1984, written by renowned author George Orwell, a pseudonym for Eric Arthur Blair, follows the protagonist Winston Smith set in what Smith believes to be the 80s in London. In fact, Smith is not sure of anything anymore, definitely not the exact year or what happened to his family or who the mysterious dictator called Big Brother is or who his state is at war with. Eurasia, right? No, must’ve been Eastasia... All Smith knows are the mottos of each of the ministries that form the government in Oceania, where London is. WAR IS PEACE. FREEDOM IS SLAVERY. IGNORANCE IS STRENGTH. He is told what to think, what to say, and what to do for nearly every part of his life. His government banks on strict organization and dire consequences for disobeying the rules. 1984 is an interesting read that set the bar for dystopian novels, defining inefficient governments from real life examples.
The novel is more realistic being inspired by Orwell’s hatred for totalitarianism and the events of World War II. I recommend 1984 to anyone curious about examining different types of societies, their standards and how those effect the population. The novel is fairly political and examines rebellion, although not as face paced as typical young adult reads. 1984 allows for an in depth examination of the character’s internal conflicts, Winston is one of the more detailed and complex protagonists because there are many parts where he cannot he sympathized with due to his lesser characteristics. The setting is clearly presented in a more world-building way than just giving out straight information. I was especially pleased, surprised, curious, and angry throughout the progression of the story.
Overall, I did enjoy this book more than most others, but the fact that Winston does not form any significant relationships until the second part and is the primary person talking, I was relatively bored during the middle chapters.
Reviewer Grade: 11
Among one of the first Dystopian genre novels ever published, Aldous Huxley’s Brave New World questions the extent at which technology could potentially control society. Set approximately 632 years after the creation of the Model - T, a World State now controls society with the intent on eradicating personal thinking and individual creativity. With a new system called the Bokanovsky process, the World State utilizes the idea of Henry Ford’s assembly line to produce thousands of nearly identical embryos that will grow up to work for the State. All embryos are conditioned to be in one of the 5 castes: Alpha, Beta, Gamma, Delta, Epsilon; with Alphas destined to control the World State and Epsilons to perform menial labor. When Bernard Marx, Helmholtz Watson, and John decide that something is wrong within this “perfect” society, they take it into their own hands to expose the World State and stop this flawed Utopia. Huxley’s novel, written in only 4 months, is phenomenal because it challenges the ideals of the limits to which technology can override nature. With the novel being published in 1932, Huxley questions practices that were uncommon and unrealistic back then, but are slowly becoming a reality now as our society leans more and more towards technological innovations. I recommend this novel to high school readers, especially those interested in the Dystopian genre, since this is a perfect example of a Dystopian Utopia.
Reviewer Grade: 11
The Hitchhiker’s Guide to the Galaxy by Douglas Adams is witty, genius, and an example of common English humor: dry, but hilarious.
Seconds before Earth is blown away to make way for an intergalactic freeway, Arthur Dent discovers galaxies and planets, lightyears beyond his own. He hitches a ride with his best friend, Ford Perfect. Ford is a cleverly disguised alien, who has been stranded on Earth for the past 15 years as he writes a revised guide to the galaxy. Arthur and Ford happen to hitch ride with the most disagreeable and intolerable creatures, the Vogon. They are then discovered and thrown into the soul-sucking abyss of space. Seconds before they suffocate, Ford and Arthur are picked up by a recently stolen ship, stolen by the president of the galaxy, Zaphod Beeblebrox, and his girlfriend, Trillian. The ship is on an improbability drive, which is why they crash land on a long believed mythical planet, called the Heart of Gold.
The planet was in a hibernation-like state, and has only just awoken recently. Trillian, Ford, and Zaphod explore while Arthur meets Slartibartfast, who explains that the Earth was a test, run by mice, to discovery the Question of Life, since they know the answer is 42. However, Earth was destroyed seconds before test completion. Trillian, Zaphod, and Ford are captured by the mice and kept in a dream-like prison. That is, until Arthur is brought to the mice and the group is reunited. The mice explain that they are interested in harvesting Arthur’s brain as organic evidence.
So, naturally, the group manages to escape in the knick of time, avoiding both the mice and the galaxy police, who are searching for Zaphod.
