Book Reviews by Genre: Science Fiction

Five stars (If you don’t laugh at this, then I don’t know what cave you’ve been living in) The HitchHiker's Guide to the Galaxy is a sci-fi comedy so specific that it is funny. Between the absurd circumstances and the very specific jokes, I couldn’t stop laughing. The start of the book is normal, but once you get into it it keeps you laughing as it gets weirder and weirder. The events that happen are so improbable that it turns it the other way and makes it very probable. When reading the Guide, don’t forget your towel!

It’s odd for me to read the third book in a series and be confronted with
problems that I usually see by the fourth book. So far, I’ve been on board
with the whole Shadow series as it focuses on an interesting character in the
form of Bean. For two books, I’ve read about Bean’s survival, made all
the more thrilling by the antagonist Achilles. Of course, during Ender’s
Shadow and Shadow of the Hegemon , the series picked up plenty of side
stories and sub-plots. This is what ruined Shadow Puppets for me: the focus
wasn’t on Bean and Achilles, but rather on advancing the story of all these
sub-plots.

Now, don’t get me wrong, Shadow Puppets has a lot of interesting events.
It’s just that it was so entertaining to read about Achilles in the
previous books, and he’s relegated to a bookending motif for this book. We
don’t get to see him directly interact with others, instead of having the
main characters always wondering how he’ll react to their attempts to trap
him. This kind of “telling” instead of “showing” really rubbed me the
wrong way and made the climax of this story (let alone the first three books)
feel quite anticlimactic.

I do appreciate some of what Card does with these well-rounded characters,
and I want to see what happens next with a world in such turmoil and
turnover. And yet, with how unfocused this book was, I don’t know if I want
to get my hopes up for the next books in this series. After all, the central
conflict of the previous two books is now behind Bean, which makes me wonder
what could replace such a heart-pounding game of cat-and-mouse. There are
plot threads to follow into the next book, but I could probably predict what
happens just based on the foreshadowing contained in this book.

An unfocused and slightly anticlimactic conclusion to one of the best
antagonists, I give Shadow Puppets 3.0 stars out of 5.

I’ll admit that reading The Fifth Season had a bit of a learning curve for
the Broken Earth series. Not only did I have to learn about the vastly
powerful magic system based on rocks (and other rock forms), but I had to get
used to a second-person point of view (POV). Jumping between timelines with
similar characters who had different names was a bit confusing, but I was
able to figure it out by the end. Fast forward to the sequel, The Obelisk
Gate, and most of my qualms with the first book were smoothed over or solved
outright.

One of the things I enjoyed about The Obelisk Gate was the increase in the
scale of the magic system. Including the moon in these calculations makes
perfect sense considering the nature of the orogeny magic. I also appreciated
how the story seemed to focus on a single POV, which made for a more intimate
experience as we followed only one or two individuals instead of four. Now
that I was used to the second-person writing style and the character it
described, it didn’t bother me as much as when I read The Fifth Season.

While The Fifth Season set up the world-building for this trilogy, The
Obelisk Gate’s only weakness is that it finally set up the climactic plot
for the third book. Sure, there was plenty of character development and
intriguing twists in the plot in The Obelisk Gate, but they all seemed to be
hinting at something much more significant that wouldn’t take place in this
book. I do appreciate an excellent three-act structure, so this slight
weakness can be seen as merely an artifact of the second book in a trilogy.
In fact, because it was more focused, I liked this book more than its
predecessor. After all, it’s a strong concept with solid execution.

A focusing and foreshadowing of the Broken Earth series, I give The Obelisk
Gate 4.5 stars out of 5.

Jerry Aubin finishes the Ship Series in spectacular fashion. In Resurgence, Aubin ties up the series beautifully and answers all of the questions that have kept readers fascinated from the very beginning. Zax must finally face what he started and defeat the true enemy of the ship, Alpha. Resurgence will keep you on your toes with its whirlwind plot that will captivate you from the start. Like all of its predecessors, Resurgence does not disappoint with its plot twists and adventures. I highly recommend this book for any middle or high school aged reader.

