Fiction
Nonfiction
Holcomb, Kansas 1959, the Clutter family was brutally murdered and no one knew who or why they did it. Truman Capote wrote this book as a novel, with dialogue between the murderers and the family; although he was not there, he gathered as much information about the murder as possible and was able to turn it into a book instead of a document. Moving on, the story follows the life of the Clutter family before and after they were murdered, however it focuses more on Richard Hickock and Perry Smith, the murderers of the Clutters. In need of cash, and fast, Hickock calls his old jail friend Perry Smith and they decide to execute a robbery of the Clutter family, who they thought were rich. After invading the house and finding no cash, they dispose of the Clutters, rid of the clues, and escape the law for as long as they could. I love this book since it enables the reader to have a mystery going on in their head and also because murder was uncommon back in 1959, so it enables the reader to feel how it was to hear of a major crime, such as this, back then. I recommend this book to every reader out there, it was very well written and one of the most amazing “New Journalism” type of books, as Capote said.
Reviewer Grade: 11
September 1992, a young man named Chris McCandless is found dead in the Alaskan Wilderness and Jon Krakauer is determined to sniff out every clue as to why. Into the Wild follows the life of Chris McCandless, a young man who dropped everything and took to the road, and how he even ended up in Alaska in the first place; and although he is dead, the trail and influences he left behind live on in those he met. The story jumps around occasionally, but it is just extraordinary to me how a single young man was able to travel almost all of the United States by foot and hitchhiking, and then end up in Alaska where he lived in the Wild until August 1992. Krakauer interviews the people who Chris has interacted with, and all of them say that Chris changed their life for the better, even those who he only shared a car ride with. I personally enjoy this book because it makes you feel as if what he did was amazing and if you, too, need an adventure like that in your life. I definitely recommend this book to all readers since every single person can take something from this book, negative or positive.
Reviewer Grade: 11
I previously reviewed the first book in this series, The Fifth Season (http://ppld.org/book-reviews/fifth-season). This was a strong second entry, and on reflection I ended up liking it even more than the original book. The plot is far more linear than in The Fifth Season, but there are still unexpected twists and turns, and for me the characters really came into their own here. You will see some old, familiar faces along with a number of new additions to the cast from regions of the world we hadn't previously been exposed to. There was one character in particular whose story-line took a surprising turn that caused me to do a complete 180 on how I saw them. For me, it hit all the right notes: deeper world-building, strong characterization, and a complex plot that held up to closer scrutiny.
If you haven't finished the first book, the next part of this review will include minor spoilers. The Obelisk Gate picks up where The Fifth Season started, with Essun discovering her murdered son just as the Season hits. While the previous book then went back and forth in time to explore how she had arrived at that point, this one moves us into the future as she sets off in pursuit of her husband (Jija) and daughter (Nassun), hoping to rescue Nassun before she meets the same fate as her brother. The chapters alternate between Damaya/Syenite/Essun's journey and her daughter's, with the odd interlude featuring someone else. The narration is still in its distinctive second person format, but in this book we finally learn who the speaker is. In my opinion, Jemisin answered just enough questions from the first book while still leaving mysteries for the finale, and I can't wait for the third and final entry in the series (projected release in 2017). Highly recommended to lovers of fantasy!
I'm not going to try to describe this book, because there is a lot going on and I wouldn't really know where to start. Here's what you need to know:
It's a companion novel to American Gods, but you do not need to read American Gods first. In fact, I found this book to be vastly superior to American Gods, though the internet does not necessarily agree with me on that one.
Do you like Loki? Or like, the idea of Loki? Or just trickster gods in general? Anansi is the African trickster god, and this book is a TRICKSTER god of a novel: its clever, tricky and pure fun.
I listened to this book, and the narration was stellar. Lenny Henry nails the Caribbean accents, the humor, the eeriness, and well, all of it. I'd strongly recommend consuming this in audiobook format.
Oh, and while the characters never felt super fleshed out to me, it didn't matter, because this book was all about stories. And Anansi's stories are the best stories.
The villain was absotively the worst in the best kind of way.
Anyway, if you are looking for a funny, fast, excellently crafted mythological type of read, look no further. 5 stars.
This is an autobiographical graphic novel of the author, David Small. The book focuses on his early childhood to early adulthood. It shows the progression of his relationship with his father, a doctor, and his mother, a homemaker in a very reserved and controlling dysfunctional household. As a young man, he ends up with a tumor on his neck that is removed but damages his vocal cords, and doctors say he won't speak again. Along the way, he discovers who his family and himself are and finds out more than he bargained for.
