Book Reviews by Genre: Fiction

I love Stef's unique point of view and how her dad named their truck "Tia Perla". It taught me a little bit more Spanish, and I love the out-of-the-ordinary sort of feel with the different culture. I would say it was definitely one of the best books I've read.

The moment the best friends saw each other Bean and Ivy knew they would never be friends but when Ivy finally came to Bean's house, they become friends. I liked this book because it teaches us how to become friends.

:)

the book is very adventurous and has lots of twists and turns

“A Game of Thrones” by George R.R. Martin tells the tale of various clashing households and their quest to conquer control over the seven kingdoms. Set in a distant, but vaguely familiar medieval-Europe, the story bears parallels to England’s “War of the Roses,” while also introducing its share of unique fantasy elements. As the reader progresses through the book, they follow the politics of the Iron Throne- a metaphor representing the complete and utter control a King possesses in a feudal government system. Furthermore, the reader tracks 8 character perspectives, which are alternated through passing chapters.

As the King rides north to Winterfell to meet with his trusted vassal, and friend, Eddard "Ned" Stark, he strikes up an agreement to anoint Eddard as the hand of the king. Reluctant, Ned follows the King back to the South, but as the plot continues to unfold, Eddard learns of a secret unbeknownst to the King and some of his most trusted advisers. With the death of the King and the ruin of Eddard’s house, war rages in Westeros- as several characters attempt to strike their claims on the Iron Throne.

I initially picked this book up after finishing J.R.R Tolkien’s, “Lord of the Rings” series and have been pleasantly surprised with it. Many fantasy readers have speculated that the literary masterpiece of Tolkien’s novels could not be out done, but I am now inclined to disagree. I thought the book was well-crafted and engaging as an intermediate to advanced reader. However, I would file the complaint that the book moves a bit slow for my taste. Some may lose interest in its plot, especially considering the sheer volume of the book series. The old-language also adds to this effect, as it may cause some readers to struggle following along.

Overall, I would say that this book is certainly worth a try for someone who enjoys medieval-fantasy novels. Admittedly, it will take a while to read and is certainly no small undertaking, but by sticking with it, I found myself enjoying every page more than the last!

Grade 10

Though the first few words may not catch, they give way to a great plot that makes you want to read more. With a captivating new view on why cats behave the way they do, this book makes a great start to the group of series that make up Warrior Cats. This book will appeal to animal fiction fans, cat lovers, and others alike!

After Dan Brown’s previous entries in the Robert Langdon series had covered the Illuminati and the Catholic Church, respectively, his next target in The Lost Symbol was the Masons. Unfortunately, as both National Treasure (2004) and its sequel, National Treasure: Book of Secrets (2007), were released before this book came out, the setting and concept seemed derivative in The Lost Symbol. Especially with the focus on the Masons’ “treasure” for the better part of the book, I was half expecting the chase to be on a larger scale than just hopping from one Washington D.C. monument to the next as the puzzle unfolds.

In a bit of a combination of Angels & Demons and The Da Vinci Code, The Lost Symbol combines the exciting twists of uncovering the secrets of a Masonic pyramid with the pseudoscience of Noetics. Of course, the plot could have omitted everything about Noetics, and it would have stood just fine on its own, so I question why it was even needed at all, except for some familial drama and a series of wordplays near the end of the book. In my mind, the puzzle-solving element brought over from The Da Vinci Code was much stronger than the “science” brought over from Angels & Demons.

As for the book’s antagonist, I initially felt he was merely formulaic to the other enemies from previous Robert Langdon books. After all, when you have a self-motivated Illuminati Agent in Angels & Demons and an albino religious zealot in The Da Vinci Code when you have a tattooed Masonic muscleman as the antagonist in The Lost Symbol, you start to see the similarities. At least this time the antagonist had a great twist near the end. However, like some of the other “twists” in this book, if you were paying close enough attention, you would have figured it out before its reveal.

A procedural combination of the previous two books in the Robert Langdon series, I give The Lost Symbol 3.5 stars out of 5.

In Princess Academy, Miri, a girl from Mount Eskel, competes in a mandatory royal preparation academy. Her life completely changes when she starts to smell danger. Indeed, her once-small town is now the target of disaster. She must team up with her fierce competitors from the academy to save their own lives, the academy, and the lives of everyone on Mount Eskel.

This book is nothing if not charming. I loved the characters, and the plot was well-developed. The setting was perfect for the events that transpire, and I would strongly recommend this book, as it is a great light read.
Reviewer Grade: 11

Shakespeare's Othello is about a Moorish general for the Venetian army, Othello, who falls in love with a Venetian lady, Desdemona. Unfortunately, Desdemona's father is very racist and sees Othello as vermin when he finds out they're in love. Being Shakespeare, this book is very tragic.

Though this play may have been well-written, I don't have much else good to say. The plot is extremely simplified, and the characters are infuriatingly stupid. This book is not a boring read, but it is also in no way interesting.