"The Towering Sky" by Katherine McGee tells the story of five teenagers in 2119. Living in a futuristic Manhattan tower in which your floor displays your power, a mystery/romance story is bred. This book was perfectly okay. The writing wasn't half bad, and the characters ,well half-baked, were not unrealistic or arrogant. However, as reading this book, the third and final of a series, without reading the first two, was extremely confusing. At first I had not realized that this book was part of a trilogy, and thought the writing was purposefully confusing. Though I don't know if this book would make more sense after reading the first two, the pacing was quite fast, though the plot moved slow, which created a strange vibe while reading. In general, I would not recommend this book. However, if you have read the first two and liked them, go ahead and give it a go.

Fahrenheit 451 follows the story of a fireman, Guy Montag, who lives in a dystopian society. His job as a fireman is to locate all books around the city and burn them. Books are banned from any individual and is considered to be an inferior type of entertainment in comparison television, which are more supported by the public. As Montag continues to burn more books throughout his job over time, he deals with a variety of external factors that changes his brainwashed and disillusioned perspective to considering books and their significance to society. Being a firemen in this dystopian society, Montag must deal with a plethora of barriers that are blocking his way before he can truly understand the importance of books and to keep them.

Fahrenheit 451 is an intriguing book that takes a different approach in a dystopian society. Instead of implementing a militaristic and governmental style, Bradbury uses firemen which encapsulates a unique and captivating plot line. Fahrenheit 451 demonstrates a story that everyone can enjoy, especially for those who enjoy reading dystopian novels. Bradbury effectively relates character development of Montag to the series of events that occurs. This coherent relationship that virtually happens side-by-side further produces a sense of immersion for the reader.

Personally, I enjoyed Bradbury's Fahrenheit 451 novel. It is considered to be one of his best, and most iconic books that he has written to date. I highly recommend any average reader to consider reading Fahrenheit 451. The book is not too long, but it will still produce an immense amount of quality and satisfaction in the end.

***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***

There seem to be a few cardinal sins most writers are cautioned to avoid at all costs. Two of these sins are exposition dumps and “show, don’t tell.” While the entire book doesn’t necessarily fall into these pitfalls, Lightless spends a big chunk of its 300 pages in telling the reader about all the exposition to the story that’s currently playing out. Instead of reading an interrogation, I would have much rather seen the events that led to the current state of the solar system. On top of all this, I failed to care about any of the characters or their plights because this method of storytelling was so impersonal.

I’ll admit that I almost gave up reading this book right before it became interesting again. The ending does a pretty good job of re-invigorating the plot, but it might be a case of too little too late. Furthermore, not only were there plenty of weird logical leaps, accents that were told to the reader but not shown in dialect, and actions that didn’t make much sense, but there was almost too much coincidence in the appearance of certain characters. The fact that I thought it would have been a more interesting story if the System interrogator was the terrorist all along, coming to tie up loose ends, says something about the standard nature of the plot.

In the end, this book suffers from being the first of an intended trilogy, as well as being this author’s first work. The amount of exposition crammed into this book is merely a setup to something that’s likely more interesting to read, not that I’ll continue with this trilogy. Additionally, there were quite a few times where the awkward wording of a sentence or the repetition of a particular word pulled me out of the narrative. Finally, I felt it took way too long for the computer specialist to figure out what the problem was. The clues were evident almost from the start, but she only “got smart” about it when the plot demanded it.

An interesting climax that required an expositional slog to get to, I give Lightless 2.0 stars out of 5.

It’s almost fitting how the follow-on book in the spin-off series to Ender’s Game takes the same tactic as Speaker for the Dead and transforms itself into a completely different genre. While Speaker for the Dead and its sequels still maintained a level of science fiction for the Ender saga, Shadow of the Hegemon pivots into a political thriller with almost no hints of sci-fi to be seen. The strength of the characters helped make this transition relatively smooth, but it still highlights how these child-aged individuals hardly have any child-like qualities.

While the Shadow saga certainly needed to start out focusing on Bean, I did appreciate how Shadow of the Hegemon developed many of the supporting characters. For the first time in both series, I felt like the reader was able to know Petra and Peter while also seeing what Achilles was capable of accomplishing. The results of bringing back children war heroes to Earth had a logical feel to its progression, even if I didn’t really care much about southeastern Asian politics to really engage with the politics of the plot. That’s not to say the whole “cat and mouse” between Achilles and Bean wasn’t interesting; it just wasn’t what had brought me to this series in the first place.