This book is very dark and the color scheme is perfect for the tone of this book as well, using black, white, and shades of gray primarily. The art is contemporary in its quality and color scheme but has a more retro feel to its style of art as well, especially in the faces, which gives it the feel of the era the book was set in. This book is the type of book you would be able to, and due to its page turn-ability you likely will, finish in one sitting. It's easy to get invested and feel all the emotions and heartbreak of the author along the way. It can be a bit hard to read since it is darker in its focus and has a realistic feel. It also has a few twists and turns along the way which help keep you even more entranced by the book. I really enjoyed reading it as a change of pace for myself since I typically deal in a bit lighter fair in terms of topics. It addresses issues of mental illness and controlling behavior well without being preachy or self pitying. I might not read this book again but I certainly won't forget it either. If you like dark, realistic graphic novels, this just might be your next favorite book!
Hidden Empire is the start to the "Saga of the Seven Suns" series by Kevin J. Anderson, an author of dozens of Bestselling and award-winning sci-fi books. If you haven't heard of Kevin J. Anderson, it's probably because a great deal of his writing is done for other pre-existing franchise licenses (Star Wars, Dune, movie novelizations, etc...) where the author’s name tends to less noticed. Having had no previous familiarity with the author myself, I took a gamble on this one when I passed by his publisher’s booth at Denver Comic Con, and had a bit of money still burning in my pocket. I've been pleasantly surprised and now that I’m 3 books in, I think the series is holding up fantastically.
Hidden Empire tells the story of human ingenuity turned reckless by greed. When the Terran Hanseatic League ignites a gas giant into the first man-made star, they awaken a slumbering threat, and inadvertently start a war that threatens to destroy all of human civilization. The enemy is ruthless and unimaginably powerful, and worse yet, the various factions of humanity are divided by their own conflicts and prejudices.
Saga of the Seven Suns is a classic space opera of galactic proportions with a close focus on its characters. It skips the focus on justifying realistic technology that is common in "hard" sci-fi, and though the plot revolves around a war, it is not "military" sci-fi either, in that it's less about space marines and more about xeno-archaeologists and politicians. This is a people-centric story all the way, with the spotlight on the struggles of the individual characters as they each try to navigate the webs of intrigue, conflicting cultural values, and ancient secrets that surround them. Think the grand scale of Star Wars mixed with the plot style of Game of Thrones, featuring a varied cast of Point-of-View characters whose stories conflict, intersect, and illustrate the plot from different perspectives.
Speaking of Game of Thrones, did I mention that this 7 book series has already been completed and fully published? You get all the thrill of binge-reading a sweeping saga that will keep you entertained for months, without have to wait around for 5 years for the resolution to that torturous cliffhanger! There's also a handy glossary at the back of the book to help you keep track of the different people involved in this intricate story.
Note: This book is not to be confused with Hidden Empire by Orson Scott Card. While Card's name is likely more recognizable, Anderson's book was published 2 years prior.
This is a republished work from The All New Mad Secret File On Spy vs Spy. Prohias' compendium of the popular comic strip Spy vs Spy, which appears in MAD Magazine, does not disappoint the Spy vs Spy fandom. Done with great detail and care, each story takes an unexpected turn and you never REALLY know which of the two spies, black or white, will actually be the victor of that particular strip. They all end creatively, typically humorously, and you'll never know how the story will develop.
Prohias is originally a refugee from Cuba and after receiving death threats from Fidel Castro moved to the USA. While it's easy to be caught up in the simplicity of this wordless story, it also is an allegory for the struggle and fruitlessness of the Cold War in the opinion of the author. I love both its simplicity and complexity contained within just a few drawings. Both those who are looking for an easy laugh and those looking for more than that should be satisfied by this collection.
The panels have been blown up so you can really soak in all the detail and hard work Prohias has put into each strip. This can either be interpreted as a good or bad thing. Individuals who are familiar with the strip might enjoy it more since you can really see all the details and take your time examining each panel, taking in all the details that MAD Magazine is famous for. That said, since each page takes up a whole panel what originally took up an eighth of a page can now last five or six full pages of the book. I could see how this could be frustrating for those who are used to graphic novels/comics that are jammed packed. Again, the beauty is in the seeming simplicity of this strip with the underlying complexity, whether it be the story or the art itself. I'd recommend fully for those who are familiar with the strip, while, if you are a Spy vs Spy novice, I might suggest something a bit denser to get a better feel for the comic. Four Stars.