Reviewer Grade: 7
When I picked up this book, I have to admit, I was surprised, because sci fy steam punk fantasy stories is not the type of book I usually read, yet it ended up being so much more than I had imagined. The Clockwork Dynasty is not just a book about a race of humanlike mechanical creatures or avtomats that secretly live among us and are fighting a war that has raged for centuries, but it’s a story about life and the constant search for meaning and purpose.
This book waffles back and forth between present day Orgon, Washington and other places, and the 1700’s beginning in Russia and taking the reader on a journey through history and time. And while this may bother some people, the non-linear storytelling I think, adds so much more to the book and allows the author to unfold the story in a deeper more meaningful way.
In present time it follows the story of June someone who has made a career in ancient technology, ever since an encounter she had a child with her grandpa changed her perception of the world and started her fascination with this avtomat technology. A couple years after her grandfather’s death she receives a avtomat artifact that will cause her to team up with an avtomat named Peter, launch her into a great adventure in the secret avtomat
world, and ultimately determine this race’s extinction or survival. In
the 1700’s it follows the story of brother (Peter) and sister (Elena) two humanlike avtomats that were resurrected by a Russian clock maker using something called an anime which serves as the Avtomat’s heart and soul. As they live through the years they spend it hiding their secret, trying to blend into society, and fighting a war that has been raging among their own race for centuries.
This story explores the character’s constant search for meaning in a way that is both at times sad and extremely insightful. In the book each avtomat’s anime is marked with a Pravda or a special word that is their bond and command. As long as they satisfy their Pravda, they are at peace, otherwise they suffer. In Peter’s case this word is justice. As the book progresses we see his idea of justice shift and change as he lives through the years. Through a fascinating inner dialogue, Peter perception shifts from gaining justice simply by serving rulers in war to something far deeper and more moving, as this quote, when he encounters a dying soldier on the enemy’s side in the battlefield, suggests:
“Once Pravda was clear to me. By obeying my emperor all was well. But what was simple is becoming complex. I can see no evil inside this grievously wounded man, only honor. And though no clockwork flutters beneath his throat, I can see the inevitable forces that led him here, through no fault of his own, fating him to die in the shadow of this crumbling wall.”
As the book progresses a new perspective of right and wrong emerges leaving him questioning not only who he is but why he was made.
Another major theme this story also explores is the theme of war. As Peter recounts from his past, countless experiences on various battlefields throughout his life, and in the present, his own thoughts on his own race’s war; the reality of war is pressed heavy on the reader making this book at times very depressing, sad, and dark.
This reality is made even more real by the moving prose and incredible worldbuilding that takes place throughout the book. Another reason I love this book is the incredible character development between Peter and Elena.
How she is treated by him as a little sister at the beginning of the book, and how he sees her changes through the book from a little girl needing his protection to a sophisticated, wise learned, woman who’s one desire is to make her own way in the world is absolutely incredible. Daniel H Wilson does an amazing job of weaving together past and present into an engaging literary story that has something for everyone. Thank you to Doubleday books and Netgalley for an e- ARC in exchange for an honest review!
Kathy isn’t a normal kid, and neither are any of her friends. They were all cloned, and someday, their vital organs will be harvested until they die. But for now, they will grow up in a secluded boarding school nestled in a corner of England, called Hailshem. Hailshem is idyllic: creativity is nurtured, friends are everywhere, and there are supported teachers. Kathy retells her experiences as she looks back on her life in preparation for her organ donations. And…. that’s basically it. It sounds like a really interesting concept for a book, but the author completely butchered it! His writing drags on and on, and completely bored me to death. If he had written it better, or if someone rewrites it, the book would be fascinating. But the writing style is so dreadfully dull. I warn you-- do not read this book! You will seriously regret it if you do!
Reviewer Grade: 7
What happened to the last expedition? Was the last expedition male? Where are the male of the local species? Is Jael the only male in the area? Has he created his own harem of native women, driving off the males with his pheromones?
I found this book on a must read list from NPR for 2017. It looked interesting and had a fascinating synopsis and review. I read it, liked the drawings and wanted to know who “Jael” was from the story. The last interaction between the women is about his criminal history. Aphra asks Sarai what it says and she responds with “It doesn’t matter.” However, I suspect it does, I think it had a direct impact on everything that occurred in the story. The author did a good job of “setting the hook” with that closure. Considering the dream fish sequence, I think it was intentional. As I reread the story a few more times, elements that seemed trivial began to come together and illuminate more of the story. I think it is worth a read, or several reads.