Of course, having read the Ender saga first, I can already see the early ripples of how this side-series will start to wrap up. Now that Ender is less of a presence in the Shadow series, other characters finally have a chance to show what they can do. While I’ll reserve my predictions might change with what actually happens, I get the sense that Peter’s tenure as Hegemon changes the world just as Bean changes into some super-intelligent giant. I will admit that some of Orson Scott Card’s predictions from 2000 still seem plausible today, given the political climate, it’s clear that the author did his research before playing with the ever-important sci-fi “what if” scenario.

A political pivot from a well-known sci-fi series, I give Shadow of the Hegemon 4.0 stars out of 5.

After a NASA crew member is left behind on planet Mars, he has a huge to-do list. First, come in contact with NASA to prove he is alive, don't starve, don't die, then make it home alive. I'm not a huge fan of any science fiction type book, however, this was indeed an exception. I loved the perspectives the author chose to include, and the humor he shot into his characters gives the story personality. I suggest this book to an eighth grade audience; there is some inappropriate language and all of the science attributes are complex to understand. I strongly suggest to you this book if you want to be left on the edge of your seat with every new chapter, right up until the end.

It’s been a while since I read this far into a series, and I can start to see why I like trilogies and stand-alone books. If I didn’t know any better, I’d think this series had evolved into a courtroom drama instead of a historical fantasy. At this point, the whole premise of this series seems to have veered off course and has lost its focus to tackle unrelated issues that were somewhat prominent at the time. Or, at least it’s merely acting as a chance to name drop historical figures and take the side of history against well-known issues that haven’t aged well over time. If anything, Heartfire could have easily been the fourth book in the series, since Alvin Journeyman added nothing to the story. Even so, Heartfire didn’t feel as strong as earlier books in the series. It almost seems like there’s more of a focus on world-building. There is less focus on actually progressing the story—like the path toward the Crystal City. Certain plot elements were almost entirely forgotten as well, even if there was a whole legal battle in the last book to re-hash how Alvin came into possession of a sentient golden plow (which itself is still unclear why it’s important).

By now, I’m merely reading the series on autopilot just to see if there is any conclusion to the alternate history presented here. I still think there are clever takes on historical figures, but by now, they seem added in as a heavy winking nod to the reader, most of whom will already know the referenced individual. Perhaps the lack of overall character growth in this book is what made it such a so-so read for me. Sure, there were baby steps toward some redemption arc, but in the end, nothing ended up changing the drive of the overarching story.

Another weak link in the Alvin Journeyman series, I give Heartfire 3.0 stars out of 5.

As a crew of astronauts leave from Mars, Mark Watney, an astronaut is left behind as he was presumed dead. Watney is forced to survive on Mars with the limited resources and supplies that he has with him. As he is doing so, NASA on Earth are diligently working to bring him home for a rescue mission.

The Martian is a fictional story that interests those who are interested in either science and/or action. Bringing both of these together, it illustrates a stressful novel that will keep the reader on.

Reviewer Grade: 11

1984 introduces Winston Smith as the primary character. Smith is a middle-aged man that lives within a dystopian society in April of 1984. Being nearly 4 decades after World War II and just a couple of years after the apparent Atomic Wars, Smith lives through the totalitarian state of Oceania, where is activity is consistently surveyed. At this point, Smith attempts to relocate himself from this totalitarian state in order to put him back to normal behavior.

1984 is another novel involving a dystopia, however, it stands out for its strong character development. The premise of the story is heavily shown through the setting, as it demonstrates a controlled and tyrannical lifestyle.

Reviewer Grade: 11

Considering that A Closed and Common Orbit was only loosely related to the first book in the Wayfarers series, I knew that I shouldn’t expect the third book in this series, Record of a Spaceborn Few, to have any significant connection to the previous books. Unfortunately, even the several different storylines in this book were hardly connected, seeming more like a series of short stories that were inter-cut between themselves. While Chambers’ world-building and dialogue are still top-notch, there isn’t anything in this book other than some boring characters living their boring lives.

I understand that any author worth their salt will develop vast amounts of details about the universe they create. However, most authors leave the aspects of the minutia and banal day-to-day lives out of their writing in favor of an actual plot with actual conflict. Instead, this book is filled with the details of world-building and nothing else. If these characters were better connected, or there was a stronger plot driving their stories, it would have maintained my interest. Unfortunately, most of the stories of these characters’ sub-plots are too generic and trope-like for me to care about any of them.