High-Rise (1975) begins with one of the most memorable first lines I’ve ever read, "Later, as he sat on his balcony eating the dog, Dr. Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months". Laing is a new tenant in a futuristic high rise apartment building on the outskirts of London. The high rise is a microcosm containing restaurants, playgrounds, a swimming pool, and even its own supermarket. There is social order: the wealthiest tenants occupy the building's upper floors with the best views, while the middle-class tenants reside in the lower half of the building, constantly at the mercy of falling champagne bottles from the upper floors. Before long, tensions arise between the tenants of the upper and lower floors. Alternating between Laing and another tenant, Richard Wilder, we witness first-hand the deterioration of ethics and social order within the high rise. Elevators are commandeered, rooms are barricaded, alliances are formed, and blood is shed. Little by little, the layers of human behavior are peeled back, exposing a terrifyingly animalistic core at the heart of the high rise tenants.
For whatever reason, I've read a lot of comedian/actor memoirs in the last few years, and this one has pretty similar fare as to what you'd find in, say, a Mindy Kaling or Tina Fey offering. For me, it's in the middle of the pack in terms of quality (Bossypants > Lower Back Tattoo > either of Kalings's books), but was still an interesting, funny listen. It's part anecdotes, part advice, part social commentary, and part random page filler. For instance, one chapter is her fictional funeral rider, which, while it was kind of funny, was mostly a waste of my time. In this book, Schumer's at her best when she's a little raw - telling a sad/funny story and just letting it be what it is.
Even though I mostly enjoyed the book, the editing was not so great. Schumer calls part of the female anatomy by the wrong name for the entirety of the book. I can't believe that no one noticed that. Also, she was constantly saying "remember earlier in the book when" which you know, yes, we do remember, we're capable of basic memory recall. The persistent references to earlier chapters made me think that she maybe thought this book was going to be read by 8-year-olds or something when they were clearly not the target audience.
I mean, if I learned anything from this book about Schumer herself, it's that she's kind of a ridiculous person. For example, in one chapter, she talks about her "genetic predisposition" to black out whilst drinking, and then she lists the drinks she would normally have on a night out in college:
2 beers while pregaming followed by
4 vodka martinis straight up or a little dirty
Various other drinks
It's not genetics, Schumer, it's the martinis.
With that being said, I do admire her courage in telling stories that were real and painful for her, especially since those stories might offer some solace for people in similar situations, or may help young women avoid those situations entirely. I also like that she's found a cause (gun violence, particularly as it pertains to women), and she isn't shy about sharing the facts or her opinions in the book. Overall, I found the book to be an enjoyable listen, and it helped pass the time on a longish car trip. 3 stars.
Set in medieval England, Adelia, a female surgeon, is hired by King Henry II as a forensic expert to investigate a series of murders taking place Cambridge. Even though it is a fictional novel, Franklin adds lots of historical details to the story, creating multiple layers to the plot. The murders are not the only mystery in this story, the characters themselves have their own veil of intrigue making the story all the more exciting!
Wow. If there was anyway to just completely rile me up, it was to read this book. Which means the book was really good. I've known just a little about Mormonism from some kids I went to school with and such, but the fundamentalist side of it was alien to me (aside from polygamy). I really makes me wonder about the human condition and the types of religion it accepts, even if it seems like it's being accepted blindly. Great book, and written with more of the facts in mind, rather than a bias.
My first thought when this book was recommended to me was, “Bees? Is that metaphor? What do the bees stand for?” NOPE. This book is literally about bees. But not in a nonfiction, documentary kind of way. Here we have a novel in which we discover the world of bees personified.
Enter our main character, Flora 717. She was born the lowest of the low: the sanitation worker bee. Ugly, underappreciated, but unlike her fellow floras, she can speak. One of the higher levels of bees, a priestess to the queen, immediately takes notice of her oddities and experiments with her in roles not typical to a flora.
Flora 717 finds herself in almost every aspect of bee life at some point of her journey through the hive, uncovering secrets as she learns, grows, experiences the most profound loss, and transcends to the highest joys. The ordinary life of these black and yellow creatures we see and often fear is re-imagined into a relatable tale that pierces the veil between bees and humans. Though humans play very little role in the book, the bees exhibit many characteristics of humanity.
The tone of this book can be a bit dark at times with graphic imagery, but I highly recommend it.
I loved this book. I've been looking for a new fantasy series for a long time now, but I haven't come across anything recently that's caught my eye. I almost gave up on The Fifth Season too, in part because the narration is in second person, which I found jarring at first, and in part because Jemisin drops you in the middle of the action with little explanation and no hand-holding. It took me a few chapters to get into the story and figure out what was going on, but I'm glad I stuck it out because the plot and characters ended up being great. Despite what I just said, I think it's almost better to go into this blind, but I'll try to describe it without giving too much away.
