As I’ve been working my way through Ian Doescher’s Shakespearean adaptations of pop culture movies, I think I’ve hit the point where the novelty has worn off. For whatever reason, I didn’t feel like The Force Doth Awaken had the same charm as other entries in this quirky mash-up series. I have a sneaking suspicion that this may be due to one of two factors: 1. The newer movies have more “modern” dialogue that seemed as if it was directly plopped into the Shakespearean format, or 2. The original trilogy had more time to be ingrained in my psyche, and the translation to Shakespearean felt appropriate.
I don’t want to downplay the novelty of this adaptation, though. The voice acting is still superb, and the sound effects add a little something extra that immersed me as I listened to this audiobook. Plus, it’s not like these books are that lengthy anyway. If anything, I’m out a little over an hour of my time to listen to it (since I listen at 2x speed). I did appreciate that Chewie finally received the internal monologue that R2-D2 originally had since these un-translatable individuals still have something to add. I was, however, disappointed that BB-8 didn’t have the same treatment.
One of the other factors with this “translation” that I wasn’t too keen on was the meta aspect that kept winking at the reader and saying, “See? Do you get that reference?” I understand that everything exists in the Star Wars universe, but I think most people who will pick up this book will already know those references anyway and don’t need the coy allusions to other parts of the series. Of course, I’ll still end up listening to the rest of these when I can get them from my library, but The Force Doth Awaken felt like a low point (at least until I get into the prequels).
An almost too modern and meta Shakespearean adaptation, I give The Force Doth Awaken 3.5 stars out of 5.
In yet another case of watching a movie first before reading the books, I finally got around to reading Mortal Engines after absolutely loving the 2018 movie. While I understand middle-grade or Young Adult readers are the intended audiences, it left me wanting in its presentation. Sure, most of the elements that made it into the film were there (with some less-than-necessary parts being cut from the screenplay for obvious reasons), but the way it was written felt a bit too flowery for my tastes. In fact, the engineer in me would have loved a lot more world-building than I got in this short volume. I did still appreciate the post apocalyptic steampunk world of Mortal Engines—if for no other reason than its ridiculous premise. The idea that whole cities would transform into moving monstrosities that devour lesser towns in a “predator and prey” relationship is such an intriguing notion that I had to give it a chance. Even if I don’t expect there to be movies to finish out the adaptation of the quartet of books, I can definitely look forward to exploring the rest of this series to have my world-building needs satiated in the next volume.
While the young protagonists were flat and singularly minded, some of the adults had enough meat on them to make their actions reasonable and realistic. Sure, there are always going to be clichés in stories meant for younger audiences. However, I don’t usually tolerate character-based clichés as much as I do plot-based ones. And while the writing certainly had a creative bent to its vocabulary, it became tiresome having to sit through it for a whole book. Purple prose is good in short bursts, but too much of a good thing can ruin the immersion of the reader.
A fantastic idea with semi-flat characters and far too flowery language, I give Mortal Engines 3.5 stars out of 5.
Onyii and Ify live as sisters in an all-girls refugee/war camp on the edge of the Redlands, an area riddled with radiation from a long-ago nuclear disaster. Nigeria, their home, is in the midst of a civil war. Children are conscripted as soldiers and pilots for mechanized warrior robots. Onyii and Ify are separated, and as truths are revealed to each of them, they must decide where, and with whom, their loyalties lie all while trying not to die a terrible death in a bloody civil war.
Going into this, I knew nothing about the Nigeria - Biafran civil war of the 1960s, which is at the heart of this novel. Personally, I enjoy learning about parts of history that I know nothing about (I typically don’t gravitate to one of the 1,983,784,767 WWII novels, for example), and I really enjoyed the unique setting. The book is set in the future, and the futuristic elements really added a lot to the plot and were well employed by the author. Onyii, for example, is an Augment, meaning that she’s a little bit of a bionic woman. While I didn’t really relate to the main characters, I did really like them. They didn’t always make the best decisions, but their decisions made sense to their characters and their respective arcs. They were easy to root for. Really, my only complaint was that it felt overlong, and I skimmed through some of the battle scenes, but that’s more a matter of personal preference.
TLDR: Looking for something to read after Children of Blood and Bone? You’ve found your next great Nigerian inspired read! (And, honestly, if you haven’t read Children of Blood and Bone but it’s on your TBR, I’d suggest replacing it with War Girls, which is a much more original, engaging book). For readers who like apocalyptic novels and futuristic sci-fi battles. 4 stars.
