Fiction
Nonfiction
Despite The Fifth Witness leaving the door open to an interesting diversion from the same defense lawyer story we’ve come to know and love from Michael Connelly’s Mickey Haller, The Gods of Guilt puts Haller back in the hot seat as the counsel protecting a digital pimp from a murder conviction. Some of the depth of the Haller character developed in previous books in this series was eliminated after his unsuccessful District Attorney run, but there was still enough humanity in him to advance his story. After all, his coping mechanisms and needs are some of what we all deal with in our own lives.
While I have come to expect a twist ending from Connelly, it was surprisingly missing from this book. For once, Haller’s client wasn’t as bad as everyone made him out to be, and that’s saying something for the digital pimp of Andre La Cosse. Perhaps that’s what made this story a little more uncomfortable than the others: the seedy underbelly of the adult entertainment industry is harder to relate to than simple foreclosures. Still, I can’t help but think that the same strawman tactics that Haller used in this case were quite similar to some of his other defense cases.
All this being said, Connelly is still a master of his craft. The pacing and advancement in the plot was excellent and the peril Haller found himself in after getting too deep into some serious side-investigations helped to make a rather standard book in the series an entertaining read, nonetheless. As was the case in The Fifth Witness, I appreciated the meta nature of this universe where the Lincoln Lawyer movie was a real part of Haller’s life.
Yet another predictable entry in the Mickey Haller series, I give The Gods of Guilt 3.0 stars out of 5.
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***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY***
William Shatner, best known for his acting in the popular sci-fi series, Star Trek, is not someone who I thought would also be a writer. Of course, after reading Zero-G, I’m still not convinced, even with the help of ghostwriter Jeff Rovin. The book had an interesting premise, but the exposition and plot were so slow and clunky that it was hard to get into it. I will say there is an appreciation of the challenges of space in this book, but it almost plays a backseat to an aged government official trying to relive his glory days (sound familiar?).
If I were to re-write this book, it would have been considerably shorter, possibly even a short story. As it is, the first third of the book is almost useless, filled with detailed explanations of the characters’ backgrounds and relationships. Even the first action sequence only emphasized that the main character is reckless and flies by his own rules. When it came to the core of the plot, I never felt a sense of urgency to take out the threat of the space-weapon, mainly because it acted “randomly” (read: whenever it might suit to move the plot along).
For a book about an FBI station in space, the mystery solved by the deputy director seemed quite a bit beneath his station. In fact, I was surprised he even handled it since the whole case appeared to be obvious right from the start. There wasn’t enough development of the lesser characters to even know who they were and why they had any motivation to perpetrate the crimes they did. Aside from the main character, most of the character focus appeared to be on the gender-switching assistant, probably to make the book “hip” and “trendy” amongst the modern and liberal-leaning readers.
An interesting concept that falls flat on its face immediately after the prologue, I give Zero-G 2.0 stars out of 5.
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Having already blasted through the rest of the Mickey Haller series, I finally arrived at a book that didn’t center around the defense lawyer. Instead, The Crossing follows Harry Bosch, Haller’s half-brother (which we learned back in The Brass Verdict). I realize that Mickey Haller is merely a spin-off series from the main Harry Bosch series, so it was interesting to finally enter the main storyline of Connelly’s longest-running character. Now I see that he writes Bosch books in third-person, as compared to Haller’s first-person, which was why I was confused when the POVs switched in one of the previous books featuring both of them.
Coming into this series at the twentieth book was a little jarring to me, but not entirely disorienting. There were plenty of references to previous books I had not read; but by the sounds of them, these predecessors were certainly exciting. What probably helped with my transition into this series was that Bosch retired from his job in the police department, thus creating a new start for the character that could be used to explore some interesting scenarios without being burdened by the bureaucracy of his job.
While Connelly’s writing is still superb and suspenseful, the one aspect I found to be a bit unbelievable was Bosch’s innate sense of what was “wrong” with the current investigation. Just based on one single, minor detail, he was able to unravel the deeper conspiracy involving other, corrupt police officers. What if he hadn’t noticed? Would he have still managed to get to the bottom of the truth? Either way, I might have to pick up the earlier books in this series, just so I can get more of the story behind the briefly referenced excitement Bosch had to go through in the past.