The continent our characters live on, "The Stillness," is a post-apocalyptic hellscape. There is near-constant seismic activity that triggers a new catastrophe (called a "Fifth Season") every few centuries -- sometimes in the form of massive crop-failures, sometimes in the form of volcanic eruptions, sometimes massive earthquakes that destroy whole regions (she includes a helpful appendix of these disasters if you're curious). In this world, there is a group of people known as orogenes (or more derogatorily as "roggas") who have some degree of control over seismic activity -- they can "sess" earthquakes, and, with training, prevent them from being too destructive. But they're also powerful, extremely dangerous, and widely despised -- many people kill their own children when they discover what they are, and it's often a race against time to see if a Guardian (their mysterious and sinister keepers) can arrive to collect the child before the family or the community has killed them. The plot isn't chronological; it moves around from chapter to chapter in order to tell three stories at three points in time: 20-odd years ago, when a young girl is taken to the capital to be trained as an orogene; some 10 years after that when a mid-level orogene goes off on a mission with her senior to investigate a disturbance in a coastal community; and "now," in the immediate aftermath of the latest apocalypse, when we follow a woman who is struggling to cope with her son's murder just as the quake hits.
I'm not going to say that it's an entirely original idea, but I think the execution was solid and I loved the dialogue and cast of characters. There's no lack of action, but Jemisin also takes the time to dig into her characters' emotional lives, and after a while the use of "you" starts to fade into the background. There's a strong focus on discrimination, both in terms of how orogenes are viewed in society and in terms of the treatment of subordinate nations and peoples by the Sanzed Empire that has conquered the continent. A lot of fantasy is set in pseudo-Europe (and often just pseudo-England), so it was refreshing to read something more diverse, and there's a wide variety of representation in terms of race, gender, and sexuality throughout. I would give this 4.5/5 stars if that were possible, but since it isn't I've left it at 4. It wasn't perfect, but it was a very strong start to the series, and I look forward to starting the second book, The Obelisk Gate, which just released this September. I would definitely recommend this to fans of fantasy.
Jenny Lawson’s memoir is heart wrenching and laugh-out loud funny, especially if you have been touched by friends or family dealing with mental health challenges. I listened to it in the car and nearly drove off the road laughing.
Jenny knows she has problems and this is her story of how they carved out the details of her life – from her taxidermist father to Victor, her husband, and everything in between. Her stream of consciousness storytelling style is perfect. I could relate to, and actually picture, the absurdity of many of her stories. It was enlightening to see life through the eyes of the person dealing with the severe anxiety, depression and other quirks, and not just from an outsider’s viewpoint, thinking “What’s WRONG with you?”
I felt better knowing there are others that are dealing with the same mental health issues and that my family and I are not alone. You will probably put your family back on the normal and sane spectrum after reading this. I didn't care for some of the language that was strewn through the book, but it is part of the culture.
Broken Monsters is a thriller set in Detroit in which a detective investigates a serial killer who murders people with a nail gun and then attempts to meld their bodies with those of animals -- or at least, that's how it starts out. The chapters rotate between the perspectives of Gabriella Versado, the detective investigating the case; Layla, her teenage daughter (currently embroiled in a plot to lure out and expose pedophiles); Jonno, a journalist who quit his job and moved to Detroit to reinvent himself by reporting on their art scene; TK, a homeless man working to protect his friends and community; and our serial killer, who finds himself infected by a dream that seems to have the power to rewrite reality itself. While it initially seems like a pretty standard thriller, the murders quickly veer off into the realm of the supernatural. The book is a bit uneven as a result, ending up as a mix of magical undertones plus serial killer crime investigation plus family drama that never quite came together for me. The writing wasn't amazing by any means, but it got the job done, and the plot managed to keep me turning pages. Despite having heard some rave reviews from others, I wasn't wowed by it, but if you're a fan of horror/thrillers this is definitely unique.