Most people know this book by its numerous film adaptations, including Invasion of the Body Snatchers (1956 and 1978), Body Snatchers (1993), and The Invasion (2007). In fact, I like to think that many facets of this story have become a part of popular culture, including the replication “pods” and Donald Sutherland’s scream in the 1978 film version. While the source material is inherently pulpy, a result of the genre and the era in which it was published, there is an entertaining quality to the story that has allowed it to survive for so long.
Simple in its execution, but brilliant in its reveal, The Body Snatchers builds up an inherent distrust of the people surrounding the main characters as they investigate why everyone seems “off” in this small, California town. While the full explanation of the aliens’ presence and purpose is relegated to an enormous information dump more than half-way through the book, it nevertheless contains some interesting ideas and concepts that could be plausible given the circumstances. I would have preferred better integration of this information into the plot, but sometimes the characters just need to sit down and explore these ideas in depth.
In the end, The Body Snatchers has plenty of strong moments in its plot. Sure, there’s the weaker section or two, and the more upbeat ending didn’t have much explanation other than the aliens’ annoyance of humanity’s persistence. Still, it’s a fun story, and even decades later it’s clear why The Body Snatchers is a timeless classic, even if it’s not “on par” with more significant literary titans. Maybe that’s its charm, though. By making it about the “everyman,” the horror and terror of everyone around them being replaced by emotionless beings is much more relatable on a visceral level.
A timeless pulp classic, I give The Body Snatchers 4.0 stars out of 5.
How Few Remain is a alternate history novel by Harry Turtledove. In his book, it depicts an alternate universe where the south wins the American Civil War, and the Confederate States of America is now its own independent country. What I enjoyed about this novel is the many different characters and how they view the other country. In every page you can just see the tension that will eventually snap between the two powers. People from the North and the South always spewing insults at each other. Each character that comes into play are very interesting and all seem like they have their own backstory. My favorite character in the story would be Abraham Lincoln. Just because you get to see what his life is like and how the country views the man who lost the civil war. The book is also just the first part of a series which goes through the period of World War I and World War II and how the North and South react to that. I believe there are two things that make this book standout, its characters, and its lore. For those two reasons alone I will have to recommend this book. Or the entire series, what ever is your cup of tea.
The book "The Stand" by Stephen King is a novel about a disease. It starts out at a gas station where the disease is first seen in the novel. This book has many different characters as it progresses. The main antagonist is the embodiment of evil. He is basically the Antichrist. Although I didn't like this book as much as some of Stephen's other works because I have a short attention span and some parts are not attention grabbing. It is still a very good book and I would definitely recommend it to anyone who likes horror. This novel is very unpredictable which is one of the main reasons I like it as much as I do. Because there are so many characters in this book, it was very easy for me to relate to their situations.
Reviewer Grade: 9
In this Sci-Fi thriller sequel to the first Saucer book in the series, Stephen Coonts brings back ex-air force test pilot Charley Pine, Rip Cantrell, and some new key characters. Charley Pine is hired to fly a french spaceplane to the moon, where she finds a french Millionare by the name of Pierre Artois. Charley soon finds out what Artois and his conniving wife Julie are actually up to. A massive Anti-Gravity gun is stationed on the moon, Pierre and his wife have been planning for years for their ruler ship over the earth. All the while this is going on, Rip's uncle, saucer expert, Egg Cantrell is kidnapped by mad scientist Newton Chadwick and is forced fly him to the moon in another saucer... Rip Cantrell and Ms. Pine find out about this and steal another saucer from a Smithsonian. Soon a fierce battle in outer space takes place. Who will come out on top? This sequel to the first Saucer book should definitely be on everyone's radar. Young or old, this book will leave you all wanting more more every page you turn over!
