Book Reviews by Genre: Science Fiction

It's weird how a bit of hindsight brings a work into full focus. I never watched the movie After Earth (2013) because of its critical reception among audiences and critics alike. I figured maybe I would give the novel a try, not realizing it was not some work that the movie adapted, but instead a novelization of the movie itself. This was clearly a Will Smith passion project and never have I seen such blatant self-inserts in a work of fiction.

While the author of this novelization may be Peter David, Will Smith was behind much of this plot. Seeing the home life of the adult character in this book mirroring the home life that we know between Will and Jada is cringe-worthy. What's worse is that these characters (either the Will or the Jaden stand-ins) were so flat and boring as to be completely worthless. The plot that drives their adventure felt so juvenile that any group of six-year-olds could think it up playing on a playground. It's almost laughable that there were signs this was meant to be a bigger series.

Ultimately, After Earth is frustrating. It's a mediocre story with lackluster ideas. But, since a rich and famous person wanted to make it, Hollywood and Random House spent a lot of money to get it made. Thinking of all the fantastic (and nearly hidden) indie stories out there that will never get the amount of exposure that this bomb got makes me sad for the entertainment industry. Sure, sometimes there are breakthroughs, but these are rare as the rough edges of interesting works are sanded off to become marketable to the masses.

A nepotism story with no subtlety, I give After Earth 1.0 stars out of 5.

Multiple personalities is one of those tropes that some writers use as a crutch to explain why their main character is so good at a litany of unique skills necessary to move the plot forward. And while the main character in Legion suffers from this superhuman trait, Brandon Sanderson still gives him enough weaknesses so that it's not entirely overpowered. Still, I can appreciate that this concept only took up three novellas (contained in this volume), since it can often overstay its welcome.

Each of the stories revolves around Stephen Leeds, a super-genius investigator who has portioned off his polymath of abilities to different personalities in his head. These personalities take up a physical space around him, even if nobody else can see them. Some of the "rules" around these invisible characters didn't seem to make much sense since they're allegedly all in Stephen's head, but I guess a character like this needs a Kryptonite to prevent him from solving all his problems so easily. I also had to suspend my disbelief with the mysteries Stephen was investigating, mostly rolling my eyes at the unbelievable nature of these concepts.

Overall, though, this trilogy of novellas is a solid read. It's basically a novel in three parts, as I've read full books longer than these three novellas put together. The unique personalities of the "personalities" were all quite entertaining, even if they overshadowed Stephen's somewhat milquetoast characteristics. The engineer in me wanted to know more about how this specific form of multiple personality disorder functioned, since it was a unique take on the disability. At any rate, if you're a fan of Sanderson's work, this is a quick read that proves he knows how to write in short form as well as his standard epic-length books.

An overdone trope that doesn't overstay its welcome, I give Legion 4.0 stars out of 5.

After being so disappointed with The Memory of Earth , I'm surprised I gave the second volume in the Homecoming series a chance. I figured Orson Scott Card could have got things on track by this book, getting rid of all the unnecessary fluff and useless ramblings. Instead, The Call of Earth made it clear to me that I will not be continuing this series. Fool me once, shame on you. Fool me twice, shame on me.

I think part of the problem with this series is how it's written. Having recently read an eye-opening book on identifying "Show versus Tell," it shocked me how much of this book was written with "Tell" language. Granted, a lot of science fiction and fantasy books have to do this to explain interesting magic or technologies. The Call of Earth, however, spent another whole book stuck in this pseudo-Roman society that most people can easily visualize. I'm still convinced he threw this series together to meet a deadline, because it has never felt that inspired.

What's most frustrating is knowing that it could be better. I was expecting this book to be about leaving their planet in search of Earth. Instead, they merely talked about it for 10 hours. None of the characters stood out to me, and whatever plot was there was so forgettable, I don't even care to look up what it was. I get that not every author is going to have all their books be amazing or thought-provoking. But two in a row doesn't give me much hope that the other three books in this series will be any better.