About the only reason I’m giving this book as high a rating as I am is due to the aforementioned writing on the part of the author. The actions and consequences are clearly thought out, and there is a realism to the dialogue that continues from the previous two books (but by this point makes a lot of the characters sound the same). If anything, this book should have been the first in the series. It should have introduced the universe and the stakes that anyone who ventures out into space is sure to face. The fact that it’s (in my opinion) the weakest in the series is probably why more exciting adventures were written for books one and two.

A disappointing and boring record of space, I give Record of a Spaceborn Few 2.5 stars out of 5.

George Orwell depicts a horrific and terrifying alternate reality of 1984.
After years of war and conflict, the world is governed by three totalitarian regimes. The one that our main character, Winston Smith, resides under is ruled by the “party” and its leader “Big Brother”. The narrative follows Winston as he meets a mysterious woman named Julia, and the two begin to secretly rebel.
When I first started reading this book, I was a little bit disappointed. I had such high expectations (I think that was the problem) ,and it just didn’t live up to them. In the beginning, I thought Winston’s character was somewhat flat, and I didn’t feel a lot of sympathy for what he was living through. I thought Julia was unrealistic and a bit obnoxious. But in the second half of the book, my opinions had changed. The book becomes quite disturbing, and it makes you question what is actually real and what is just a fabrication of the party. It’s terrifying to say the least. Despite the fact that I enjoyed parts of this book, I have to rate it 3 stars because I wasn’t engaged in the first half of the narrative.

The thrilling Gone series continues with this fourth book, and Grant does not disappoint. This series has been one of my favorites and Plague is no exception. As a highly contagious, fatal illness spreads at an alarming rate and predatory insects terrorize Perdido Beach, morale continues to drop.
However, Sam, Astrid, and even Caine are determined to find a way to survive.
Everyone must make difficult decisions when it comes to saving themselves and those they love. Grant has written another phenomenal dystopian horror with suspense around every corner. I highly recommend this book to all high school aged readers.

After my slight disappointment with Mecha Samurai Empire , I was pleased to find that a book that actually knows how to do "mecha" right already existed years before Mecha Samurai Empire was released. Taking a somewhat unique approach in its narrative structure, Sleeping Giants uses a series of interview transcripts to tell the story of discovering the parts of an ancient, giant robot and learning how to pilot this unique piece of equipment. There aren't any dialogue tags. There aren't any direct action sequences. There are just words describing the events as they happened. Somehow, it totally works.

I seriously couldn't get enough of this book and basically devoured every word. I was a little disappointed with the semi-cliffhanger ending, though. Just as everything was starting to finally come together, it just kind of ends. Sure, many of the large plot movements reached a momentary conclusion but now I really want to know what happens next. My only other qualm was the "exposition character" who was dropped into the narrative about half-way through to explain all the unexplainable bits of the story. It seemed like a cheap way to give information that wouldn't have been naturally revealed. What's perhaps the most interesting with the minimalist way the story is written in Sleeping Giants is how strong the characters come across. Even if it's only interview transcripts, the pauses, snark, and other personality traits are just as obvious as if I could see them talking across the table from me. Judging by the acknowledgments section of this book, I certainly can't wait for this to be made into a movie. I'm sure it will be just as exciting to see everything on the big screen as it was to read about it line-by-line.

A unique narrative method that had me ravenously reading, I give Sleeping Giants 4.5 stars out of 5.

Back in college, my first introduction to Heinlein was Stranger in a Strange Land. I had to read this book for my “Science in Literature” course, and I found it moderately interesting. Since then, I’ve read other Heinlein books like Starship Troopers and The Moon is a Harsh Mistress, but I didn’t realize how dedicated Heinlein was to some of his “supernatural” themes until I read Assignment in Eternity. Sure, most authors will have some concept or idea that they like to revisit. Still, the fact that a majority of Assignment in Eternity ’s included short stories deal in some way with “superhumans” must mean something.

The whole concept of ESP and “evolved” humans isn’t interesting to me since I don’t think there’s much that can be done with the concept. While Stranger in a Strange Land covered most of the bases, Assignment in Eternity doesn’t really expand the ideas any further. If anything, Stranger in a Strange Land was the culmination of Heinlein’s obsession with this topic. I think, in the end, the whole idea of telepathy and other mind powers isn’t science fiction as much as the ideas explored by Ray Bradbury or Isaac Asimov.