Thanks to Netgalley and Razorbill for the eARC which I received in exchange for an honest review. War Girls will be available for purchase on 15 October, but you can put your copy on hold today!
"Mirage", an immersive and captivating book, tells the story of a girl stolen from her home to become identical stand-in for an intergalactic princess with a target on her back. The main character Amani is a simple and traditional girl who is kidnapped and tortured for the soul fact that she looks exactly like the hated princess of the galaxy. An incredibly intriguing story about self, love, and revolution, "Mirage" captures the conflict of learning to love someone you shouldn't and coming to love the person who enslaved you. "Mirage" incorporates South-East Asian culture along with subtly hinting at the tensions between Europeans and South-East Asians. A beautiful book, "Mirage" is certainly a great read if you want a beautiful and empowering story.
Sequel to "H2O", "The Storm" continues the story of a newly distopian Earth where the rain kills. This book focuses on the bonds of family in crisis, or lack thereof, and the pursuit of survival. Like "H2O" I would call "The Storm" a dystopian thriller with a hint of romance. Not only are all the characters in peril, but they are on their own without any governmental aid.
Truly a fascinating story that will make you uneasy around water.
I can honestly say that this book is my favorite book that I have ever read.
The selection is a book about a class system that divides society into groups within a monarchy. However, the extremely handsome Prince Maxon is holding a selection process to find his next princess. Thirty-five girls from all classes are selected to stay in the palace with Maxon for a chance and being his wife. America Singer is from one of the lowest classes, but by staying true to herself and never conforming to the Prince’s wishes she catches his eye. After a spark ignites in and Maxon falls in love with America, he struggles to decide if she will be suitable for the kingdom and fit to rule by his side.
Reviewer Grade:12
Michael Grant continues his dystopian world of the Gone Series in this epic third novel. The world of the FAYZ falls apart even further as the war between Zil's Human Crew and the Freaks continues. Adding to the mix is Caine and his crew who search the islands for food. Finally, Sam's worst fear comes back to life, Drake. Is it just a figment of his imagination, or could the demon really have returned? Lies is full of twists and turns. Grant shows us that everything is never as it seems.
With this book full of action and suspense, Brandon Sanderson incorporates sci-fi with drama and it comes together like a peanut butter jelly sandwich with milk. In a world of superhuman beings called Epics, David, an orphan living in Chicago, tries to survive where Epics roam rampant. Steelheart, the tyrant, controls all Epics and every part of the city; water, light, and law enforcement. The only part that isn’t controlled is the Reckoners who try to take out every Epic while being anonymous and secret. David, inspired by the Reckoners, soon finds himself part of the battle against the Epics. With this action-packed thriller, will David and the Reckoners take back Chicago or will the Epics be victorious?
Reviewer Age: 15
It’s been a while since I’ve read a fantasy book with such a unique magic system in place. I truly enjoyed the amount of thought that went into a world where the main source of power was that of the earth itself. From magma to solid obelisks, the ability to control the vibrations of the planet (either to amplify or dampen) had an interesting and logical follow-through in its characters and storyline. I’m honestly looking forward to eventually starting the next book in the series since the world was built so well. It’s no wonder that it ended up winning the Hugo Award for that year.
While I suppose The Fifth Season is also partly a pseudo-post-apocalypse story, it was only shown in small snippets and references here and there. Consequently, this would make this story almost “modern fantasy” in comparison to some of the classics. Additionally, this would explain some of the character elements added with little to no explanation or relevance to the plot. It sometimes seems like the sexual encounters and fluid genders of these characters are included o merely hit a checkbox of “inclusivity.” Sure, people who relate to these characters feel like their represented, but if these traits don’t affect the plot, then it doesn’t matter about their sexuality at all.
I also found the bold choice of second-person POV to be a bit jarring when it spliced in the more traditional third-person narrative. Initially, I thought these segments were striking in the way that it pulled me into the story. That was until I was given a name and a purpose and any number of other traits that made the “you” in the story into a character that was basically repeated throughout. I get how these different characters interacted to tell a much broader story (which is again, part of the book’s strength) I just didn’t care for the reader’s identity to be given to them via the second person POV.
A uniquely written and crafted fantasy with one or two minor flaws, I give The Fifth Season 4.0 stars out of 5.