Another disappointing entry in Card's Homecoming series, I give The Call of Earth 2.0 stars out of 5.

Science fiction often bogs itself down in the details of a potential future while forgetting the poetry that can come with the written word. It doesn't matter what scientific topic the book is handling if it's not entertaining to read. The best ones are a combination of speculative science, entertainment, and beautiful prose. I feel Sea of Tranquility meets these three criteria. The narrative is gripping, the framework thought-provoking, and the execution superb. I've never seen such a common sci-fi topic like this handled so well.

Time travel feels like it can be a crutch for a writer. It's a way to fill in details in a non-linear format that covers up any plot holes in a way that feels cheap. Jumping around in time can also make things confusing, as it isn't clear what era each section is set in. However, the way Emily St. John Mandel handles time travel in this book is probably one of the best I've seen. While following a linear timeline (somewhat akin to Cloud Atlas), the depth of time travel reveals itself with each jump into the future.

I think the reason I love how this book handles time travel is that each revisit of events adds layers of context that almost require an immediate second read-through of the entire book. Sure, the time travel explains away certain mysteries—but giving the reason behind those moments just elevates the story to higher levels. And throughout the whole thing, the descriptions, wording, and overall writing is just fantastic. Even if you don't like science fiction, this book stands out as a well-written piece of work that dives deeper into how humans can't ever know the full extent of a moment from a singular perspective.

The best time travel book I've ever read, I give Sea of Tranquility 5.0 stars out of 5.

Having already watched the 2018 movie adaptation of Annihilation , I knew going into this book that it would be quite the trip. My expectations were mostly set on what was going to happen in this book, but not on how the author would convey these events. I was pleasantly surprised with something that felt just as disorienting. Told in the first-person perspective, Annihilation messes with the concept of an unreliable narrator in a way that I haven’t ever seen before. The real question is whether I understand anything now that I’ve seen the movie and read the book.

There’s a melancholy present in Annihilation that almost borders on nihilism. The way the main character seems to float through this world, carrying her trauma and relational scars around in an eerily monotonous and emotionless manner, is both unsettling and oddly comforting. Was this her attempt at obtaining closure? Did she want to find somewhere she truly belonged? Whatever the reason, she is propelled forward by forces outside her control, and she doesn’t resist any of the alien influence.

The prose in Annihilation is truly the star of the show here. Other writers might try to take a more scientific approach when dealing with aliens, but VanderMeer leans into the disorienting nature of Area X. I’ve been drunk a few times, but never high enough to hallucinate like this. Several times I had to stop and re-read a page to understand what was happening. Once I turned my mind off and let the words flow through me, I had a much more enjoyable time in this book. I don’t know if I’ll get through the rest of the trilogy, but this one was worth the read.

A trippy hallucination of a novel, I give Annihilation 4.0 stars out of 5.

When I first opened the novel, I had idea what to expect and I didn’t even if I knew I would like the book, but that quickly changed when I became addicted to the story. With an incredible mix of action and adventure, Drew Karpyshyn’s novel: “Darth Bane: Path of Destruction” is hard to beat. Readers join an Outer-Rim miner named Dessel on his journey to morph into his true self: Darth Bane. I personally enjoyed how Drew worded this book, with specific, yet easy to read details. Alongside a captivating storyline, there is nearly non-stop Star Wars action. If any readers thirst for a special Star Wars book that does not sacrifice action with dialogue, I would highly suggest Darth Bane: Path of Destruction.

(Hungry for more Drew? Check out the sequel of this book: Darth Bane Rule of two!)

Until now, I've enjoyed the somewhat serial format of the novellas from the Murderbot Diaries series. Each story grows the story of the main character with a concise plot that does a little world building along the way. It didn't matter if the characters changed between each book, as the focus was always on the first person perspective. With Exit Strategy, we loop back to the beginning as old faces come back into the major thrust of the plot.