White Is for Witching is a difficult book to describe. I suppose you could say that it's the story of a young woman, Miranda Silver, who suffers from pica, a condition which compels sufferers to crave and eat inedible foods: chalk, plastic, metal, rubber. The story follows her life -- loosely -- from her mother's death when she was a little girl up until her mysterious disappearance in her late teens/early 20s. The story is told from the perspectives of Miranda, her twin brother, her college girlfriend, and the (possibly evil) house/bed & breakfast she lives in, along with a few brief POV sections from side characters. They're nominally piecing together the events that led up to Miranda's disappearance, but that thread often gets lost in the meandering chapters. Fair warning: the plot is difficult to follow and it wasn't until I reread the opening that the story started to click into place. There's a strange, dream-like atmosphere, none of the narrators are anything close to reliable, and it wasn't always clear to me (read: it was almost never clear to me) what was going on. To give a sample of just a few of the plot threads: There are a string of assaults/murders of refugees happening in Dover, England, where Miranda and her family live. Is she connected to them somehow? Some passages seem to suggest so, but we certainly never find out. The house she lives in seems to hate immigrants and may or may not have eaten her female ancestors to keep them from leaving, but don't expect either of these points to be brought to any sort of conclusion. The closest thing to a central thread was the obsession with the possibility that Miranda was or was controlled by a soucouyant, a sort of vampire/shape-shifter in Caribbean traditions. So race, identity, and immigration are obviously big themes, but it's less clear where Oyeyemi is going with everything.
For me, the actual story-line wasn't very satisfying, but the writing style and atmosphere made it worth it. I've read almost everything Oyeyemi has written, and a lot of her stories fall apart at the end; she's great at creating interesting characters/evoking an eerie, ominous mood, but in my opinion resolving a plot is not her strong point. This might be frustrating for some readers, but if you're interested in something a little more experimental and don't mind that it's a bit rough around the edges, you might like this book. I would recommend Oyeyemi's first book, The Icarus Girl, for anyone interested in reading something a little more accessible by her. If this had been the first thing I read by her I might not have picked anything else up, but I enjoyed it for what it was.
The Redeemer has an unusual profession: he's a "fixer," paid to calm tempers and smooth over the difficult situations that arise in the criminal underworld of the unnamed Mexican city where he lives. Armed only with a gift for talking his way out of difficult situations, he works as a sort of middle man. When our story starts, an outbreak of a new strain of flu has led to a state of emergency. The bodies are piling up, people are panicking, and most of the city is locking themselves up at home to let the illness run its course. The Redeemer would gladly join them, but duty calls. In the middle of all this, two feuding crime families have, through a strange series of coincidences, ended up with the corpses of the other's child (you might be getting some Romeo and Juliet vibes at this point). It's The Redeemer's job to set things right before more violence breaks out.
This book has been out for a while but was just recently translated into English. It's more of a novella -- just 100 pages long -- but I enjoyed the read and felt that it wrapped everything up in a satisfying way. The characters are interesting and well-drawn even in such a short space, and there was a good balance of humor and more sad, reflective moments as we move back and forth between The Redeemer's attempts to seduce his neighbor ("Three Times Blonde") and his investigation of the children's deaths. I would recommend this to lovers of noir, but I think it has a broader appeal as well.
Arden Arrowood learns that she has been willed her grandparents' grand house "Arrowood" along the Mississippi River in southern Iowa. She lived there until she was eight years old, when her two-year-old twin sisters disappeared. Arden, now an adult, has been haunted by their disappearance, since she was supposed to be watching them. Three men help or hinder her return: Ben Ferris, who was her childhood best friend next door; Josh Kyle, the founder of the website called Midwest Mysteries, who asks her help as he writes about her sisters; and Dick Heany, the caretaker of Arrowood, who claims he knew her parents. An engrossing read!
The summer of 1935 was one of unexpected changes for the Evans family at their house on the lake. The 15-year-old eldest sister defies their father and 12-year-old Lucy to make her own way. And, 6-year-old pampered Emily disappears. 60 years later, Lucy details that devastating summer in a journal, which she wills to her grandniece Justine, along with the lake house and a healthy investment portfolio. Justine grabs this opportunity to leave her unsettling live-in situation. She and her two daughters drive from California to the remote Minnesota lake. The chapters alternate between Lucy's journal entries and Justine's dilemmas: her mother arrives wanting money; her ex-boyfriend shows up; and her older daughter Melissa seems more and more drawn into Emily's story. An intense read.
This book has recommendations from heavy hitters like Lee Child and Jeffrey Deaver that make it sound like the greatest thriller they've ever read. I picked it up based on a good review and the Colorado setting, which I usually enjoy. Disappointing all the way around. Generic tough guy antics and prose that fails to capture the feel of Colorado's high country do not add up to the second coming of Elmore Leonard. And this guy's a native, so we can't blame it on the out of state writer doing it by the numbers. For a much better written crime story with a Colorado setting, read The Painter by Peter Heller.