Because Heinlein could fill a book with short stories mostly centering on this theme speaks volumes about the overall topics in his writing. If you’re into this kind of story, then Assignment in Eternity is an excellent addition to the classic that is Stranger in a Strange Land. If anything, Heinlein is consistent in his style, even if it makes short stories like this somewhat repetitive to the other stories and books he’s written. Like other short story collections, I would have liked to see some more variety in what was presented here, but I suppose beggars can’t be choosers.

More of the same Heinlein, just in smaller chunks, I give Assignment in Eternity 3.0 stars out of 5.

As I’ve been working my way through Ian Doescher’s Shakespearean adaptations of pop culture movies, I think I’ve hit the point where the novelty has worn off. For whatever reason, I didn’t feel like The Force Doth Awaken had the same charm as other entries in this quirky mash-up series. I have a sneaking suspicion that this may be due to one of two factors: 1. The newer movies have more “modern” dialogue that seemed as if it was directly plopped into the Shakespearean format, or 2. The original trilogy had more time to be ingrained in my psyche, and the translation to Shakespearean felt appropriate.

I don’t want to downplay the novelty of this adaptation, though. The voice acting is still superb, and the sound effects add a little something extra that immersed me as I listened to this audiobook. Plus, it’s not like these books are that lengthy anyway. If anything, I’m out a little over an hour of my time to listen to it (since I listen at 2x speed). I did appreciate that Chewie finally received the internal monologue that R2-D2 originally had since these un-translatable individuals still have something to add. I was, however, disappointed that BB-8 didn’t have the same treatment.

One of the other factors with this “translation” that I wasn’t too keen on was the meta aspect that kept winking at the reader and saying, “See? Do you get that reference?” I understand that everything exists in the Star Wars universe, but I think most people who will pick up this book will already know those references anyway and don’t need the coy allusions to other parts of the series. Of course, I’ll still end up listening to the rest of these when I can get them from my library, but The Force Doth Awaken felt like a low point (at least until I get into the prequels).

An almost too modern and meta Shakespearean adaptation, I give The Force Doth Awaken 3.5 stars out of 5.

It’s been a while since I’ve read a fantasy book with such a unique magic system in place. I truly enjoyed the amount of thought that went into a world where the main source of power was that of the earth itself. From magma to solid obelisks, the ability to control the vibrations of the planet (either to amplify or dampen) had an interesting and logical follow-through in its characters and storyline. I’m honestly looking forward to eventually starting the next book in the series since the world was built so well. It’s no wonder that it ended up winning the Hugo Award for that year.

While I suppose The Fifth Season is also partly a pseudo-post-apocalypse story, it was only shown in small snippets and references here and there. Consequently, this would make this story almost “modern fantasy” in comparison to some of the classics. Additionally, this would explain some of the character elements added with little to no explanation or relevance to the plot. It sometimes seems like the sexual encounters and fluid genders of these characters are included o merely hit a checkbox of “inclusivity.” Sure, people who relate to these characters feel like their represented, but if these traits don’t affect the plot, then it doesn’t matter about their sexuality at all.

I also found the bold choice of second-person POV to be a bit jarring when it spliced in the more traditional third-person narrative. Initially, I thought these segments were striking in the way that it pulled me into the story. That was until I was given a name and a purpose and any number of other traits that made the “you” in the story into a character that was basically repeated throughout. I get how these different characters interacted to tell a much broader story (which is again, part of the book’s strength) I just didn’t care for the reader’s identity to be given to them via the second person POV.

A uniquely written and crafted fantasy with one or two minor flaws, I give The Fifth Season 4.0 stars out of 5.

Having already listened to the audiobooks for the Shakespearean versions of the original Star Wars trilogy, I was curious to see how another beloved pop culture film would fare with the treatment. Get Thee…Back to the Future! had a bit more of a challenge when compared to the Star Wars stories. First, as the plot is set in (relatively) modern times, much of our technology had to be “explained” in Shakespearean format (e.g., a car is “a horseless carriage born on fumes of gas and flame”). At least the Star Wars stories seemed to fit in the Shakespearean timeframe a little better.

Despite this clash of modern and medieval, the transformation into Shakespearean form does end up working. I’d probably compare this to some of his comedies like The Taming of the Shrew , Twelfth Night , and Much Ado About Nothing , if for no other reason than the comedy of errors involved with Marty being hit on by his mother. I did appreciate some of the more heady references that were thrown in to make it seem more akin to something from Shakespeare’s era (the constant oedipal references were foremost among them).