Proof that sometimes it’s difficult to quit a job after having done it for so long, I give The Crossing 3.5 stars out of 5.
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Some of the best science fiction ever written was strangely prescient with its predictions on how the world would advance, technologically. One of the best examples of this was Jules Verne in his story From the Earth to the Moon. Not only did he figure out what it would take to get away from Earth’s gravity, he predicted that the launch site would be in Florida. Ever since then, we have looked to the authors of science fiction to tell us what could be possible in the future of tomorrow.
Unfortunately, some of these predictions weren’t quite realistic. While jetpacks and moon colonies sound cool in the pages of a fictional book, they just aren’t practical in reality. Still, our childlike wonder and innovation tried its best to create what the science fiction authors of yore dreamt up. In Where’s My Jetpack?, Daniel H. Wilson does his best to explain where all these fantastical inventions and concepts are in their process toward being fully realized. But don’t worry about this being a stuffy tome full of complicated science. Wilson does a good job infusing humor with his research, which helps to show how ridiculous some of these ideas really are.
My one challenge with this book came with the fact that it was published back in 2007. It’s been 10 years since this book came out and now much of its research is either naively optimistic or didn’t pan out. What’s perhaps even more exciting is being aware of the technological developments that have made some of the impossibilities mentioned in this book at least somewhat plausible. Consequently, it’s best to read this book as a snapshot in the technological timeline that is our current reality.
A humorous look at the amazing technological developments inspired by sci-fi, I give Where’s My Jetpack? 4.0 stars out of 5.
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With the ever-increasing proliferation of “smart” technology throughout our society, the thought of a robot uprising remains fixed in the back of our minds. Since the introduction of the concept of robots decades ago, humans have feared their uprising to usurp us as the dominant sentient beings on our planet. Now, as we rely on our computers, smartphones, and connected devices to help run our lives, the threat of a full-on apocalypse resulting from their sentience seems more possible than ever.
Author Daniel H. Wilson has certainly done his research on the “what if” scenario of a robot apocalypse (or the titular Robopocalypse, if you will). He manages to build the progression of a robot-themed doomsday scenario from the machines we know and use today. Many of the machines’ decisions and strategic moves mostly make sense. That being said, I did have a few issues with the book and its structure. First off, the format of the book was remarkably similar to its zombie predecessor, World War Z. Secondly, the fact that it’s told through only a handful of characters helps to tie each piece together, but the fact that these characters are all connected to each other makes it less believable.
When it came right down to it, I had trouble connecting with these characters. In the earlier sections, it was a little easier to understand what was happening, but once the landscape of the robot war changed into one where the robots were winning; it was hard to grasp what was going on in a global sense. As it is, Robopocalypse is essentially a series of short stories with some familiar characters tying it together.
A semi-realistic look at a potential robot uprising with an already-used apocalyptic narrative format, I give Robopocalypse 3.0 stars out of 5.
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I read this book to my daughter at bedtime. It's very odd. I mean, humans give birth to a mouse and no one thinks it's strange? I know, it's part of the story, along with talking animals and the like. Also, Stuart Little takes off on his grand adventure and didn't say goodbye to his parents. As a parent, this thoughtlessness really disturbed me. They must've been so worried!
Really though, I thoroughly enjoyed this book again (I read it when I was young) and, more importantly, so did my daughter.
For many years, I was aware that the James Bond series of books did not follow the same order as their respective films. Given the action/adventure spy thriller genre these books were written in, it is possible to mix them around and still have a good understanding of what’s going on, even if some of the references made within the novels could only be understood by having read the previous books in the series. In some respects, it is disappointing that the film franchise didn’t capitalize on a continuous narrative that the books provided.
If the stories are out of order, then it ‘s hard to build up the constant battle between James Bond and the Soviet spy agency, SMERSH. Fortunately, since I had read a few of the first books in the James Bond series, I could appreciate Auric Goldfinger’s connection to the organization. That being said, I seemed to have jumped ahead a bit and missed what happened on the Moonraker mission, even if I have a loose idea/remembrance of what happened from its film version. Regardless, these minor references didn’t affect the plot of Goldfinger that much.