The characters are not very developed, relatable, or lovable. This dramatically stunts this play's ability to be tragic. Needless to say, I am not a huge fan of this book, but there were some good things about it.
Reviewer Grade: 11

What a fabulous beginning to a fabulous series. Todd, the 13-year-old main character, has lived in Prentisstown all his life, but he soon discovers he knows nothing about the city at all. In fact, his whole life has been a lie.
As Todd and his dog, Manchee, run from the dangerous truth, more and more of Todd's presumptions about the New World are busted. This book is gripping, enticing, and heartbreaking all at once. I adore all the characters, and after having read the entire trilogy, I feel as if I know the characters like siblings.

However, there is one problem for me with this book. One of the antagonists is extremely exaggerated, to a point that it almost seems goofy. This interrupts the heroic and innocent tone. Despite this, I would absolutely recommend this book; you will be immediately sucked in to Patrick Ness's world.
Reviewer Grade: 11

Miss Peregrine's Home for Peculiar children focuses in on a teenager trying to uncover the mysteries of his grandfather's life. Common sense makes Jacob want to believe that though his grandfather's experiences were horrible and gruesome, they were in no way magical, or 'peculiar.' However, a series of mystical photographs and eerie stories from his grandfather convince him that there was something strange about his life after all. This book, with a tone reminiscent of Harry Potter, takes us on Jacob's adventure to find out the truth. It is fascinating, intriguing, and makes the reader fall instantly in love with all of the characters. This was a very fun read.
The one thing I did not like about this book was how unrealistic it is.
However, this is very much personal preference. It tilts slightly towards fantasy, a genre with which I am very picky. Nonetheless, I thought it was very well-written, and I will most likely read the following books after having read this one.
Reviewer Grade: 11

I first picked up this book expecting a lot. I was not disappointed. The Maze Runner is about a group of boys stuck at the middle of a dangerous and foreboding maze in a synthetic world. This has been the same for as long as the oldest ones can remember, but upon Thomas's arrival to the maze, strange things begin to happen. This book is full of twists and turns, and Dashner writes with an amazing aptitude for suspense and surprise. I have not read the following books yet, but I intend to, as this book was more than worth reading. I strongly recommend it, as it is powerful, suspenseful, and just downright intriguing. As of right now, it is one of my all-time favorite dystopians.
Reviewer Grade: 11

Best book ever

Very interesting way to add characters to the series and there is lots of adventure in this book. It really pulls on the heart-strings, and you go thru a rollercoaster of emotions. Way more in depth than the movie.

Back in the zombie heyday of 2009, the idea of combining one of the most feminine pieces of literature with the oft masculine-marketed gory violence seemed like an interesting idea. I, for one, didn’t particularly care to read Jane Austen’s Pride and Prejudice , but this take on the romantic classic certainly piqued my interest. Because of the addition of zombies to this plot, I was impelled to read this story to see how these drastically different archetypes were combined. I certainly wonder if the book would have been more enjoyable if I had read Pride and Prejudice beforehand, or if I would have remained far abreast of it altogether.

Partly due to the severe dichotomy of the original story and the zombie additions, there were certainly moments where I could tell what segments of Jane Austen’s plot were modified to fit the new, apocalyptic sensibilities.
The two concepts worked together somewhat, occasionally adding action to a scene that would have likely been boring in its predecessor, but in maintaining the story and outcomes of the original, the whole experiment didn’t quite “gel” as it could have. Perhaps the addition of the prequel and sequel to this book helps to round out these distinct edges, but I have yet to read those books yet.

When it comes right down to it, I struggled to get through this book. With the language and verbiage retaining is feel from the original, the archaic nature of the dialogue was not as easy to read as I would have hoped. In the end, I was practically just reading Pride and Prejudice, but occasionally “changing the channel” to a zombie film whenever anything became boring.
I applaud Seth Grahame-Smith for following through on this ambitious idea, but it almost seems like anyone could easily merge zombies to a romantic classic if they maintain the majority of the source material.

An intriguing idea that never quite fully “connects,” I give Pride and Prejudice and Zombies 3.0 stars out of 5.

Despite struggling through both Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters , I was pleased to find the most lengthy of these “monster classics,” Android Karenina, was a fast and engaging read.
If anything, it proves to me that I can’t grasp Jane Austen’s writing style nearly as smoothly as I can Leo Tolstoy’s. Part of the ease of reading Android Karenina probably came from knowing the original plot ahead of time a little better than I did for Pride and Prejudice and Sense and Sensibility . And yet, the real reason is more visceral than that.

What Android Karenina’s predecessors attempted was to take two vastly different genres and mash them together in the hope that the combination would interest readers. Where Android Karenina succeeds where the others have failed is that the addition of the steampunk/science fiction genre enhances the story. Adding zombies or sea monsters to a romantic story to liven up the boring sections merely accentuates where these boring parts are. When the robotic-themed changes to a piece of classic Russian literature directly enforce the overt themes of the rise of communism, then the story becomes much more compelling.

Granted, some of the source material can be easily implied past the steampunk coverings, but that’s always been the case with these “Quirk Classics.”
At the very least, the pacing of this story kept my interest throughout and rarely dragged itself down via the “drama” of aristocratic gossip and endless discussion of potential marriage partners. But again, this is likely the outcome of adapting Leo Tolstoy instead of Jane Austen. After reading this book, I certainly want to go back and read the original Anna Karenina , even despite the hefty page count.