One thing that seemed to be missing from the audiobook version of this was the sound effects and music that helped accentuate the Star Wars stories. Granted, Back to the Future didn’t have much in terms of sound effects. However, the music is iconic enough that it would have made a welcome addition. And by music, I mean Alan Silvestri’s score, since all the “pop songs” were addressed in the narrative and motif. Either way, it’s a short read and a fun little experiment to see how the “father of modern drama” can enhance (or ruin, depending on your tastes) our modern favorite films.

The Shakespearean comedy I didn’t know I needed, I give Get Thee…Back to the Future! 4.0 stars out of 5.

Tess is a time traveling member of the Daughters of Harriet, a group that does it's best to make their present time, 2022, a safe place for women, whether cis or trans. There's a men's right's activist group from further in the future trying to undermine their efforts by erasing the Daughters of Harriet and women's rights folks from the timeline. Meanwhile, in 1992, teenager Beth, a friend from Tess' past, finds herself in a bit of a pickle. She and her friends kill a boy who was in the process of sexually assaulting their friend. This starts the girls down a murderous path that Tess will do her best to stop.

For the most part, I enjoyed this book. I usually enjoy time travel, unless its being used as a cheap plot device which was definitely not the case here. Newitz did a lot of homework for this one - the historical notes at the end were really interesting and trips to the past often include historical figures. The story alternates between Tess and Beth with a few other perspectives thrown in on occasion. Tess mainly splits her time between the late 1800s (easily my favorite parts), the early 1990s and her present in 2022, while Beth's story is firmly situated in 1992. While I enjoyed both stories, I never really felt compelled to read the book. Both perspectives were interesting, but not captivating or thought-provoking (though I suspect the book will provide plenty of thinking material for some readers). As a result, certain plot points felt unnecessary and the book felt overlong. I really hated the way Tess' story ended. Nonetheless, its an enjoyable read that makes a great point (women are people too, who knew?) that I would recommend to science fiction readers that are interested in women, women's and LGBT rights. There's also quite a bit of 90's punk rock that readers of a certain age will love. The ending is also quite optimistic, which I wasn't expecting, but did welcome.

TLDR: The Future of Another Timeline is interesting book full of time travel shenanigans that is plagued by the same issues that all time travel book face. Ultimately, while the book was fun, feminist and full of salient social commentary, it wasn't compelling.

3 stars - I liked it.

Thanks to Netgalley and Tor for the advance copy which I received in exchange for an unbiased review. The Future of Another Timeline will be available for purchase on 24 September, but you can put your copy on hold today!

***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***

For a genre that’s usually associated with Japanese anime and manga, I haven’t seen many “mecha” novels (or movies, for that matter, with Pacific Rim (2013) being the only notable example). Consequently, when I received an advance reader copy of Mecha Samurai Empire, I was looking forward to reading it. While there were still a few grammatical and proofreading errors in this book—of which I’m sure have been fixed in the final version—portions of the plot didn’t sit well with me. My main qualm is the main character who really isn’t good at anything but still gets to pilot a huge and complicated piece of machinery just because he wants to.

A clear and obvious mix between The Man in the High Castle and Neon Genesis Evangelion, the few strong elements of this book were in the mecha battles themselves. The problem is that the references sprinkled throughout are so obvious (I had to roll my eyes at the Mega Man 2 reference) as to distract from the story. I don’t mind if other stories influence writers, but at least make their influence less obvious when crafting something “new.” At its worst, Mecha Samurai Empire holds to all the tropes and clichés present in mecha anime and manga. If you're into that kind of thing, this probably isn't a problem.

While I still enjoy the spectacle of giant robots fighting, a good story needs to come down to its characters. Since I didn’t particularly like the main character, I tried to grab onto some of the minor ones. Unfortunately, while some of the character arcs were highly predictable, most of the minor characters didn’t stand out either (and the one that did was super annoying). Just like Pacific Rim: Uprising (2018) made me lose faith that we’ll see live-action adaptations of mecha anime like Evangelion or Gurren Lagann, Mecha Samurai Empire shows we still have a way to go before novels of this genre are prevalent.

An obvious mashup with pretty good action, I give Mecha Samurai Empire 3.0 stars out of 5.