What I do find interesting with this book is the differences between it and the movie. There’s no laser threatening to cut Bond in half, there are more characters involved in the heist, and the actual heist itself has a slightly different objective. It is weird reading about the technology Bond uses and its references to “vacuum tubes” when the film makes all his tech seem futuristic. I do find it interesting how the author won’t outright swear (replacing the choice word with a “blank”) but includes two lesbian characters and a plethora of other, sexual inferences.
A fantastic story in the James Bond franchise, I give Goldfinger 4.0 stars out of 5.
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Having read Where’s My Jetpack? and Robopocalypse from Daniel H. Wilson, I had some high hopes for this book. Clearly, Wilson has a depth of knowledge about current and upcoming technologies that allows him to write succinctly both non-fiction and fiction. He can fuse the science with either humor or action and maintain an accurate sense of it without having the details bog down the plot. In Amped, Wilson explores a world where humans use technology to assist their bodies, either to overcome a disability or to overcome their humanity.
Unlike Robopocalypse, which was primarily a collection of intertwined vignettes, Amped follows a single individual through the effects of a fear-filled society charged by an inferiority complex. While the main thrust of the plot is about mental augmentation, there are mentions of other exciting technologies, including self-driving trucks and mechanical exoskeletons. Overwhelmingly, though, the brain-altering technology is the focus, as it hurtles the United States into two camps: ordinary people (aka “Reggies”) and “amps.” It was interesting to see how quickly discrimination came about in light of a clear delineation between humans and modified humans.
Even if the plot was a little hard to follow at times (perhaps due to me listening to it on an audiobook), the capabilities of the mental augmentation certainly felt realistic and plausible. While these embedded chips could solve many brain-related problems, the main point Wilson gets across is, “where does it end?” If we wipe out handicaps, can we also enhance ordinary people to super-human status? There’s certainly an interesting moral conundrum here, and I hope this fictionalized account will get people thinking about the answers before this reality is soon upon us.
Another great book warning about the potentials of future technology, I give Amped 4.0 stars out of 5.
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As someone who has to read many short story submissions for the anthology my writing group puts together each year, I can appreciate a well-written short story. I have not read much of Neil Gaiman, but in his collection of anthology short stories, Smoke and Mirrors, I was able to see what kinds of stories a professional writer writes for an anthology. While quite a few stories were interesting, not all of them were necessarily in genres I typically read. Then again, I consider erotica and stories submitted to Hustler as pornography, which is why I do not read these kinds of short stories.
Furthermore, it is a little more uncomfortable listening to erotica, as was the case with this audiobook. Fortunately, Gilbert Gottfried did not read it, but it still is uncomfortable to hear it nonetheless. Sure, the concepts in these short stories were somewhat interesting, but the sex ruined it for me. At least there were enough other stories that I found fascinating to make it worth my while to get all the way through it. The simplicity and genius of these ideas merely verify Gaiman’s writing talent, even if a few were hard to follow. At least a few of them followed the title of the book, which helped tie these separate stories together.
Perhaps my biggest qualm with this book was its structure. Moreover, maybe it was a limitation of a direct transferal to the audiobook format, but it is almost impossible to go back to the first section of the book and listen to the intro for each story before reading that story. Instead, it dispensed pertinent information on every short story before I even had a chance to get to them. If I were to appreciate each story fully, it would have been better to introduce each one with background information, so the context is fresh in the listener’s memory.
A collection of well-written short stories, I give Smoke and Mirrors 3.5 stars out of 5.
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I’ll be honest and say that I had no idea what this book was about before I started listening to it. Once I got into it, I could clearly see how the title and cover image related to the story at hand. It’s interesting to think that a mere five years after the terrorist attacks on September 11th, a book like this could be written. Of course, there is plenty of highly descriptive language that helps to cement the story to the reality of the tragedy. That being said, there are many situations in the plot that feel quite cynical, if not downright dark in their humor. Perhaps it’s this mixture of the absurd and the tragic that gives The Zero its interest.
I did find the memory gaps experienced by the main character to be an interesting literary device, especially in their transitions. For the main character to have a series of memory gaps to add to the eventual reveal at the end of the book, I almost felt like I was listening to the film, Memento (2000). Considering how much I love Memento, this was a good thing. The character only knows as much as the reader, which leaves him and us piecing together what happened at the same pace.