Having already listened to the audiobooks for the Shakespearean versions of the original Star Wars trilogy, I was curious to see how another beloved pop culture film would fare with the treatment. Get Thee…Back to the Future! had a bit more of a challenge when compared to the Star Wars stories. First, as the plot is set in (relatively) modern times, much of our technology had to be “explained” in Shakespearean format (e.g., a car is “a horseless carriage born on fumes of gas and flame”). At least the Star Wars stories seemed to fit in the Shakespearean timeframe a little better.
Despite this clash of modern and medieval, the transformation into Shakespearean form does end up working. I’d probably compare this to some of his comedies like The Taming of the Shrew , Twelfth Night , and Much Ado About Nothing , if for no other reason than the comedy of errors involved with Marty being hit on by his mother. I did appreciate some of the more heady references that were thrown in to make it seem more akin to something from Shakespeare’s era (the constant oedipal references were foremost among them).
One thing that seemed to be missing from the audiobook version of this was the sound effects and music that helped accentuate the Star Wars stories. Granted, Back to the Future didn’t have much in terms of sound effects. However, the music is iconic enough that it would have made a welcome addition. And by music, I mean Alan Silvestri’s score, since all the “pop songs” were addressed in the narrative and motif. Either way, it’s a short read and a fun little experiment to see how the “father of modern drama” can enhance (or ruin, depending on your tastes) our modern favorite films.
The Shakespearean comedy I didn’t know I needed, I give Get Thee…Back to the Future! 4.0 stars out of 5.
Tess is a time traveling member of the Daughters of Harriet, a group that does it's best to make their present time, 2022, a safe place for women, whether cis or trans. There's a men's right's activist group from further in the future trying to undermine their efforts by erasing the Daughters of Harriet and women's rights folks from the timeline. Meanwhile, in 1992, teenager Beth, a friend from Tess' past, finds herself in a bit of a pickle. She and her friends kill a boy who was in the process of sexually assaulting their friend. This starts the girls down a murderous path that Tess will do her best to stop.
For the most part, I enjoyed this book. I usually enjoy time travel, unless its being used as a cheap plot device which was definitely not the case here. Newitz did a lot of homework for this one - the historical notes at the end were really interesting and trips to the past often include historical figures. The story alternates between Tess and Beth with a few other perspectives thrown in on occasion. Tess mainly splits her time between the late 1800s (easily my favorite parts), the early 1990s and her present in 2022, while Beth's story is firmly situated in 1992. While I enjoyed both stories, I never really felt compelled to read the book. Both perspectives were interesting, but not captivating or thought-provoking (though I suspect the book will provide plenty of thinking material for some readers). As a result, certain plot points felt unnecessary and the book felt overlong. I really hated the way Tess' story ended. Nonetheless, its an enjoyable read that makes a great point (women are people too, who knew?) that I would recommend to science fiction readers that are interested in women, women's and LGBT rights. There's also quite a bit of 90's punk rock that readers of a certain age will love. The ending is also quite optimistic, which I wasn't expecting, but did welcome.
TLDR: The Future of Another Timeline is interesting book full of time travel shenanigans that is plagued by the same issues that all time travel book face. Ultimately, while the book was fun, feminist and full of salient social commentary, it wasn't compelling.
3 stars - I liked it.
Thanks to Netgalley and Tor for the advance copy which I received in exchange for an unbiased review. The Future of Another Timeline will be available for purchase on 24 September, but you can put your copy on hold today!
In the near future, an app called BLINQ tracks all social media usage and amalgamates posts from a number of platforms. On BLINQ, you can vote to condemn a person for their social media output – if a person’s condemns to likes ratio gets out of balance, they’ll find themself condemned in real life. For example, a person who ignominiously dumps their partner on Facebook might find themself getting physically dumped in the trash. The punishment is designed to fit the crime. Called the Hive, its something our lead Cassie loved to participate in – until all of a sudden, it wasn’t. After a racy tweet, Cassie finds herself the target of the Hive, but her punishment is more severe than all that have come before it: death.
This was a fast paced, enjoyable dystopia which was a good change of pace from my normal fare of fantasy. I think teens are going to love it. Aside from a few horrendous decisions, our lead Cassie is likable, smart (ostensibly, anyway) and her experiences navigating a new high school will resonate with teens. As Cassie spends most of the book running for her life, it will definitely appeal to thriller fans or those that need their books to be very plot based. I read the book in a day or two even though I had a good idea of how it was going to play out. Little attention is given to the supporting characters, though the book did also present a few chapters from Cassie’s mom’s perspective, which I loved. The authors did a great job portraying a somewhat fraught mother-daughter relationship. There’s though-provoking, if heavy handed, social commentary to be found as well, and I think this book will stick with some readers long after they've turned the last page.