9th Grade Review
After reading Weir’s breakout work, The Martian , I looked forward to his next novel, Artemis, with rapt anticipation. The scientist in me appreciated how Weir made a realistic setting with realistic science an approachable and entertaining endeavor. The writer in me liked how he kept the tension throughout the plot of The Martian at a consistent level. Consequently, I had high hopes for Artemis and wondered if he could outdo himself (or at least match his previous success) considering how highly regarded The Martian ended up being for him.
Between the two books, Weir seems to have created a style that consists of three elements: accurate science, event-driven plot, and a racially diverse cast of characters. In Artemis, we now find ourselves on the moon, where a colony has been created and sustained for a few decades. Weir conveys the science involved with such a feat naturally and realistically. The exploration of this science is usually through the string of “oh shoot”
events that occur throughout the plot. Finally, with an Arab woman as the main protagonist of the story, supported by a Kenyan man, Ukranian scientist, and her father.
Despite these three elements creating an exciting story, the impact of Artemis felt less than that of The Martian. In The Martian, the driving force of the plot is the survival from isolation. Artemis has a different survival:
avoiding homelessness. Additionally, while Mark Watney was a scientist and astronaut who could “science his way” out of his predicament, Jasmine was a little more “working class” who seemed to jury rig stuff together just because that’s the only way she knew how. Of course, being more “working class,” the profanity seemed a lot more prevalent in Jasmine’s speech than in Mark’s. Both books had profanity; it just seemed like Artemis overdid it.
An Andy Weir book that doesn’t quite live up to The Martian, I give Artemis 4.0 stars out of 5.
Saucer is an amazing Sci-Fi, Adventure, Thriller, and suspense book.
Stephen Coonts is a very talented Author who uses very good word choice. This is quite evident in his Saucer Trilogy, he seems to use the best wording at the best possible time. This book is definitely a great choice for all 13+ year old Audiences. Young Rip Cantrell is put under difficult circumstances numerous times. When his life and the life of Ex-Air Force Test Pilot Charlie Pine, and his grandfather are at stake, he makes a choice that will change his life from that point on. This Novel brings not only the thrill of life and death so many times, but amazing science fiction story line for us Sci Fi geeks. Obviously this book involves a saucer, Hence the name "Saucer", and this saucer appears to be lodged in that sandstone for over 140,000 years.
Now this saucer isn't made from man, as proven when Rip and his companions explore the object after days of digging it out. Over the course of this book, action escalates quickly, as Rip ends up across the world in Australia trying to save Charlie from the 2nd richest man in the world... Saucer is a stunning, action filled, adventurous book, at what might have been and what be. Go check this book out for yourself! I guarantee you will not be disappointed!
They're attacking our vessel Captain! Those savages want to kill us!", "Leave me Conciel! Save yourself my friend!". No doubt these few short phrases from the amazing novel strikes great interest in your mind. 20,000 leagues under the sea is an Adventure Fiction novel written by Jules Verne, and is by far 1 of the best books I have ever read. Professor Aronnax and his faithful servant Consiel board american frigate Abraham Lincoln to embark on a long journey back to France. On the way though, they spot a creature, a monster unlike anyone has ever seen up until that point. After a fierce battle with that monster Pierre Aronnax, Consiel, and a Canadian Harpooner are thrown overboard their frigate lost in the middle of the Vast Atlantic.
Later refuge is found aboard a metal island... Wait? Metal Island? In the middle of the atlantic? Something isn't right. Alast Captain Nemo and his crew surface the mighty vessel and capture Aronnax and his companions.
Sometime later Pierre and his companions alike, awake in a small, pitch black room, not knowing what had happened, or what is about to. Want to find out what happens next? Well go and find this book for yourself! Getting stuck underneath an iceberg in the antarctic! Battling 1 of earths mightiest creatures! Experience the great suspense, action, and adventure this novel brings to you!
Reviewer: 9th Grade
The main concept behind Notes from the Internet Apocalypse is interesting: one day, the internet just stops working. All the computers and phone lines still work, but the internet has just gone missing. The story that results should be considered a satire since I hardly believe people who have hidden behind a veil of anonymity for so long will do the same deplorable things in real life just to get their “internet fix.” Bringing the reality of our connected society to its extreme logical conclusion in a world without internet, Notes from the Internet Apocalypse is a harsh mirror of what we’ve become, even to the point of cringing at it.