Despite its ability to poke at the ridiculous nature of the nationalism that resulted from this disaster, The Zero does show the effects of this national tragedy on its citizens. Loss can be hard to deal with, and everyone does so in their individual way. The poignancy of the narrative is true even today, more than 15 years after the events that transpired that day.
A cynical and often darkly humorous examination of the effects of 9/11, I give The Zero 3.5 stars out of 5.
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Upon a recent re-watch of The Social Network (2010), I came to the realization that the story was based on the book, The Accidental Billionaires by Ben Mezrich. In standard fashion, I put this book in my “to read” list and waited until the audiobook was available. Even though both the book and the movie were created shortly after the meteoric rise of Facebook into the mainstream, the story is still intriguing and captivating. In fact, I think the strength of both works is due to the irony of the whole situation: an anti-social computer genius creates the largest social network ever.
While the book doesn’t use Mark Zuckerberg’s legal troubles as a framework to break up the story as the movie does, both hold very closely to the same narrative. The one thing the book manages to emphasize more than the film is the “romantic” aspect of the whole endeavor. Essentially told from Eduardo Saverin’s perspective, the impetus to attain coveted social connections so as to increase the chances of meeting girls is made clear right from the get-go. The fact that college is the best place to do this is probably why the events of Facebook’s creation (as well as the Winklevoss’ failed website) took place there.
Partly because this story is so incredibly entertaining (in a soap opera drama kind of way), I do have my doubts about the accuracies of its plot. Because depositions and other legal documents comprised the majority of the research, some of the inner thoughts of the characters remain the speculation of the author (except Saverin, who provided consultation for the book). Nevertheless, Zuckerberg’s genius is evident in this book, especially since the portrayal of his character is a mostly apathetic computer programmer who wasn’t out to create “the next big thing” but instead saw a gap and ably filled it.
An enthralling story of one of the most culture-changing inventions of our lifetime, I give The Accidental Billionaires 4.5 stars out of 5.
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***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY***
While violence, action, and excitement fill stories involving tactical military operations, one element of these stories that adds realism can also alienate unknowledgeable readers: jargon. I am fortunate to know enough of the terms and acronyms from my day job, but if a story like this needs an acronym and definitions list in the back, I can see it being difficult to get into for the casual reader. They might be able to push through it and make assumptions on what’s happening, but following the discussions helps the reader to understand the level of importance for each action.
Of course, in this post-9/11 world, Islam has now taken the role of stereotypical “bad guy” that used to be held by the Nazis. I’m almost surprised by how many antagonists are Muslim in the books I read. From apocalyptic stories like Dark Ages: 2020 to science fiction novels like The Starchild Compact, these characters are always the extremist jihad warrior. Without understanding the culture in a more informed manner, I usually have to roll my eyes at the clearly stereotypical (and practically racist) representations of these characters. Tier One is no different in its portrayal of Muslims, thus resulting in rather one-dimensional antagonists.
Even though the action sequences were well written, and most of the events were tied together quite well, I only had a few qualms with the plot. The largest of these minor qualms was the “twist” at the end, which involved a character who appeared early on and was quickly forgotten. They didn’t even have much of an influence on what happened, so when the twist occurred, my only reaction was, “Huh?” Then again, I also had trouble relating to the “meathead” Tier One operator as well, but that’s probably because I related more to the character with synesthesia.
An exciting story heavily ensconced in military jargon, I give Tier One 3.5 stars out of 5.
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In another “lapse” of my reading habits, I didn’t manage to read Ender’s Game until the movie of the same name came out in 2013. At the time, all the sci-fi fans were eagerly anticipating a film that had taken over 25 years to finally become a reality. While I thought the movie was quite well done and engaging, after I read the book, I can understand why some of the diehard fans of the series were disappointed. As is usually the case with book-to-movie transitions, sub-plots often find themselves on the cutting room floor. Of course, I don’t blame them for cutting what they did; after all, it is called Ender’s Game.
Even though watching the movie first spoiled the exciting twist of the ending when I read the book, I almost read the book differently knowing how it would turn out. I could see the signs leading up to the shocking reveal, almost as if I had read it before. I did appreciate the sub-plot with Ender’s siblings and their efforts back on Earth as their brother was winning the war in space. If anything, it helped to break up the intense action surrounding the eponymous main character so that the reader could fully absorb what was happening in the universe on a political level as well as a military one.