I appreciate that there seems to be an overarching narrative across this series. Now that things are connecting together, it feels like a much more thought-out universe instead of the "flavor of the month" stories that the series could have become. Granted, with each one being so short, this book feels like a solid arrival in the second half of the entire story arc—maybe even the pivotal half-way point. The more the titular Murderbot learns about their universe, the more they cannot silently stand by and let things happen. There's no more time to be passive.

Perhaps the best part about each iteration of this series is how the SecUnit grows to become more human. There are legitimately tough decisions that come up in these novellas that cause the main character to face a choice that either reinforces their programming or pushes them down the path away from those murderbot tendencies. And while Exit Strategy didn't have quite the impact of Rogue Protocol , there's at least an end in sight for where this sequence of events will logically take us. I'm hooked now. I want to see how this all ends.

Familiar faces return as the larger plot comes further into focus, I give Exit Strategy 4.0 stars out of 5.

1984 is based in London, where the protagonist, Winston Smith, resides. In this dystopian society, a figure named "Big Brother" controls The Party, and watches every move citizens make. Everything in this nation is under heavy restriction to ensure Big Brother remains in control. This includes language, history, and even thoughts. Winston finds himself committing "thoughtcrime": having negative feelings and thoughts against "Big Brother", which is an extremely high offense in this nation. I enjoyed reading this novel because it includes intense moments that made my heart race, as well as many thought-provoking phrases that initiated reflection. This is the type of book that requires multiple reads to fully understand. I look forward to my second readthrough to experience the suspense again and catch new messages Orwell implemented. If you are into dystopian novels and conspiracy theories, I highly recommend this book, you won't regret reading it!

Reviewer: Grade 12

Frankenstein is a classic novel that recollects the events after Victor Frankenstein, a knowledgeable and curious scientist, gives life to a haunting creature. As soon as this monster opens its eyes, Victor becomes filled with regret. Although the monster fled from Victor's apartment, it wasn't the last time they would interact. Readers witness Frankenstein's sickening and terrifying journey as he searches for his monster. I believe this novel did an amazing job of expressing the valid feelings of the monster while also displaying Victor's feelings and emotions. Some chapters in the story tend to drag and there are events that Mary could have elaborated on to provide readers a clearer image of each occurrence. But overall, this was a unique approach to expressing themes of isolation, vanity, cruelty, and fear.

Reviewer: Grade 12

Orwell wrote this book to examine the early years of the Soviet Union and the real result of the Russian Revolution. He uses Manor Farm as the setting and uses the farm animals as characters to convince the reader how the leaders of a country could put in place a system that would not be the utopia they promise. These promises may turn out to create a situation much worse than existed before. Orwell wanted a farm where “All Animals Are Equal.” Unfortunately, “Some Are More Equal Than Others.” The reader will recognize some of the characters as representing historical figures such as Stalin, Marx, Lenin, and Trotsky. If you are interested in economic and political systems and how they impact the citizens, you will not be able to put this book down! Animal Farm is one of my favorite books.

I quite enjoyed most of the elements of this book. I liked the characterizations, the world-building, plot, and dialogue. I haven't spend a ton of time in sci-fi, but I feel as though most of the jargon had some good context and I was able to pick it up pretty readily. Overall, I really enjoyed this book and am bought into finishing the trilogy and finding out becomes of these characters.
I particularly liked the ideas that are put out in terms of consumerism, colonization, ecological terrorism, and species symbiosis and parasites. It wasn't all 'grim-dark' and while it left me clenching my fist, it wasn't hopelessness, but self-reflection, and a blossoming interest-- which I feel are good reactions to have to scifi-typical questions that are often raised in texts. I particularly appreciated that I didn't love the characters from the beginning. I felt they were pretty well-rounded and they grew on me.

Animal Farm is an allegorical story about farm animals that manage to overthrow the humans and run the farm by themselves. However, the pigs slowly take more and more power, until it’s no better than it was before.