I was a little taken aback by the amount of vulgar language, overt sexuality, and lack of common decency by the characters in this book. Of course, in a book about the internet, these types of people run rampant. If I were one to include animated gif memes in my reviews, I’d likely insert the Arrested Development “I Don’t Know What I Expected” one at this juncture. Yes, the internet is mostly pornography, and the rest seems to be filled with trolls who comment on news articles and YouTube videos, but I doubt these people would resort to acting out their internet lives in real life.
In the end, I had kind of hoped the subtle undertone of addiction was the focus of this book. With the main character who’s clearly alcoholic (even to the amusing point of calling Jameson’s Irish Whiskey “scotch”), and supporting characters who are either addicted to recreational drugs or sex, I wanted the satire of the book to focus on our addictive personalities as a culture, merely perpetuated and sustained via the ever-present internet. As it is, the ending wasn’t quite satisfying enough, providing a preachy bumper sticker to get readers to tune in to the next volume in this series.
An interesting concept that highlights the lowest common denominator, I give Notes from the Internet Apocalypse 2.5 stars out of 5.
Just like Xenocide before it, Children of the Mind is difficult to separate from the previous books in the Ender’s Game series. In fact, Xenocide and Children of the Mind are considered by Orson Scott Card to merely be two parts of the same book, separated at a point in the plot that makes sense.
Even further to the point, I would consider Children of the Mind the last “part” of a story that stretches across four books. While it was easy to take Ender’s Game by itself, every additional piece of the story needs the previous parts for it to have the full impact of what Card was trying to accomplish.
What’s most interesting about this series is how each book has a different focus, almost putting them in distinct genres. Ender’s Game was militaristic sci-fi, while Speaker of the Dead was more along the lines of a mystery. And while Xenocide was the philosophical heart of the series, Children of the Mind was almost a romance in comparison. I appreciated the loose strings and sub-plots being tied up by the end of Children of the Mind, especially when it came to defining the relationships between the characters I had come to know over the last few books.
Even though the basic plot of these last three books was a simple “avoid destruction” motif, the complexity of the whole scenario did require the amount of text dedicated to it. Each element of these stories came into play in some fashion to create a satisfying ending. I’m still in awe of the technological foresight and brilliant solutions to fundamental physics limitations that Card was able to develop in these four books. I rarely have found a series that has been so consistently good across all parts of its story, and I believe the saga of Ender Wiggin is now my new favorite.
A satisfying ending to an incredible series of books, I give Children of the Mind 5.0 stars out of 5.
Much like authors Jules Verne and H.G. Wells were well ahead of their time in their science fiction writing, Orson Scott Card once again shows that he understood some of the key concepts of our universe. Written in 1991, Card’s Xenocide deepens and furthers the continuing adventure of Ender Wiggin that he began back in Ender’s Game . Picking up where Speaker for the Dead left off, Xenocide adds a powerful adversary while also tying plot points back to the first book in the series. In this sense, the tight intertwining of Xenocide with its predecessors makes it difficult to separate and review by itself.
I appreciate what Card has done by creating a multi-book narrative that requires the reader to have started from the very beginning of the story.
While Xenocide is not nearly the end of the series, as made clear by the astounding twist near the end, it does pull enough unresolved threads from Ender’s Game and Speaker for the Dead to create the next segment of the story. In this sense, the whole story is a multi-book epic so well-written that no detail or specific piece of continuity is overlooked. Plus, with so much history behind it, Xenocide reads at a frenetic pace, just trying to “beat the clock” of an almost assured planetary destruction.
Surprisingly, if you told me that there was a sci-fi book comprised almost entirely of dialogue and profound, philosophical arguments, I would probably assume it was boring (or at least written by Robert Heinlein). And yet, Card has brought the reasoning proposed in the previous books of this series and pulled them through to their logical conclusions, creating an engaging discussion of artificial intelligence and sentience, while wrapping the whole thing in the context of moral arguments for and against exterminating an entire species. There are no easy answers in this book, but Card has masterfully included concepts like cloud computing, interdimensional travel, and genetic engineering to get his point across.
A fantastic continuation of Ender Wiggin’s story that leaves the reader begging for more, I give Xenocide 5.0 stars out of 5.