An enhanced version of Tolstoy’s original in more ways than one, I give Android Karenina 4.0 stars out of 5.

A coworker of mine suggested this book to me a few months back. The title sounded interesting, so I put it on my Overdrive wish list and waited for it to become available. Both he and I have a somewhat thorough understanding of Japanese culture, so once I got into this book, I found myself imagining it as an anime. Of course, because The Wind-up Bird Chronicle was originally written in Japanese, there are plenty of cultural idiosyncrasies that might be hard to understand from a different cultural viewpoint. At times, the content is a bit weird, the sex awkward, and the violence strangely surgical.

What was quite refreshing with the narrative in The Wind-up Bird Chronicle, was its timelessness. Written in the early 1990’s and set in the mid-1980’s, only a few technological items (i.e. a land line, an early computer, etc.) haven’t held up well over time. Everything else about the story is so character-driven that it could probably happen at any time. These characters are odd, to say the least. From psychic sisters named after Mediterranean islands to a wealthy perfectionist mother and her mute son, many of their sub-plots do end up tying together in the not-so-surprising ending.

As a “chronicle,” the book does feel episodic at times, hence why I imagined it as an anime. Because I have seen a lot of anime, the content of this book didn’t surprise me. There’s some weird stuff out there, and Japan seems to create quite a bit of it. While the sex and violence might be off-putting to some, it’s not necessarily erotic or graphic in its presentation; it is merely a fact of life. A strange life, to say the least, but a life nonetheless. Parts “slice of life,” “harem,” and “psychological thriller,” in terms of genre, The Wind-up Bird Chronicle is an excellent book for anyone already accustomed to Japanese storytelling.

A prime example of an almost “standard” Japanese plot, I give The Wind-up Bird Chronicle 3.5 stars out of 5.

After struggling my way through Pride and Prejudice and Zombies, I thought perhaps the next entry in the “Quirk Classics” line of books would be better. After all, it had a new co-author (alongside Jane Austen) and replaced the almost cliché zombie trope with the lesser-seen sea monster framing. Unfortunately, I once again found myself struggling through the archaic language of Austen’s time. Not only that, but I felt there was far too much talking and way too much nonsense, and that wasn’t even about the sea monsters. I’m starting to suspect that I just plain don’t like Jane Austen’s writing.

Half of the book is practically filled with young women swooning over eligible bachelors, learning that these bachelors are engaged or married, and then becoming depressed because of this revelation. If they spent less time gossiping and more time communicating, perhaps they wouldn’t have these problems. Of course, I realize that this was probably an artifact of the era in which the original Sense and Sensibility was written, but it all seems pretty “senseless” if you ask me. Speaking of senseless, this book certainly delivers on a lot of it, when it comes to the violence of the sea monsters.

As was the case with Pride and Prejudice and Zombies, I feel Austen’s prose holds back the potential for a much more interesting story. Practically steampunk in its underwater cities and rudimentary diving systems, if this book was an original story, I think it would have been much more interesting to read instead of having to slog through another Jane Austen novel. Of course, most people probably wouldn’t have picked up such a novel, because they wouldn’t know what it’s about. Modifying a Jane Austen story merely gets readers in the door, but it seems like a lazy solution to gain sales instead of a way to create an engaging narrative.

Another attempt at fusing Jane Austen with unnecessary violence, I give Sense and Sensibility and Sea Monsters 3.0 stars out of 5.

I don't know, maybe it's because I was reading this out loud to my daughter, but I just don't see what all the hubbub is. It was heavy-handed to me. There were some sweet spots, but overall I was underwhelmed.

Once again, I find that the source material on which a famous movie is based is equally as good and equally as famous. What strikes me as interesting is that the quick turn on some of these literary masterpieces from page to screen has largely remained unchanged. Gone with the Wind only took three years before its film debut, The Martian took four years, and Psycho only took one. Clearly, these stories are practically screaming to be made into movies, and most have done quite well as the cultural icons of their age.

Of course, having already seen the film on which this book was based, I was well aware of the twist ending. Nevertheless, reading through this book was almost enhanced by this a priori knowledge as one would probably not have guessed the twist if they were reading it for the very first time. There are just little hints here and there that something is off, but it’s not until close to the end that we find out that everything is not as it initially seemed. Even the visuals provided in the film version helped to aid my imagination in establishing the setting and characters.

And yet, as there always is, there are some differences in the book that did not make it into the movie. I wonder if Norman Bates was made a lot slimmer in the film partly due to Hitchcock’s portly frame. In the book, his overweight body adds a layer to the character (both literally and metaphorically) which helps flesh out (Har har. OK, I’ll stop) more of the explanations as to why Bates ended up this way. Much like One Flew Over the Cuckoo’s Nest, being able to get into the mind of Norman Bates was a fascinating examination of someone with a severe mental illness.

A fantastic read equally on par with the Hitchcock classic, I give Psycho 5.0 stars out of 5.