The plot is simple and easy to follow. Even a child could easily understand it. However, this is a very compact story. Every page has a new development that moves the story along. The characters are likewise simple, yet effective. Boxer and Benjamin are the standouts in this story. Boxer because of his lovable nature and Benjamin for being one of the few characters in the book to hold some complexity.

The reason for this story’s simplicity is that it is an allegorical story. Every element is designed to mirror the Russian Revolution (though it could easily be applied to many worldwide revolutions). Since they have to represent broad groups of people, the characters can seem a bit flat at times. The same goes for the plot. It’s great for those who want a quick and thought provoking story, but could be disappointing for those looking for in depth analysis.

I would recommend this book to fans of symbolism and allegory, or even the run of the mill dystopia fan.

This book is amazing! it has twists and turns, and the author is amazing! The science is explained well enough that anyone can understand it. Also, whenever you think the book is done, it just goes, 'Here's another problem, Main character! good luck!" Also, the book is in the format of a 'White Room" story, meaning that the character has no memory, and has to figure everything all out, along with you! Would recommend to any sci fi fan over the age of 12.

TW: A main theme of this book (and thus the review) is suicide. If this topic makes you uncomfortable, I would suggest finding a different book.

“The Midnight Library” is a story about Nora Seed, whose life has not gone how she’s expected. Worse yet, she feels as though it’s all her fault and her regrets weigh heavy on her. One night she decides to end her own life, but she wakes up in a library with her elementary school librarian. That’s when she gets the opportunity to live the lives she could have led if she’d made different decisions.

As the story goes along, we see many of Nora’s alternative lives. Some of them are just as disastrous as her regular life (her best friend dies, her husband cheats on her). Others are nearly perfect, but can’t be truly satisfying when she didn’t create them. I was glad that some of the alternate lives were good, otherwise it would have seemed like Nora’s original life was simply the lesser of two evils. All of them are interesting to read about. Another interesting aspect of the book is the library itself. The author knows when to reveal information and when to keep things vague.

There aren’t many characters to keep track of. Nora is the main character, and the reader gets a good sense of her interests and aspirations through her various lives. Her friends and family all get a decent amount of depth as well, though they’re not in focus most of the time.

I can’t pretend that I really resonated with the message of the book. I would have preferred if it focused a bit more on the good things that could happen in Nora’s future rather than the good things that happened in her alternate lives. However, that could be a problem exclusive to me.

Overall, I would recommend this book to almost anyone. It’s a fast read and a good story.

By this point in the Murderbot Diaries series, I'm used to the short length of these stories. I appreciate that there's still an overarching plot that the books are driving toward, but the bite-size adventures of the sentient AI robot are also entertaining by themselves. Now that the series is in a good groove by book three, I was glad to see the introduction of a foil to compare and contrast the main character's interactions with the humans.

The rogue SecUnit continues to find himself deeper into the shady dealings of humans, but with each interaction, he's finding it harder to hide who he is and what he's doing. That these "missions" he gives himself are a significant amount of effort for someone who would much rather be lazy and just watch vids all day seems contradictory until you realize that it's great character development—even if it's subtle. Raising the stakes with each book also helps to make this one the best one in the series to date. There has to be a point soon when things become fully out of the SecUnit's control.

It's always interesting to me how the characters that have stuck with me through the series (aside from the main character of course), are the other AIs and robots. In Rogue Protocol, I immediately fell in love with Miki, who showed the other side of human-robot relations as a pet/mascot. The contrast between Miki and the SecUnit was a fantastic plot device and I would love some kind of spinoff with those two characters (or characters like them). Unfortunately, the abrupt ending to this book left me a little disappointed, as I felt there needed to be more time with the characters to get their full range of emotions after the climax.

A great book filled with contrasting human-robot relations, I give Rogue Protocol 4.5 stars out of 5.