Mary Shelley's Frankenstein is a book about the horrors of creating life. The book succeeds in developing most of the sidecharacters. You learn in depth about all of their pasts, and the story fits together well. The tragic plot line of the book shows how the decisions made by Frankenstein, the creator of the monster, comes back to haunt him. It almost becomes a game of cat and mouse when Frankenstein chases around his creation for revenge when really, the monster is haunting Frankenstein for his own revenge. Most of the book's themes include loneliness and rejection, and are explained well throughout the back stories of the characters. I feel that the book's only weak point is how the characters face their end. While the characters do indeed learn many life lessons, they never really accomplish anything. None of the characters have sentimental deaths, other than Frankenstein; the book just tells the reader that the character you have just grown attached to...well, dies. The book moves on from their deaths, and then the cycle repeats for the rest of the book. Overall, Frankenstein is a really good book, and I'd recommend it to people that like horror or mystery fiction.
Grade: 8
Ender's Game is an enthralling and thrilling sci-fi following a young boy as he is prepped to save the world. Ender departs for battle school at the ripe age of 6, where he is thrust into a world were children go head to head in a competition to be the best, fight in an all out war, and earn all the glory.
Although young and inexperienced, Ender is the best. But things seem to be stacked against him....
Orson Scott Card writes with incredible dexterity and Ender's Game pulls you into a new world.
(Reviewer Grade: 12)
Much like short story anthologies by a single author (see Neil Gaiman’s Smoke and Mirrors and Ray Bradbury’s The Golden Apples of the Sun ), Welcome to the Monkey House is both quintessentially a collection of Kurt Vonnegut’s biting wit and satire as well as an exploration of other genres not often associated with Vonnegut’s style. Fans of Vonnegut will likely have already read some of these short stories (like “EPICAC” and “Tomorrow and Tomorrow and Tomorrow”), but some of the other stories might have been missed and for a good reason.
Overall, Welcome to the Monkey House is a fantastic set of stories, but a few of them fail to have the impact to make them memorable. Granted, these stories are few and far between, and help to break up the well-written social commentaries presented in “Harrison Bergeron” and the titular “Welcome to the Monkey House.” Vonnegut’s ability to show the slippery slope of such ideas as “everyone is equal” and “sex is bad,” respectively, is just as poignant in short form as it is in his novels. The fusion of technology in these stories might seem dated by today’s standards, but they do reveal that Vonnegut was, inherently, a science-fiction writer.
What this collection does well is show that Vonnegut understood the importance of the characters in a story. One of the most entertaining in this collection was “Who Am I This Time?” which contained characters at such extremes of human expression as to be completely unrealistic but somehow relatable and entertaining. Stories like this, which don’t necessarily follow the political or societal commentary that the other stories provide, are nice breathers that give the reader a smile instead of drilling thought-provoking ideas into their skulls. It’s this balance that truly makes Welcome to the Monkey House a must-read.
Vonnegut, true to form as well as outside his element, I give Welcome to the Monkey House 4.0 stars out of 5.
The concept is simple: a machine takes your blood and spits out a card with the means of your demise printed on it. In this collection of short stories, a variety of authors explore what this truly means for individuals, as well as society as a whole. Based off an idea by Ryan North (author of “Dinosaur Comics”), this anthology has plenty of different approaches to the concept that a machine could predict how a person will die. However, many of these ideas hit upon the same concepts and social implications, making the whole thought exercise seem redundant by the end of the book.
Part of me felt the idea itself was a little derivative of Death Note, but with a more ambiguous set of constraints. Each of the short stories included in this anthology had some unique twist on the idea, ranging from humor to romance to horror. Still, every author tended to agree: a machine of death would bring about a dystopian future in some form or other. From governments requiring a “death reading” to mitigate any national disasters to a school needing to know how their prospective students will die so they can save face, the real enemies of this idea tended to be the bureaucracies of humanity.
While I honestly enjoyed the stories included in this anthology, they all seemed to suffer from the “a priori problem.” With each story titled with some way to die, you half-expect the story’s main character to end via that method. The intrigue is more in the how and when; thus providing interest to the story despite practically knowing the ending before it even starts. Granted, that’s part of the appeal of the machine: the ambiguity is as freeing as it is constraining.
A morbid set of interesting short stories, I give Machine of Death 4.0 stars out of 5.