It is disappointing that there will likely be no more movies in this series since the source material is full of interesting ideas that I’d like to see on the big screen. Perhaps the series would be better suited for a television show (a la Game of Thrones) to fully include all the different elements that made it a classic of sci-fi back in 1985. Either way, I look forward to exploring more of Orson Scott Card’s universe in the next book of the series: Speaker for the Dead.
A fantastic sci-fi story with an incredible twist ending, I give Ender’s Game 5.0 stars out of 5.
In this sequel to Ender’s Game, Orson Scott Card continues to provide a smartly-written plot that causes the reader to think about death in a whole new way. While the first book in the series gave some thought-provoking insights into war, simulation and the dangers of following orders, Speaker for the Dead examines cultural differences, religion, and the humanity of individuals who acted like monsters during their lives. Instead of moving on from the life of a deplorable person, Card manages to show the reader that a person’s life is made up of all its truths: the bad included with the good.
While Ender Wiggin seemed a little young in Ender’s Game, by Speaker for the Dead he’s aged into a wiser and much more complex character. His experiences in the first book helped to set him up as the universe’s devil and savior, a unique attribute set for a very cerebral character. I did appreciate how the physics of interstellar travel were used as limitations and constraints to make the situation of Ender’s age and experience much more believable. Of course, now that I’ve read the sequel to Ender’s Game, I’m not sure if the sub-plot with his siblings was nearly as important as I thought it would have been, thus making its omission from the movie a sensible choice.
What’s most intriguing about this science fiction adventure is how little science fiction is in it. Sure, there’s light-speed travel, alien creatures, and sentient computers, but when it comes down to it, the story is essentially a detective mystery solved by Ender Wiggin. Perhaps the sci-fi framework helped to create the ideal metaphor for understanding a culture different from our own, but these sci-fi elements could have easily been cut out, and a profound plot would have remained.
Another thought-provoking story in Ender Wiggin’s saga, I give Speaker for the Dead 4.5 stars out of 5.
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I’ll be the first to admit that I like sequels. Or, more accurately, well-done sequels. While the first book in a series can be great by itself, it carries the burden of exposition and world-building. A good sequel gives a light refresher of the important points and gets right into the action. I would certainly consider Stiletto to be a well-done sequel to the first book in the Checquy Files series, The Rook. Not only does it expand upon the central conflict in the first book, but it throws in the twist of the warring factions of the Checquy and the Grafters coming together to form a truce.
In making enemies into teammates, Daniel O’Malley shows the differences between them are almost superficial. The chess-based supernatural soldiers of the Checquy almost have the same strength of powers that the genetically and surgically enhanced members of the Grafters do. Since the whole plot usually revolves around a pawn of the Checquy and a young woman from the Grafters as they try and maneuver treaty negotiations, the reader gets to see both sides of the argument. Of course, as was the case in The Rook, much of the story is divided into episodic events with an overarching storyline connecting these loosely-related moments together.
Even if the humor is often bodily-related, the style continues to be quintessentially British. It casts a delicate balance between action and humor while also moving the story along to an exciting conclusion. I would almost think such a series would be perfect for a Television show adaptation since its episodic nature lends itself to be easily broken up into smaller pieces. One last thing I would like to mention is that the narration given by Moria Quirk in this book was outstanding. With many different European accents and a variety of unique characters to voice, Quirk made the story understandable and engaging in all the best ways.
A perfect sequel to one of my new favorite series, I give Stiletto 4.5 stars
out of 5.
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Hans Vollman died shorty before getting to consummate his marriage with his young wife. His spirit, full of regrets, stuck around the graveyard. The same is true for Mr. Blevins, who committed suicide because of his sexuality. No one really knows why the Reverend chose to stay in what amounts to purgatory, but he's there, and he mostly hangs around with Vollman and Blevins. Every night, those ghosts and more come out of their "sick boxes" to congregate. Until one night, a very special ghost arrives, and everything changes. Willie Lincoln arrives in the graveyard, and instead of immediately transferring to the "next place" as most young children do, he sticks around. Lincoln in the Bardo follows the ghosts and their reactions to the younger Lincoln and his very special visitor, his father, the living sitting president, Abraham Lincoln.