As someone who generally stays away from science fiction books, I was pleasantly surprised by this venture outside my comfort zone. Elijah Baley is the main character, living thousands of years in the earth's future. In this time period, robots have become commonplace and other planets have been commonplace. Tension has grown between earth dwellers and the residents of the other planets (referred to as spacers). There are also concerns about the increasing number and sophistication of robots. Elijah, though less extreme than many of his colleagues, is not immune to this prejudice, and is less than happy when he has to team up with R. Daneel Olivaw, a spacer robot, to solve a homicide.

The characters are not deep or complex, but they are consistent and interesting. All characters have a purpose in the story, and most of them change in some way by the end. Elijah is likable, perhaps especially so because he's allowed to fail. He's shown to be incorrect in many of his initial beliefs, and makes many false assumptions, but he retains good qualities throughout it all. R. Daneel is an interesting take on the robot archetype. Though he's shown to be effective in his job and capable of change, he lacks essential human qualities that Elijah must make up for. The side characters all have clear motivations, personalities, and are interesting without being obtrusive.

The plot strikes a balance between complex and easy to follow. There are a great deal of plot twists and dead ends, but the story takes its time and allows the reader to process everything. I hope I re-read this book one day, so I am able to look for clues to the culprit that I might have missed the first time around.

I have no overt critiques. The only bad thing I can say about this book is that it's not a deep philosophical experience. There are tcertainly hemes, but the book focuses more on excitement and intrigue than anything else. I would reccomend this book to sci-fi fans, and anyone looking to get into the genre.

This book is amazing! The story will honestly warm your heart and keep you on your toes. The characters' development is done so beautifully and you definitely get an idea about how important life is. Don't waste another moment and please read this book!

Stephen King has written most of the horror I’ve read. In deciding to branch out from the master of the genre, I saw the cover for this book in the listing of audiobooks for my library’s reader app and thought it looked interesting. While the horror here was more body/gross-out horror—which I didn’t have any issue with—there are other, deeper problems with this book. I’ll grant that in terms of audiobooks, it was an interesting recording with the sound effects and “alien voice” bits. However, I can’t say I recommend this book based on those merits alone.

Perhaps this is an artifact of the times, but a book that came out in 2008 has not aged well at all. First, is the abundance of “men writing women” tropes that not only minimize the female characters to minor roles but doesn’t consider that perhaps not everything has to be about sex. Furthermore, while the main character was a person of color, there were a lot of negative stereotypes and mildly hidden racism that came through. Reading this book made it feel like I had gotten inside the head of a “bro” guy, and it was pretty cringe.

I think the biggest problem was that this book was too cavalier with its “gross-out” factor without having enough suspense to justify the constant violence. When I didn’t care about any of the characters and the vignettes that split off to explore one-shot characters didn’t give me enough time to be empathetic for them, then who cares about the violence that happens to them? More often than not, the pacing felt so slow that I had to check how much time was left, hoping that at some point it would go faster.

A horror story that was scary for reasons other than its violence, I give Infected 2.0 stars out of 5.

Brave New World presents a uniquely disturbing dystopia- but unfortunately, that is where its strengths end. The plot, aside from the setting, is so loosely strung together that a main character, main storyline, or even main theme is unclear. The story meanders from one under-developed character to the next and, without the support of a vivid setting, the novel would crumble. I admire the creativity behind the premise and the craft behind the writing style, but the plot simply lacks. The novel is only worth reading to delve into the vivid world that Aldous Huxley created.

Although George Orwell crafted a rather interesting dystopia, the story he built around it largely fell flat. It was apparent throughout the novel that Orwell was more of an essayist than a storyteller; he was more interested in explaining the structure of his setting to his audience rather than showing them how that structure affects the story. 1984 suffers from hundreds of pages of blunt exposition-dumping that disconnects the reader from the characters and plot. While there is significant payoff at the end, the rising action was rather lacking in weight as the main character spends more time describing the logistics of the 1984 world rather than where he fits in it. Some aspects of Orwell's famous dystopian are intriguing, like the use of Newspeak or the new family dynamics, though it is overall disappointing.