leaves in their yard the fall after their youngest commits suicide. The great debutante balls and dances of the south are in full swing, but there is an undercurrent of corruption and distortion to the dancing and dating. The sexualization of the girls is also rampant, which, again, makes the book a lot harder to enjoy if you don't see it as a choice by the author in order to comment on it. In short, the suicide of the girls seems like a catharsis, a response to the disgusting and decaying world around them. Everyone around them represses their emotions, from their parents to the boys enraptured by them to their teachers to their peers. They are the only ones who get to set something free. The juxtaposition of the wailing EMTs to the quaint, straining neighborhood further demonstrates their freedom, even in their death.
This book did have problems. A lot of stuff is uncomfortable to read, even if viewed as a deliberate choice. The story often takes winding tangents that serve little purpose besides demonstrating the boredom and trivialities of suburban life. Still, the book is still a fantastic meditation on what its like to be a teenage girl, in all the wonderful and ghastly ways. I would recommend this book to anyone who is looking for good setting, shocking stories, and a good mystery to carry with them!
Reviewer Grade: 12