Ultimately, though, the book had what I’m going to call the “Scythe” problem: the premise just wasn’t believable. The Hive was certainly believable – its basically a physical manifestation of the shame that we’re willing to dole out to strangers online (if you’d like a great non-fiction read on the topic, try So You’ve Been Publicly Shamed by Jon Ronson ). Did I for one second think that the first person to get the death penalty would be a teenage girl who tweeted something offensive? I did not. I had trouble getting over that.
TLDR: If you liked The Maze Runner, Divergent or yes, Scythe, you should definitely check out this thrilling dystopia.
Lots of teens will love this one, but it didn’t do it for me – 2 stars. It was ok.
Thanks to Netgalley and Kids Can Press for the eARC which I received in exchange for an unbiased review. The Hive will be released on 03 September but you can put your copy on hold today!
***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***
For a genre that’s usually associated with Japanese anime and manga, I haven’t seen many “mecha” novels (or movies, for that matter, with Pacific Rim (2013) being the only notable example). Consequently, when I received an advance reader copy of Mecha Samurai Empire, I was looking forward to reading it. While there were still a few grammatical and proofreading errors in this book—of which I’m sure have been fixed in the final version—portions of the plot didn’t sit well with me. My main qualm is the main character who really isn’t good at anything but still gets to pilot a huge and complicated piece of machinery just because he wants to.
A clear and obvious mix between The Man in the High Castle and Neon Genesis Evangelion, the few strong elements of this book were in the mecha battles themselves. The problem is that the references sprinkled throughout are so obvious (I had to roll my eyes at the Mega Man 2 reference) as to distract from the story. I don’t mind if other stories influence writers, but at least make their influence less obvious when crafting something “new.” At its worst, Mecha Samurai Empire holds to all the tropes and clichés present in mecha anime and manga. If you're into that kind of thing, this probably isn't a problem.
While I still enjoy the spectacle of giant robots fighting, a good story needs to come down to its characters. Since I didn’t particularly like the main character, I tried to grab onto some of the minor ones. Unfortunately, while some of the character arcs were highly predictable, most of the minor characters didn’t stand out either (and the one that did was super annoying). Just like Pacific Rim: Uprising (2018) made me lose faith that we’ll see live-action adaptations of mecha anime like Evangelion or Gurren Lagann, Mecha Samurai Empire shows we still have a way to go before novels of this genre are prevalent.
An obvious mashup with pretty good action, I give Mecha Samurai Empire 3.0 stars out of 5.
As I’ve been reading through the Tales of Alvin Maker series, I have found it interesting to see what big societal issues have been covered so far. While Seventh Son tackled religion and Red Prophet delved into politics and war, Prentice Alvin bit off a big chunk of racism and tried to address it in a way that’s half fantasy and half historical fiction. Sure, there’s still some semblance of the religion content present in this book that informs the racism dialogue. Still, these large issues end up taking a back seat to the more fascinating aspects of the titular character learning how to control his incredible powers.
In fact, this might be my favorite book of the series so far. It’s always more entertaining to watch a character come into the depth of their abilities, and Prentice Alvin has this in spades (both metaphorically and literally). While there weren’t many instances of Alvin directly being affected by a conflict that would require him to grow as a character, there were enough inevitable plot points that made me wonder how he would handle the situation. These twists helped to enforce the world-building that Orson Scott Card has excelled at for some time.
Perhaps the reason why I like this book as compared to its two predecessors comes down to how it focused more on the “magic” of this alternate history and less on the similarities to the American historical context. I’ve never been much of a fan of historical fiction, but I do appreciate explaining the events of the past through the lens of magical realism or fantasy. It’s likely why I’ll keep reading this series for the time being. At the very least, I’m curious how Alvin will grow from here, as he’s developed into a strong character who can basically do anything he wants.
A magical take on addressing the racism of America’s past, I give Prentice Alvin 4.5 stars out of 5.
Imagine a world where Amazon controls pretty much everything (its really not hard to do, right?). They are the only large employer, and they have managed to put just about every other retail company out of business. Most folks who need employment have to head to their nearest Cloud center (Amazon = Cloud), apply, and hope against hope they are accepted. This is the fate of our two main protagonists, Zinnia and Paxton. Paxton wants more than anything to keep his head down until he can get patent money for his invention, a business that was going well until Cloud forced him out of business. Zinnia’s reasons for working at Cloud are a bit more inspired (it would depend on your perspective) as she’s been hired to try to take Cloud down from the inside. As Paxton and Zinnia are thrown together, both will come to realize that the Cloud was more insidious than they thought and they’ll have to sacrifice more than they’re comfortable with the bring it down.