First, I listened to this book, and while the audio performances were stunning, it was initially extremely confusing for this listener. I had no idea what was happening for the first disk, and considered quitting the book entirely. However, after reading the synopsis on the back and a few online reviews, I stuck with it, and I'm glad I did. Like I said, the audio performances were stunning. Nick Offerman (Vollman) and David Sedaris (Blevins), in particular, deliver masterful performances. Along with exposition from the ghosts, there are interstitial segments that use actual quotes from newspapers and other sources from the time , and it's here that the narration goes into overkill. The audiobook features 160 narrators, and I think that instead of having a different person read each quote, the story would've flowed a little better had our narrator just read the quotes.
The book itself is an interesting paranormal postmodern story that has elements of historical fiction that also takes a long hard look at death, grief, and coming to terms with one's lot in life. There's a lot going on, but after the first sixth of the story, I was hooked, and I really started to care about Blevins and particularly Vollman. This book is short on plot, but that's not the point. This is a character study that also examines life, death, and whatever might lie in-between. As the book is set at the beginning of the civil war, there are some heartrending accounts from the ghosts of slaves, and some maddening accounts from dead confederate soldiers. The book is a bit of an emotional roller coaster, but as I like books that make me feel things, that wasn't a problem for me. This book will make most people feel something, be it ire, or sadness, or confusion (it's been a while since I've read a postmodern book, and the format was occasionally jarring).
While this was at first a difficult listen, I ultimately ended up enjoying it. I would recommend reading the book, and then revisiting it as an audiobook to enjoy the fabulous performances. A challenging, but worthy read. 3 stars - I liked it.
It's not the book's fault that it got 3 stars. I'm just not the target audience. I think that if I read this as a teenager I would give it 4 or 5 stars. That said, it was a good story. It's a dystopian Cinderella story involving a cyborg with a shrouded past, a young emporer, and an evil queen. Not too shabby.
This is a very interesting book about the presidents. It's well written and concise, but not overly so. This would be a good source for a history report or you can do what I did, which was read it from cover to cover. Two thumbs up!
Serafina is a 12 year old girl who sneaks around the Baltimore Estate and gets rid of all of the rats. She has never talked to any of the people who stayed at the estate. The owners don't even know she exists! She has 4 toes on each foot and her collar bones aren't attached to the other bones.
Serafina and the Black Cloak is an amazing book with adventure family and the true meaning of friendship. I would recommend this book to all middle school readers.
I picked up this book because I saw a lot of fan art and posts about it online, and for a while I actually confused it with the "Six of Crows" series. It is DEFINITELY not the "Six of Crows" series.
"The Dream Thieves" is the second book of "The Raven Cycle" series, the first being "The Raven Boys." Now, despite the title making it sound like a cheesy love triangle YA novel, it is most definitely not. If the book was about anyone's love, it would be about the teenage rich boy's love for a dead Welsh king (just read the book it will all make sense).
The thing I loved most about "The Dream Thieves" and the series in general is that each book seems to focus on a different character and their struggles. "The Raven Boys" was a sort of combo about Noah and Adam, "Blue Lily, Lily Blue" is about Blue (or Jane if you prefer), and "The Raven King" is about Gansey. "The Dream Thieves," however, is about Ronan.
The reason I loved this book so much is because of the character development of Ronan and how we are able to see deeper inside his character. Stiefvater starts out the book blatantly stating that Ronan has secrets, and throughout the book she gradually slips either clues or foreshadowing as to what those secrets are. Maggie Stiefvater is the queen of foreshadowing (right ahead of Sarah J. Maas). She finishes it off by revealing some pretty major details about the character that will become relevant in later books (Spoiler free environment here).
I personally LOVE Ronan and many others focused on in this book as well. I loved the complexity of Kavinsky and how he wasn't just blatantly evil, but had secrets of his own as well. I also really really enjoyed The Gray Man and his character development throughout the novel. His and Maura's relationship was one of the most comical and enjoyable things about the book. Add that to the character and relationship struggles of Adam and Gansey, the novel was one of the best I've read in a while. I have little to no complaints except that I want more.
Grade: 10 Age: 15