As I’ve been reading through the Tales of Alvin Maker series, I have found it interesting to see what big societal issues have been covered so far. While Seventh Son tackled religion and Red Prophet delved into politics and war, Prentice Alvin bit off a big chunk of racism and tried to address it in a way that’s half fantasy and half historical fiction. Sure, there’s still some semblance of the religion content present in this book that informs the racism dialogue. Still, these large issues end up taking a back seat to the more fascinating aspects of the titular character learning how to control his incredible powers.

In fact, this might be my favorite book of the series so far. It’s always more entertaining to watch a character come into the depth of their abilities, and Prentice Alvin has this in spades (both metaphorically and literally). While there weren’t many instances of Alvin directly being affected by a conflict that would require him to grow as a character, there were enough inevitable plot points that made me wonder how he would handle the situation. These twists helped to enforce the world-building that Orson Scott Card has excelled at for some time.

Perhaps the reason why I like this book as compared to its two predecessors comes down to how it focused more on the “magic” of this alternate history and less on the similarities to the American historical context. I’ve never been much of a fan of historical fiction, but I do appreciate explaining the events of the past through the lens of magical realism or fantasy. It’s likely why I’ll keep reading this series for the time being. At the very least, I’m curious how Alvin will grow from here, as he’s developed into a strong character who can basically do anything he wants.

A magical take on addressing the racism of America’s past, I give Prentice Alvin 4.5 stars out of 5.

Imagine a world where Amazon controls pretty much everything (its really not hard to do, right?). They are the only large employer, and they have managed to put just about every other retail company out of business. Most folks who need employment have to head to their nearest Cloud center (Amazon = Cloud), apply, and hope against hope they are accepted. This is the fate of our two main protagonists, Zinnia and Paxton. Paxton wants more than anything to keep his head down until he can get patent money for his invention, a business that was going well until Cloud forced him out of business. Zinnia’s reasons for working at Cloud are a bit more inspired (it would depend on your perspective) as she’s been hired to try to take Cloud down from the inside. As Paxton and Zinnia are thrown together, both will come to realize that the Cloud was more insidious than they thought and they’ll have to sacrifice more than they’re comfortable with the bring it down.

I read this book right after watching John Oliver’s sendup of this sort of corporate culture and dang, Rob Hart did his research. His version of Amazon matches quite closely with what Oliver presents as the actual version of Amazon. I mean, it’s not great. Its really fascinating to read this near-future take on what Amazon and their ilk could mean for our country and economy as, like I said, this is a future that is really easy to imagine.

The book takes turn between Zinnia, Paxton and Gibson Wells’ (think Jeff Bezos) narratives. The characters are believable and likable enough (save Wells, but that’s obviously intentional) that I was not overly fond of one perspective over the other and never found myself racing through one perspective to get to a different one. Nonetheless, the book ends up being a quick read. It was sort of John Grisham meets Brave New World, and I was not mad about it. It’d make a fantastic movie, and clearly someone agrees with me as the author thanks Ron Howard and Bryan Glazer in his afterword.

If you are looking for a quick summer read that’ll make you think (but not too hard), this dystopian thriller will suit your needs. 4 stars – I really liked it!

Thanks to Crown and Netgalley for the free eARC which I received in exchange for an unbiased review. The Warehouse will be release on 20 August, and you can put your copy on hold today!

Max Brooks is an agent of the United Nations, tasked with collecting the stories of those who lived through the Zombie War. Having broken out when a young Chinese boy was bitten while swimming, it spread through illegal organ and human trafficking, hidden by governments, until a massive outbreak occurs in South Africa, shining a light in a plague that would bring humanity to the brink of extinction. Max Brooks’ World War Z chronicles the stories of people from all walks of life, from military scientists, to blind old Japanese men, to astronauts aboard the ISS, and their stories of how they survived the terrors of the assault of the living dead.

Fahrenheit 451 is a classic book that most people have heard the title of. With a similar style to Aldous Huxley’s “Brave New World”, Fahrenheit 451 takes the reader into a future where books are outlawed and the people of this alternate future are basically mindless robots. The people of this future have an intake of mindless media that even surpasses that of us currently. The main character is a firefighter but different from what we are used to. These firefighters fight with fire, burning houses and books if they are found since they are against the law. But soon after meeting a girl who does not conform to this society’s media consumption, the main character begins to rebel and go against the norm. Fahrenheit 451 is a spooky prediction of what the future will hold and after reading it, I can already see us as a society heading on this path. A truly incredible read, Fahrenheit 451 is a novel that cannot be missed.