I read this book right after watching John Oliver’s sendup of this sort of corporate culture and dang, Rob Hart did his research. His version of Amazon matches quite closely with what Oliver presents as the actual version of Amazon. I mean, it’s not great. Its really fascinating to read this near-future take on what Amazon and their ilk could mean for our country and economy as, like I said, this is a future that is really easy to imagine.
The book takes turn between Zinnia, Paxton and Gibson Wells’ (think Jeff Bezos) narratives. The characters are believable and likable enough (save Wells, but that’s obviously intentional) that I was not overly fond of one perspective over the other and never found myself racing through one perspective to get to a different one. Nonetheless, the book ends up being a quick read. It was sort of John Grisham meets Brave New World, and I was not mad about it. It’d make a fantastic movie, and clearly someone agrees with me as the author thanks Ron Howard and Bryan Glazer in his afterword.
If you are looking for a quick summer read that’ll make you think (but not too hard), this dystopian thriller will suit your needs. 4 stars – I really liked it!
Thanks to Crown and Netgalley for the free eARC which I received in exchange for an unbiased review. The Warehouse will be release on 20 August, and you can put your copy on hold today!
Max Brooks is an agent of the United Nations, tasked with collecting the stories of those who lived through the Zombie War. Having broken out when a young Chinese boy was bitten while swimming, it spread through illegal organ and human trafficking, hidden by governments, until a massive outbreak occurs in South Africa, shining a light in a plague that would bring humanity to the brink of extinction. Max Brooks’ World War Z chronicles the stories of people from all walks of life, from military scientists, to blind old Japanese men, to astronauts aboard the ISS, and their stories of how they survived the terrors of the assault of the living dead.
Fahrenheit 451 is a classic book that most people have heard the title of. With a similar style to Aldous Huxley’s “Brave New World”, Fahrenheit 451 takes the reader into a future where books are outlawed and the people of this alternate future are basically mindless robots. The people of this future have an intake of mindless media that even surpasses that of us currently. The main character is a firefighter but different from what we are used to. These firefighters fight with fire, burning houses and books if they are found since they are against the law. But soon after meeting a girl who does not conform to this society’s media consumption, the main character begins to rebel and go against the norm. Fahrenheit 451 is a spooky prediction of what the future will hold and after reading it, I can already see us as a society heading on this path. A truly incredible read, Fahrenheit 451 is a novel that cannot be missed.
Michael Grant has written another thriller with Hunger. Continuing the story of Gone, everyone is still trapped inside of the FAYZ. However, a new enemy has filled the minds of every person: hunger. As they search for a solution to their hunger, Sam, Astrid, and the others must still resist Caine and the rest of his crew as well as a powerful being known as the Darkness.
Michael Grant keeps you in suspense throughout the entire novel and will leave you hungry for more. I highly recommend this book for any high school aged reader.
Michael Grant has renewed a classic for the next generation of readers. Gone has a very similar structure to Lord of the Flies but has enhanced the story in many ways. Gone presents added science fiction elements to the story that will draw in many readers and provides conflict that will force you to keep reading. I thoroughly enjoyed this book. However, some readers may find some elements of the story slightly disturbing. Therefore, I recommend this book for high school aged readers and up.
I originally purchased Fahrenheit 451 because it was an option on a summer reading assignment; the book seemed interesting based on the description but it wasn’t a book I would normally pick up. Fahrenheit 451 takes place in a world where firefighters no longer put on fires but burn books. Guy Montag is one of these firefighters though he has never really considered why he became firefighter or why books are burned. On his usual way home Guy meets Clarisse, a young neighbor, who is curious about why thing are how they are.
Clarisse asks Guy why he became firefighter and if he has read a book. While at first Guy finds Clarisse’s curiosity foolish, he begins to realize he had been a the fool all along. This book has been eye opening, I have never thought about the subtle censoring in books, and the way many things are mindless, pointless, and short. While with many books are so action packed you can’t put them down, this is not the case with Fahrenheit 451. With this book I was able to slow down, imagining everything detail, and just think about the theme. This book is a classic for a reason, the message is meaningful. The events that created the setting of Fahrenheit 451 seemed a little too relatable, and it really got me thinking about censoring in our society. This on the shorter side and it is definitely worth your time.