I originally purchased Fahrenheit 451 because it was an option on a summer reading assignment; the book seemed interesting based on the description but it wasn’t a book I would normally pick up. Fahrenheit 451 takes place in a world where firefighters no longer put on fires but burn books. Guy Montag is one of these firefighters though he has never really considered why he became firefighter or why books are burned. On his usual way home Guy meets Clarisse, a young neighbor, who is curious about why thing are how they are.
Clarisse asks Guy why he became firefighter and if he has read a book. While at first Guy finds Clarisse’s curiosity foolish, he begins to realize he had been a the fool all along. This book has been eye opening, I have never thought about the subtle censoring in books, and the way many things are mindless, pointless, and short. While with many books are so action packed you can’t put them down, this is not the case with Fahrenheit 451. With this book I was able to slow down, imagining everything detail, and just think about the theme. This book is a classic for a reason, the message is meaningful. The events that created the setting of Fahrenheit 451 seemed a little too relatable, and it really got me thinking about censoring in our society. This on the shorter side and it is definitely worth your time.

Continuing from the previous book in the Alvin Maker series, Red Prophet flashes back and shows certain events from a different point of view before driving forward into some fascinating alternate history. I continue to enjoy the fantastical elements brought into American history, even to the point of explaining how certain famous historical figures were the way they were. Although, if you know enough history, you’ll realize the fates of some of the characters presented in Red Prophet (William Henry Harrison, for instance) might not need the foreshadowing missing from this text.

While Seventh Son managed to set up this alternate history and establish some of its rules, Red Prophet delves into the action and excitement that comes from some of the more “kinetic” talents of these characters. Once the plot catches up with where Seventh Son left off, I was hooked. The interactions between Alvin and the Native Americans were quite interesting, and I found everything up until the climactic battle to be top-notch storytelling. Sure, it took a little while to get there, having to first set up the eponymous “Red Prophet” and his powers of observation, but it was worth it in the end.

My one qualm with this book lies in some of its more peculiar metaphor, allegory, and allusion. Near the end of the book, several scenes and sections feel entirely disjointed from the narrative. Perhaps they were to serve some “higher purpose” to lay out the moral of the story—or even the series as a whole. These scenes had characters who suddenly were ripped out of their normal behavior and put into a completely different context. And for what? To show that the history of the Native Americans is rich and varied while also infused with war and darkness? There had to be some other way to convey this than the way it was done here.

An action-packed follow-on to Seventh Son that gets a little too “heady” at times, I give Red Prophet 4.0 stars out of 5.

Having loved Orson Scott Card's Ender Saga, I decided to start into another of his series, Tales of Alvin Maker. I was used to his science fiction writing, so I thought it would be interesting to see how he handled semi-historical fiction. For the first book in a series, Seventh Son certainly has its strengths and weaknesses. It’s clear this book came on the heels of the Ender Saga, as there are a lot of parallels between characters and motifs that I just couldn’t ignore. Not that that’s necessarily a bad thing by any means.

While the history of colonial America is the setting of Seventh Son, the fantasy elements added to it made for an interesting read. I did appreciate the distinctive “good vs. evil” conflict between the Makers and the Unmaker, even if it’s a little too tried and true. At the very least, while the religious characters had some amount of strawman characterization set against them, they were well rounded enough not to make the whole story seem too anti-Christian. They weren’t necessarily the enemies, but their ignorance factored into the enemy’s tactics.

Perhaps the little snippets of American history sprinkled throughout this book were what intrigued me the most. Sure, the superstition and “magic” involved in creating an alternate timeline of history made quite a bit of sense. However, without at least a cursory knowledge of these events and historical figures, then readers could potentially miss a lot of substance. As with the Ender Saga, Card uses his writing to dive into different theologies and philosophies that do more than merely entertain. The fact that books like this can be thought-provoking through solid characters is a testament to his talent as a writer.

An adequate start to a series with plenty of potential, I give Seventh Son 4.0 stars out of 5.

Guy Montag, a fireman who lives in the future where all books are banned, is required to burn them all. Guy then meets a strange girl who explains how books aren't so bad. He begins to spend more time with her and as more fire calls end up worse and worse, his point of view on books is eventually changed. Guy becomes a rebel to the fire company, as he tries to stand up to what is right. He later meets with an ex-professor who helps him generate a plan. Will he succeed? Read this book to find out. I would recommend this to anyone who wants to read about an alternate point of view on the future and readers who like technology as well as robots.